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Author: Bibliographical Society of Canada
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 240
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Author: Bibliographical Society of Canada
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 208
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Author: Michael J. O'Driscoll
Publisher: University of Alberta Press
ISBN: 9781551953878
Category : Language Arts & Disciplines
Languages : en
Pages : 0
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Book Description
This bibliography describes in detail a valuable collection comprising archival materials related to the Black Sparrow Press from its founding in April 1966 to November 1970. The press was one of the most important private presses on the west coast of the United States, and it endured for 36 years. Its importance came from publishing some of the most avant-garde writers of the period. Their editions, published in limited runs, represent some of the most remarkable examples of fine press work in the late twentieth century. Publisher John Martin sold his collection of D. H. Lawrence first editions in order to finance Black Sparrow and to regularly publish Charles Bukowski's poetry, among works of other innovative writers, including John Ashbery, Diane Wakoski, Charles Reznikoff, and Kenneth Koch. Totalling over a thousand items, the Black Sparrow Press Archive includes manuscript drafts, typescripts, corrected proofs and galleys, letters, posters, original artwork, photographs, master reel-to-reel recordings, and various peripheral materials related to publications of the press.
Author: Bibliographical Society of America
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 334
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Author: Solveig Robinson
Publisher: Broadview Press
ISBN: 1460403185
Category : Language Arts & Disciplines
Languages : en
Pages : 390
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The Book in Society: An Introduction to Print Culture examines the origins and development of one of the most important inventions in human history. Books can inform, entertain, inspire, irritate, liberate, or challenge readers, and their forms can be tangible and traditional, like a printed, casebound volume, or virtual and transitory, like a screen-page of a cell-phone novel. Written in clear, non-specialist prose, The Book in Society first provides an overview of the rise of the book and of the modern publishing and bookselling industries. It explores the evolution of written texts from early forms to contemporary formats, the interrelationship between literacy and technology, and the prospects for the book in the twenty-first century. The second half of the book is based on historian Robert Darnton’s concept of a book publishing “communication circuit.” It examines how books migrate from the minds of authors to the minds of readers, exploring such topics as the rise of the modern notion of the author, the role of states and others in promoting or restricting the circulation of books, various modes of reproducing and circulating texts, and how readers’ responses help shape the form and content of the books available to them. Feature boxes highlighting key texts, individuals, and developments in the history of the book, carefully selected illustrations, and a glossary all help bring the history of the book to life.
Author: Mary Ann Gillies
Publisher: University of Toronto Press
ISBN: 0802091474
Category : History
Languages : en
Pages : 265
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Breaking new ground in the study of British literary culture during an important, transitional period, this new work by Mary Ann Gillies focuses on the professional literary agent whose emergence in Britain around 1880 coincided with, and accelerated, the transformation of both publishing and authorship. Like other recent studies in book and print culture, The Professional Literary Agent in Britain, 1880-1920 starts from the central premise that the business of authorship is inextricably linked with the aesthetics of literary praxis. Rather than provide a broad overview of the period, however, Gillies focuses on a specific figure, the professional literary agent. She then traces the influence of two prominent agents - A. P. Watt (generally acknowledged as the first professional literary agent) and J. B. Pinker (the leading figure in the second wave of agents) - focusing on their respective relationships with two key clients. The case studies not only provide insight into the business dynamics of the literary world at this time, but also illustrate the shifting definition of literature itself during the period.
Author:
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 642
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Author: Gail Edwards
Publisher: University of Toronto Press
ISBN: 1442622822
Category : Literary Criticism
Languages : en
Pages : 429
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Book Description
The study of children's illustrated books is located within the broad histories of print culture, publishing, the book trade, and concepts of childhood. An interdisciplinary history, Picturing Canada provides a critical understanding of the changing geographical, historical, and cultural aspects of Canadian identity, as seen through the lens of children's publishing over two centuries. Gail Edwards and Judith Saltman illuminate the connection between children's publishing and Canadian nationalism, analyse the gendered history of children's librarianship, identify changes and continuities in narrative themes and artistic styles, and explore recent changes in the creation and consumption of children's illustrated books. Over 130 interviews with Canadian authors, illustrators, editors, librarians, booksellers, critics, and other contributors to Canadian children's book publishing, document the experiences of those who worked in the industry. An important and wholly original work, Picturing Canada is fundamental to our understanding of publishing history and the history of childhood itself in Canada.
Author: Brendan Frederick R. Edwards
Publisher: Scarecrow Press
ISBN: 9780810851139
Category : Education
Languages : en
Pages : 246
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Book Description
The pre-1960 history of print culture and libraries, as they relate to the First Peoples of Canada, has gone largely untold. Paper Talk explores the relationship between the introduction of western print culture to Aboriginal peoples by missionaries, the development of libraries in the Indian schools in the nineteenth century, and the establishment of community-accessible collections in the twentieth century. While missionaries and the Department of Indian Affairs envisioned books and libraries as assimilative and "civilizing" tools, Edwards shows that some Aboriginal peoples articulated western ideas of print culture, literacy, books, and libraries as tools to assist their own cultural, social, and political aspirations. This text also serves to illustrate that the contemporary struggle of Aboriginal peoples in Canada to establish libraries in communities has a historical basis and that many of the obstacles faced today are remarkably similar to those encountered by earlier generations.
Author: Walter Tracy
Publisher: David R. Godine Publisher
ISBN: 9781567922400
Category : Architecture
Languages : en
Pages : 230
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Book Description
The revolution in typesetting - a revolution that over the past two decades has eliminated a five-hundred-year-old system of hot metal production and replaced it with one of photo-generated and computer-driven composition - shows no sign of winding down. This book, more than any other we know, traces the steps that went into that revolution and simultaneously makes the argument that the letter forms themselves are in process of evolution. Tracy argues that, whether they are of the sixteenth or the twentieth century, the forms that comprise our alphabet are subject to the same rules of good taste, proportion, and clarity that have always obtained. But what we face today is vastly different from fifty years ago. For the first time, new technology has made the proliferation (and, as some would maintain, debasement) of letter forms fast and easy (or quick and dirty.) With fifty years of professional experience on both sides of the Atlantic (including thirty years as head of type design for the British Linotype Company), Tracy is in a unique position to make this argument and arrive at his sad conclusion: the design of distinguished, contemporary typefaces is far outnumbered by the mediocre and downright bad. Part of the reason for this deplorable deterioration is a lack of critical analysis of the particular esthetics involved. This step-by-step examination of type-design esthetics is precisely what Tracy provides here, while avoiding both the promoter's hype and the manufacturer's claims. Here are the gut issues of what makes type good or bad, legible or unreadable. Extensively illustrated with both typefaces and line drawings, this book belongs on the shelf of anyone interested in thehistory of letters or in the artistry and peculiar problems that lie behind their production.
Author: Bibliographical Society of Canada
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 340
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