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Author: Elaine Treharne
Publisher: Oxford University Press
ISBN: 0192843818
Category : History
Languages : en
Pages : 263
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Book Description
Engages with the materiality of medieval manuscripts to illustrate the importance of the study of physical texts to literary appreciation, and studies marginal annotation, the physical characteristics of manuscripts and books, and miniature illustrations to show how the book was encountered and understood by medieval producers and readers.
Author: Elaine Treharne
Publisher: Oxford University Press
ISBN: 0192843818
Category : History
Languages : en
Pages : 263
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Book Description
Engages with the materiality of medieval manuscripts to illustrate the importance of the study of physical texts to literary appreciation, and studies marginal annotation, the physical characteristics of manuscripts and books, and miniature illustrations to show how the book was encountered and understood by medieval producers and readers.
Author: Elaine Treharne
Publisher: Oxford University Press
ISBN: 0192657534
Category : Literary Criticism
Languages : en
Pages : 372
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Book Description
Perceptions of Medieval Manuscripts takes as its starting point an understanding that a medieval book is a whole object at every point of its long history. As such, medieval books can be studied most profitably in a holistic manner as objects-in-the-world. This means readers might profitably account for all aspects of the manuscript in their observations, from the main texts that dominate the codex to the marginal notes, glosses, names, and interventions made through time. This holistic approach allows us to tell the story of the book's life from the moment of its production to its use, collection, breaking-up, and digitization--all aspects of what can be termed 'dynamic architextuality'. The ten chapters include detailed readings of texts that explain the processes of manuscript manufacture and writing, taking in invisible components of the book that show the joy and delight clearly felt by producers and consumers. Chapters investigate the filling of manuscripts' blank spaces, presenting some texts never examined before, and assessing how books were conceived and understood to function. Manuscripts' heft and solidness can be seen, too, in the depictions of miniature books in medieval illustrations. Early manuscripts thus become archives and witnesses to individual and collective memories, best read as 'relics of existence', as Maurice Merleau-Ponty describes things. As such, it is urgent that practices fragmenting the manuscript through book-breaking or digital display are understood in the context of the book's wholeness. Readers of this study will find chapters on multiple aspects of medieval bookness in the distant past, the present, and in the assurance of the future continuity of this most fascinating of cultural artefacts.
Author: Rosamond McKitterick
Publisher:
ISBN:
Category : History
Languages : en
Pages : 176
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Book Description
In these essays, McKitterick establishes that early medieval historians conveyed in their texts a sophisticated set of multiple perceptions of the past.
Author: Elaine Treharne
Publisher: Stanford Text Technologies
ISBN: 9781503600485
Category : Language Arts & Disciplines
Languages : en
Pages : 0
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Book Description
This coursebook examines the material history of human communication, allowing students and teachers to examine how communication's production, form, materiality, and reception are crucial to our interpretations of culture, history, and society.
Author: Elaine Treharne
Publisher:
ISBN: 0199668493
Category : History
Languages : en
Pages : 161
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Book Description
Looking at literature from Medieval Britain and Ireland, including Anglo-Latin and Anglo-Norman poetry, prose and drama, this Very Short Introduction covers the earliest beginnings of print culture, and considers major themes of these works, such as sin and salvation, kingship and authority, myth and the monstrous.
Author: Thomas Kren
Publisher: Getty Publications
ISBN: 0892364467
Category : Art
Languages : en
Pages : 130
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Book Description
The Getty Museum’s collection of illuminated manuscripts, featured in this book, comprises masterpieces of medieval and Renaissance art. Dating from the tenth to the sixteenth century, they were produced in France, Italy, Belgium, Germany, England, Spain, Poland, and the eastern Mediterranean. Among the highlights are four Ottonian manuscripts, Romanesque treasures from Germany, Italy, and France, an English Gothic Apocalypse, and late medieval manuscripts painted by such masters as Jean Fouquet, Girolamo da Cremona, Simon Marmion, and Joris Hoefnagel. Included are glistening liturgical books, intimate and touching devotional books for private use, books of the Bible, lively histories by Giovanni Boccaccio and Jean Froissart, and a breathtaking Model Book of Calligraphy.
Author: Christine Sciacca
Publisher: Getty Publications
ISBN: 1606065262
Category : Art
Languages : en
Pages : 124
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Book Description
When one thinks of women in the Middle Ages, the images that often come to mind are those of damsels in distress, mystics in convents, female laborers in the field, and even women of ill repute. In reality, however, medieval conceptions of womanhood were multifaceted, and women’s roles were varied and nuanced. Female stereotypes existed in the medieval world, but so too did women of power and influence. The pages of illuminated manuscripts reveal to us the many facets of medieval womanhood and slices of medieval life—from preoccupations with biblical heroines and saints to courtship, childbirth, and motherhood. While men dominated artistic production, this volume demonstrates the ways in which female artists, authors, and patrons were instrumental in the creation of illuminated manuscripts. Featuring over one hundred illuminations depicting medieval women from England to Ethiopia, this book provides a lively and accessible introduction to the lives of women in the medieval world.
Author: Michael Johnston
Publisher: Cambridge University Press
ISBN: 1107066190
Category : History
Languages : en
Pages : 319
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Book Description
This book situates the medieval manuscript within its cultural contexts, with chapters by experts in bibliographical and theoretical approaches to manuscript study.
Author: Pamela Anne Patton
Publisher: Penn State Press
ISBN: 0271053836
Category : Art
Languages : en
Pages : 220
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Book Description
"Examines the influential role of visual images in reinforcing the efforts of Spain's Christian-ruled kingdoms to renegotiate the role of their Jewish minority following the territorial expansions of the twelfth and thirteenth centuries"--Provided by publisher.
Author: Renana Bartal
Publisher: Routledge
ISBN: 1351565869
Category : Art
Languages : en
Pages : 351
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Book Description
Gender, Piety, and Production in Fourteenth-Century English Apocalypse Manuscripts is the first in-depth study of three textually and iconographically diverse Apocalypses illustrated in England in the first half of the fourteenth century by a single group of artists. It offers a close look at a group of illuminators previously on the fringe of art historical scholarship, challenging the commonly-held perception of them as mere craftsmen at a time when both audiences and methods of production were becoming increasingly varied. Analyzing the manuscripts? codicological features, visual and textual programmes, and social contexts, it explores the mechanisms of a fourteenth-century commercial workshop and traces the customization of these books of the same genre to the needs and expectations of varied readers, revealing the crucial influence of their female audience. The book will be of interest to scholars and students of English medieval art, medieval manuscripts, and the medieval Apocalypse, as well as medievalists interested in late medieval spirituality and theology, medieval religious and intellectual culture, book patronage and ownership, and female patronage and ownership.
