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Author: Sebastian Just
Publisher: GRIN Verlag
ISBN: 3346813789
Category : Computers
Languages : en
Pages : 32
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Book Description
Seminar paper from the year 2020 in the subject Communications - Multimedia, Internet, New Technologies, grade: 2,3, Humboldt-University of Berlin (Institut für Musikwissenschaft und Medienwissenschaft), language: English, abstract: The objective of this paper is to take a closer look at the development and behavior of Peer-to-Peer based file sharing networks while especially considering intellectual property law to assess the impact this disruptive technology had on the music industry. To do that this paper will first look at the shift from analogue to digital audio, which entailed significant changes for both the music industry and the consumer. Then it will focus on the first real Peer-to-Peer file sharing network "Napster", especially on why it came into being, how it worked and to what extend it interfered with copyright law. Afterwards it takes the period after "Napster's" shutdown in 2001 in consideration, in which various new Peer-to-Peer networks even more copyright-resistant emerged. It will be examined how these networks functioned compared to their predecessor, how the music industry and the state tried to take on these “digital enemies” and how Peer-to-Peer affected the music business. Eventually we will take a look at how the industry managed to adapt to the internet, treating it as a profitable platform rather than a dystopian technology. On the 3rd of April 1993, the World Wide Web was made available to the public. By connecting people all over the world, this technological milestone initiated drastic changes to how we are able to consume visual and acoustical entertainment. In 1999, the first ever file sharing network called "Napster" launched and illicitly enabled users to exchange copyrighted music for free. This was accomplished by using a peer-to-peer system, which takes advantage of the vast availability of the internet and the resultant high number of “peers”. Users register to the network and declare which files from their computer they are willing to share, enabling others to download the files directly from them rather than through a central sever. This sort of file transfer posed a challenge for the music industry, as their music was made publicly available with no one paying for it. In addition, Peer-to-Peer systems conflicted with the idea of intellectual property, which grants an author certain rights over his or her work in form of a copyright.
Author: Sebastian Just
Publisher: GRIN Verlag
ISBN: 3346813789
Category : Computers
Languages : en
Pages : 32
Get Book Here
Book Description
Seminar paper from the year 2020 in the subject Communications - Multimedia, Internet, New Technologies, grade: 2,3, Humboldt-University of Berlin (Institut für Musikwissenschaft und Medienwissenschaft), language: English, abstract: The objective of this paper is to take a closer look at the development and behavior of Peer-to-Peer based file sharing networks while especially considering intellectual property law to assess the impact this disruptive technology had on the music industry. To do that this paper will first look at the shift from analogue to digital audio, which entailed significant changes for both the music industry and the consumer. Then it will focus on the first real Peer-to-Peer file sharing network "Napster", especially on why it came into being, how it worked and to what extend it interfered with copyright law. Afterwards it takes the period after "Napster's" shutdown in 2001 in consideration, in which various new Peer-to-Peer networks even more copyright-resistant emerged. It will be examined how these networks functioned compared to their predecessor, how the music industry and the state tried to take on these “digital enemies” and how Peer-to-Peer affected the music business. Eventually we will take a look at how the industry managed to adapt to the internet, treating it as a profitable platform rather than a dystopian technology. On the 3rd of April 1993, the World Wide Web was made available to the public. By connecting people all over the world, this technological milestone initiated drastic changes to how we are able to consume visual and acoustical entertainment. In 1999, the first ever file sharing network called "Napster" launched and illicitly enabled users to exchange copyrighted music for free. This was accomplished by using a peer-to-peer system, which takes advantage of the vast availability of the internet and the resultant high number of “peers”. Users register to the network and declare which files from their computer they are willing to share, enabling others to download the files directly from them rather than through a central sever. This sort of file transfer posed a challenge for the music industry, as their music was made publicly available with no one paying for it. In addition, Peer-to-Peer systems conflicted with the idea of intellectual property, which grants an author certain rights over his or her work in form of a copyright.
Author: Martin Strang
Publisher: GRIN Verlag
ISBN: 3638890481
Category : Computers
Languages : en
Pages : 37
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Book Description
Essay from the year 2005 in the subject Communications - Multimedia, Internet, New Technologies, grade: High Distinction, Macquarie University (Centre for International Communication), course: New Media, 22 entries in the bibliography, language: English, abstract: This essay examines the usage of peer-to-peer (P2P) networks for music file-sharing and intends to analyse this usage in the context of current copyright policy. This will be achieved by addressing the following issues. Firstly, the history and principle of P2P networks will be outlined. Secondly, it will be analysed whether P2P file-sharing can be seen as an act of 'theft'. Thirdly, the paper will examine how P2P networks are used and what cultural significance they represent. Fourthly, the future of P2P networks will be debated and finally the results of this paper will be summarised and discussed.
Author: Michael J. Remington
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 80
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Book Description
Author: Nathan Fisk
Publisher:
ISBN:
Category : Criminology
Languages : en
Pages : 0
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Book Description
The complex world of online piracy and peer-to-peer file sharing is skillfully condensed into an easy-to-understand guide that provides insight into the criminal justice approach to illegal file sharing, while offering guidance to parents and students who have concerns about potential legal action in response to file-sharing activities. While the actual impact of digital piracy is nearly impossible to precisely calculate, the threat of financial damage from illegal peer-to-peer (P2P) file sharing to the world's highest-grossing entertainment firms (and even entire industries!) has garnered attention from government, industry, and academic leaders and criminal justice professionals. Oftentimes, those providing access to computers and file sharing capabilities-parents, schools, libraries-don't know about or understand these activities and, therefore, put themselves and their families at risk for criminal and civil prosecution. This work describes the technological, legal, social, and ethical facets of illegal peer-to-peer file sharing. Geared toward parents, teachers, librarians, students, and any other computer user engaged in file sharing, this book will help readers to understand all forms of traditional and digital copyright violations of protected music, movies, and software. To date over 18,000 P2P users have been sued by the Recording Industry Association of America (RIAA). Most of these users have been college students and parents of high-school students. While word of these law suits are spreading, and many parents fear that their children may be using a family computer to illegally download and share copyrighted works, few supervising adults have the technical knowledge needed to determine whether and to what extent pirating may be occurring via a computer and Internet connection they are legally responsible for. Additionally, while P2P networks are filled with millions of users with billions of copyrighted files, few users understand the ways in which they are illegally using computers and other mobile electronic devices to download protected content. While describing both technical and social issues, this book primarily focuses on the social aspects of illegal file sharing, and provides technical concepts at a general level. Fisk skillfully condenses the complex nature of file sharing systems into an easy-to-understand guide, provides insight into the criminal justice approach to illegal file sharing, and offers guidance to parents and students who have concerns about potential legal action in response to file sharing activities.
Author: Alain Strowel
Publisher: Edward Elgar Publishing
ISBN: 1848449445
Category : Law
Languages : en
Pages : 341
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Book Description
This is a book that has a lot to offer. Many of its readers will benefit from the first chapters which comprehensively analyse the case law and put it in context, whilst others will benefit more from the more conceptual chapters and the criticism of certain points and suggestions for a way forward contained in them. Paul L.C. Torremans, European Intellectual Property Review This timely volume offers a comprehensive review of case law, in various jurisdictions, on secondary liability for copyright infringement, particularly P2P file sharing and online infringements. Moreover, the book includes forward-looking contributions of prominent academics from the USA and the EU, which provide original perspectives on the future shape of online copyright law, looking at questions such as whether it could or even should evolve towards a compensation system. By combining these different avenues, the book will be of particular interest to practitioners, academics, researchers and legal scholars involved in the field of copyright law.
Author: Susy Frankel
Publisher: Cambridge University Press
ISBN: 110706256X
Category : Law
Languages : en
Pages : 341
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Book Description
Examines how copyright can evolve without compromising the interests of authors, users and those who connect them.
Author: Steve Westbrook
Publisher: State University of New York Press
ISBN: 1438425996
Category : Language Arts & Disciplines
Languages : en
Pages : 235
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Book Description
Essential copyright resource for teachers and writers, particularly those involved in electronic or new media.
Author: Stephen Witt
Publisher: Penguin
ISBN: 0525426612
Category : Computer file sharing
Languages : en
Pages : 306
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Book Description
"Journalist Stephen Witt traces the secret history of digital music piracy, from the German audio engineers who invented the mp3, to a North Carolina compact-disc manufacturing plant where factory worker Dell Glover leaked nearly two thousand albums over the course of a decade, to the high-rises of midtown Manhattan where music executive Doug Morris cornered the global market on rap, and, finally, into the darkest recesses of the Internet."--
Author: Jurate Breimelyte
Publisher:
ISBN:
Category :
Languages : en
Pages : 47
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Book Description
The Internet is a shared resource, a cooperative network built out of millions of hosts all over the world. Its popularity is unquestionable and the necessity is enormous. However, the Internet is becoming a headache for intellectual property right holders. The advent of file-sharing technology has allowed consumers to copy music, books, video games and other protected works on an unprecedented scale at minimal cost. Peer-to-peer (P2P) technology allows people to exchange information over the Internet via many equal or 'peer' machines linked across a network, rather than on a central server.The problem is (as some copyright holders claim) that this kind of easy copying may destroy the incentives to create and 'kill' copyrights. The sharing trend indeed is vastly used to copy protected works. During the years the copyright law has been negotiated among the representatives of copyright-owning and copyright-using industries while the public, which is expected and encouraged to use copyrighted works (and thus to generate revenue for copyright owners), have been left apart. The rights of the public were not clearly expressed and today it has become a problem. The holders of copyrights by making use of the strict copyright law and with the help of national courts are suing peer-to-peer technology providers as well as individual users. But while copying of copyrighted materials is illegal, sharing and exchanging information is not. And the same sharing trend on the other hand, may advance various legal goals. This paper is asking is it really true that digital sharing is only a tool for intellectual property law violations or can it possibly be used for legal purposes? If both are true, where does the border lie and when does the digital sharing is the copyright infringement?This thesis actually deals with the peer-to-peer technology while focusing on the Lithuanian peer-to-peer practice and its copyright laws. The case of the Lithuanian sharing site Linkomanija is presented and scrutinized, while comparing other national courts' rulings in the digital sharing field. The national legislation is also explored and some criticism is expressed. The question whether copyright laws as they stand today are sufficient in the digital age is raised.
Author: National Research Council
Publisher: National Academies Press
ISBN: 0309278953
Category : Technology & Engineering
Languages : en
Pages : 103
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Book Description
Over the course of several decades, copyright protection has been expanded and extended through legislative changes occasioned by national and international developments. The content and technology industries affected by copyright and its exceptions, and in some cases balancing the two, have become increasingly important as sources of economic growth, relatively high-paying jobs, and exports. Since the expansion of digital technology in the mid-1990s, they have undergone a technological revolution that has disrupted long-established modes of creating, distributing, and using works ranging from literature and news to film and music to scientific publications and computer software. In the United States and internationally, these disruptive changes have given rise to a strident debate over copyright's proper scope and terms and means of its enforcement-a debate between those who believe the digital revolution is progressively undermining the copyright protection essential to encourage the funding, creation, and distribution of new works and those who believe that enhancements to copyright are inhibiting technological innovation and free expression. Copyright in the Digital Era: Building Evidence for Policy examines a range of questions regarding copyright policy by using a variety of methods, such as case studies, international and sectoral comparisons, and experiments and surveys. This report is especially critical in light of digital age developments that may, for example, change the incentive calculus for various actors in the copyright system, impact the costs of voluntary copyright transactions, pose new enforcement challenges, and change the optimal balance between copyright protection and exceptions.
