Author: Alain-Martin Richard
Publisher:
ISBN:
Category : Art, Canadian
Languages : en
Pages : 408
Book Description
Performance Au Canada, 1970-1990
Author: Alain-Martin Richard
Publisher:
ISBN:
Category : Art, Canadian
Languages : en
Pages : 408
Book Description
Publisher:
ISBN:
Category : Art, Canadian
Languages : en
Pages : 408
Book Description
Performance Studies in Canada
Author: Laura Levin
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773549862
Category : Performing Arts
Languages : en
Pages : 465
Book Description
Since its inception as an institutionalized discipline in the United States during the 1980s, performance studies has focused on the interdisciplinary analysis of a broad spectrum of cultural behaviours including theatre, dance, folklore, popular entertainments, performance art, protests, cultural rituals, and the performance of self in everyday life. Performance Studies in Canada brings together a diverse group of scholars to explore the national emergence of performance studies as a field in Canada. To date, no systematic attempts has been made to consider how this methodology is being taught, applied, and rethought in Canadian contexts, and Canadian performance studies scholarship remains largely unacknowledged within international discussions about the discipline. This collection fills this gap by identifying multiple origins of performance studies scholarship in the country and highlighting significant works of performance theory and history that are rooted in Canadian culture. Essays illustrate how specific institutional conditions and cultural investments – Indigenous, francophone, multicultural, and more – produce alternative articulations of “performance” and reveal national identity as a performative construct. A state-of-the-art work on the state of the field, Performance Studies in Canada foregrounds national and global performance knowledge to invigorate the discipline around the world.
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773549862
Category : Performing Arts
Languages : en
Pages : 465
Book Description
Since its inception as an institutionalized discipline in the United States during the 1980s, performance studies has focused on the interdisciplinary analysis of a broad spectrum of cultural behaviours including theatre, dance, folklore, popular entertainments, performance art, protests, cultural rituals, and the performance of self in everyday life. Performance Studies in Canada brings together a diverse group of scholars to explore the national emergence of performance studies as a field in Canada. To date, no systematic attempts has been made to consider how this methodology is being taught, applied, and rethought in Canadian contexts, and Canadian performance studies scholarship remains largely unacknowledged within international discussions about the discipline. This collection fills this gap by identifying multiple origins of performance studies scholarship in the country and highlighting significant works of performance theory and history that are rooted in Canadian culture. Essays illustrate how specific institutional conditions and cultural investments – Indigenous, francophone, multicultural, and more – produce alternative articulations of “performance” and reveal national identity as a performative construct. A state-of-the-art work on the state of the field, Performance Studies in Canada foregrounds national and global performance knowledge to invigorate the discipline around the world.
Avant-garde Performance
Author: Gunter Berghaus
Publisher: Bloomsbury Publishing
ISBN: 1137093587
Category : Performing Arts
Languages : en
Pages : 400
Book Description
How did the concept of the avant-garde come into existence? How did it impact on the performing arts? How did the avant-garde challenge the artistic establishment and avoid the pull of commercial theatre, gallery and concert-hall circuits? How did performance artists respond to new technological developments? Placing key figures and performances in their historical, social and aesthetic context, Günter Berghaus offers an accessible introduction to post-war avant-garde performance. Written in a clear, engaging style, and supported by text boxes and illustrations throughout, this volume explains the complex ideas behind avant-garde art and evocatively brings to life the work of some of its most influential performance artists. Covering hot topics such as multi-media and body art performances, this text is essential reading for students of theatre studies and performance.
Publisher: Bloomsbury Publishing
ISBN: 1137093587
Category : Performing Arts
Languages : en
Pages : 400
Book Description
How did the concept of the avant-garde come into existence? How did it impact on the performing arts? How did the avant-garde challenge the artistic establishment and avoid the pull of commercial theatre, gallery and concert-hall circuits? How did performance artists respond to new technological developments? Placing key figures and performances in their historical, social and aesthetic context, Günter Berghaus offers an accessible introduction to post-war avant-garde performance. Written in a clear, engaging style, and supported by text boxes and illustrations throughout, this volume explains the complex ideas behind avant-garde art and evocatively brings to life the work of some of its most influential performance artists. Covering hot topics such as multi-media and body art performances, this text is essential reading for students of theatre studies and performance.
Canadiana
Author:
Publisher:
ISBN:
Category : Canada
Languages : en
Pages : 1204
Book Description
Publisher:
ISBN:
Category : Canada
Languages : en
Pages : 1204
Book Description
Histories and Practices of Live Art
Author: Deirdre Heddon
Publisher: Bloomsbury Publishing
ISBN: 1350315850
Category : Performing Arts
Languages : en
Pages : 344
Book Description
In this dynamic collection a team of experts map the development of Live Art culturally, thematically and historically. Supported with examples from around the world, the text engages with a number of key practices, asking what these practices do and how they can be contextualised and understood.
Publisher: Bloomsbury Publishing
ISBN: 1350315850
Category : Performing Arts
Languages : en
Pages : 344
Book Description
In this dynamic collection a team of experts map the development of Live Art culturally, thematically and historically. Supported with examples from around the world, the text engages with a number of key practices, asking what these practices do and how they can be contextualised and understood.
Sights of Resistance
Author: Robert James Belton
Publisher: University of Calgary Press
ISBN: 1552380114
Category : Art
Languages : en
Pages : 407
Book Description
CD-ROM contains: Chapters from text -- Glossary.
Publisher: University of Calgary Press
ISBN: 1552380114
Category : Art
Languages : en
Pages : 407
Book Description
CD-ROM contains: Chapters from text -- Glossary.
Prior to Meaning
Author: Steve McCaffery
Publisher: Northwestern University Press
ISBN: 9780810117907
Category : Language Arts & Disciplines
Languages : en
Pages : 372
Book Description
Prior to Meaning collects a decade of writing on poetry, language, and the theory of writing by one of the most innovative and conceptually challenging poets of the last twenty-five years. In essays that are wide ranging, richly detailed, and novel in their surprising juxtapositions of disparate material, Steve McCaffery works to undo the current bifurcation between theory and practice--to show how a poetic text might be the source rather than the product of the theoretical against which it must be read.
Publisher: Northwestern University Press
ISBN: 9780810117907
Category : Language Arts & Disciplines
Languages : en
Pages : 372
Book Description
Prior to Meaning collects a decade of writing on poetry, language, and the theory of writing by one of the most innovative and conceptually challenging poets of the last twenty-five years. In essays that are wide ranging, richly detailed, and novel in their surprising juxtapositions of disparate material, Steve McCaffery works to undo the current bifurcation between theory and practice--to show how a poetic text might be the source rather than the product of the theoretical against which it must be read.
Critical Terms for Art History, Second Edition
Author: Robert S. Nelson
Publisher: University of Chicago Press
ISBN: 0226571696
Category : Art
Languages : en
Pages : 541
Book Description
"Art" has always been contested terrain, whether the object in question is a medieval tapestry or Duchamp's Fountain. But questions about the categories of "art" and "art history" acquired increased urgency during the 1970s, when new developments in critical theory and other intellectual projects dramatically transformed the discipline. The first edition of Critical Terms for Art History both mapped and contributed to those transformations, offering a spirited reassessment of the field's methods and terminology. Art history as a field has kept pace with debates over globalization and other social and political issues in recent years, making a second edition of this book not just timely, but crucial. Like its predecessor, this new edition consists of essays that cover a wide variety of "loaded" terms in the history of art, from sign to meaning, ritual to commodity. Each essay explains and comments on a single term, discussing the issues the term raises and putting the term into practice as an interpretive framework for a specific work of art. For example, Richard Shiff discusses "Originality" in Vija Celmins's To Fix the Image in Memory, a work made of eleven pairs of stones, each consisting of one "original" stone and one painted bronze replica. In addition to the twenty-two original essays, this edition includes nine new ones—performance, style, memory/monument, body, beauty, ugliness, identity, visual culture/visual studies, and social history of art—as well as new introductory material. All help expand the book's scope while retaining its central goal of stimulating discussion of theoretical issues in art history and making that discussion accessible to both beginning students and senior scholars. Contributors: Mark Antliff, Nina Athanassoglou-Kallmyer, Stephen Bann, Homi K. Bhabha, Suzanne Preston Blier, Michael Camille, David Carrier, Craig Clunas, Whitney Davis, Jas Elsner, Ivan Gaskell, Ann Gibson, Charles Harrison, James D. Herbert, Amelia Jones, Wolfgang Kemp, Joseph Leo Koerner, Patricia Leighten, Paul Mattick Jr., Richard Meyer, W. J. T. Mitchell, Robert S. Nelson, Margaret Olin, William Pietz, Alex Potts, Donald Preziosi, Lisbet Rausing, Richard Shiff, Terry Smith, Kristine Stiles, David Summers, Paul Wood, James E. Young
Publisher: University of Chicago Press
ISBN: 0226571696
Category : Art
Languages : en
Pages : 541
Book Description
"Art" has always been contested terrain, whether the object in question is a medieval tapestry or Duchamp's Fountain. But questions about the categories of "art" and "art history" acquired increased urgency during the 1970s, when new developments in critical theory and other intellectual projects dramatically transformed the discipline. The first edition of Critical Terms for Art History both mapped and contributed to those transformations, offering a spirited reassessment of the field's methods and terminology. Art history as a field has kept pace with debates over globalization and other social and political issues in recent years, making a second edition of this book not just timely, but crucial. Like its predecessor, this new edition consists of essays that cover a wide variety of "loaded" terms in the history of art, from sign to meaning, ritual to commodity. Each essay explains and comments on a single term, discussing the issues the term raises and putting the term into practice as an interpretive framework for a specific work of art. For example, Richard Shiff discusses "Originality" in Vija Celmins's To Fix the Image in Memory, a work made of eleven pairs of stones, each consisting of one "original" stone and one painted bronze replica. In addition to the twenty-two original essays, this edition includes nine new ones—performance, style, memory/monument, body, beauty, ugliness, identity, visual culture/visual studies, and social history of art—as well as new introductory material. All help expand the book's scope while retaining its central goal of stimulating discussion of theoretical issues in art history and making that discussion accessible to both beginning students and senior scholars. Contributors: Mark Antliff, Nina Athanassoglou-Kallmyer, Stephen Bann, Homi K. Bhabha, Suzanne Preston Blier, Michael Camille, David Carrier, Craig Clunas, Whitney Davis, Jas Elsner, Ivan Gaskell, Ann Gibson, Charles Harrison, James D. Herbert, Amelia Jones, Wolfgang Kemp, Joseph Leo Koerner, Patricia Leighten, Paul Mattick Jr., Richard Meyer, W. J. T. Mitchell, Robert S. Nelson, Margaret Olin, William Pietz, Alex Potts, Donald Preziosi, Lisbet Rausing, Richard Shiff, Terry Smith, Kristine Stiles, David Summers, Paul Wood, James E. Young
Canadian Art
Author:
Publisher:
ISBN:
Category : Art, Canadian
Languages : en
Pages : 700
Book Description
Publisher:
ISBN:
Category : Art, Canadian
Languages : en
Pages : 700
Book Description
Performance Au Canada, 1970-1990
Author: Alain-Martin Richard
Publisher: Editions Intervention
ISBN: 9782920500044
Category : Art, Canadian
Languages : en
Pages : 395
Book Description
Publisher: Editions Intervention
ISBN: 9782920500044
Category : Art, Canadian
Languages : en
Pages : 395
Book Description