Author: Robert Scholes
Publisher: Yale University Press
ISBN: 0300128843
Category : Literary Criticism
Languages : en
Pages : 311
Book Description
In this lively, personal book, Robert Scholes intervenes in ongoing discussions about modernism in the arts during the crucial half-century from 1895 to 1945. While critics of and apologists for modernism have defined modern art and literature in terms of binary oppositions—high/low, old/new, hard/soft, poetry/rhetoric—Scholes contends that these distinctions are in fact confused and misleading. Such oppositions are instances of “paradoxy”—an apparent clarity that covers real confusion. Closely examining specific literary texts, drawings, critical writings, and memoirs, Scholes seeks to complicate the neat polar oppositions attributed to modernism. He argues for the rehabilitation of works in the middle ground that have been trivialized in previous evaluations, and he fights orthodoxy with such paradoxes as “durable fluff,” “formulaic creativity,” and “iridescent mediocrity.” The book reconsiders major figures like James Joyce while underscoring the value of minor figures and addressing new attention to others rarely studied. It includes twenty-two illustrations of the artworks discussed. Filled with the observations of a personable and witty guide, this is a book that opens up for a reader’s delight the rich cultural terrain of modernism.
Paradoxy of Modernism
Paradoxy
Author: Ken Howard
Publisher: Paraclete Press (MA)
ISBN: 9781557257758
Category : Religion
Languages : en
Pages : 206
Book Description
As Western Christianity moves toward a religious realignment of epic proportions that debates definitions of conservative and liberal, Howard shares his thoughts on identifying where a congregation stands and how changes will be navigated.
Publisher: Paraclete Press (MA)
ISBN: 9781557257758
Category : Religion
Languages : en
Pages : 206
Book Description
As Western Christianity moves toward a religious realignment of epic proportions that debates definitions of conservative and liberal, Howard shares his thoughts on identifying where a congregation stands and how changes will be navigated.
Paradoxy
Author: Richard Rothschild
Publisher:
ISBN:
Category : Philosophy, Modern
Languages : en
Pages : 292
Book Description
Publisher:
ISBN:
Category : Philosophy, Modern
Languages : en
Pages : 292
Book Description
Adventures in Paradox
Author: Charles D. Presberg
Publisher: Penn State Press
ISBN: 0271045965
Category : Literary Criticism
Languages : en
Pages : 265
Book Description
Publisher: Penn State Press
ISBN: 0271045965
Category : Literary Criticism
Languages : en
Pages : 265
Book Description
Heinz Von Foerster 1911-2002
Author: Soren Brier
Publisher: Imprint Academic
ISBN: 9780907845911
Category : Computers
Languages : en
Pages : 212
Book Description
Dedicated to the life and work of Heinz Von Foerster, this is a double issue of the journal "Cybernetics and Human Knowing".
Publisher: Imprint Academic
ISBN: 9780907845911
Category : Computers
Languages : en
Pages : 212
Book Description
Dedicated to the life and work of Heinz Von Foerster, this is a double issue of the journal "Cybernetics and Human Knowing".
Shakespeare's Living Art
Author: Rosalie Littell Colie
Publisher: Princeton University Press
ISBN: 1400867878
Category : Literary Criticism
Languages : en
Pages : 382
Book Description
In this, her last book, Rosalie L. Colie suggests that by linking "forms"—verse forms, devices, motives, themes, conventions, genres—to the culture from which a writer springs and to his selection and organization of materials, we can understand the processes by which he becomes what he is, and is enabled to do what he does. She is particularly concerned with uncovering the ways in which Shakespeare used, misused, criticized, re-created, and sometimes revolutionized the received topics and devices of his craft. In this sense, Shakespeare's plays are seen as problem plays, each exploring the problematics of his craft and revealing his assessment of what was problematical. The author has chosen for study topics which connect Shakespeare with the long and rich continental Renaissance, in the hope that in the future Shakespeare might be, like Dante and Cervantes, an essential author in a comparatist's education. Usually a single topic dealing with some formal aspect of a play—the use of stereotypes to create a character highly original in stage practice, or the various manipulations of a mode (the pastoral, for example) rich in potentialities—is used to try to see in what particular ways Shakespeare shaped works that are still unique. Originally published in 1974. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Publisher: Princeton University Press
ISBN: 1400867878
Category : Literary Criticism
Languages : en
Pages : 382
Book Description
In this, her last book, Rosalie L. Colie suggests that by linking "forms"—verse forms, devices, motives, themes, conventions, genres—to the culture from which a writer springs and to his selection and organization of materials, we can understand the processes by which he becomes what he is, and is enabled to do what he does. She is particularly concerned with uncovering the ways in which Shakespeare used, misused, criticized, re-created, and sometimes revolutionized the received topics and devices of his craft. In this sense, Shakespeare's plays are seen as problem plays, each exploring the problematics of his craft and revealing his assessment of what was problematical. The author has chosen for study topics which connect Shakespeare with the long and rich continental Renaissance, in the hope that in the future Shakespeare might be, like Dante and Cervantes, an essential author in a comparatist's education. Usually a single topic dealing with some formal aspect of a play—the use of stereotypes to create a character highly original in stage practice, or the various manipulations of a mode (the pastoral, for example) rich in potentialities—is used to try to see in what particular ways Shakespeare shaped works that are still unique. Originally published in 1974. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
The Design Entrepreneur
Author: Steven Heller
Publisher:
ISBN: 1616736496
Category : Antiques & Collectibles
Languages : en
Pages : 242
Book Description
Designers are used to working for clients, but there is nothing better than when the client is oneself. Graphic and product designers, who are skilled with the tools and masters aesthetics, are now in the forefront of this growing entrepreneur movement. Whether personal or collective, drive is the common denominator of all entrepreneurial pursuit; of course, then comes the brilliant idea; and finally the fervent wherewithal to make and market the result. The Design Entrepreneur is the first book to survey this new field and showcase the innovators who are creating everything from books to furniture, clothes to magazines, plates to surfboards, and more. Through case studies with designers like Dave Eggers, Maira Kalman, Charles Spencer Anderson, Seymour Chwast, Jet Mous, Nicholas Callaway, Jordi Duró, and over thirty more from the United States and Europe, this book explores the whys, hows, and wherefores of the conception and production processes. The design entrepreneur must take the leap away from the safety of the traditional designer role into the precarious territory where the public decides what works and what doesn't. This is the book that shows how that is accomplished.
Publisher:
ISBN: 1616736496
Category : Antiques & Collectibles
Languages : en
Pages : 242
Book Description
Designers are used to working for clients, but there is nothing better than when the client is oneself. Graphic and product designers, who are skilled with the tools and masters aesthetics, are now in the forefront of this growing entrepreneur movement. Whether personal or collective, drive is the common denominator of all entrepreneurial pursuit; of course, then comes the brilliant idea; and finally the fervent wherewithal to make and market the result. The Design Entrepreneur is the first book to survey this new field and showcase the innovators who are creating everything from books to furniture, clothes to magazines, plates to surfboards, and more. Through case studies with designers like Dave Eggers, Maira Kalman, Charles Spencer Anderson, Seymour Chwast, Jet Mous, Nicholas Callaway, Jordi Duró, and over thirty more from the United States and Europe, this book explores the whys, hows, and wherefores of the conception and production processes. The design entrepreneur must take the leap away from the safety of the traditional designer role into the precarious territory where the public decides what works and what doesn't. This is the book that shows how that is accomplished.
The Idea of the Labyrinth from Classical Antiquity through the Middle Ages
Author: Penelope Reed Doob
Publisher: Cornell University Press
ISBN: 150173847X
Category : Literary Criticism
Languages : en
Pages : 360
Book Description
Ancient and medieval labyrinths embody paradox, according to Penelope Reed Doob. Their structure allows a double perspective—the baffling, fragmented prospect confronting the maze-treader within, and the comprehensive vision available to those without. Mazes simultaneously assert order and chaos, artistry and confusion, articulated clarity and bewildering complexity, perfected pattern and hesitant process. In this handsomely illustrated book, Doob reconstructs from a variety of literary and visual sources the idea of the labyrinth from the classical period through the Middle Ages. Doob first examines several complementary traditions of the maze topos, showing how ancient historical and geographical writings generate metaphors in which the labyrinth signifies admirable complexity, while poetic texts tend to suggest that the labyrinth is a sign of moral duplicity. She then describes two common models of the labyrinth and explores their formal implications: the unicursal model, with no false turnings, found almost universally in the visual arts; and the multicursal model, with blind alleys and dead ends, characteristic of literary texts. This paradigmatic clash between the labyrinths of art and of literature becomes a key to the metaphorical potential of the maze, as Doob's examination of a vast array of materials from the classical period through the Middle Ages suggests. She concludes with linked readings of four "labyrinths of words": Virgil's Aeneid, Boethius' Consolation of Philosophy, Dante's Divine Comedy, and Chaucer's House of Fame, each of which plays with and transforms received ideas of the labyrinth as well as reflecting and responding to aspects of the texts that influenced it. Doob not only provides fresh theoretical and historical perspectives on the labyrinth tradition, but also portrays a complex medieval aesthetic that helps us to approach structurally elaborate early works. Readers in such fields as Classical literature, Medieval Studies, Renaissance Studies, comparative literature, literary theory, art history, and intellectual history will welcome this wide-ranging and illuminating book.
Publisher: Cornell University Press
ISBN: 150173847X
Category : Literary Criticism
Languages : en
Pages : 360
Book Description
Ancient and medieval labyrinths embody paradox, according to Penelope Reed Doob. Their structure allows a double perspective—the baffling, fragmented prospect confronting the maze-treader within, and the comprehensive vision available to those without. Mazes simultaneously assert order and chaos, artistry and confusion, articulated clarity and bewildering complexity, perfected pattern and hesitant process. In this handsomely illustrated book, Doob reconstructs from a variety of literary and visual sources the idea of the labyrinth from the classical period through the Middle Ages. Doob first examines several complementary traditions of the maze topos, showing how ancient historical and geographical writings generate metaphors in which the labyrinth signifies admirable complexity, while poetic texts tend to suggest that the labyrinth is a sign of moral duplicity. She then describes two common models of the labyrinth and explores their formal implications: the unicursal model, with no false turnings, found almost universally in the visual arts; and the multicursal model, with blind alleys and dead ends, characteristic of literary texts. This paradigmatic clash between the labyrinths of art and of literature becomes a key to the metaphorical potential of the maze, as Doob's examination of a vast array of materials from the classical period through the Middle Ages suggests. She concludes with linked readings of four "labyrinths of words": Virgil's Aeneid, Boethius' Consolation of Philosophy, Dante's Divine Comedy, and Chaucer's House of Fame, each of which plays with and transforms received ideas of the labyrinth as well as reflecting and responding to aspects of the texts that influenced it. Doob not only provides fresh theoretical and historical perspectives on the labyrinth tradition, but also portrays a complex medieval aesthetic that helps us to approach structurally elaborate early works. Readers in such fields as Classical literature, Medieval Studies, Renaissance Studies, comparative literature, literary theory, art history, and intellectual history will welcome this wide-ranging and illuminating book.
The Political Economy of Prosperity
Author: Peter Murphy
Publisher: Routledge
ISBN: 0429015410
Category : Business & Economics
Languages : en
Pages : 255
Book Description
Why do some nations and cities attain high levels of economic and social prosperity? What makes them so successful? The kinds of factors habitually cited in answer to these questions explain why nations improve their economic and social performance but not why a small group of nations (or cities) perform much better than the rest. Economists stress efficient markets, effective industries and functional factors like transport, health, education, and infrastructure. Political scientists emphasize honest and democratic government. This book argues that three further factors are key: paradoxes, patterns, and portals. To an unusual degree, the world’s most prosperous economies and societies think and act paradoxically. At their core are enigmatic, puzzle-like belief systems that elicit cooperation via abstract patterns rather than personal connections. They are often accompanied by high levels of autodidactic self-directed learning and intense creation in the arts and sciences. These factors, when combined, facilitate large-scale interactions between strangers and, in so doing, they energize markets, industries, cities, and publics. Pattern-based political economies are especially prominent in the portal cities, regions, and nations that are concentrated along the world’s maritime circumference in North America, East Asia, North-Western Europe, and Australasia. It is only by integrating additional cognitive, cultural, creative, and geographic elements that we can truly understand the successes of prosperous economies. This book represents a significant contribution to the literature on political economy, economic growth, and prosperity.
Publisher: Routledge
ISBN: 0429015410
Category : Business & Economics
Languages : en
Pages : 255
Book Description
Why do some nations and cities attain high levels of economic and social prosperity? What makes them so successful? The kinds of factors habitually cited in answer to these questions explain why nations improve their economic and social performance but not why a small group of nations (or cities) perform much better than the rest. Economists stress efficient markets, effective industries and functional factors like transport, health, education, and infrastructure. Political scientists emphasize honest and democratic government. This book argues that three further factors are key: paradoxes, patterns, and portals. To an unusual degree, the world’s most prosperous economies and societies think and act paradoxically. At their core are enigmatic, puzzle-like belief systems that elicit cooperation via abstract patterns rather than personal connections. They are often accompanied by high levels of autodidactic self-directed learning and intense creation in the arts and sciences. These factors, when combined, facilitate large-scale interactions between strangers and, in so doing, they energize markets, industries, cities, and publics. Pattern-based political economies are especially prominent in the portal cities, regions, and nations that are concentrated along the world’s maritime circumference in North America, East Asia, North-Western Europe, and Australasia. It is only by integrating additional cognitive, cultural, creative, and geographic elements that we can truly understand the successes of prosperous economies. This book represents a significant contribution to the literature on political economy, economic growth, and prosperity.
People of Paradox
Author: Michael Kammen
Publisher: Knopf
ISBN: 0307827704
Category : History
Languages : en
Pages : 418
Book Description
In this major interpretive work Mr. Kammen argues that most attempt to understand America’s history and culture have minimized its complexity, and he demonstrates that, from our beginnings, what has given our culture its distinctive texture, pattern, and thrust is the dynamic interaction of the imported and the indigenous. He shows now, during the years of colonization, especially in the century from 1660 to 1760, many ideas and institutions were transferred virtually unchanged from Britain, while, simultaneously, others were being transformed in the New World environment. As he unravels the tangled origins of our “bittersweet” culture, Mr. Kammen makes us see that unresolved contradictions in the American experience have functioned as the prime characteristic of our national style. Puritanical and hedonistic, idealistic and materialistic, peace-loving and war-mongering, isolationist and interventionist, consensus-minded and conflict-prone—these opposing strands go back to the roots of our history. He pursues them down through the seventeenth and eighteenth centuries—from the traumas of colonization and settlement through the tensions of the American Revolution—making clear both the relevance of this early experience to ninetieth and twentieth-century realities and the way in which America’ dualisms have endured and accumulated to produced such dilemmas as today’s poverty amidst abundance and legitimized lawlessness. Far from being a study in social pathology, People of Paradox is a depiction of a complex society and am explanations of its development—a bold interpretation that gives an entirely new perceptive to the American ethos.
Publisher: Knopf
ISBN: 0307827704
Category : History
Languages : en
Pages : 418
Book Description
In this major interpretive work Mr. Kammen argues that most attempt to understand America’s history and culture have minimized its complexity, and he demonstrates that, from our beginnings, what has given our culture its distinctive texture, pattern, and thrust is the dynamic interaction of the imported and the indigenous. He shows now, during the years of colonization, especially in the century from 1660 to 1760, many ideas and institutions were transferred virtually unchanged from Britain, while, simultaneously, others were being transformed in the New World environment. As he unravels the tangled origins of our “bittersweet” culture, Mr. Kammen makes us see that unresolved contradictions in the American experience have functioned as the prime characteristic of our national style. Puritanical and hedonistic, idealistic and materialistic, peace-loving and war-mongering, isolationist and interventionist, consensus-minded and conflict-prone—these opposing strands go back to the roots of our history. He pursues them down through the seventeenth and eighteenth centuries—from the traumas of colonization and settlement through the tensions of the American Revolution—making clear both the relevance of this early experience to ninetieth and twentieth-century realities and the way in which America’ dualisms have endured and accumulated to produced such dilemmas as today’s poverty amidst abundance and legitimized lawlessness. Far from being a study in social pathology, People of Paradox is a depiction of a complex society and am explanations of its development—a bold interpretation that gives an entirely new perceptive to the American ethos.