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Author: Anthony B. Chan
Publisher: Scarecrow Press
ISBN: 1461670411
Category : Performing Arts
Languages : en
Pages : 348
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Book Description
Anna May Wong was an extraordinary Asian American woman who became the country's most famous film actress of Chinese descent. From small parts in silent films to starring roles in Hollywood and across the Atlantic, Wong made an impression on audiences of all persuasions. In Perpetually Cool, Anthony Chan takes the reader on a compelling journey through Wong's early years in Los Angeles and her first Hollywood pictures. Chan also examines the scope and nature of race, gender, and power and their impact on Wong's personal growth as a Chinese American. Perpetually Cool is not only the captivating story of a cinematic career, but also of roots and identity, as it recounts Wong's desire to connect with her heritage in the United States and in China. Chan provides extensive textual analyses of Wong's signature films, especially The Toll of the Sea (1922), The Thief of Bagdad (1924) with Douglas Fairbanks, and her most famous role as Hui Fei in Shanghai Express (1932), opposite Marlene Dietrich. Perpetually Cool is a fitting tribute to the influence of this Chinese American icon.
Author: Anthony B. Chan
Publisher: Scarecrow Press
ISBN: 1461670411
Category : Performing Arts
Languages : en
Pages : 348
Get Book Here
Book Description
Anna May Wong was an extraordinary Asian American woman who became the country's most famous film actress of Chinese descent. From small parts in silent films to starring roles in Hollywood and across the Atlantic, Wong made an impression on audiences of all persuasions. In Perpetually Cool, Anthony Chan takes the reader on a compelling journey through Wong's early years in Los Angeles and her first Hollywood pictures. Chan also examines the scope and nature of race, gender, and power and their impact on Wong's personal growth as a Chinese American. Perpetually Cool is not only the captivating story of a cinematic career, but also of roots and identity, as it recounts Wong's desire to connect with her heritage in the United States and in China. Chan provides extensive textual analyses of Wong's signature films, especially The Toll of the Sea (1922), The Thief of Bagdad (1924) with Douglas Fairbanks, and her most famous role as Hui Fei in Shanghai Express (1932), opposite Marlene Dietrich. Perpetually Cool is a fitting tribute to the influence of this Chinese American icon.
Author: Thomas Frank
Publisher: University of Chicago Press
ISBN: 9780226260129
Category : Business & Economics
Languages : en
Pages : 340
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Book Description
Looks at advertising during the 1960s, focusing on the relationship between the counterculture movement and commerce.
Author: William Alexander Ross
Publisher:
ISBN:
Category : Analytical chemistry
Languages : en
Pages : 398
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Book Description
Author: William Alexander
Publisher:
ISBN:
Category :
Languages : en
Pages : 412
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Book Description
Author:
Publisher:
ISBN:
Category : Business
Languages : en
Pages : 464
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Book Description
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 640
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Book Description
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 636
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Book Description
Author: Steve Stoute
Publisher: Avery
ISBN: 1592407382
Category : Business & Economics
Languages : en
Pages : 322
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Book Description
Traces how the "tanning" phenomenon raised a generation of black, Hispanic, white, and Asian consumers who have the same "mental complexion" based on shared experiences and values. This consumer is a mindset-not a race or age-that responds to shared values and experiences, rather than the increasingly irrelevant demographic boxes that have been used to a fault by corporate America."--
Author: Jacob Prince
Publisher: JACOB PRINCE
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 250
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Book Description
ENCOUNTERS is an expedition taking you through a journey of unusual. Reading like a fiction occasionally getting carried to a different world and its not just memoirs but reflections making it a unique reading experience. While we all encounter experiences varying its nature through out life , the experience of reading a book of this kind would be another unusual encounter which will be etched in your memory forever. From the blossoming of life - beginning from mothers womb, cradled in her hands the journey of life is abundant with encounters. From the cradle through the places, people, the environment and eventually setting out for a journey to an unknown eternity. Whether the encounters we underwent were by design, were they avoidable, and how worth it was to take them all ?
Author: Celine Parreñas Shimizu
Publisher: Duke University Press
ISBN: 0822389940
Category : Social Science
Languages : en
Pages : 353
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Book Description
In The Hypersexuality of Race, Celine Parreñas Shimizu urges a shift in thinking about sexualized depictions of Asian/American women in film, video, and theatrical productions. Shimizu advocates moving beyond denunciations of sexualized representations of Asian/American women as necessarily demeaning or negative. Arguing for a more nuanced approach to the mysterious mix of pleasure, pain, and power in performances of sexuality, she advances a theory of “productive perversity,” a theory which allows Asian/American women—and by extension other women of color—to lay claim to their own sexuality and desires as actors, producers, critics, and spectators. Shimizu combines theoretical and textual analysis and interviews with artists involved in various productions. She complicates understandings of the controversial portrayals of Asian female sexuality in the popular Broadway musical Miss Saigon by drawing on ethnographic research and interviews with some of the actresses in it. She looks at how three Hollywood Asian/American femme fatales—Anna May Wong, Nancy Kwan, and Lucy Liu—negotiate representations of their sexuality; analyzes 1920s and 1930s stag films in which white women perform as sexualized Asian characters; and considers Asian/American women’s performances in films ranging from the stag pornography of the 1940s to the Internet and video porn of the 1990s. She also reflects on two documentaries depicting Southeast Asian prostitutes and sex tourism, The Good Woman of Bangkok and 101 Asian Debutantes. In her examination of films and videos made by Asian/American feminists, Shimizu describes how female characters in their works reject normative definitions of race, gender, and sexuality, thereby expanding our definitions of racialized sexualities in representation.
