Author: Markus Hallensleben
Publisher: Brill Rodopi
ISBN: 9789042031937
Category : Art
Languages : en
Pages : 250
Book Description
The human body as cultural object always has and is a performing subject, which binds the political with the theatrical, shows the construction of ethnicity and technology, unveils private and public spaces, transgresses race and gender, and finally becomes a medium that overcomes the borders of art and life. Since there cannot be a universal definition of the human body due to its culturally performative role as a producer of interactive social spaces, this volume discusses body images from diverse cultural, historical, and disciplinary perspectives, such as art history, human kinetics and performance studies. The fourteen case studies reach from Asian to European studies, from 19th century French culture to 20th century German literature, from Polish Holocaust memoirs to contemporary dance performances, from Japanese avant-garde theatre to Makeover Reality TV shows. This volume is of interest for performance studies artists as well. By focusing on the intersection of body and space, all contributions aim to bridge the gap between art practices and theories of performativity. The innovative impulse of this approach lies in the belief that there is no distinction between performing, discussing, and theorizing the human body, and thus fosters a unique transdisciplinary and international collaboration around the theme performative body spaces. (I. Biopolitical Choreographies, II. Transcultural Topographies, III. Corporal Mediations, IV. Controlled Interfaces.)
Performative Body Spaces
Author: Markus Hallensleben
Publisher: Brill Rodopi
ISBN: 9789042031937
Category : Art
Languages : en
Pages : 250
Book Description
The human body as cultural object always has and is a performing subject, which binds the political with the theatrical, shows the construction of ethnicity and technology, unveils private and public spaces, transgresses race and gender, and finally becomes a medium that overcomes the borders of art and life. Since there cannot be a universal definition of the human body due to its culturally performative role as a producer of interactive social spaces, this volume discusses body images from diverse cultural, historical, and disciplinary perspectives, such as art history, human kinetics and performance studies. The fourteen case studies reach from Asian to European studies, from 19th century French culture to 20th century German literature, from Polish Holocaust memoirs to contemporary dance performances, from Japanese avant-garde theatre to Makeover Reality TV shows. This volume is of interest for performance studies artists as well. By focusing on the intersection of body and space, all contributions aim to bridge the gap between art practices and theories of performativity. The innovative impulse of this approach lies in the belief that there is no distinction between performing, discussing, and theorizing the human body, and thus fosters a unique transdisciplinary and international collaboration around the theme performative body spaces. (I. Biopolitical Choreographies, II. Transcultural Topographies, III. Corporal Mediations, IV. Controlled Interfaces.)
Publisher: Brill Rodopi
ISBN: 9789042031937
Category : Art
Languages : en
Pages : 250
Book Description
The human body as cultural object always has and is a performing subject, which binds the political with the theatrical, shows the construction of ethnicity and technology, unveils private and public spaces, transgresses race and gender, and finally becomes a medium that overcomes the borders of art and life. Since there cannot be a universal definition of the human body due to its culturally performative role as a producer of interactive social spaces, this volume discusses body images from diverse cultural, historical, and disciplinary perspectives, such as art history, human kinetics and performance studies. The fourteen case studies reach from Asian to European studies, from 19th century French culture to 20th century German literature, from Polish Holocaust memoirs to contemporary dance performances, from Japanese avant-garde theatre to Makeover Reality TV shows. This volume is of interest for performance studies artists as well. By focusing on the intersection of body and space, all contributions aim to bridge the gap between art practices and theories of performativity. The innovative impulse of this approach lies in the belief that there is no distinction between performing, discussing, and theorizing the human body, and thus fosters a unique transdisciplinary and international collaboration around the theme performative body spaces. (I. Biopolitical Choreographies, II. Transcultural Topographies, III. Corporal Mediations, IV. Controlled Interfaces.)
Dynamic Cartography
Author: María José Martínez Sánchez
Publisher: Routledge
ISBN: 1000077322
Category : Performing Arts
Languages : en
Pages : 267
Book Description
Dynamic Cartography analyses the works of Rudolf Laban, Lawrence Halprin, Anne Bogart, Adolphe Appia, Cedric Price, Joan Littlewood, and Hélio Oiticica. They are practitioners who have worked on different areas of enquiry from the existing relations between body and space through movement, events, or actions but whose work has never been presented from this perspective or in this context. The work and methodologies set up by these practitioners enable us to develop a practice-based exploration. Some of the experiments in the book – Micro-actions I and II – explore the presence of the body in the space. In Kinetography I and II, Laban’s dance notation system – kinetography – is used to create these dynamic cartographies. Kinetography III proposes the analysis of an urban public space through the transcription of the body movement contained on it. The series Dynamic Cartographies I, II, and III analyses movement in geometrically controlled spaces through the Viewpoints techniques by Anne Bogart. Finally, Wooosh! and Trellick Tales present two projects in which performance is applied in order to analyse and understand urban and architectural space.
Publisher: Routledge
ISBN: 1000077322
Category : Performing Arts
Languages : en
Pages : 267
Book Description
Dynamic Cartography analyses the works of Rudolf Laban, Lawrence Halprin, Anne Bogart, Adolphe Appia, Cedric Price, Joan Littlewood, and Hélio Oiticica. They are practitioners who have worked on different areas of enquiry from the existing relations between body and space through movement, events, or actions but whose work has never been presented from this perspective or in this context. The work and methodologies set up by these practitioners enable us to develop a practice-based exploration. Some of the experiments in the book – Micro-actions I and II – explore the presence of the body in the space. In Kinetography I and II, Laban’s dance notation system – kinetography – is used to create these dynamic cartographies. Kinetography III proposes the analysis of an urban public space through the transcription of the body movement contained on it. The series Dynamic Cartographies I, II, and III analyses movement in geometrically controlled spaces through the Viewpoints techniques by Anne Bogart. Finally, Wooosh! and Trellick Tales present two projects in which performance is applied in order to analyse and understand urban and architectural space.
Notes Toward a Performative Theory of Assembly
Author: Judith Butler
Publisher: Harvard University Press
ISBN: 067449556X
Category : Philosophy
Languages : en
Pages : 257
Book Description
A Times Higher Education Book of the Week Judith Butler elucidates the dynamics of public assembly under prevailing economic and political conditions, analyzing what they signify and how. Understanding assemblies as plural forms of performative action, Butler extends her theory of performativity to argue that precarity—the destruction of the conditions of livability—has been a galvanizing force and theme in today’s highly visible protests. “Butler’s book is everything that a book about our planet in the 21st century should be. It does not turn its back on the circumstances of the material world or give any succour to those who wish to view the present (and the future) through the lens of fantasies about the transformative possibilities offered by conventional politics Butler demonstrates a clear engagement with an aspect of the world that is becoming in many political contexts almost illicit to discuss: the idea that capitalism, certainly in its neoliberal form, is failing to provide a liveable life for the majority of human beings.” —Mary Evans, Times Higher Education “A heady immersion into the thought of one of today’s most profound philosophers of action...This is a call for a truly transformative politics, and its relevance to the fraught struggles taking place in today’s streets and public spaces around the world cannot be denied.” —Hans Rollman, PopMatters
Publisher: Harvard University Press
ISBN: 067449556X
Category : Philosophy
Languages : en
Pages : 257
Book Description
A Times Higher Education Book of the Week Judith Butler elucidates the dynamics of public assembly under prevailing economic and political conditions, analyzing what they signify and how. Understanding assemblies as plural forms of performative action, Butler extends her theory of performativity to argue that precarity—the destruction of the conditions of livability—has been a galvanizing force and theme in today’s highly visible protests. “Butler’s book is everything that a book about our planet in the 21st century should be. It does not turn its back on the circumstances of the material world or give any succour to those who wish to view the present (and the future) through the lens of fantasies about the transformative possibilities offered by conventional politics Butler demonstrates a clear engagement with an aspect of the world that is becoming in many political contexts almost illicit to discuss: the idea that capitalism, certainly in its neoliberal form, is failing to provide a liveable life for the majority of human beings.” —Mary Evans, Times Higher Education “A heady immersion into the thought of one of today’s most profound philosophers of action...This is a call for a truly transformative politics, and its relevance to the fraught struggles taking place in today’s streets and public spaces around the world cannot be denied.” —Hans Rollman, PopMatters
A Body Living and Not Measurable: How Bodies are Constructed, Scripted and Performed Through Time and Space
Author: Kathleen Glenister Robers
Publisher: BRILL
ISBN: 1848884370
Category : Social Science
Languages : en
Pages : 202
Book Description
This volume was first published by Inter-Disciplinary Press in 2016. This volume crashes through many boundaries: between academic disciplines, between nations and cultures, and finally between the concepts ‘time’, ‘space’, and ‘body’. With contributors from architecture, literary studies, education, cultural studies, and other fields, chapters take a special interest in the body as it is constructed, scripted, and performed through time and space. Arranged into sections for ease of use in the advanced university course, chapters explore significant questions for the 21st century: What is time? What is the relationship between space and existence? Who controls our bodies? Is there hope for the future given hegemonic controls on the body? From liberature to freak shows, from crime fiction to choreography and art installations to disability, the lived body is explored in all its human puzzlement.
Publisher: BRILL
ISBN: 1848884370
Category : Social Science
Languages : en
Pages : 202
Book Description
This volume was first published by Inter-Disciplinary Press in 2016. This volume crashes through many boundaries: between academic disciplines, between nations and cultures, and finally between the concepts ‘time’, ‘space’, and ‘body’. With contributors from architecture, literary studies, education, cultural studies, and other fields, chapters take a special interest in the body as it is constructed, scripted, and performed through time and space. Arranged into sections for ease of use in the advanced university course, chapters explore significant questions for the 21st century: What is time? What is the relationship between space and existence? Who controls our bodies? Is there hope for the future given hegemonic controls on the body? From liberature to freak shows, from crime fiction to choreography and art installations to disability, the lived body is explored in all its human puzzlement.
Performative Bodies, Hybrid Tongues
Author: Julian Vigo
Publisher: Peter Lang
ISBN: 9783039119516
Category : Literary Collections
Languages : en
Pages : 400
Book Description
This book reconsiders the body in literature and makes a case for visual representation as a physical and gesticulative domain for rethinking the constructions of gender, nationalism and sexuality. Examining literary production from the eleventh century until the present, the author argues that the body in contemporary North Africa and Latin America serves as a physical and symbolic terrain upon which sexual, textual, national, racial and linguistic identities are vectored and through which postcolonial and hegemonic antagonisms of power and identity are resolved. Rather than embracing «third world» identity as a residual repository of western thought, colonization and linguistic infusion, the author suggests that the paradigm of cultural identity in the Maghreb and Latin America is best understood through an examination of the emergent corporeal articulations of subjectivity prevalent in these literatures and visual cultures. The text examines the body as a critical landscape through which the various discourses of nationhood, gender and sexuality converge in order to construct a reading of the social that neither amasses subjectivity as singular under the rubric of the «third world», nor couches the other within static notions of gendered, sexual or racial identities.
Publisher: Peter Lang
ISBN: 9783039119516
Category : Literary Collections
Languages : en
Pages : 400
Book Description
This book reconsiders the body in literature and makes a case for visual representation as a physical and gesticulative domain for rethinking the constructions of gender, nationalism and sexuality. Examining literary production from the eleventh century until the present, the author argues that the body in contemporary North Africa and Latin America serves as a physical and symbolic terrain upon which sexual, textual, national, racial and linguistic identities are vectored and through which postcolonial and hegemonic antagonisms of power and identity are resolved. Rather than embracing «third world» identity as a residual repository of western thought, colonization and linguistic infusion, the author suggests that the paradigm of cultural identity in the Maghreb and Latin America is best understood through an examination of the emergent corporeal articulations of subjectivity prevalent in these literatures and visual cultures. The text examines the body as a critical landscape through which the various discourses of nationhood, gender and sexuality converge in order to construct a reading of the social that neither amasses subjectivity as singular under the rubric of the «third world», nor couches the other within static notions of gendered, sexual or racial identities.
Exhibition Design
Author: David Dernie
Publisher: Laurence King Publishing
ISBN: 1856694305
Category : Art
Languages : en
Pages : 204
Book Description
The way in which the contemporary exhibition is designed is fast changing - previously aloof cultural institutions are making use of technologies and techniques more commonly associated with film and retail. Exhibition Design features a wide variety of examples from around the world, from major trade and commerce fairs, to well-known fine art institutions, to small-scale artist-designed displays. An introduction gives a historical perspective on the development of exhibitions and museums. The first part of the book covers the conceptual themes of narrative space, performative space and simulated experience and the second the practical concerns of display, lighting, colour, sound and graphics. Throughout are photographs, drawings and diagrams of exhibitions, including the work of such internationally renowned architects and designers as Ralph Appelbaum Associates, Atelier Bruckner, Casson Mann, Frank Gehry, Zaha Hadid, Imagination, METStudio and Jean Nouvel.
Publisher: Laurence King Publishing
ISBN: 1856694305
Category : Art
Languages : en
Pages : 204
Book Description
The way in which the contemporary exhibition is designed is fast changing - previously aloof cultural institutions are making use of technologies and techniques more commonly associated with film and retail. Exhibition Design features a wide variety of examples from around the world, from major trade and commerce fairs, to well-known fine art institutions, to small-scale artist-designed displays. An introduction gives a historical perspective on the development of exhibitions and museums. The first part of the book covers the conceptual themes of narrative space, performative space and simulated experience and the second the practical concerns of display, lighting, colour, sound and graphics. Throughout are photographs, drawings and diagrams of exhibitions, including the work of such internationally renowned architects and designers as Ralph Appelbaum Associates, Atelier Bruckner, Casson Mann, Frank Gehry, Zaha Hadid, Imagination, METStudio and Jean Nouvel.
The Politics of People
Author: Shih-Diing Liu
Publisher: State University of New York Press
ISBN: 1438476221
Category : Political Science
Languages : en
Pages : 250
Book Description
Since the 1989 Tiananmen Square occupation, mainland China, Hong Kong, and Macau have experienced an increase in and persistence of mass gatherings, demonstrations, and blockades staged as a means of protesting the ways in which people are. In this book, Shih-Diing Liu argues that these popular protests are poorly understood, because they are viewed through the lens of protests and occupations globally, with insufficient attention given to their distinctively local aspects. He provides a better account of these distinctively Chinese-style occupations by describing, contextualizing, and analyzing a range of relevant recent case studies. Liu draws on theoretical concepts developed by Judith Butler, Jacques Rancière, Ernesto Laclau, and other contemporary critical theorists and shows the the importance of considering bodily, spatial, and visual dimensions of these protests. By seeing them as staged, contentious performances, the author demonstrates how these precarious populations mobilize their bodies and symbolic resources offered by the Chinese government to open up temporary spaces of appearance to articulate their grievances, and argues that this kind of embodied and performative analysis should be more widely conducted in studies of popular politics worldwide.
Publisher: State University of New York Press
ISBN: 1438476221
Category : Political Science
Languages : en
Pages : 250
Book Description
Since the 1989 Tiananmen Square occupation, mainland China, Hong Kong, and Macau have experienced an increase in and persistence of mass gatherings, demonstrations, and blockades staged as a means of protesting the ways in which people are. In this book, Shih-Diing Liu argues that these popular protests are poorly understood, because they are viewed through the lens of protests and occupations globally, with insufficient attention given to their distinctively local aspects. He provides a better account of these distinctively Chinese-style occupations by describing, contextualizing, and analyzing a range of relevant recent case studies. Liu draws on theoretical concepts developed by Judith Butler, Jacques Rancière, Ernesto Laclau, and other contemporary critical theorists and shows the the importance of considering bodily, spatial, and visual dimensions of these protests. By seeing them as staged, contentious performances, the author demonstrates how these precarious populations mobilize their bodies and symbolic resources offered by the Chinese government to open up temporary spaces of appearance to articulate their grievances, and argues that this kind of embodied and performative analysis should be more widely conducted in studies of popular politics worldwide.
Art and Dance in Dialogue
Author: Sarah Whatley
Publisher: Springer Nature
ISBN: 3030440850
Category : Performing Arts
Languages : en
Pages : 269
Book Description
This interdisciplinary book brings together essays that consider how the body enacts social and cultural rituals in relation to objects, spaces, and the everyday, and how these are questioned, explored, and problematised through, and translated into dance, art, and performance. The chapters are written by significant artists and scholars and consider practices from various locations, including Central and Western Europe, Mexico, and the United States. The authors build on dialogues between, for example, philosophy and museum studies, and memory studies and post-humanism, and engage with a wide range of theory from phenomenology to relational aesthetics to New Materialism. Thus this book represents a unique collection that together considers the continuum between everyday and cultural life, and how rituals and memories are inscribed onto our being. It will be of interest to scholars and practitioners, students and teachers, and particularly those who are curious about the intersections between arts disciplines.
Publisher: Springer Nature
ISBN: 3030440850
Category : Performing Arts
Languages : en
Pages : 269
Book Description
This interdisciplinary book brings together essays that consider how the body enacts social and cultural rituals in relation to objects, spaces, and the everyday, and how these are questioned, explored, and problematised through, and translated into dance, art, and performance. The chapters are written by significant artists and scholars and consider practices from various locations, including Central and Western Europe, Mexico, and the United States. The authors build on dialogues between, for example, philosophy and museum studies, and memory studies and post-humanism, and engage with a wide range of theory from phenomenology to relational aesthetics to New Materialism. Thus this book represents a unique collection that together considers the continuum between everyday and cultural life, and how rituals and memories are inscribed onto our being. It will be of interest to scholars and practitioners, students and teachers, and particularly those who are curious about the intersections between arts disciplines.
Body, Space, and Place in Collective and Collaborative Drawing
Author: Helen Gørrill
Publisher: Cambridge Scholars Publishing
ISBN: 1527545423
Category : Art
Languages : en
Pages : 281
Book Description
Building on the success of the first volume in this series of research on collective and collaborative drawing, this book’s key themes are linked through the concepts of body, space, and place. The location of the body in art has always been central, but the exploration of it here, in relation to place and space, uncovers a wide range of exciting and different contexts, relationships and materials. Space is examined through the practice and theorisation of drawing, through the ongoing artistic practices of the authors, and the writings of Berger and Derrida in relation to making, viewing and understanding the drawing process. Place is examined through unique approaches to considering drawing, through multiple consecutive and site-specific places, through place as a changing and temporal site, and through the idea of the ‘non-place’. The contributors in this volume include academics, artists, dancers, researchers, designers, and architects from across the globe.
Publisher: Cambridge Scholars Publishing
ISBN: 1527545423
Category : Art
Languages : en
Pages : 281
Book Description
Building on the success of the first volume in this series of research on collective and collaborative drawing, this book’s key themes are linked through the concepts of body, space, and place. The location of the body in art has always been central, but the exploration of it here, in relation to place and space, uncovers a wide range of exciting and different contexts, relationships and materials. Space is examined through the practice and theorisation of drawing, through the ongoing artistic practices of the authors, and the writings of Berger and Derrida in relation to making, viewing and understanding the drawing process. Place is examined through unique approaches to considering drawing, through multiple consecutive and site-specific places, through place as a changing and temporal site, and through the idea of the ‘non-place’. The contributors in this volume include academics, artists, dancers, researchers, designers, and architects from across the globe.
Mistaken Identity
Author: Asad Haider
Publisher: Verso Books
ISBN: 1786637383
Category : Political Science
Languages : en
Pages : 141
Book Description
A powerful challenge to the way we understand the politics of race and the history of anti-racist struggle Whether class or race is the more important factor in modern politics is a question right at the heart of recent history’s most contentious debates. Among groups who should readily find common ground, there is little agreement. To escape this deadlock, Asad Haider turns to the rich legacies of the black freedom struggle. Drawing on the words and deeds of black revolutionary theorists, he argues that identity politics is not synonymous with anti-racism, but instead amounts to the neutralization of its movements. It marks a retreat from the crucial passage of identity to solidarity, and from individual recognition to the collective struggle against an oppressive social structure. Weaving together autobiographical reflection, historical analysis, theoretical exegesis, and protest reportage, Mistaken Identity is a passionate call for a new practice of politics beyond colorblind chauvinism and “the ideology of race.”
Publisher: Verso Books
ISBN: 1786637383
Category : Political Science
Languages : en
Pages : 141
Book Description
A powerful challenge to the way we understand the politics of race and the history of anti-racist struggle Whether class or race is the more important factor in modern politics is a question right at the heart of recent history’s most contentious debates. Among groups who should readily find common ground, there is little agreement. To escape this deadlock, Asad Haider turns to the rich legacies of the black freedom struggle. Drawing on the words and deeds of black revolutionary theorists, he argues that identity politics is not synonymous with anti-racism, but instead amounts to the neutralization of its movements. It marks a retreat from the crucial passage of identity to solidarity, and from individual recognition to the collective struggle against an oppressive social structure. Weaving together autobiographical reflection, historical analysis, theoretical exegesis, and protest reportage, Mistaken Identity is a passionate call for a new practice of politics beyond colorblind chauvinism and “the ideology of race.”