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Author: Sonja Longolius
Publisher: transcript Verlag
ISBN: 3839434602
Category : Literary Criticism
Languages : en
Pages : 287
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Book Description
Authors not only create artworks. In the process of creating, they simultaneously bring to life their author personae. Approaching this phenomenon from an interdisciplinary point of view, Sonja Longolius develops a concept of »performative authorship« by examining different strategies of becoming an author. In regard to the notion of her concept, this work offers a critical and comparative analysis of the works of Paul Auster, Candice Breitz, Sophie Calle, and Jonathan Safran Foer. Specifically, Auster/Calle and Breitz/Foer form a generational pair of opposites, enabling a discussion of postmodern and post-postmodern artistic strategies of »performative authorship«.
Author: Sonja Longolius
Publisher: transcript Verlag
ISBN: 3839434602
Category : Literary Criticism
Languages : en
Pages : 287
Get Book Here
Book Description
Authors not only create artworks. In the process of creating, they simultaneously bring to life their author personae. Approaching this phenomenon from an interdisciplinary point of view, Sonja Longolius develops a concept of »performative authorship« by examining different strategies of becoming an author. In regard to the notion of her concept, this work offers a critical and comparative analysis of the works of Paul Auster, Candice Breitz, Sophie Calle, and Jonathan Safran Foer. Specifically, Auster/Calle and Breitz/Foer form a generational pair of opposites, enabling a discussion of postmodern and post-postmodern artistic strategies of »performative authorship«.
Author: Amanda Adams
Publisher: Routledge
ISBN: 1317082486
Category : Literary Criticism
Languages : en
Pages : 179
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Book Description
Expanding our understanding of what it meant to be a nineteenth-century author, Amanda Adams takes up the concept of performative, embodied authorship in relationship to the transatlantic lecture tour. Adams argues that these tours were a central aspect of nineteenth-century authorship, at a time when authors were becoming celebrities and celebrities were international. Spanning the years from 1834 to 1904, Adams’s book examines the British lecture tours of American authors such as Frederick Douglass, Harriet Beecher Stowe, and Mark Twain, and the American lecture tours of British writers that include Harriet Martineau, Charles Dickens, Oscar Wilde, and Matthew Arnold. Adams concludes her study with a discussion of Henry James, whose American lecture tour took place after a decades-long absence. In highlighting the wide range of authors who participated in this phenomenon, Adams makes a case for the lecture tour as a microcosm for nineteenth-century authorship in all its contradictions and complexity.
Author: Cecilia Sayad
Publisher: Bloomsbury Publishing
ISBN: 0857722875
Category : Art
Languages : en
Pages : 208
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Book Description
The figure of the auteur continues to haunt the study of film, resisting both the poststructuralist charges that pointed to its absence and the histories of production that have described its pitfalls. In an era defined by the instability of identities and the recycling of works, Performing Authorship offers a refreshingly new take on the cinematic auteur, proposing that the challenges that once accelerated this figure's critical demise should instead pump new life into it. This book is about the drama of creative processes in essay, documentary and fiction films, with particular emphasis on the effects that the filmmaker's body exerts on our sense of an authorial presence. It is an illuminating analysis of films by Jean-Luc Godard, Woody Allen, Agnes Varda, Orson Welles, Jean Rouch, Eduardo Coutinho and Sarah Turner that shows directors shifting between opposite movements towards exposure and masking, oscillating between the assertion and divestiture of their authorial control. In the process, Cecilia Sayad argues, the film author is not necessarily at the work's origin, nor does it constitute the end product. What this new concept of performing authorship describes is the making and unmaking of a subject.
Author: Manushag N. Powell
Publisher: Lexington Books
ISBN: 1611484162
Category : History
Languages : en
Pages : 305
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Book Description
This book discusses the English periodical and how it shapes and expresses early conceptions of authorship in the eighteenth century.
Author: Sonja Longolius
Publisher: Transcript Publishing
ISBN: 9783837634600
Category : Authorship
Languages : en
Pages : 0
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Book Description
Authors do not only create artworks. In the process of creating, they simultaneously bring to life their authorial persona. Approaching this phenomenon from an interdisciplinary point of view, Sonja Longolius develops a concept of "performative authorship" by examining different strategies of becoming an author. She demonstrates this idea through a critical and comparative analysis of the works of Paul Auster, Candice Breitz, Sophie Calle, and Jonathan Safran Foer. Specifically, Auster/Calle and Breitz/Foer form a generational pair of opposites, enabling a discussion of postmodern and post-postmodern artistic strategies of performative authorship.
Author: Dr Amanda Adams
Publisher: Ashgate Publishing, Ltd.
ISBN: 147241666X
Category : Literary Criticism
Languages : en
Pages : 179
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Book Description
Expanding our understanding of what it meant to be a nineteenth-century author, Amanda Adams takes up the concept of performative, embodied authorship in relationship to the transatlantic lecture tour. Adams argues that these tours were a central aspect of nineteenth-century authorship, at a time when authors were becoming celebrities and celebrities were international. Spanning the years from 1834 to 1904, Adams’s book examines the British lecture tours of American authors such as Frederick Douglass, Harriet Beecher Stowe, and Mark Twain, and the American lecture tours of British writers that include Harriet Martineau, Charles Dickens, Oscar Wilde, and Matthew Arnold. Adams concludes her study with a discussion of Henry James, whose American lecture tour took place after a decades-long absence. In highlighting the wide range of authors who participated in this phenomenon, Adams makes a case for the lecture tour as a microcosm for nineteenth-century authorship in all its contradictions and complexity.
Author: Gian Maria Annovi
Publisher:
ISBN: 9780231180306
Category :
Languages : en
Pages : 258
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Book Description
Annovi revisits Pasolini's oeuvre to examine the author's performance as a way of assuming an antagonistic stance toward forms of artistic, social, and cultural oppression.
Author: Luke McDonagh
Publisher: Bloomsbury Publishing
ISBN: 1509927050
Category : Law
Languages : en
Pages : 225
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Book Description
Based on empirical research, this innovative book explores issues of performativity and authorship in the theatre world under copyright law and addresses several inter-connected questions: who is the author and first owner of a dramatic work? Who gets the credit and the licensing rights? What rights do the performers of the work have? Given the nature of theatre as a medium reliant on the re-use of prior existing works, tropes, themes and plots, what happens if an allegation of copyright infringement is made against a playwright? Furthermore, who possesses moral rights over the work? To evaluate these questions in the context of theatre, the first part of the book examines the history of the dramatic work both as text and as performative work. The second part explores the notions of authorship and joint authorship under copyright law as they apply to the actual process of creating plays, referring to legal and theatrical literature, as well as empirical research. The third part looks at the notion of copyright infringement in the context of theatre, noting that cases of alleged theatrical infringement reach the courts comparatively rarely in comparison with music cases, and assessing the reasons for this with respect to empirical research. The fourth part examines the way moral rights of attribution and integrity work in the context of theatre. The book concludes with a prescriptive comment on how law should respond to the challenges provided by the theatrical context, and how theatre should respond to law. Very original and innovative, this book proposes a ground-breaking empirical approach to study the implications of copyright law in society and makes a wonderful case for the need to consider the reciprocal influence between law and practice.
Author: Robert Layton
Publisher: Syngress
ISBN: 012802917X
Category : Computers
Languages : en
Pages : 224
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Book Description
Algorithms for Automating Open Source Intelligence (OSINT) presents information on the gathering of information and extraction of actionable intelligence from openly available sources, including news broadcasts, public repositories, and more recently, social media. As OSINT has applications in crime fighting, state-based intelligence, and social research, this book provides recent advances in text mining, web crawling, and other algorithms that have led to advances in methods that can largely automate this process. The book is beneficial to both practitioners and academic researchers, with discussions of the latest advances in applications, a coherent set of methods and processes for automating OSINT, and interdisciplinary perspectives on the key problems identified within each discipline. Drawing upon years of practical experience and using numerous examples, editors Robert Layton, Paul Watters, and a distinguished list of contributors discuss Evidence Accumulation Strategies for OSINT, Named Entity Resolution in Social Media, Analyzing Social Media Campaigns for Group Size Estimation, Surveys and qualitative techniques in OSINT, and Geospatial reasoning of open data. - Presents a coherent set of methods and processes for automating OSINT - Focuses on algorithms and applications allowing the practitioner to get up and running quickly - Includes fully developed case studies on the digital underground and predicting crime through OSINT - Discusses the ethical considerations when using publicly available online data
Author: Philip Sayers
Publisher: Bloomsbury Publishing USA
ISBN: 1501367692
Category : Literary Criticism
Languages : en
Pages : 225
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Book Description
Authorship's Wake examines the aftermath of the 1960s critique of the author, epitomized by Roland Barthes's essay, “The Death of the Author.” This critique has given rise to a body of writing that confounds generic distinctions separating the literary and the theoretical. Its archive consists of texts by writers who either directly participated in this critique, as Barthes did, or whose intellectual formation took place in its immediate aftermath. These writers include some who are known primarily as theorists (Judith Butler), others known primarily as novelists (Zadie Smith, David Foster Wallace), and yet others whose texts are difficult to categorize (the autofiction of Chris Kraus, Sheila Heti, and Ben Lerner; the autotheory of Maggie Nelson). These writers share not only a central motivating question – how to move beyond the critique of the author-subject – but also a way of answering it: by writing texts that merge theoretical concerns with literary discourse. Authorship's Wake traces the responses their work offers in relation to four themes: communication, intention, agency, and labor.
