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Author: Madlyn-Ann C. Woolwich
Publisher: Betterway Books
ISBN:
Category : Architecture
Languages : en
Pages : 152
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Book Description
Eighteen artists interpret the same photographic sources with different methods and techniques.
Author: Madlyn-Ann C. Woolwich
Publisher: Betterway Books
ISBN:
Category : Architecture
Languages : en
Pages : 152
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Book Description
Eighteen artists interpret the same photographic sources with different methods and techniques.
Author: Mitchell Albala
Publisher: For Artists
ISBN: 0760371350
Category : Art
Languages : en
Pages : 178
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Book Description
"The Landscape Painter's Workbook takes a modern approach to the time-honored techniques and essential elements of landscape painting, from accomplished artist, veteran art instructor, and established author Mitchell Albala"--
Author: Debora Stewart
Publisher: Penguin
ISBN: 1440335842
Category : Art
Languages : en
Pages : 129
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Book Description
Would you love to take your art in a new direction? In Abstract Art Painting, you will enter a realm of tactile, intuitive excitement, combining pastel and acrylic to achieve results as unique as you are. You'll learn how to explore the use of color theory in abstraction and to use underpainting to bring structure and depth to your art. In addition you'll begin to understand how to work in a series and how this can help you develop your own personal style. A sampling of what you'll add to your creative toolbox: • Pastel and acrylic techniques to use to complete your own paintings • The benefits of expressing your ideas abstractly • How to loosen up by using your nondominant hand and drawing to music • Ways to express emotions through mark-making • Using color and symbolism for expression • Working with photos for inspiration • Tips for using color studies Step into your own abstract frame of mind today!
Author: Ilona Treitel
Publisher: Routledge
ISBN: 1317945441
Category : Literary Criticism
Languages : en
Pages : 334
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Book Description
First published in 1996. This comparative study investigates thematic and technical similarities in the works of the two authors who shared a cultural heritage and achieved comparable status in their separate literary traditions. Drawing upon theories by Bloom, Bakhtin, and Lacan, the book examines ways in which Henry James and Thomas Mann treat the creative artist and analyze the creative and interpretive processes in their fiction. The texts covered range from early works to their great modern novels: The GoldenBowland Doctor Faustus To a great extent, the similarities between the works stem from the authors' preoccupation with artistic responsibility. Adopting Bloom's claim that the creative activity is an interpretive one, and that the reader, as well as the writer, interprets a text into being the book also investigates the reader's responsibility in confronting the dilemmas challenging James' and Mann's artist figures. Such challenges are "the dangers of interpretation" discussed in this book. Index. Bibliography.
Author: Marquis Who's Who
Publisher: Marquis Who's Who
ISBN: 9780837963044
Category : Art
Languages : en
Pages : 1538
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Book Description
Author: Rebecca de Mendonça
Publisher: SearchPress+ORM
ISBN: 1781268347
Category : Art
Languages : en
Pages : 515
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Book Description
Discover the limitless possibilities of pastels with this beginner’s guide to creating modern, lively, and colorful pastel artwork. Artist and teacher Rebecca de Mendoça offers beginners a complete course in using pastels. Step-by-step exercises and longer projects help you to build the essential skills you need to paint a range of subjects, including landscapes, still life, portraits, and animals. Vital drawing techniques are explained and demonstrated, along with easy-to-follow explanations of color theory, composition, and the pastels themselves. This volume includes techniques for using both hard and soft pastels, eight skill-building projects, and a wealth of finished artwork to provide ideas and inspiration.
Author: Pamela Sachant
Publisher: Good Press
ISBN:
Category : Art
Languages : en
Pages : 614
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Book Description
Introduction to Art: Design, Context, and Meaning offers a deep insight and comprehension of the world of Art. Contents: What is Art? The Structure of Art Significance of Materials Used in Art Describing Art - Formal Analysis, Types, and Styles of Art Meaning in Art - Socio-Cultural Contexts, Symbolism, and Iconography Connecting Art to Our Lives Form in Architecture Art and Identity Art and Power Art and Ritual Life - Symbolism of Space and Ritual Objects, Mortality, and Immortality Art and Ethics
Author: DK
Publisher: Penguin
ISBN: 1465495347
Category : Art
Languages : en
Pages : 304
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Book Description
Author: Albert Handell
Publisher: Watson-Guptill
ISBN: 0823039129
Category : Art
Languages : en
Pages : 0
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Book Description
Known for his use of luminous color, Albert Handell, whose lush landscapes light up these pages, provides lucid instructions to help first-time pastelists achieve impressive results as soon as they begin working with the medium. After reviewing pastel supplies, the author discusses landscape composition and how to establish large shapes first, abstract certain areas, develop a focal point, work from dark to light, and capture the illusion of reality through color. Stepped demonstrations isolate specific landscape aspects, showing how the pastelist depicts skies, trees, buildings, water, rocks, woods, snow, and light.
Author: Jean Hirons
Publisher: AuthorHouse
ISBN: 9781477271360
Category : Crafts & Hobbies
Languages : en
Pages : 202
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Book Description
As artists, we have choices. There are very few rules that apply across the board. We can create highly realistic paintings, or perhaps more expressive paintings, or paintings that have very little basis in reality, including those that are totally non-representational. We can record color as we see it or as we’d like it to be. As pastel artists, we have even more choices. We can use a wide variety of pastels, strokes, surfaces, and techniques to create many different looks. The choices we make form the framework of our individual style, our signature as artists. Any subscriber to The Pastel Journal realizes how varied the medium of pastel can be. For the experienced artist, these articles are stimulating, offering possible ways to experiment with alternative approaches. For the beginner, the panoply of choices can be overwhelming. Painting is primarily an intuitive process. But intuition is gained through study and experience. Part of my impetus in writing this book has been to create a more structured approach to help those fairly new to the medium understand its many possibilities. The book is aimed at all levels of pastel artists. Beginners will find a wealth of helpful information and intermediate artists will gain insight into how to take their work to another level and develop a style. Many advanced artists teach pastel; the organization of ideas and the exercises included should be of assistance. I offer a variety of suggested approaches and sometimes make up terminology to describe my experiences with the medium. The instructions in the book are based on my preferences and the guidance that I offer my students. The diversity of styles and techniques evident in the paintings of contributing artists should make it clear, however, that there are many ways to successfully work in pastel. Having acknowledged the many possibilities, I want to note a few musts. Representational paintings must be well-drawn. Poor drawing skills cannot be overcome with lovely color or great technique. Likewise, paintings must have strong compositions, regardless of whether they are realistic, abstracted, or non-representational. Values must be properly interpreted to produce strong compositions and to use pastel to its full effect. And finally, pastel paintings must sing! Whether the applications are light and airy, or rich and painterly, it should be clear that the artist is in control of the medium and is using it to produce his or her desired look. For years I have resisted suggestions that I write a book. As a landscape painter, I knew that there were more authoritative books already available. And the growing popularity of pastel has led to so many resources, including online blogs, a biennial convention, and the wonderful Pastel Journal, mentioned above. What could I add to this? My personal training in pastel has been from weeklong landscape workshops with some of the leading pastel painters in the country. As a teacher in a community college, I am not teaching a particular style nor focusing on specific subject matter. Some of my students work with the landscape, but others do portraits or figurative work, while others prefer still life, or work abstractly. In dealing with this mixture, I’ve realized that there are different ways to approach one’s use of color, and this formed my first idea for creating a book. Furthermore, as a teacher, I’ve spent time experimenting with different surfaces, pastel brands, and techniques in order to make suggestions to students to help them find the look they want to achieve. I do not teach students to paint the way I do, but instead, try to share my experience and help them develop their own individual style.
