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Author: Pier Franco Beatrice
Publisher: Editions Beauchesne
ISBN:
Category : Religion
Languages : en
Pages : 364
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Book Description
Recueil de contributions en hommage à ce frère capucin ordonné prêtre en 1958, docteur en théologie et directeur du département des études religieuses de l'Université catholique de Milan. Ses travaux portent principalement sur Tertullien, le Pseudo-Hippolyte, l'apologétique chrétienne ou la christologie chez les Pères de l'Eglise. ©Electre 2017.
Author: Pier Franco Beatrice
Publisher: Editions Beauchesne
ISBN:
Category : Religion
Languages : en
Pages : 364
Get Book Here
Book Description
Recueil de contributions en hommage à ce frère capucin ordonné prêtre en 1958, docteur en théologie et directeur du département des études religieuses de l'Université catholique de Milan. Ses travaux portent principalement sur Tertullien, le Pseudo-Hippolyte, l'apologétique chrétienne ou la christologie chez les Pères de l'Eglise. ©Electre 2017.
Author:
Publisher: BRILL
ISBN: 9004428011
Category : Religion
Languages : en
Pages : 229
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Book Description
Christian Teachers in Second-Century Rome situates second-century Christian teachers such as Marcion, Justin, Valentinus and others in the social and intellectual context of the Roman urban environment, placing their teaching and textual activity in the midst of physicians, philosophers, and other religious experts.
Author: Catholic Church
Publisher:
ISBN:
Category : Holy Week
Languages : en
Pages : 414
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Book Description
Author: Alma Santosuosso
Publisher: Routledge
ISBN: 1351557378
Category : Music
Languages : en
Pages : 413
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Book Description
This book presents the most recent findings of twenty of the foremost European and North American researchers into the music of the Middle Ages. The chronological scope of their topics is wide, from the ninth to the fifteenth century. Wide too is the range of the subject matter: included are essays on ecclesiastical chant, early and late (and on the earliest and latest of its supernumerary tropes, monophonic and polyphonic); on the innovative and seminal polyphony of Notre-Dame de Paris, and the Latin poetry associated with the great cathedral; on the liturgy of Paris, Rome and Milan; on musical theory; on the emotional reception of music near the end of the medieval period and the emergence of modern sensibilities; even on methods of encoding the melodies that survive from the Middle Ages, encoding that makes it practical to apply computer-assisted analysis to their vast number. The findings presented in this book will be of interest to those engaged by music and the liturgy, active researchers and students. All the papers are carefully and extensively documented by references to medieval sources.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 694
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Book Description
Author:
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 530
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 470
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Book Description
Author: Hymns
Publisher:
ISBN:
Category :
Languages : en
Pages : 388
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Book Description
Author: North American Old Caholic Church
Publisher: Lulu.com
ISBN: 0557219329
Category : Religion
Languages : en
Pages : 284
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Book Description
The Mass of the Old Catholic Church is completely traditional. This altar-size book is in full color and intended to be used by a priest saying Mass. It has the complete Mass in Latin (1928), the Traditional Mass in English (Knott, 1912 with the Coverdale Canon of 1550), the Mystical Mass in English (Wedgwood/Leadbeater, 1916), all the Propers and Commons in Latin and English, and the Old Catholic Liturgical Canon (through 2020). complete
Author: Alejandro Enrique Planchart
Publisher: Taylor & Francis
ISBN: 1351940732
Category : Music
Languages : en
Pages : 614
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Book Description
After the imposition of Gregorian chant upon most of Europe by the authority of the Carolingian kings and emperors in the eighth and ninth centuries, a large number of repertories arose in connection with the new chant and its liturgy. Of these repertories, the tropes, together with the sequences, represent the main creative activity of European musicians in the ninth, tenth, and eleventh centuries. Because they were not an absolutely official part of the liturgy, as was Gregorian chant, they reflect local traditions, particularly in terms of melody, and more so than the new pieces that were composed at the time. In addition, the earlier layers of tropes represent, in many cases, a survival of the pre local pre Gregorian melodic traditions. This volume provides an introduction to the study of tropes in the form of an extensive anthology of major studies and a comprehensive bibliography and constitutes a classic reference resource for the study of one of the most important musico-liturgical genres of the central middle ages.
