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Author:
Publisher:
ISBN:
Category : Missions, British
Languages : en
Pages : 724
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Author: United States. Congress. Senate. Committee on Government Operations
Publisher:
ISBN:
Category : Administrative agencies
Languages : en
Pages : 592
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Book Description
Considers. S. 2095, Passport Reorganization Act of 1959, to establish U.S. Passport Service in State Dept. S. 2287 and similar bills, to provide standards for issuance of passports. S. 2315, to deny passports to supporters of international communist movements. S. 1303, to amend Immigration and Nationality Act wartime travel limitations and passport procedures. Appendix includes judicial opinions involving denial of or requests for passports.
Author:
Publisher:
ISBN:
Category : Missions, British
Languages : en
Pages : 724
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Book Description
Author:
Publisher:
ISBN:
Category : Missions
Languages : en
Pages : 938
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Book Description
Author: Royal Geographical Society (Great Britain)
Publisher:
ISBN:
Category : Voyages and travels
Languages : en
Pages : 892
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Book Description
Author: Great Britain. Parliament. House of Commons
Publisher:
ISBN:
Category :
Languages : en
Pages : 658
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Author:
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ISBN:
Category :
Languages : en
Pages : 892
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Book Description
Author: William Frederick Mayers
Publisher:
ISBN:
Category :
Languages : en
Pages : 852
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Book Description
Author: Fernand Grenard
Publisher:
ISBN:
Category : Asia, Central
Languages : en
Pages : 452
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Author: Great Britain. Parliament. House of Commons
Publisher:
ISBN:
Category : Bills, Legislative
Languages : en
Pages : 594
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Book Description
Author: Craig Clunas
Publisher: Princeton University Press
ISBN: 0691171939
Category : Art
Languages : en
Pages : 304
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Book Description
What is Chinese painting? When did it begin? And what are the different associations of this term in China and the West? In Chinese Painting and Its Audiences, which is based on the A. W. Mellon Lectures in the Fine Arts given at the National Gallery of Art, leading art historian Craig Clunas draws from a wealth of artistic masterpieces and lesser-known pictures, some of them discussed here in English for the first time, to show how Chinese painting has been understood by a range of audiences over five centuries, from the Ming Dynasty to today. Richly illustrated, Chinese Painting and Its Audiences demonstrates that viewers in China and beyond have irrevocably shaped this great artistic tradition. Arguing that audiences within China were crucially important to the evolution of Chinese painting, Clunas considers how Chinese artists have imagined the reception of their own work. By examining paintings that depict people looking at paintings, he introduces readers to ideal types of viewers: the scholar, the gentleman, the merchant, the nation, and the people. In discussing the changing audiences for Chinese art, Clunas emphasizes that the diversity and quantity of images in Chinese culture make it impossible to generalize definitively about what constitutes Chinese painting. Exploring the complex relationships between works of art and those who look at them, Chinese Painting and Its Audiences sheds new light on how the concept of Chinese painting has been formed and reformed over hundreds of years.
