Paranoia, the Bomb, and 1950s Science Fiction Films PDF Download
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Author: Cynthia Hendershot
Publisher: Popular Press
ISBN: 9780879727994
Category : Performing Arts
Languages : en
Pages : 184
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Book Description
The various monsters that people 1950s sf - giant insects, prehistoric creatures, mutants, uncanny doubles, to name a few - serve as metaphorical embodiments of a varied and complex cultural paranoia."--BOOK JACKET. "Hendershot provides both theoretical discussion of paranoia and close readings of sf films in order to construct her argument, elucidating the various metaphors used by these films to convey a paranoiac view of a society forever altered by the atomic bomb."--BOOK JACKET.
Author: Cynthia Hendershot
Publisher: Popular Press
ISBN: 9780879727994
Category : Performing Arts
Languages : en
Pages : 184
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Book Description
The various monsters that people 1950s sf - giant insects, prehistoric creatures, mutants, uncanny doubles, to name a few - serve as metaphorical embodiments of a varied and complex cultural paranoia."--BOOK JACKET. "Hendershot provides both theoretical discussion of paranoia and close readings of sf films in order to construct her argument, elucidating the various metaphors used by these films to convey a paranoiac view of a society forever altered by the atomic bomb."--BOOK JACKET.
Author: Sharon Packer, M.D.
Publisher: McFarland
ISBN: 0786472340
Category : Performing Arts
Languages : en
Pages : 298
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Book Description
As the gap between science fiction and science fact has narrowed, films that were intended as pure fantasy at the time of their premier have taken on deeper meaning. This volume explores neuroscience in science fiction films, focusing on neuroscience and psychiatry as running themes in SF and finding correlations between turning points in "neuroscience fiction" and advances in the scientific field. The films covered include The Strange Case of Dr. Jekyll and Mr. Hyde, The Island of Dr. Moreau, Robocop, The Stepford Wives, The Mind Snatchers and iconic franchises like Terminator, Ironman and Planet of the Apes. Examining the parallel histories of psychiatry, neuroscience and cinema, this book shows how science fiction films offer insightful commentary on the scientific and philosophical developments of their times.
Author: Matthew Jones
Publisher: Bloomsbury Publishing USA
ISBN: 1501352512
Category : Performing Arts
Languages : en
Pages : 239
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Book Description
For the last sixty years discussion of 1950s science fiction cinema has been dominated by claims that the genre reflected US paranoia about Soviet brainwashing and the nuclear bomb. However, classic films, such as Invasion of the Body Snatchers (1956) and It Came from Outer Space (1953), and less familiar productions, such as It! The Terror from Beyond Space (1958), were regularly exported to countries across the world. The histories of their encounters with foreign audiences have not yet been told. Science Fiction Cinema and 1950s Britain begins this task by recounting the story of 1950s British cinema-goers and the aliens and monsters they watched on the silver screen. Drawing on extensive archival research, Matthew Jones makes an exciting and important intervention by locating American science fiction films alongside their domestic counterparts in their British contexts of release and reception. He offers a radical reassessment of the genre, demonstrating for the first time that in Britain, which was a significant market for and producer of science fiction, these films gave voice to different fears than they did in America. While Americans experienced an economic boom, low immigration and the conferring of statehood on Alaska and Hawaii, Britons worried about economic uncertainty, mass immigration and the dissolution of the Empire. Science Fiction Cinema and 1950s Britain uses these and other differences between the British and American experiences of the 1950s to tell a new history of the decade's science fiction cinema, exploring for the first time the ways in which the genre came to mean something unique to Britons.
Author: Melvin E. Matthews
Publisher: Algora Publishing
ISBN: 0875864996
Category : Performing Arts
Languages : en
Pages : 180
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Book Description
1950s Cold War-era monsters meet 21st century terrorists: this exploration of sci-fi movies examines the similarities and differences between the political environment and popular culture of two eras. This examination and appreciation of 1950s science fiction films includes behind-the-scenes tales about their production and many quotes from those who produced and starred in the films. The author draws parallels between the Cold War fears of the 1950s and 60s and the constant "terrorism alerts" of the September 11th era, exploring how the politics and the psychological climate of the times influences and is reflected in this vehicle of popular culture. This book is the first of its kind, studying the pop culture genre in the wake of the September 11th tragedy. It shows that, whatever the era and whatever the challenges and crises confronting America, many entertainment themes remain the same, reflecting their respective times and the relevant issues. For instance, Godzilla, the only Fifties-era monster to remain a "movie star" beyond that era, could be fashioned to reflect whatever issues dominate the times, be they nuclear war in the Fifties when Godzilla originated to a Seventies Godzilla film about environmental pollution. Conceivably a Godzilla for the age of terrorism is possible. "Them"! the 1954 atomic mutation classic, is the spiritual ancestor of the 2002 film "Eight Legged Freaks." The alien invaders of the Fifties signified a Russian invasion of America, while other films of the genre, such as "Invaders from Mars," depicted aliens utilizing mind control to manipulate humans to commit acts of sabotage, signifying Communist enslavement. If such a film were made now, such invaders could be seen as terrorist masterminds using human slaves to commit terrorist acts. Finally, several Fifties films depicted the end of the world at a time when Americans expected a nuclear war with Russia. The immediate pre-September 11th era witnessed films presenting galactic threats to mankind's existence ("Independence Day," "Deep Impact," "Armageddon"), while the early 2000s witnessed the popularity of the "Left Behind" Christian films dramatizing the Tribulation period in the Book of Revelation.
Author: Peter Lev
Publisher: Univ of California Press
ISBN: 9780520249660
Category : Performing Arts
Languages : en
Pages : 404
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Book Description
Covering a tumultuous period of the 1950s, this work explores the divorce of movie studios from their theater chains, the panic of the blacklist era, the explosive emergence of science fiction as the dominant genre, and the rise of television and Hollywood's response with widescreen spectacles.
Author: Bonnie Noonan
Publisher: McFarland
ISBN: 1476610053
Category : Performing Arts
Languages : en
Pages : 237
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Book Description
In the 1950s, science was rapidly advancing, and so were scientific opportunities for women. Modern science fiction films reflected these simultaneous social developments. This book proposes that the social ideology of the 1950s, which was partly concerned with gender issues, saturated the B science fiction films of that era and inspired a new appreciation for the role of women in scientific advancements and other social achievements. Drawing on feminist literary and cultural theory, the author argues that the emergence of the modern American science fiction film in 1950 and the situation of post-World War II female scientists together created a film genre. That genre was explicitly amenable to exploring the tension between a woman's place in her home and her place in the work force, particularly in scientific fields. Early chapters provide a general introduction to the science fiction genre and specifically describe 1950s B science fiction films as they resonate with concerns proper to feminist theory. Subsequent chapters offer detailed, historically situated readings of 10 B science fiction films from the 1950s that feature women in science. The cinematic representations of female scientists are compared and contrasted with real female professionals of the time, illuminating the changing gender dynamics reflected in popular film in the 1950s. Films analyzed include Rocketship X-M, It Came from Beneath the Sea, Them!, Tarantula, The Deadly Mantis, Beginning of the End, Kronos, Cat-Women of the Moon, World Without End, and Queen of Outer Space.
Author: Barry Keith Grant
Publisher: Bloomsbury Publishing
ISBN: 1838714073
Category : Performing Arts
Languages : en
Pages : 708
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Book Description
A comprehensive guide to science fiction films, which analyzes and contextualizes the most important examples of the genre, from Un voyage dans la lune (1902), to The Road (2009).
Author: Chris Christopoulos
Publisher: Chris Christopoulos
ISBN:
Category : Performing Arts
Languages : en
Pages : 33
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Book Description
This volume of the “Sci-Fi Film Fiesta” series: VOLUME 4: JOURNEYS WITHIN features classic science fiction films from the 1950s that depict strange and exotic worlds that await discovery deep within the bowels of the earth and deep down in the fathomless depths of our oceans. Let’s now turn our gaze from the heavens and peer into worlds within a world that may exist under our very noses.
Author: Rashna Wadia Richards
Publisher: Indiana University Press
ISBN: 0253006880
Category : History
Languages : en
Pages : 279
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Book Description
Cinematic Flashes challenges popular notions of a uniform Hollywood style by disclosing uncanny networks of incongruities, coincidences, and contingencies at the margins of the cinematic frame. In an agile demonstration of "cinephiliac" historiography, Rashna Wadia Richards extracts intriguing film fragments from their seemingly ordinary narratives in order to explore what these unexpected moments reveal about the studio era. Inspired by Walter Benjamin's preference for studying cultural fragments rather than composing grand narratives, this unorthodox history of the films of the studio system reveals how classical Hollywood emerges as a disjointed network of accidents, excesses, and coincidences.
Author: Catherine Wessinger
Publisher: Oxford University Press
ISBN: 0190611944
Category : History
Languages : en
Pages : 764
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Book Description
Seventh-Day Adventists, Melanesian cargo cults, David Koresh's Branch Davidians, and the Raelian UFO religion would seem to have little in common. What these groups share, however, is a millennial orientation-the audacious human hope for a collective salvation, which may be either heavenly or earthly. The Oxford Handbook of Millennialism offers readers an in-depth look at both the theoretical underpinnings of the study of millennialism and its many manifestations across history and cultures.
