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Author: Katrina M. Powell
Publisher: Springer Nature
ISBN: 3030645983
Category : Literary Criticism
Languages : en
Pages : 216
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Book Description
Performing Auto/biography: Narrating a Life as Activism analyzes the rhetorical strategies employed in five authors’ auto/biographical texts, examining their representations of identities and the public implications of writing individual identity. Exploring the ways race, class, culture, ethnicity, gender, and sexuality might affect the form(s) in which writers choose to write (e.g., memoir, fictional autobiography, poetry), questions how autobiographers challenge notions of genre, truth, and representation. This builds on the argument that constructing identity is a Performing Autobiography performance, one that can simultaneously use and subvert traditional notions of rhetoric and genre. By examining the auto/biographical texts of Zora Neale Hurston, Audre Lorde, Dorothy Allison, Joyce Johnson, and Shirley Geok-lin Lim together, the book theorizes self-representation and genres as rhetorical performances, and therefore their texts can be seen as “performative auto/biography”—transgressive archives where readers are asked to consider their own identities and act accordingly. In doing so, this book contributes to growing theories in feminist rhetorics and auto/biography studies, arguing that these performative genres advocate for life narratives as political and social activism.
Author: Katrina M. Powell
Publisher: Springer Nature
ISBN: 3030645983
Category : Literary Criticism
Languages : en
Pages : 216
Get Book Here
Book Description
Performing Auto/biography: Narrating a Life as Activism analyzes the rhetorical strategies employed in five authors’ auto/biographical texts, examining their representations of identities and the public implications of writing individual identity. Exploring the ways race, class, culture, ethnicity, gender, and sexuality might affect the form(s) in which writers choose to write (e.g., memoir, fictional autobiography, poetry), questions how autobiographers challenge notions of genre, truth, and representation. This builds on the argument that constructing identity is a Performing Autobiography performance, one that can simultaneously use and subvert traditional notions of rhetoric and genre. By examining the auto/biographical texts of Zora Neale Hurston, Audre Lorde, Dorothy Allison, Joyce Johnson, and Shirley Geok-lin Lim together, the book theorizes self-representation and genres as rhetorical performances, and therefore their texts can be seen as “performative auto/biography”—transgressive archives where readers are asked to consider their own identities and act accordingly. In doing so, this book contributes to growing theories in feminist rhetorics and auto/biography studies, arguing that these performative genres advocate for life narratives as political and social activism.
Author: Jenn Stephenson
Publisher: University of Toronto Press
ISBN: 144264446X
Category : Performing Arts
Languages : en
Pages : 225
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Book Description
Investigates the use of plays as a form of autobiography, looking at how the line between real-life and fiction can become blurred.
Author: Lynn C. Miller
Publisher: Univ of Wisconsin Press
ISBN: 9780299184247
Category : Biography & Autobiography
Languages : en
Pages : 348
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Book Description
Fourteen bold, dynamic, and daring women take the stage in this collection of women's lives and stories. Individually and collectively, these writers and performers speak the unspoken and perform the heretofore unperformed. The first section includes scripts and essays about performances of the lives of Gertrude Stein, Georgia O'Keeffe, Mary Church Terrell, Charlotte Cushman, Anaïs Nin, Calamity Jane, and Mary Martin. The essays consider intriguing interpretive issues that arise when a woman performer represents another woman's life. In the second section, seven performers--Tami Spry, Jacqueline Taylor, Linda Park-Fuller, Joni Jones, Terri Galloway, Linda M. Montano, and Laila Farah--tell their own stories. Ranging from narrrative lectures (sometimes aided by slides and props) to theatrical performances, their works wrest comic and dramatic meaning from a world too often chaotic and painful. Their performances engage issues of sexual orientation, ethnicity, race, loss of parent, disability, life and death, and war and peace. The volume as a whole highlights issues of representation, identity, and staging in autobiographical performance. It examines the links among theory and criticism of women's autobiography, feminist performance theory, and performance practice.
Author: Sidonie Smith
Publisher: University of Michigan Press
ISBN: 9780472068142
Category : Art
Languages : en
Pages : 500
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Book Description
Charts the ways that woman artists have represented themselves and their life stories
Author: Deirdre Heddon
Publisher: Red Globe Press
ISBN: 0230537537
Category : Performing Arts
Languages : en
Pages : 0
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Book Description
Offering a comprehensive overview of the use of autobiography in performance, this title uncovers the political potentials and limits that accompany the use of the personal in performance.
Author: Sherrill Grace
Publisher: Talonbooks
ISBN:
Category : Drama
Languages : en
Pages : 364
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Book Description
This groundbreaking exploration of a wide range of contemporary theorists and playwrights covers an extraordinary breadth of styles and performances.
Author: Paul Anka
Publisher: St. Martin's Press
ISBN: 1250035201
Category : Biography & Autobiography
Languages : en
Pages : 386
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Book Description
A teen idol of the 1950s who virtually invented the singer/songwriter/heartthrob combination that still tops pop music today, Paul Anka rocketed to fame with a slew of hits-from "Diana" to "Put Your Head on my Shoulder"-that earned him a place touring with the major stars of his era, including Chuck Berry, Jerry Lee Lewis, and Buddy Holly. He wrote Holly's last hit, and just missed joining the rocker on his final, fatal plane flight. Anka also stepped in front of the camera in the teen beach-party movie era, scoring the movies and romancing their starlets, including Annette Funicello. When the British invasion made his fans swoon for a new style of music-and musician--Anka made sure he wasn't conquered. A rapier-canny businessman and image-builder who took his career into his own hands-just as he had from the very beginning, swiping his mother's car at fourteen to drive himself, underage, to his first gigs in Quebec-Anka toured the world until he could return home in triumph. A charter member of the Rat Pack, he wrote the theme music for The Tonight Show as well as his friend Frank Sinatra's anthem "My Way". By the 1970s, a multi-decade string of pop chart-toppers, including "Puppy Love" and "(You're) Having My Baby", cemented his status as an icon. My Way is bursting with rich, rollicking stories of the business and the people in Anka's life: Elizabeth Taylor, Dodi Fayed, Tom Jones, Michael Jackson, Adnan Khashoggi, Little Richard, Brooke Shields, Johnny Roselli, Sammy Davis, Jr., Brigitte Bardot, Barnum & Bailey Circus acrobats, and many more. Anka is forthcoming, funny and smart as a whip about the business he's been in for almost six decades. My Way moves from New York to Vegas, from the casino stage to backstages all over the world. It's the most entertaining autobiography of the year.
Author: Elizabeth Schleber Lowry
Publisher: SUNY Press
ISBN: 1438465998
Category : History
Languages : en
Pages : 188
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Book Description
Provides a rhetorical analysis of female spirit mediums autobiographies in the historical and social contexts of Victorian-era America. Invisible Hosts explores how the central tenets of Spiritualism influenced ways in which women conceived of their bodies and their civic responsibilities, arguing that Spiritualist ideologies helped to lay the foundation for the social and political advances made by women in the late nineteenth and early twentieth centuries. As public figures, female spirit mediums of the Victorian era were often accused of unfeminine (and therefore transgressive) behavior. A rhetorical analysis of nineteenth-century spirit mediums autobiographies reveals how these women convinced readers of their authenticity both as respectable women and as psychics. The author argues that these womens autobiographies reflect an attempt to emulate feminine virtues even as their interpretation and performance of these virtues helped to transform prevailing gender stereotypes. She demonstrates that the social performance central to the production of womens autobiography is uniquely complicated by Spiritualist ideology. Such complications reveal new information about how women represented themselves, gained agency, and renegotiated nineteenth-century gender roles.
Author: Suzanne Oakdale
Publisher:
ISBN: 9780803222526
Category : History
Languages : en
Pages : 0
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Book Description
I Foresee My Life is a study of the ritual performances of the Kayabi, a Brazilian indigenous people, during the 1990s. Kayabi rituals are distinct in that they center on the autobiographical narratives of living people. Suzanne Oakdale discusses these autobiographical performances in the context of shamanic cures, mortuary rites, and political oratory. In each ritual, leaders describe how some of the dramatic environmental, economic, and political changes taking place in the Amazon have affected them. For example, the Kayabi have moved from a heavily colonized area to a reservation and as a result have had to address different facets of Indian identity, new forms of commodity consumption, residence patterns, and leadership. As they narrate their lives in these rituals, leaders also give other participants ways to address some of the pressing issues in their own lives. Special emphasis is given to the emotional effects of narrative performances and how these accounts move people to identify with others, compel them to act in appropriate ways, or assuage their grief over a lost loved one. Oakdale analyzes autobiographical performances using insights from studies on ritual, life history, and linguistic anthropology to better understand Kayabi notions of self and person and the role these narrative expressions play in their social life. Richly textured with eyewitness accounts and indigenous voices, I Foresee My Life demonstrates the enduring power of indigenous performances today. Suzanne Oakdale is an assistant professor of anthropology at the University of New Mexico-Albuquerque.
Author: Teófilo Espada-Brignoni
Publisher: Rowman & Littlefield
ISBN: 1793624399
Category : Music
Languages : en
Pages : 171
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Book Description
In The Performance of Authenticity: The Makings of Jazz and the Self in Autobiography Teófilo Espada-Brignoni analyzes the autobiographies of New Orleans musicians (Baby Dodds, Sidney Bechet, Pops Foster, and Lee Collins) who throughout their texts construct New Orleans jazz as an authentic musical expression grounded in their experiences and culture. The author argues the autobiographies reproduce and reinterpret modernist conceptions of authenticity to assert and affirm authority over the public representations and discussions of jazz. Through the autobiographers' use of ideas about authenticity, they establish the value of their narratives but at the same time reinforce some of the power dynamics they set out to criticize. Their narratives also reveal the complex ethics that emerged during the first decades of the music and problematize modernist values such as individualism, the dichotomy of work and life, as well as the self and the social. The book adopts Foucauldian and social-constructivist perspectives, complementing analysis of the autobiographies by drawing from literary theory, psychology, sociology, and jazz scholarship.
