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Author: Joan Yolleck
Publisher:
ISBN: 9780375937569
Category : Juvenile Fiction
Languages : en
Pages : 40
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Book Description
Describes how some of Paris's famous artists and writers, such as Pablo Picasso, Max Jacob, and Guillaume Apollinaire, spend their day before preparing to attend a party at Gertrude Stein's apartment.
Author: Joan Yolleck
Publisher:
ISBN: 9780375937569
Category : Juvenile Fiction
Languages : en
Pages : 40
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Book Description
Describes how some of Paris's famous artists and writers, such as Pablo Picasso, Max Jacob, and Guillaume Apollinaire, spend their day before preparing to attend a party at Gertrude Stein's apartment.
Author: Camille Aubray
Publisher:
ISBN: 0399177655
Category : Fiction
Languages : en
Pages : 402
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Book Description
"The French Riviera, spring 1936. It's off-season in the lovely seaside village of Juan-les-Pins, where seventeen-year-old Ondine cooks with her mother in the kitchen of their family-owned Cafe Paradis. A mysterious new patron who's slipped out of Paris and is traveling under a different name has made an unusual request--to have his lunch served to him at the nearby villa he's secretly rented ... Pablo Picasso is at a momentous crossroads in his personal and professional life--and for him, art and women are always entwined ... New York, present day. Caeline, a Hollywood makeup artist who's come home for the holidays, learns from her mother Julie that Grandmother Ondine once cooked for Picasso"--
Author: Françoise Gilot
Publisher: New York Review of Books
ISBN: 168137319X
Category : Biography & Autobiography
Languages : en
Pages : 385
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Book Description
Françoise Gilot's candid memoir remains the most revealing portrait of Picasso written, and gives fascinating insight into the intense and creative life shared by two modern artists. Françoise Gilot was in her early twenties when she met the sixty-one-year-old Pablo Picasso in 1943. Brought up in a well-to-do upper-middle-class family, who had sent her to Cambridge and the Sorbonne and hoped that she would go into law, the young woman defied their wishes and set her sights on being an artist. Her introduction to Picasso led to a friendship, a love affair, and a relationship of ten years, during which Gilot gave birth to Picasso’s two children, Paloma and Claude. Gilot was one of Picasso’s muses; she was also very much her own woman, determined to make herself into the remarkable painter she did indeed become. Life with Picasso, written with Carlton Lake and published in 1961, is about Picasso the artist and Picasso the man. We hear him talking about painting and sculpture, his life, his career, as well as other artists, both contemporaries and old masters. We glimpse Picasso in his many and volatile moods, dismissing his work, exultant over his work, entertaining his various superstitions, being an anxious father. But Life with Picasso is not only a portrait of a great artist at the height of his fame; it is also a picture of a talented young woman of exacting intelligence at the outset of her own notable career.
Author: Pablo Picasso
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 244
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Book Description
It presents more than 500 of the paintings, collages, sketches, and sculptures in Picasso's massive private collection, dispersed throughout three discrete locations.
Author: Sue Roe
Publisher: Penguin Books
ISBN: 0143108123
Category : Art
Languages : en
Pages : 386
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Book Description
Previously published: London: Fig Tree, [2014].
Author: Émilia Philippot
Publisher:
ISBN: 9781912520183
Category : Paper art
Languages : en
Pages : 0
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Book Description
Picasso's artistic output is astonishing in its ambition and variety. Picasso and Paper examines a particular aspect of his legendary capacity for invention: his imaginative and original use of paper. He used it as a support for autonomous works, including etchings, prints and drawings, as well as for his papier-collé experiments of the 1910s and his revolutionary three-dimensional "constructions," made of cardboard, paper and string. Sometimes his use of paper was simply determined by circumstance: in occupied Paris, where art supplies were in short supply, he ripped up paper tablecloths to make works of art. And of course his works on paper comprise the preparatory stages of some of his very greatest paintings. With reproductions of nearly 400 works of art and a series of insightful new texts by leading authorities on the artist, this sumptuous study reveals the myriad ways in which Picasso explored the potential of paper at different stages of his career. Picasso and Paper is published for an exhibition organized by the Royal Academy of Arts, London, and the Cleveland Museum of Art in partnership with the Musée national Picasso-Paris. The legendary life and career of Pablo Picasso (1881-1973) spanned nearly the entire 20th century and ushered in some of its most significant artistic revolutions.
Author: Sascha Bru
Publisher: Taylor & Francis
ISBN: 1003856667
Category : Art
Languages : en
Pages : 370
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Book Description
This book examines the many functions of paper in the fine art and aesthetics of the early twentieth-century modernist or historic avant-garde (Expressionism, Cubism, Futurism, Dadaism, Surrealism, Constructivism and many more). With its many collages and photomontages, the historic avant-garde is generally considered to have transformed paper from a mere support into an artistic medium and to have assisted in art on paper gaining a firm autonomy. Bringing together an international team of scholars, this book shows that the story of paper in the avant-garde has thereby hardly been told. The first section looks at a selection of canonized individual avant-gardists’ work on paper to demonstrate that the material and formal analysis of paper in the avant-garde’s artistic production still holds much in store. In the second section, chapters zoom in on forms and formats of collective artistic production that deployed paper to move around reproductions of fine art works, to facilitate the dialogue between avant-gardists, to better promote their work among patrons, and to make their work available to a wider audience. Chapters in the third section lay bare how certain groups within the avant-garde began to massively create monochrome works, because these could be easily reproduced when transferred to, or reproduced as, linocuts. In the last section of the book, chapters explore how the avant-garde’s attentiveness to paper almost always also implied a critique of the ways in which paper, and all that it stood for, was treated and labored in European culture and society more broadly. The book will be of interest to scholars working in art history, modernism, and design.
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 1588393704
Category : Art
Languages : en
Pages : 378
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Book Description
This publication presents a comprehensive catalogue of the works by Pablo Picasso in the Metropolitan Museum. Comprising 34 paintings, 59 drawings, 12 sculptures and ceramics, and more than 400 prints, the collection reflects the full breadth of the artist's multi-sided genius as it asserted itself over the course of his long career.
Author: Dr Debra D Andrist
Publisher: Liverpool University Press
ISBN: 1782843280
Category : Medical
Languages : en
Pages : 340
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Book Description
Hominids have always been obsessed with representing their own bodies. The first "selfies" were prehistoric negative hand images and human stick figures, followed by stone and ceramic representations of the human figure. Thousands of years later, moving via historic art and literature to contemporary social media, the contemporary term "selfie" was self-generated. The book illuminates some "selfies". This collection of critical essays about the fixation on the human self addresses a multi-faceted geographic set of cultures -- the Iberian Peninsula to pre-Columbian America and Hispanic America -- analysing such representations from medical, literal and metaphorical perspectives over centuries. Chapter contributions address the representation of the body itself as subject, in both visual and textual manners, and illuminate attempts at control of the environment, of perception, of behaviour and of actions, by artists and authors. Other chapters address the body as subjected to circumstance, representing the body as affected by factors such as illness, injury, treatment and death. These myriad effects on the body are interpreted through the brushes of painters and the pens of authors for social and/or personal control purposes. The essays reveal critics' insights when "selfies" are examined through a focused "lens" over a breadth of cultures. The result, complex and unique, is that what is viewed -- the visual art and literature under discussion -- becomes a mirror image, indistinguishable from the component viewing apparatus, the "lens".
Author: Annie Cohen-Solal
Publisher: Farrar, Straus and Giroux
ISBN: 0374720525
Category : Biography & Autobiography
Languages : en
Pages : 401
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Book Description
A New York Times Book Review Editors' Choice “Absorbing [and] astute . . . Cohen-Solal captures a facet of Picasso’s character long overlooked.” —Hamilton Cain, The Wall Street Journal “A beguiling read, as ingenious as it is ambitious . . . See Picasso and Paris shimmering with new light.” —Mark Braude, author of Kiki Man Ray: Art, Love, and Rivalry in 1920s Paris Born from her probing inquiry into Picasso’s odyssey in France, which inspired a museum exhibition of the same name, historian Annie-Cohen Solal’s Picasso the Foreigner presents a bold new understanding of the artist’s career and his relationship with the country he called home. Winner of the 2021 Prix Femina Essai Before Picasso became Picasso—the iconic artist now celebrated as one of France’s leading figures—he was constantly surveilled by the French police. Amid political tensions in the spring of 1901, he was flagged as an anarchist by the security services—the first of many entries in an extensive case file. Though he soon emerged as the leader of the cubist avant-garde, and became increasingly wealthy as his reputation grew worldwide, Picasso’s art was largely excluded from public collections in France for the next four decades. The genius who conceived Guernica in 1937 as a visceral statement against fascism was even denied French citizenship three years later, on the eve of the Nazi occupation. In a country where the police and the conservative Académie des Beaux-Arts represented two major pillars of the establishment at the time, Picasso faced a triple stigma—as a foreigner, a political radical, and an avant-garde artist. Picasso the Foreigner approaches the artist’s career and art from an entirely new angle, making extensive use of fascinating and long-overlooked archival sources. In this groundbreaking narrative, Picasso emerges as an artist ahead of his time not only aesthetically but politically, one who ignored national modes in favor of contemporary cosmopolitan forms. Annie Cohen-Solal reveals how, in a period encompassing the brutality of World War I, the Nazi occupation, and Cold War rivalries, Picasso strategized and fought to preserve his agency, eventually leaving Paris for good in 1955. He chose the south over the north, the provinces over the capital, and craftspeople over academicians, while simultaneously achieving widespread fame. The artist never became a citizen of France, yet he generously enriched and dynamized the country’s culture like few other figures in its history. This book, for the first time, explains how. Includes color images
