Author: Henry Morford
Publisher:
ISBN:
Category : Exposition universelle de 1867 à Paris
Languages : en
Pages : 434
Book Description
Paris in '67
Author: Henry Morford
Publisher:
ISBN:
Category : Exposition universelle de 1867 à Paris
Languages : en
Pages : 434
Book Description
Publisher:
ISBN:
Category : Exposition universelle de 1867 à Paris
Languages : en
Pages : 434
Book Description
Islamic Architecture through Western Eyes: Volume 2
Author: Michael Greenhalgh
Publisher: BRILL
ISBN: 9004540873
Category : Art
Languages : en
Pages : 429
Book Description
This volume, the second of three, offers an anthology of Western descriptions of Islamic religious buildings in Syria, Egypt and North Africa, mostly from the seventeenth to early twentieth centuries, taken from travel books and ambassadorial reports. (The third volume will deal with Islamic palaces around the Mediterranean.) As travel became easier and cheaper, thanks to better roads, steamships, hotels and railways, tourist numbers increased, museums accumulated eastern treasures, illustrated journals proliferated, and photography provided accurate data. All three deal with the impact of Western trade, taste and imports on the East, and examine the encroachment of westernised modernism.
Publisher: BRILL
ISBN: 9004540873
Category : Art
Languages : en
Pages : 429
Book Description
This volume, the second of three, offers an anthology of Western descriptions of Islamic religious buildings in Syria, Egypt and North Africa, mostly from the seventeenth to early twentieth centuries, taken from travel books and ambassadorial reports. (The third volume will deal with Islamic palaces around the Mediterranean.) As travel became easier and cheaper, thanks to better roads, steamships, hotels and railways, tourist numbers increased, museums accumulated eastern treasures, illustrated journals proliferated, and photography provided accurate data. All three deal with the impact of Western trade, taste and imports on the East, and examine the encroachment of westernised modernism.
The Age of Reconstruction
Author: Don H. Doyle
Publisher: Princeton University Press
ISBN: 0691256098
Category : History
Languages : en
Pages : 392
Book Description
"John Wilkes Booth fired his fatal shot on the evening of April 14, 1865, and as the news reached nearly every corner of the globe, President Abraham Lincoln lay dying. Pervasive sympathy for America-and the martyred Lincoln-provoked restless agitation for democratic reform on both sides of the Atlantic. While most readers are familiar with Reconstruction as a deeply contested domestic struggle, Viva Lincoln: The Legacy of the Civil War and the New Birth of Freedom Abroad by historian Don H. Doyle explains how the Union victory helped drive European imperialism from the Americas, bring slavery to an end in Latin America, and spark a wave of democratic reforms in Europe. The 1860s proved to be a crucial decade in the history of democracy. While Reconstruction reforms were implemented to establish the American South on firm republican principles; internationally, a contagious flurry of democratic reforms and revolutions in Britain, Spain, France, and Italy made democracy the wave of the future. However, by the end of the nineteenth century, Doyle argues, the United States had forsaken the main achievements of Reconstruction as new theorists and politicians reconciled democratic principles and white supremacy in the new Jim Crow era. The United States, once a model of democratic reform, became a model for mass segregation, racialized disenfranchisement, and immigration restriction. Grounded in extensive diplomatic correspondence, US and foreign legislative debates, international newspapers, and hundreds of speeches, memoirs, biographies, contemporary books, and pamphlets, Viva Lincoln will be the first general-interest global history of Reconstruction from Lincoln's assassination to Jim Crow"--
Publisher: Princeton University Press
ISBN: 0691256098
Category : History
Languages : en
Pages : 392
Book Description
"John Wilkes Booth fired his fatal shot on the evening of April 14, 1865, and as the news reached nearly every corner of the globe, President Abraham Lincoln lay dying. Pervasive sympathy for America-and the martyred Lincoln-provoked restless agitation for democratic reform on both sides of the Atlantic. While most readers are familiar with Reconstruction as a deeply contested domestic struggle, Viva Lincoln: The Legacy of the Civil War and the New Birth of Freedom Abroad by historian Don H. Doyle explains how the Union victory helped drive European imperialism from the Americas, bring slavery to an end in Latin America, and spark a wave of democratic reforms in Europe. The 1860s proved to be a crucial decade in the history of democracy. While Reconstruction reforms were implemented to establish the American South on firm republican principles; internationally, a contagious flurry of democratic reforms and revolutions in Britain, Spain, France, and Italy made democracy the wave of the future. However, by the end of the nineteenth century, Doyle argues, the United States had forsaken the main achievements of Reconstruction as new theorists and politicians reconciled democratic principles and white supremacy in the new Jim Crow era. The United States, once a model of democratic reform, became a model for mass segregation, racialized disenfranchisement, and immigration restriction. Grounded in extensive diplomatic correspondence, US and foreign legislative debates, international newspapers, and hundreds of speeches, memoirs, biographies, contemporary books, and pamphlets, Viva Lincoln will be the first general-interest global history of Reconstruction from Lincoln's assassination to Jim Crow"--
Designing the Centennial
Author: Bruno Giberti
Publisher: University Press of Kentucky
ISBN: 0813181488
Category : Architecture
Languages : en
Pages : 427
Book Description
The 1876 United States Centennial Exhibition in Philadelphia was not only the United States' first important world's fair, it signaled significant changes in the very shape of knowledge. Quarrels between participants in the exhibition represented a greater conflict as the world transitioned between two different kinds of modernity—the Enlightenment of the seventeenth and eighteenth centuries to the High Modern period of the nineteenth and twentieth centuries. At the center of this movement was a shift in the perceived relationship between seeing and knowing and in the perception of what makes an object valuable—its usefulness as a subject of study and learning versus its ability to be bought and sold on the market. Arguments over design of the Centennial reflected these opposing viewpoints. Initial plans were rigidly structured, dividing the exhibits by country and type. But as some exhibitors became more interested in the preferences of their audience, they adopted a more modern stance. Objects traditionally displayed in isolated glass boxes were placed in fictive context—the necklace draped over a mannequin, the vase set on a table in a model room. As a result, the audience could more easily perceive these items as commodities suitable for their own environments and the fair as a place to find ideas for a material lifestyle. Designing the Centennial is a vital first look at the design process and the nature of the display. Bruno Giberti uses official reports of the U.S. Centennial Commission and photographs of the Centennial Photographic Company, as well as the ephemera of the exhibition and literary accounts in books, magazines, and newspapers to illuminate how the 1876 fair revealed changes to come: in future world's fairs, museums, department stores, and in the nature of display itself.
Publisher: University Press of Kentucky
ISBN: 0813181488
Category : Architecture
Languages : en
Pages : 427
Book Description
The 1876 United States Centennial Exhibition in Philadelphia was not only the United States' first important world's fair, it signaled significant changes in the very shape of knowledge. Quarrels between participants in the exhibition represented a greater conflict as the world transitioned between two different kinds of modernity—the Enlightenment of the seventeenth and eighteenth centuries to the High Modern period of the nineteenth and twentieth centuries. At the center of this movement was a shift in the perceived relationship between seeing and knowing and in the perception of what makes an object valuable—its usefulness as a subject of study and learning versus its ability to be bought and sold on the market. Arguments over design of the Centennial reflected these opposing viewpoints. Initial plans were rigidly structured, dividing the exhibits by country and type. But as some exhibitors became more interested in the preferences of their audience, they adopted a more modern stance. Objects traditionally displayed in isolated glass boxes were placed in fictive context—the necklace draped over a mannequin, the vase set on a table in a model room. As a result, the audience could more easily perceive these items as commodities suitable for their own environments and the fair as a place to find ideas for a material lifestyle. Designing the Centennial is a vital first look at the design process and the nature of the display. Bruno Giberti uses official reports of the U.S. Centennial Commission and photographs of the Centennial Photographic Company, as well as the ephemera of the exhibition and literary accounts in books, magazines, and newspapers to illuminate how the 1876 fair revealed changes to come: in future world's fairs, museums, department stores, and in the nature of display itself.
Catalogue
Author: Fitchburg Public Library (Fitchburg, Mass.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 72
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 72
Book Description
Catalogue of the Library of Congress
Author: Library of Congress
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 344
Book Description
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 344
Book Description
Catalogue of books added to the Library of Congress
Author: Washington D.C., libr. of Congress
Publisher:
ISBN:
Category :
Languages : en
Pages : 344
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 344
Book Description
Impressionism
Author: Robert L. Herbert
Publisher: Yale University Press
ISBN: 0300050836
Category : Art
Languages : en
Pages : 348
Book Description
Examines the use of cafes, opera houses, dance halls, theaters, racetracks, and the seaside in impressionist French paintings
Publisher: Yale University Press
ISBN: 0300050836
Category : Art
Languages : en
Pages : 348
Book Description
Examines the use of cafes, opera houses, dance halls, theaters, racetracks, and the seaside in impressionist French paintings
Among Our Books
Author: Carnegie Library of Pittsburgh
Publisher:
ISBN:
Category : Classified catalogs (Dewey decimal)
Languages : en
Pages : 800
Book Description
Publisher:
ISBN:
Category : Classified catalogs (Dewey decimal)
Languages : en
Pages : 800
Book Description
Monthly Bulletin of the Carnegie Library of Pittsburgh
Author: Carnegie Library of Pittsburgh
Publisher:
ISBN:
Category : Classified catalogs (Dewey decimal)
Languages : en
Pages : 800
Book Description
Publisher:
ISBN:
Category : Classified catalogs (Dewey decimal)
Languages : en
Pages : 800
Book Description