Author: Erika Balsom
Publisher:
ISBN: 9788867494835
Category : Art
Languages : en
Pages : 108
Book Description
"Since the early 1980s, American artist and filmmaker Peggy Ahwesh has forged a distinctive moving image practice in the ruins of originality and authority ... Peggy Ahwesh: Vision Machines explores how she has extended and contested the paradigm of experimental cinema over the last four decades."--Page 4 of cover.
Peggy Ahwesh: Vision Machines
Author: Erika Balsom
Publisher:
ISBN: 9788867494835
Category : Art
Languages : en
Pages : 108
Book Description
"Since the early 1980s, American artist and filmmaker Peggy Ahwesh has forged a distinctive moving image practice in the ruins of originality and authority ... Peggy Ahwesh: Vision Machines explores how she has extended and contested the paradigm of experimental cinema over the last four decades."--Page 4 of cover.
Publisher:
ISBN: 9788867494835
Category : Art
Languages : en
Pages : 108
Book Description
"Since the early 1980s, American artist and filmmaker Peggy Ahwesh has forged a distinctive moving image practice in the ruins of originality and authority ... Peggy Ahwesh: Vision Machines explores how she has extended and contested the paradigm of experimental cinema over the last four decades."--Page 4 of cover.
An Oceanic Feeling
Author: Erika Balsom
Publisher:
ISBN: 9780908848966
Category : Sea in motion pictures
Languages : en
Pages : 79
Book Description
Publisher:
ISBN: 9780908848966
Category : Sea in motion pictures
Languages : en
Pages : 79
Book Description
Networking
Author: Tatiana Bazzichelli
Publisher: BoD – Books on Demand
ISBN: 8791810086
Category : Computers
Languages : en
Pages : 338
Book Description
Networking means to create nets of relations, where the publisher and the reader, the artist and the audience, act on the same level. The book is a first tentative reconstruction of the history of artistic networking in Italy, through an analysis of media and art projects which during the past twenty years have given way to a creative, shared and aware use of technologies, from video to computers, contributing to the creation of Italian hacker communities. The Italian network proposes a form of critical information, disseminated through independent and collective projects where the idea of freedom of expression is a central theme. In Italy, thanks to the alternative use of Internet, during the past twenty years a vast national network of people who share political, cultural and artistic views has been formed. The book describes the evolution of the Italian hacktivism and net culture from the 1980s till today. It builds a reflection on the new role of the artist and author who becomes a networker, operating in collective nets, reconnecting to Neoavant-garde practices of the 1960s (first and foremost Fluxus), but also Mail Art, Neoism and Luther Blissett. A path which began in BBSes, alternative web platforms spread in Italy through the 1980s even before the Internet even existed, and then moved on to Hackmeetings, to Telestreet and networking art by different artists such as 0100101110101101.ORG, [epidemiC], Jaromil, Giacomo Verde, Giovanotti Mondani Meccanici, Correnti Magnetiche, Candida TV, Tommaso Tozzi, Federico Bucalossi, Massimo Contrasto, Mariano Equizzi, Pigreca, Molleindustria, Guerriglia Marketing, Sexyshock, Phag Off and many others.
Publisher: BoD – Books on Demand
ISBN: 8791810086
Category : Computers
Languages : en
Pages : 338
Book Description
Networking means to create nets of relations, where the publisher and the reader, the artist and the audience, act on the same level. The book is a first tentative reconstruction of the history of artistic networking in Italy, through an analysis of media and art projects which during the past twenty years have given way to a creative, shared and aware use of technologies, from video to computers, contributing to the creation of Italian hacker communities. The Italian network proposes a form of critical information, disseminated through independent and collective projects where the idea of freedom of expression is a central theme. In Italy, thanks to the alternative use of Internet, during the past twenty years a vast national network of people who share political, cultural and artistic views has been formed. The book describes the evolution of the Italian hacktivism and net culture from the 1980s till today. It builds a reflection on the new role of the artist and author who becomes a networker, operating in collective nets, reconnecting to Neoavant-garde practices of the 1960s (first and foremost Fluxus), but also Mail Art, Neoism and Luther Blissett. A path which began in BBSes, alternative web platforms spread in Italy through the 1980s even before the Internet even existed, and then moved on to Hackmeetings, to Telestreet and networking art by different artists such as 0100101110101101.ORG, [epidemiC], Jaromil, Giacomo Verde, Giovanotti Mondani Meccanici, Correnti Magnetiche, Candida TV, Tommaso Tozzi, Federico Bucalossi, Massimo Contrasto, Mariano Equizzi, Pigreca, Molleindustria, Guerriglia Marketing, Sexyshock, Phag Off and many others.
After Uniqueness
Author: Erika Balsom
Publisher: Columbia University Press
ISBN: 0231543123
Category : Performing Arts
Languages : en
Pages : 391
Book Description
Images have never been as freely circulated as they are today. They have also never been so tightly controlled. As with the birth of photography, digital reproduction has created new possibilities for the duplication and consumption of images, offering greater dissemination and access. But digital reproduction has also stoked new anxieties concerning authenticity and ownership. From this contemporary vantage point, After Uniqueness traces the ambivalence of reproducibility through the intersecting histories of experimental cinema and the moving image in art, examining how artists, filmmakers, and theorists have found in the copy a utopian promise or a dangerous inauthenticity—or both at once. From the sale of film in limited editions on the art market to the downloading of bootlegs, from the singularity of live cinema to video art broadcast on television, Erika Balsom investigates how the reproducibility of the moving image has been embraced, rejected, and negotiated by major figures including Stan Brakhage, Leo Castelli, and Gregory Markopoulos. Through a comparative analysis of selected distribution models and key case studies, she demonstrates how the question of image circulation is central to the history of film and video art. After Uniqueness shows that distribution channels are more than neutral pathways; they determine how we encounter, interpret, and write the history of the moving image as an art form.
Publisher: Columbia University Press
ISBN: 0231543123
Category : Performing Arts
Languages : en
Pages : 391
Book Description
Images have never been as freely circulated as they are today. They have also never been so tightly controlled. As with the birth of photography, digital reproduction has created new possibilities for the duplication and consumption of images, offering greater dissemination and access. But digital reproduction has also stoked new anxieties concerning authenticity and ownership. From this contemporary vantage point, After Uniqueness traces the ambivalence of reproducibility through the intersecting histories of experimental cinema and the moving image in art, examining how artists, filmmakers, and theorists have found in the copy a utopian promise or a dangerous inauthenticity—or both at once. From the sale of film in limited editions on the art market to the downloading of bootlegs, from the singularity of live cinema to video art broadcast on television, Erika Balsom investigates how the reproducibility of the moving image has been embraced, rejected, and negotiated by major figures including Stan Brakhage, Leo Castelli, and Gregory Markopoulos. Through a comparative analysis of selected distribution models and key case studies, she demonstrates how the question of image circulation is central to the history of film and video art. After Uniqueness shows that distribution channels are more than neutral pathways; they determine how we encounter, interpret, and write the history of the moving image as an art form.
Lux
Author: YYZ (Gallery)
Publisher: Pleasure Dome
ISBN:
Category : Experimental films
Languages : en
Pages : 384
Book Description
Become immersed in the most innovative and vital in recent Canadian and international experimental film and video. Using the exhibition history of the Toronto screening group Pleasure Dome as a starting point to survey the work of independent film and videomakers during the 1990s, Lux delves into the work of these experimental artists with unprecedented depth and insight. The result is an anthology that provides an extensive overview of the period and also zooms in on the specific themes, oeuvres, styles and individual works that characterize the decade.
Publisher: Pleasure Dome
ISBN:
Category : Experimental films
Languages : en
Pages : 384
Book Description
Become immersed in the most innovative and vital in recent Canadian and international experimental film and video. Using the exhibition history of the Toronto screening group Pleasure Dome as a starting point to survey the work of independent film and videomakers during the 1990s, Lux delves into the work of these experimental artists with unprecedented depth and insight. The result is an anthology that provides an extensive overview of the period and also zooms in on the specific themes, oeuvres, styles and individual works that characterize the decade.
Recollecting Collecting
Author: Lucy Fischer
Publisher: Wayne State University Press
ISBN: 0814348572
Category : Social Science
Languages : en
Pages : 301
Book Description
Recollecting Collecting interrogates and illustrates the meaning and practical nature of film and media collections while considering the vast array of personal and professional motivations behind their assemblage.
Publisher: Wayne State University Press
ISBN: 0814348572
Category : Social Science
Languages : en
Pages : 301
Book Description
Recollecting Collecting interrogates and illustrates the meaning and practical nature of film and media collections while considering the vast array of personal and professional motivations behind their assemblage.
Vision Machines
Author: Paul Julian Smith
Publisher: Verso
ISBN: 9781859840795
Category : Performing Arts
Languages : en
Pages : 208
Book Description
Over the last decade, visibility and sexuality have become a major theme in Spanish and Cuban cinema, literature and art. Vision Machines explores this development in the light of contemporary history and recent theoretical accounts of sight by writers including Paul Virilio, Gianni Vattimo and Teresa de Lauretis. The very visible women of Almodóvar’s cinema are Paul Julian Smith’s first subject. He shows how, in his early Dark Habits, lesbianizes the look, putting women’s pleasure at the centre of the frame, and then examines Almodóvar’s recent film, Kika, where the conflict between cinema and video is played out in the bodies of women: good, bad and ugly. Moving the focus to Cuba, Smith discussed the reception in Europe and North America of Nestor Almendro’s remarkable documentary on gays in Cuba, Improper Conduct, and traces the trial of visibility to which effeminate men were exposed. He compares Amendor’s work with the autobiography of exile novelist Reinaldo Arenas, which revels in graphic sex, and also looks at the first Cuban film with a gay theme, Gutierrez Alea’s Strawberry and Chocolate. Smith returns to Spain to consider the response of artists and intellectuals to the public invisibility of AIDS in a country with one of the highest rates of HIV transmission in the Eurpean Union. Drawing on Anglo-American debates on the representation of AIDS, he concentrates on the one major intervention by Spanish scholars and artists, Love and Rage, and on the only figure in any medium to address AIDS in his aesthetic practice, the conceptual artist and video-maker Pepe Espaliu. He concludes with a fascinating account of Julio Medem’s pathbreaking film from 1993, The Red Squirrel, which has opened up a new approach to two formerly taboo subjects: Basque nationalism and female sexuality.
Publisher: Verso
ISBN: 9781859840795
Category : Performing Arts
Languages : en
Pages : 208
Book Description
Over the last decade, visibility and sexuality have become a major theme in Spanish and Cuban cinema, literature and art. Vision Machines explores this development in the light of contemporary history and recent theoretical accounts of sight by writers including Paul Virilio, Gianni Vattimo and Teresa de Lauretis. The very visible women of Almodóvar’s cinema are Paul Julian Smith’s first subject. He shows how, in his early Dark Habits, lesbianizes the look, putting women’s pleasure at the centre of the frame, and then examines Almodóvar’s recent film, Kika, where the conflict between cinema and video is played out in the bodies of women: good, bad and ugly. Moving the focus to Cuba, Smith discussed the reception in Europe and North America of Nestor Almendro’s remarkable documentary on gays in Cuba, Improper Conduct, and traces the trial of visibility to which effeminate men were exposed. He compares Amendor’s work with the autobiography of exile novelist Reinaldo Arenas, which revels in graphic sex, and also looks at the first Cuban film with a gay theme, Gutierrez Alea’s Strawberry and Chocolate. Smith returns to Spain to consider the response of artists and intellectuals to the public invisibility of AIDS in a country with one of the highest rates of HIV transmission in the Eurpean Union. Drawing on Anglo-American debates on the representation of AIDS, he concentrates on the one major intervention by Spanish scholars and artists, Love and Rage, and on the only figure in any medium to address AIDS in his aesthetic practice, the conceptual artist and video-maker Pepe Espaliu. He concludes with a fascinating account of Julio Medem’s pathbreaking film from 1993, The Red Squirrel, which has opened up a new approach to two formerly taboo subjects: Basque nationalism and female sexuality.
Artists' Moving Image in Britain Since 1989
Author: Erika Balsom
Publisher: Paul Mellon Centre for Studies
ISBN: 9781913107017
Category : Art
Languages : en
Pages : 0
Book Description
An in-depth study of the expanding role of the moving image in British art over the past thirty years Over the past three decades the moving image has grown from a marginalized medium of British art into one of the nation's most vital areas of artistic practice. How did we get here? Artists' Moving Image in Britain Since 1989 seeks to provide answers, unfolding some of the narratives--disparate, entwined, and often colorful--that have come to define this field. Ambitious in scope, this anthology considers artists and artworks alongside the organizations, institutions, and economies in which they exist. Writings by scholars from both art history and film studies, curators from diverse backgrounds, and artists from across generations offer a provocative and multifaceted assessment of the evolving position of the moving image in the British art world and consider the effects of numerous technological, institutional, and creative developments. Distributed for the Paul Mellon Center for Studies in British Art
Publisher: Paul Mellon Centre for Studies
ISBN: 9781913107017
Category : Art
Languages : en
Pages : 0
Book Description
An in-depth study of the expanding role of the moving image in British art over the past thirty years Over the past three decades the moving image has grown from a marginalized medium of British art into one of the nation's most vital areas of artistic practice. How did we get here? Artists' Moving Image in Britain Since 1989 seeks to provide answers, unfolding some of the narratives--disparate, entwined, and often colorful--that have come to define this field. Ambitious in scope, this anthology considers artists and artworks alongside the organizations, institutions, and economies in which they exist. Writings by scholars from both art history and film studies, curators from diverse backgrounds, and artists from across generations offer a provocative and multifaceted assessment of the evolving position of the moving image in the British art world and consider the effects of numerous technological, institutional, and creative developments. Distributed for the Paul Mellon Center for Studies in British Art
A Critical Cinema
Author: Scott MacDonald
Publisher: Univ of California Press
ISBN: 0520079183
Category : Experimental films
Languages : en
Pages : 475
Book Description
Annotation. This sequel to A Critical Cinema offers a new collection of interviews with independent filmmakers that is a feast for film fans and film historians. Scott MacDonald reveals the sophisticated thinking of these artists regarding film, politics, and contemporary gender issues. The interviews explore the careers of Robert Breer, Trinh T. Minh-ha, James Benning, Su Friedrich, and Godfrey Reggio. Yoko Ono discusses her cinematic collaboration with John Lennon, Michael Snow talks about his music and films, Anne Robertson describes her cinematic diaries, Jonas Mekas and Bruce Baillie recall the New York and California avant-garde film culture. The selection has a particularly strong group of women filmmakers, including Yvonne Rainer, Laura Mulvey, and Lizzie Borden. Other notable artists are Anthony McCall, Andrew Noren, Ross McElwee, Anne Severson, and Peter Watkins.
Publisher: Univ of California Press
ISBN: 0520079183
Category : Experimental films
Languages : en
Pages : 475
Book Description
Annotation. This sequel to A Critical Cinema offers a new collection of interviews with independent filmmakers that is a feast for film fans and film historians. Scott MacDonald reveals the sophisticated thinking of these artists regarding film, politics, and contemporary gender issues. The interviews explore the careers of Robert Breer, Trinh T. Minh-ha, James Benning, Su Friedrich, and Godfrey Reggio. Yoko Ono discusses her cinematic collaboration with John Lennon, Michael Snow talks about his music and films, Anne Robertson describes her cinematic diaries, Jonas Mekas and Bruce Baillie recall the New York and California avant-garde film culture. The selection has a particularly strong group of women filmmakers, including Yvonne Rainer, Laura Mulvey, and Lizzie Borden. Other notable artists are Anthony McCall, Andrew Noren, Ross McElwee, Anne Severson, and Peter Watkins.
Radical Light
Author: Steve Anker
Publisher: Univ of California Press
ISBN: 0520249100
Category : Performing Arts
Languages : en
Pages : 352
Book Description
"A superb collection, as exciting, in many ways, as the works it chronicles."--Akira Mizuta Lippit, author of Atomic Light (Shadow Optics)
Publisher: Univ of California Press
ISBN: 0520249100
Category : Performing Arts
Languages : en
Pages : 352
Book Description
"A superb collection, as exciting, in many ways, as the works it chronicles."--Akira Mizuta Lippit, author of Atomic Light (Shadow Optics)