Performance, Style and Gesture in Western Theatre PDF Download
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Author: Nicholas Dromgoole
Publisher: Bloomsbury Publishing
ISBN: 1783192305
Category : Art
Languages : en
Pages : 459
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Book Description
Until the beginning of the 20th Century, when naturalism began to assert its powerful influence on western theatre, acting was a very different business indeed. Rather than attempting to reproduce realistic behaviour, actors conveyed their characters' feelings and intentions by using a vocabulary of minutely prescribed and highly stylised movements and gestures, each with it's own meaning and significance. In this wide-ranging, illustrated survey, Nicholas Dromgoole traces the origins and evolution of this lost 'language of gesture' from ancient Greece to the contemporary stage, and asks what it would actually have been like to watch the great plays - and the great actors - of western theatre in their own day.
Author: Nicholas Dromgoole
Publisher: Bloomsbury Publishing
ISBN: 1783192305
Category : Art
Languages : en
Pages : 459
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Book Description
Until the beginning of the 20th Century, when naturalism began to assert its powerful influence on western theatre, acting was a very different business indeed. Rather than attempting to reproduce realistic behaviour, actors conveyed their characters' feelings and intentions by using a vocabulary of minutely prescribed and highly stylised movements and gestures, each with it's own meaning and significance. In this wide-ranging, illustrated survey, Nicholas Dromgoole traces the origins and evolution of this lost 'language of gesture' from ancient Greece to the contemporary stage, and asks what it would actually have been like to watch the great plays - and the great actors - of western theatre in their own day.
Author: Dene Barnett
Publisher:
ISBN:
Category : Acting
Languages : en
Pages : 516
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Book Description
Author: Vladimir Mirodan
Publisher: Routledge
ISBN: 1317527941
Category : Performing Arts
Languages : en
Pages : 320
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Book Description
Transformative acting remains the aspiration of many an emerging actor, and constitutes the achievement of some of the most acclaimed performances of our age: Daniel Day-Lewis as Lincoln, Meryl Streep as Mrs Thatcher, Anthony Hopkins as Hannibal Lecter – the list is extensive, and we all have our favourites. But what are the physical and psychological processes which enable actors to create characters so different from themselves? To understand this unique phenomenon, Vladimir Mirodan provides both a historical overview of the evolution of notions of 'character' in Western theatre and a stunning contemporary analysis of the theoretical implications of transformative acting. The Actor and the Character: Surveys the main debates surrounding the concept of dramatic character and – contrary to recent trends – explains why transformative actors conceive their characters as ‘independent’ of their own personalities. Describes some important techniques used by actors to construct their characters by physical means: work on objects, neutral and character masks, Laban movement analysis, Viewpoints, etc. Examines the psychology behind transformative acting from the perspectives of both psychoanalysis and scientific psychology and, based on recent developments in psychology, asks whether transformation is not just acting folklore but may actually entail temporary changes to the brain structures of the actors. The Actor and the Character speaks not only to academics and students studying actor training and acting theory, but contributes to current lively academic debates around character. This is a compelling and original exploration of the limits of acting theory and practice, psychology, and creative work, in which Mirodan boldly re-examines some of the fundamental assumptions of actor training and some basic tenets of theatre practice to ask: What happens when one of us ‘becomes somebody else’?
Author: Esa Kirkkopelto
Publisher: Taylor & Francis
ISBN: 1040227937
Category : Performing Arts
Languages : en
Pages : 233
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Book Description
How can the dichotomy between body and language be overcome by means of the performing arts? What does the art of performing contribute to philosophical, ethical, and political thinking today? This book is a study of the body and language on the stage. Inspired by contemporary artistic research and performance philosophy, Esa Kirkkopelto proposes a new understanding of embodiment that has no direct counterpart in existing philosophies of the body, in natural science, or in everyday experience. The way a performer imagines their body in performance breaks with body–language dichotomies, so language and body can be conceived as co-original phenomena, beyond their anthropomorphic framing. Once we recognize the native relationship between body and language, we can acquire an evolutive perspective which reaches beyond ontological or transcendental paradigms, towards a more linguistic and corporeal coexistence of diverse beings. This book shows how radically different the universe appears when conceived through the performing body. It addresses artists and philosophers alike.
Author: Jan Nelis
Publisher: Academia Press
ISBN: 9038218834
Category : Civilization, Classical
Languages : en
Pages : 379
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Book Description
"This volume presents a series of papers which cover the general theme of the reception of antiquity, a topic which has in recent years become a discipline in itself, or what some might call a 'cross-discipline'. Indeed the Nachleben of the (culture of) classical antiquity, and of antiquity as a whole, manifests in a number of diverse domains, opening up the field of reception studies to scholars from disciplines other than Classics. This collection of papers illustrates this diversity, uniting as it does original research by scholars from a variety of disciplines: classicists, historians, theatre historians, architectural historians, psychologists, archaeologists, artists, and more, all of whom have treated some aspect of the so-called 'classical tradition' by means of their own individual approaches, leading to a volume rich and dense in themes and methodologies. 'Receptions of antiquity' has been written by friends of Freddy Decreus, in honour of his career, and in celebration of his thought."--
Author: Deborah C. Payne
Publisher: Cambridge University Press
ISBN: 1009398210
Category : Drama
Languages : en
Pages : 303
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Book Description
Deborah C. Payne explores how the duopoly of 1660 impacted company practices, stagecraft, the box office, and actors and writers.
Author: Isabel Jaen
Publisher: Oxford University Press
ISBN: 0190256567
Category : Language Arts & Disciplines
Languages : en
Pages : 253
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Book Description
Cognitive Approaches to Early Modern Spanish Literature is the first anthology exploring human cognition and literature in the context of early modern Spanish culture. It includes the leading voices in the field, along with the main themes and directions that this important area of study has been producing. The book begins with an overview of the cognitive literary studies research that has been taking place within early modern Spanish studies over the last fifteen years. Next, it traces the creation of self in the context of the novel, focusing on Cervantes's Don Quixote in relation to the notions of embodiment and autopoiesis as well as the faculties of memory and imagination as understood in early modernity. It continues to explore the concept of embodiment, showing its relevance to delve into the mechanics of the interaction between actors and audience both in the jongleuresque and the comedia traditions. It then centers on cognitive theories of perception, the psychology of immersion in fictional worlds, and early modern and modern-day notions of intentionality to discuss the role of perceiving and understanding others in performance, Don Quixote, and courtly conduct manuals. The last section focuses on the affective dimension of audience-performer interactions in the theatrical space of the Spanish corrales and how emotion and empathy can inform new approaches to presenting Las Casas's work in the literature classroom. The volume closes with an afterword offering strategies to design a course on mind and literature in early modernity.
Author: Glen McGillivray
Publisher: Springer Nature
ISBN: 3031228995
Category : History
Languages : en
Pages : 231
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Book Description
This book offers an innovative account of how audiences and actors emotionally interacted in the English theatre during the middle decades of the eighteenth century, a period bookended by two of its stars: David Garrick and Sarah Siddons. Drawing upon recent scholarship on the history of emotions, it uses practice theory to challenge the view that emotional interactions between actors and audiences were governed by empathy. It carefully works through how actors communicated emotions through their voices, faces and gestures, how audiences appraised these performances, and mobilised and regulated their own emotional responses. Crucially, this book reveals how theatre spaces mediated the emotional practices of audiences and actors alike. It examines how their public and frequently political interactions were enabled by these spaces.
Author: Jon Davison
Publisher: Bloomsbury Publishing
ISBN: 1137300752
Category : Performing Arts
Languages : en
Pages : 344
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Book Description
This rich collection of readings offers a wide-ranging and authoritative survey of clown practices, history and theory, from the origins of the word clown through to contemporary clowning. Covering clowns in theatre, circus, cinema, TV, street and elsewhere, the author's stimulating narrative challenges assumptions and turns orthodoxy on its head.
Author: Giulia Torello-Hill
Publisher: BRILL
ISBN: 900443240X
Category : Literary Collections
Languages : en
Pages : 312
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Book Description
An interdisciplinary approach to establish the significance of the first illustrated edition of the plays of Terence, its commentary and iconographic traditions and legacy in sixteenth-century Italy and France.
