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Author: Mary Hollingsworth
Publisher: John Murray Pubs Limited
ISBN: 9780719553882
Category : Art patronage
Languages : en
Pages : 452
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Book Description
This work describes art patronage in 16th-century Italy. For example, it was the time when Julius II and Bramante embarked upon rebuilding St Peter's; Paul III commissioned Michelangelo to paint the Last Judgement; and Sixtus V and Domenico Fontana transformed the urban fabric of Rome. Other great projects included Borromeo and Pellegrino Tibaldi introducing the ideals of the Counter-Reformation in an ambitious programme of religious architecture in Milan; the centre of Venice being dramatically remodelled by the city's government and Jacopo Sansovino; wealthy Venetian patricians building beautiful villas in the Veneto from designs by Pallado, and commissioning their altarpieces and portraits from artists of the calibre of Titian and Tintoretto. At the same time, Giulio Romano built and decorated the Palazzo del Te for Federigo Gonzaga and, perhaps in the most famous partnership of all, Vasari gave visual expression to Cosimo I's ambition in an enormous programme of building and embellishment that established Florence as a centre of artistic excellence.
Author: Mary Hollingsworth
Publisher: John Murray Pubs Limited
ISBN: 9780719553882
Category : Art patronage
Languages : en
Pages : 452
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Book Description
This work describes art patronage in 16th-century Italy. For example, it was the time when Julius II and Bramante embarked upon rebuilding St Peter's; Paul III commissioned Michelangelo to paint the Last Judgement; and Sixtus V and Domenico Fontana transformed the urban fabric of Rome. Other great projects included Borromeo and Pellegrino Tibaldi introducing the ideals of the Counter-Reformation in an ambitious programme of religious architecture in Milan; the centre of Venice being dramatically remodelled by the city's government and Jacopo Sansovino; wealthy Venetian patricians building beautiful villas in the Veneto from designs by Pallado, and commissioning their altarpieces and portraits from artists of the calibre of Titian and Tintoretto. At the same time, Giulio Romano built and decorated the Palazzo del Te for Federigo Gonzaga and, perhaps in the most famous partnership of all, Vasari gave visual expression to Cosimo I's ambition in an enormous programme of building and embellishment that established Florence as a centre of artistic excellence.
Author: Professor Mary Hollingsworth
Publisher:
ISBN: 9781910198551
Category :
Languages : en
Pages : 672
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Book Description
'A superb, information-packed book' The Art Book 'A vivid, lively account of a complex society in which art was made to express the wealth, status, worldly concerns and religious aspirations of its patrons.' Art Quarterly 'She writes authoritatively, drawing on a vast store of knowledge.' Frances Spalding, The Sunday Times 'A refreshing contrast to the abstraction and intellectual constipation that characterise much of the cultural history written in Italy.' Apollo A comprehensive study of the patrons of fifteenth-century Italian art, this book investigates the role they played in the evolution of the Renaissance and the revival of the styles and themes of the art of ancient Rome. This process was far from uniform: the classical tradition provided flattering models not only for absolute rulers of Italy's many principalities, but also for the republican governments of Florence and Venice, and even for the pope in Rome. Above all, these fifteenth-century patrons were Christian, and much of the art they commissioned gave visual expression to their religious beliefs and duties. This book examines how and why they financed their projects, what factors lay behind their choice of themes and styles, and the extent to which they themselves were involved in the final appearance of these palaces, churches, statues, altarpieces and fresco cycles which form a landmark in the history of European art.
Author: Ian F. Verstegen
Publisher: Penn State Press
ISBN: 027109110X
Category : Art
Languages : en
Pages : 239
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Book Description
This collection of essays offers a thorough study of the patron-artist relationship through the lens of one of early modern Italy’s most powerful and influential historical families. Contributors present a longitudinal study of the della Rovere family’s ascent into Italian nobility. The della Rovere was a family of popes, cardinals, and powerful dukes who financed some of the world’s best-known and greatest artwork. The essays explore the issue of identity and its maintenance, of carving a permanent spot for a family name in a rapidly changing atmosphere. Although these studies depart from art patronage, they uncover how the popes, cardinals, dukes, and signore of the della Rovere family constituted their identity. Originally a nouveau-riche creation of papal nepotism, the della Rovere first populated the ranks of cardinals under the powerful popes Sixtus IV and Julius II. Within the framework of later papal relations, the family negotiated its position within the economy of Italian nobles.
Author: Mary Hollingsworth
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 392
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Book Description
This is the first comprehensive study of patrons in the Italian quattrocento. It will be of great interest to art historians and their students and to lovers of Renaissance art and civilization. At the start of the fifteenth century the patron, not the artist, was seen as the creator and he carefully controlled both subject and medium. In a competitive and voilent age, image and ostentation were essential statements of power. Buildings, bronze or tapestry were much more eloquent statements than the cheaper marble or fresco. The artistic quality that concerns us was less important than perceived cost. The arts in any case were just part of a pattern of conspicuous expenditure which would have included for instance holy relics, manuscripts and jewels - all of which had the added advantage that they were portable and could be used as collateral for bank loans. Since Christian teaching frowned on wealth and power, money had also to be spent on religious endowments made in expiation. But here too the patron was in control, and used the arts and other means to express religious belief, not aesthetic sensibility. Thus artists in the Early Renaissance were employed as craftsmen. Only late in the century did their relations with patrons start to adopt a pattern we might recognize today. This book, which also discusses the important differences between mercantile republics like Florence and Venice, the princely states such as Naples and Milan, and the papal court in Rome, is essential for a full understanding of why the works of this seminal period take the forms they do. --inside cover.
Author: Guy Fitch Lytle
Publisher: Princeton University Press
ISBN: 1400855918
Category : Art
Languages : en
Pages : 406
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Book Description
The fourteen essays in this collection explore the dominance of patronage in Renaissance politics, religion, theatre, and artistic life. Originally published in 1982. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author:
Publisher: Penn State Press
ISBN: 9780271048147
Category : Art
Languages : en
Pages : 304
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Book Description
To whom should we ascribe the great flowering of the arts in Renaissance Italy? Artists like Botticelli and Michelangelo? Or wealthy, discerning patrons like Cosimo de' Medici? In recent years, scholars have attributed great importance to the role played by patrons, arguing that some should even be regarded as artists in their own right. This approach receives sharp challenge in Jill Burke's Changing Patrons, a book that draws heavily upon the author's discoveries in Florentine archives, tracing the many profound transformations in patrons' relations to the visual world of fifteenth-century Florence. Looking closely at two of the city's upwardly mobile families, Burke demonstrates that they approached the visual arts from within a grid of social, political, and religious concerns. Art for them often served as a mediator of social difference and a potent means of signifying status and identity. Changing Patrons combines visual analysis with history and anthropology to propose new interpretations of the art created by, among others, Botticelli, Filippino Lippi, and Raphael. Genuinely interdisciplinary, the book also casts light on broad issues of identity, power relations, and the visual arts in Florence, the cradle of the Renaissance.
Author: Sheryl E. Reiss
Publisher: Penn State Press
ISBN: 0271097620
Category : Art
Languages : en
Pages : 365
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Book Description
Who were the secular female patrons of art and architecture in Renaissance Italy beyond Isabella d’Este? This volume brings together fourteen essays which examine the important and often unrecognized roles aristocratic and bourgeois women played in the patronage of visual culture during the Italian Renaissance. Themes include the significance of role models for female patrons, the dynamics of conjugal patronage, and the widespread patronage activities of widows. Collectively, the essays demonstrate how resourceful women expressed themselves through patronage despite the limitations of a highly structured patriarchal society. Thus, Isabella d’Este was by no means unique as a secular female patron, and the studies offered here should encourage scholars to move further ‘beyond Isabella’ in their assessment of women’s patronage of art and architecture in Renaissance Italy.
Author: Katherine A. McIver
Publisher:
ISBN: 9781599103082
Category : Art
Languages : en
Pages : 347
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Book Description
"Sixteen essays by an international group of scholars that examine the role of noble women as patrons of architecture and music in early modern Italy and that explore the behavior of woman art patrons and artists involved in the creation of art and architecture"--
Author: David Chambers
Publisher: Springer
ISBN: 1349006238
Category : History
Languages : en
Pages : 252
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Book Description
Author: Charles M. Rosenberg
Publisher: Cambridge University Press
ISBN: 0521792487
Category : Art
Languages : en
Pages : 477
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Book Description
The Court Cities of Northern Italy examines painting, sculpture, decorative arts, and architecture produced within the fourteenth, fifteenth, and sixteenth centuries.
