Author: Jadwiga Kamola
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110740168
Category : Photography
Languages : en
Pages : 206
Book Description
With the Jungian term of the complex the present volume inquires about the making of the artistic persona in twentieth-century photography. The articles examine photographic (self-)portraits, the dynamics between self-statements of artists and photographers, the interrelations of photography, of painting and of performance art and investigate their origins in the history of ideas. The volume traces a portrait of photography as a metascience; as preparatory work, a source of inspiration and an alternate medium in which artists could explore different subjects. With essays by Ulrike Blumenthal, Till Cremer, Victoria Fleury, Jadwiga Kamola, Weronika Kobylińska-Bunsch, Nadja Köffler, Constance Krüger, Wilma Scheschonk, Gerd Zillner.
Artist Complex
Author: Jadwiga Kamola
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110740168
Category : Photography
Languages : en
Pages : 206
Book Description
With the Jungian term of the complex the present volume inquires about the making of the artistic persona in twentieth-century photography. The articles examine photographic (self-)portraits, the dynamics between self-statements of artists and photographers, the interrelations of photography, of painting and of performance art and investigate their origins in the history of ideas. The volume traces a portrait of photography as a metascience; as preparatory work, a source of inspiration and an alternate medium in which artists could explore different subjects. With essays by Ulrike Blumenthal, Till Cremer, Victoria Fleury, Jadwiga Kamola, Weronika Kobylińska-Bunsch, Nadja Köffler, Constance Krüger, Wilma Scheschonk, Gerd Zillner.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110740168
Category : Photography
Languages : en
Pages : 206
Book Description
With the Jungian term of the complex the present volume inquires about the making of the artistic persona in twentieth-century photography. The articles examine photographic (self-)portraits, the dynamics between self-statements of artists and photographers, the interrelations of photography, of painting and of performance art and investigate their origins in the history of ideas. The volume traces a portrait of photography as a metascience; as preparatory work, a source of inspiration and an alternate medium in which artists could explore different subjects. With essays by Ulrike Blumenthal, Till Cremer, Victoria Fleury, Jadwiga Kamola, Weronika Kobylińska-Bunsch, Nadja Köffler, Constance Krüger, Wilma Scheschonk, Gerd Zillner.
Photomontage (Second) (World of Art)
Author: Dawn Ades
Publisher: Thames & Hudson
ISBN: 0500776229
Category : Art
Languages : en
Pages : 363
Book Description
A fully updated new edition of this classic in-depth study of the pioneering art form of photomontage by renowned art historian Dawn Ades. Manipulation of the photograph is as old as photography itself. It has embodied and enlivened political propaganda, satire, and commercial art and helped visualize the “brave new world” of the future through surreal and fantastic images. Photomontage has been embraced by artists from the late nineteenth century to today, including the Dadaists, John Heartfield, El Lissitzky, Hannah Höch, and Alexander Rodchenko. In this updated classic, art historian Dawn Ades addresses the aesthetic, social, and historical implications of the varied manifestations and uses of manipulated photographs. Revered by artists, critics, and readers alike, this new edition is brought up-to-date to reflect technological developments and changes in visual culture, discussing the work of contemporary artists Kathy Bruce, Linder, Cold War Steve, and others. Photomontage also includes refreshed image reproductions as well as new full-color illustrations.
Publisher: Thames & Hudson
ISBN: 0500776229
Category : Art
Languages : en
Pages : 363
Book Description
A fully updated new edition of this classic in-depth study of the pioneering art form of photomontage by renowned art historian Dawn Ades. Manipulation of the photograph is as old as photography itself. It has embodied and enlivened political propaganda, satire, and commercial art and helped visualize the “brave new world” of the future through surreal and fantastic images. Photomontage has been embraced by artists from the late nineteenth century to today, including the Dadaists, John Heartfield, El Lissitzky, Hannah Höch, and Alexander Rodchenko. In this updated classic, art historian Dawn Ades addresses the aesthetic, social, and historical implications of the varied manifestations and uses of manipulated photographs. Revered by artists, critics, and readers alike, this new edition is brought up-to-date to reflect technological developments and changes in visual culture, discussing the work of contemporary artists Kathy Bruce, Linder, Cold War Steve, and others. Photomontage also includes refreshed image reproductions as well as new full-color illustrations.
Montages
Author: Cristina Baldacci
Publisher: Mimesis
ISBN: 8869771822
Category : Performing Arts
Languages : en
Pages : 200
Book Description
Montage, today, is a widespread procedure that doesn’t concern just artistic production, but also our daily lives and the use everyone makes of that huge visual archive that contemporary media place at our disposal. In a technologically advanced society, where the notion of postproduction regulates our relationship with images and objects, it is therefore necessary to thoroughly investigate the role, possibilities, and, most of all, anthropological and political connotations of montage; and to ask ourselves whether – in comparison to the heroic years of the avant-garde movements – montage has become a faded and standardized practice or if it is a more and more effective means to understand and reprogramme the world, especially in relation to the technical possibilities offered by new media and remix practices.
Publisher: Mimesis
ISBN: 8869771822
Category : Performing Arts
Languages : en
Pages : 200
Book Description
Montage, today, is a widespread procedure that doesn’t concern just artistic production, but also our daily lives and the use everyone makes of that huge visual archive that contemporary media place at our disposal. In a technologically advanced society, where the notion of postproduction regulates our relationship with images and objects, it is therefore necessary to thoroughly investigate the role, possibilities, and, most of all, anthropological and political connotations of montage; and to ask ourselves whether – in comparison to the heroic years of the avant-garde movements – montage has become a faded and standardized practice or if it is a more and more effective means to understand and reprogramme the world, especially in relation to the technical possibilities offered by new media and remix practices.
Selection 1966
Author: University of California, Berkeley. University Art Museum
Publisher: Univ of California Press
ISBN:
Category : Art
Languages : en
Pages : 122
Book Description
Publisher: Univ of California Press
ISBN:
Category : Art
Languages : en
Pages : 122
Book Description
Autonomy and Ideology
Author: Robert Somol
Publisher: Monacelli Press
ISBN:
Category : Architecture
Languages : en
Pages : 374
Book Description
This is the documentation -- transcripts, essays, and images -- of the proceedings of an influential conference held in honor of Philip Johnson. Hosted in New York City in February 1996 by the Canadian Centre for Architecture, together with the Columbia University School of Architecture, Planning, and Preservation and the Museum of Modern Art, the conference was organized by Phyllis Lambert and Peter Eisenman and convened by Robert Somol. The international roster of diverse participants included historians, theorists, critics, and architects who debated such themes as the critical dynamics between museums as institutions and the material they represent; the issue of "high" and "low" in art and architecture; and the potential to expand the concept of the avant-garde within the borders of the discipline. With the intention of developing a specifically architectural discourse of the modernist avant-garde from within and from without the discipline, the participants debated the extent to which the practitioners of the avant-garde in America were interested in the formal rather than the philosophical, political, and economic underpinnings of the European movement, which to date had remained unexamined. They discussed new ways of working and thinking through the problems of modernity as it began to be experienced at the start of the 1920s.
Publisher: Monacelli Press
ISBN:
Category : Architecture
Languages : en
Pages : 374
Book Description
This is the documentation -- transcripts, essays, and images -- of the proceedings of an influential conference held in honor of Philip Johnson. Hosted in New York City in February 1996 by the Canadian Centre for Architecture, together with the Columbia University School of Architecture, Planning, and Preservation and the Museum of Modern Art, the conference was organized by Phyllis Lambert and Peter Eisenman and convened by Robert Somol. The international roster of diverse participants included historians, theorists, critics, and architects who debated such themes as the critical dynamics between museums as institutions and the material they represent; the issue of "high" and "low" in art and architecture; and the potential to expand the concept of the avant-garde within the borders of the discipline. With the intention of developing a specifically architectural discourse of the modernist avant-garde from within and from without the discipline, the participants debated the extent to which the practitioners of the avant-garde in America were interested in the formal rather than the philosophical, political, and economic underpinnings of the European movement, which to date had remained unexamined. They discussed new ways of working and thinking through the problems of modernity as it began to be experienced at the start of the 1920s.
Frederick Kiesler: Face to Face with the Avant-Garde
Author: Peter Bogner
Publisher: Birkhäuser
ISBN: 3035615411
Category : Architecture
Languages : en
Pages : 360
Book Description
Network of superlatives Frederick Kiesler was a committed networker and communicated regularly with the who’s who of the avant-garde. He was an important intermediary between the visionary ideas of the European Moderne movement and the up-and-coming New York art scene. About 20 contributions portray his colorful life and his multifaceted oeuvre in various contexts, and place Kiesler in a dialog with the most important artists and architects of his time. The publication on the occasion of the 20 year anniversary of the Friedrich Kiesler Foundation deals with his relationship with the Bauhaus, surrealism, and the New York School, as well as with personalities such as Richard Buckminster Fuller, Marcel Duchamp, Arshile Gorky, Theo van Doesburg, Piet Mondrian, Hans Arp, Sigfried Giedion, and others. An interwoven analysis of his life and work Contributions on individual and case studies Kiesler and Bauhaus, Mondrian, Buckminster Fuller, Duchamp, and many others
Publisher: Birkhäuser
ISBN: 3035615411
Category : Architecture
Languages : en
Pages : 360
Book Description
Network of superlatives Frederick Kiesler was a committed networker and communicated regularly with the who’s who of the avant-garde. He was an important intermediary between the visionary ideas of the European Moderne movement and the up-and-coming New York art scene. About 20 contributions portray his colorful life and his multifaceted oeuvre in various contexts, and place Kiesler in a dialog with the most important artists and architects of his time. The publication on the occasion of the 20 year anniversary of the Friedrich Kiesler Foundation deals with his relationship with the Bauhaus, surrealism, and the New York School, as well as with personalities such as Richard Buckminster Fuller, Marcel Duchamp, Arshile Gorky, Theo van Doesburg, Piet Mondrian, Hans Arp, Sigfried Giedion, and others. An interwoven analysis of his life and work Contributions on individual and case studies Kiesler and Bauhaus, Mondrian, Buckminster Fuller, Duchamp, and many others
Ted Ray
Author: Bill Williams
Publisher: Xlibris Corporation
ISBN: 1543481353
Category : Sports & Recreation
Languages : en
Pages : 268
Book Description
This book is about Edward Ted Ray who was born in the village of Gorey, on the east coast of the island of Jersey near Grouville, which was the nursery of many famous golfers, including the legendary Harry Vardon. Ted was one of the biggest stars in professional golf, considered a mighty driver of the golf ball and a prince of putters. He won the Open Championship in 1912, the US Open in 1920, and many other prestigious tournaments in Great Britain and mainland Europe. He played for Great Britain against the USA in 1921 at Gleneagles and in 1926 at Wentworth. He was the player captain of the Great Britain team in the first ever Ryder Cup match of 1927. Ted would also represent England against Scotland on nine occasions in their annual team matches, as well as Englands nonplaying captain in the 1930s. Ted Ray toured the USA, along with Harry Vardon, in 1913 and 1920 to promote and popularize golf in the Americas. He, like many of the greats of the game, is one of the forgotten men of golf. The book endeavors to spotlight a golfer who is now a distant memory and one that has inexplicably never been inducted into the World Golf Hall of Fame.
Publisher: Xlibris Corporation
ISBN: 1543481353
Category : Sports & Recreation
Languages : en
Pages : 268
Book Description
This book is about Edward Ted Ray who was born in the village of Gorey, on the east coast of the island of Jersey near Grouville, which was the nursery of many famous golfers, including the legendary Harry Vardon. Ted was one of the biggest stars in professional golf, considered a mighty driver of the golf ball and a prince of putters. He won the Open Championship in 1912, the US Open in 1920, and many other prestigious tournaments in Great Britain and mainland Europe. He played for Great Britain against the USA in 1921 at Gleneagles and in 1926 at Wentworth. He was the player captain of the Great Britain team in the first ever Ryder Cup match of 1927. Ted would also represent England against Scotland on nine occasions in their annual team matches, as well as Englands nonplaying captain in the 1930s. Ted Ray toured the USA, along with Harry Vardon, in 1913 and 1920 to promote and popularize golf in the Americas. He, like many of the greats of the game, is one of the forgotten men of golf. The book endeavors to spotlight a golfer who is now a distant memory and one that has inexplicably never been inducted into the World Golf Hall of Fame.
In Resonance
Author: Joseph Cornell
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 352
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 352
Book Description
Marcel Duchamp (Second) (World of Art)
Author: Dawn Ades
Publisher: Thames & Hudson
ISBN: 0500776261
Category : Art
Languages : en
Pages : 398
Book Description
A revised and expanded edition of one of the most original books ever written on the enigmatic artist Marcel Duchamp. Genius, anti-artist, charlatan, guru, impostor? Since he arrived on the scene in 1914, Marcel Duchamp has been called all of these. Almost no other artist of the twentieth century has inspired more passion and controversy, nor exerted a greater influence on art. At the same time, Duchamp continually challenged the very nature of art and strove to redefine it as conceptual rather than as product by questioning why the medium was mostly a "retinal" experience. Always the provocateur, Duchamp never ceased to be engaged, openly or secretly, in activities and works that transformed traditional artmaking. Through his works like Fountain; Bicycle Wheel; L.H.O.O.Q.; and Nude Descending a Staircase, No. 2, Duchamp played with the idea of what art can be, opening new possibilities for future generations. This revised entry in the World of Art series, written by three leading experts on twentieth-century art, and published with support of Duchamp’s widow, is one of the most original books written on this enigmatic artist. Featuring a new chapter and preface, as well as updates throughout from specialist scholars who are active in their fields, this is the definitive introduction to Duchamp. Thoroughly illustrated, this volume combines thirty years of research by the authors and challenges history’s presumptions, misunderstandings, and pieces of misinformation about Marcel Duchamp and his legacy.
Publisher: Thames & Hudson
ISBN: 0500776261
Category : Art
Languages : en
Pages : 398
Book Description
A revised and expanded edition of one of the most original books ever written on the enigmatic artist Marcel Duchamp. Genius, anti-artist, charlatan, guru, impostor? Since he arrived on the scene in 1914, Marcel Duchamp has been called all of these. Almost no other artist of the twentieth century has inspired more passion and controversy, nor exerted a greater influence on art. At the same time, Duchamp continually challenged the very nature of art and strove to redefine it as conceptual rather than as product by questioning why the medium was mostly a "retinal" experience. Always the provocateur, Duchamp never ceased to be engaged, openly or secretly, in activities and works that transformed traditional artmaking. Through his works like Fountain; Bicycle Wheel; L.H.O.O.Q.; and Nude Descending a Staircase, No. 2, Duchamp played with the idea of what art can be, opening new possibilities for future generations. This revised entry in the World of Art series, written by three leading experts on twentieth-century art, and published with support of Duchamp’s widow, is one of the most original books written on this enigmatic artist. Featuring a new chapter and preface, as well as updates throughout from specialist scholars who are active in their fields, this is the definitive introduction to Duchamp. Thoroughly illustrated, this volume combines thirty years of research by the authors and challenges history’s presumptions, misunderstandings, and pieces of misinformation about Marcel Duchamp and his legacy.
The Majors of Golf
Author: Morgan G. Brenner
Publisher: McFarland
ISBN: 0786453958
Category : Sports & Recreation
Languages : en
Pages : 1412
Book Description
This reference work is a complete source for the results of each of golf's major tournaments (the Master's Tournament, U.S. Open, British Open Championship, and PGA Championship). Information includes the final position, round-by-round score, and complete major tournament record of every golfer, including those that didn't finish, to have participated in a major. Appendices list all players with possible name variations or for whom there is conflicting data.
Publisher: McFarland
ISBN: 0786453958
Category : Sports & Recreation
Languages : en
Pages : 1412
Book Description
This reference work is a complete source for the results of each of golf's major tournaments (the Master's Tournament, U.S. Open, British Open Championship, and PGA Championship). Information includes the final position, round-by-round score, and complete major tournament record of every golfer, including those that didn't finish, to have participated in a major. Appendices list all players with possible name variations or for whom there is conflicting data.