Performance and Culture in Plato's Laws

Performance and Culture in Plato's Laws PDF Author: Anastasia-Erasmia Peponi
Publisher: Cambridge University Press
ISBN: 1107016878
Category : Art
Languages : en
Pages : 473

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Book Description
This volume illuminates one underexplored aspect of Plato's Laws: its uniquely rich discussion of cultural matters. This requires the contributions of scholars whose expertise resides beyond the boundaries of pure philosophical inquiry, spanning art theory and criticism, social anthropology, and comparative literature.

Performance and Culture in Plato's Laws

Performance and Culture in Plato's Laws PDF Author: Anastasia-Erasmia Peponi
Publisher: Cambridge University Press
ISBN: 1107016878
Category : Art
Languages : en
Pages : 473

Get Book

Book Description
This volume illuminates one underexplored aspect of Plato's Laws: its uniquely rich discussion of cultural matters. This requires the contributions of scholars whose expertise resides beyond the boundaries of pure philosophical inquiry, spanning art theory and criticism, social anthropology, and comparative literature.

Performance and Culture in Plato's Laws

Performance and Culture in Plato's Laws PDF Author: Anastasia-Erasmia Peponi
Publisher:
ISBN: 9781107054479
Category : Meaning (Philosophy)
Languages : en
Pages : 460

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Book Description
This volume illuminates an underexplored aspect of Plato's Laws: its uniquely rich discussion of cultural matters.

The City and the Stage

The City and the Stage PDF Author: Marcus Folch
Publisher: Oxford University Press
ISBN: 019026618X
Category : History
Languages : en
Pages : 416

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Book Description
What role did poetry, music, song, and dance play in the social and political life of the ancient Greek city? How did philosophy respond to, position itself against, and articulate its own ambitions in relation to the poetic tradition? How did ancient philosophers theorize and envision alternatives to fourth-century Athenian democracy? The City and the Stage poses such questions in a study of the Laws, Plato's last, longest, and unfinished philosophical dialogue. Reading the Laws in its literary, historical, and philosophical contexts, this book offers a new interpretation of Plato's final dialogue with the Greek poetic tradition and an exploration of the dialectic between philosophy and mimetic art. Although Plato is often thought hostile to poetry and famously banishes mimetic art from the ideal city of the Republic, The City and the Stage shows that in his final work Plato made a striking about-face, proposing to rehabilitate Athenian performance culture and envisaging a city, Magnesia, in which poetry, music, song, and dance are instrumental in the cultivation of philosophical virtues. Plato's views of the performative properties of music, dance, and poetic language, and the psychological underpinnings of aesthetic experience receive systematic treatment in this book for the first time. The social role of literary criticism, the power of genres to influence a society and lead to specific kinds of constitutions, performance as a mechanism of gender construction, and the position of women in ancient Greek performance culture are central themes throughout this study. A wide-ranging examination of ancient Greek philosophy and fourth-century intellectual culture, The City and the Stage will be of significance to anyone interested in ancient Greek literature, performance, and Platonic philosophy in its historical contexts.

The City and the Stage

The City and the Stage PDF Author: Marcus Folch
Publisher: Oxford University Press
ISBN: 0190606487
Category : History
Languages : en
Pages : 400

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Book Description
What role did poetry, music, song, and dance play in the social and political life of the ancient Greek city? How did philosophy respond to, position itself against, and articulate its own ambitions in relation to the poetic tradition? How did ancient philosophers theorize and envision alternatives to fourth-century Athenian democracy? The City and the Stage poses such questions in a study of the Laws, Plato's last, longest, and unfinished philosophical dialogue. Reading the Laws in its literary, historical, and philosophical contexts, this book offers a new interpretation of Plato's final dialogue with the Greek poetic tradition and an exploration of the dialectic between philosophy and mimetic art. Although Plato is often thought hostile to poetry and famously banishes mimetic art from the ideal city of the Republic, The City and the Stage shows that in his final work Plato made a striking about-face, proposing to rehabilitate Athenian performance culture and envisaging a city, Magnesia, in which poetry, music, song, and dance are instrumental in the cultivation of philosophical virtues. Plato's views of the performative properties of music, dance, and poetic language, and the psychological underpinnings of aesthetic experience receive systematic treatment in this book for the first time. The social role of literary criticism, the power of genres to influence a society and lead to specific kinds of constitutions, performance as a mechanism of gender construction, and the position of women in ancient Greek performance culture are central themes throughout this study. A wide-ranging examination of ancient Greek philosophy and fourth-century intellectual culture, The City and the Stage will be of significance to anyone interested in ancient Greek literature, performance, and Platonic philosophy in its historical contexts.

Laws

Laws PDF Author: Plato
Publisher: DigiCat
ISBN:
Category : Political Science
Languages : en
Pages : 573

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Book Description
The Laws is Plato's last, longest, and perhaps, most famous work. It presents a conversation on political philosophy between three elderly men: an unnamed Athenian, a Spartan named Megillus, and a Cretan named Clinias. They worked to create a constitution for Magnesia, a new Cretan colony that would make all of its citizens happy and virtuous. In this work, Plato combines political philosophy with applied legislation, going into great detail concerning what laws and procedures should be in the state. For example, they consider whether drunkenness should be allowed in the city, how citizens should hunt, and how to punish suicide. The principles of this book have entered the legislation of many modern countries and provoke a great interest of philosophers even in the 21st century.

Genre, Gender, and Performance in Plato's Laws

Genre, Gender, and Performance in Plato's Laws PDF Author: Marcus Folch
Publisher:
ISBN:
Category :
Languages : en
Pages : 628

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Book Description


The Argument and the Action of Plato's Laws

The Argument and the Action of Plato's Laws PDF Author: Leo Strauss
Publisher: University of Chicago Press
ISBN: 9780226776989
Category : Law
Languages : en
Pages : 206

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Book Description
The posthumous publication of THE ARGUMENT AND THE ACTION OF PLATO'S "LAWS" was compiled shortly before the death of Leo Strauss in 1973. Strauss offers an insightful and instructive reading through careful probing of Plato's classic text. "Thorough and provocative, an important addition to Plato scholarship".--LIBRARY JOURNAL.

Plato: Laws 1 and 2

Plato: Laws 1 and 2 PDF Author:
Publisher: OUP Oxford
ISBN: 0191071943
Category : Philosophy
Languages : en
Pages : 272

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Book Description
Susan Sauvé Meyer presents a new translation of Plato's Laws, 1 and 2. In these opening books of Plato's last work, a Cretan, a Spartan, and an Athenian discuss legislative theory, moral psychology, and the criteria for evaluating art. The interlocutors compare the relative merits of different nomoi (laws, practices, institutions), in particular, the communal meals (sussitia) practiced in Sparta and Crete and the paradigmatically Athenian institution of the drinking party (sumposion). They agree that the legislator's goal is to inculcate virtue in the citizens, but they disagree about what the virtues are, and what institutions are required to inculcate them. The Spartan and Cretan, who value military strength in a city and courage in its citizens, see no value in drinking parties, which they take to encourage softness and susceptibility to pleasure. The Athenian insists that drinking parties train citizens in moderation, just as military exercises train citizens in courage. He defends this paradoxical thesis by offering a moral psychology and theory of virtue (rather different from that of the Republic but highly evocative of Aristotle's Ethics), along with a theory of education in which choral song and dance play an important role. A detailed discussion of the criteria for evaluating works of art rounds out the discussion, and here too the reader will find a discussion very different from the treatment of art in the Republic. Meyer's fluent and readable translation achieves a high standard of fidelity to the original Greek. The commentary lays bare the structure of the argumentation, illuminates the philosophical issues, and explains difficult passages, making this complex and intricate work accessible to students and scholars alike.

Performance Culture and Athenian Democracy

Performance Culture and Athenian Democracy PDF Author: Simon Goldhill
Publisher: Cambridge University Press
ISBN: 9780521642477
Category : History
Languages : en
Pages : 434

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Book Description
This 1999 book discusses the ways performance is central to the practice and ideology of Athenian democracy.

Traditional and Cosmic Gods in Later Plato and the Early Academy

Traditional and Cosmic Gods in Later Plato and the Early Academy PDF Author: Vilius Bartninkas
Publisher: Cambridge University Press
ISBN: 1009322621
Category : Philosophy
Languages : en
Pages : 305

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Book Description
This book sheds new light on Plato's cosmology in relation to Greek religion by examining the contested distinction between the traditional and cosmic gods. A close reading of the later dialogues shows that the two families of gods are routinely deployed to organise and structure Plato's accounts of the origins of the universe and of humanity and its social institutions, and to illuminate the moral and political ideals of philosophical utopias. Vilius Bartninkas argues that the presence of the two kinds of gods creates a dynamic, yet productive, tension in Plato's thinking which is unmistakable and which is not resolved until the works of his students. Thus the book closes by exploring how the cosmological and religious ideas of Plato's later dialogues resurfaced in the Early Academy and how the debates initiated there ultimately led to the collapse of this theological distinction.