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Author: Elizabeth Sauer
Publisher: University of Toronto Press
ISBN: 0802038840
Category : Literary Criticism
Languages : en
Pages : 217
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Book Description
'Paper-contestations' and Textual Communities in England challenges traditional readings of literary history and proposes a fresh approach to the politics of consensus and contestation that distinguishes current scholarly debates about this period.
Author: Elizabeth Sauer
Publisher: University of Toronto Press
ISBN: 0802038840
Category : Literary Criticism
Languages : en
Pages : 217
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Book Description
'Paper-contestations' and Textual Communities in England challenges traditional readings of literary history and proposes a fresh approach to the politics of consensus and contestation that distinguishes current scholarly debates about this period.
Author: Alison A. Chapman
Publisher: University of Chicago Press
ISBN: 022643513X
Category : Language Arts & Disciplines
Languages : en
Pages : 304
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Book Description
The seventeenth century witnessed some of the most important jurisprudential changes in England s history, yet it is relatively untouched territory in the rich field of literature and law. Alison Chapman s book fills this gap by situating the poet and polemicist John Milton in the center of late-seventeenth-century legal history. One of England s greatest poets, Milton was arguably also the most litigious, and he had an exceptionally wide and deep knowledge of law and judicial processes. While this book ranges widely across Milton s life and work, its primary focus is on the role that law plays in "Paradise Lost." Throughout "Paradise Lost," Chapman shows, Milton invites his readers to judge the ways of God both according to the dictates of reason and conscience and also according to prevailing ideas about legal justice. Law, Chapman argues, forms a crucial albeit unrecognized part of Milton s attempt in" Paradise Lost" to justify the ways of God to men. "
Author: Brandon Chua
Publisher: Bucknell University Press
ISBN: 1611485835
Category : Literary Criticism
Languages : en
Pages : 231
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Book Description
Ravishment of Reason examines the heroic dramas written for the restored English theatres in the later seventeenth century, reading them as complex and sophisticated responses to a crisis of public life in the wake of the mid-century regicide and revolution. The unique form of the Restoration heroic play, with its scenes of imperial conquest peopled by hesitating and indecisive heroes, interrogates traditional oppositions of agency and passivity, autonomy and servility, that structure conventional narratives of political service and public virtue, exploring, in the process, new and often unsettling models of order and governance. Situating the dramas of Dryden, Behn, Boyle, Lee, and Crowne in their historical and intellectual context of civil war and the destabilizing theories of government that came in its wake, Brandon Chua offers an account of a culture’s attempts to reconcile civic purpose with political stability after an age of revolutionary change.
Author: Marissa Nicosia
Publisher: Oxford University Press
ISBN: 0198872674
Category : Literary Criticism
Languages : en
Pages : 345
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Book Description
Imagining Time in the English Chronicle Play: Historical Futures, 1590-1660 argues that dramatic narratives about monarchy and succession codified speculative futures in the early modern English cultural imaginary. This book considers chronicle plays--plays written for the public stage and play pamphlets composed when the playhouses were closed during the civil wars--in order to examine the formal and material ways that playwrights imagined futures in dramatic works that were purportedly about the past. Through close readings of William Shakespeare's 1&2 Henry IV, Richard III, Shakespeare's and John Fletcher's All is True, Samuel Rowley's When You See Me, You Know Me, John Ford's Perkin Warbeck, and the anonymous play pamphlets The Leveller's Levelled, 1 & 2 Craftie Cromwell, Charles I, and Cromwell's Conspiracy, the volume shows that imaginative treatments of history in plays that are usually associated with the past also had purchase on the future. While plays about the nation's past retell history, these plays are not restricted by their subject matter to merely document what happened: Playwrights projected possible futures in their accounts of verifiable historical events.
Author: Christopher Flint
Publisher: Cambridge University Press
ISBN: 113950150X
Category : Literary Criticism
Languages : en
Pages : 295
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Book Description
Eighteenth-century fiction holds an unusual place in the history of modern print culture. The novel gained prominence largely because of advances in publishing, but, as a popular genre, it also helped shape those very developments. Authors in the period manipulated the appearance of the page and print technology more deliberately than has been supposed, prompting new forms of reception among readers. Christopher Flint's book explores works by both obscure 'scribblers' and canonical figures, such as Swift, Haywood, Defoe, Richardson, Sterne and Austen, that interrogated the complex interactions between the book's material aspects and its producers and consumers. Flint links historical shifts in how authors addressed their profession to how books were manufactured and how readers consumed texts. He argues that writers exploited typographic media to augment other crucial developments in prose fiction, from formal realism and free indirect discourse to accounts of how 'the novel' defined itself as a genre.
Author: Henry S. Turner
Publisher: Oxford University Press, USA
ISBN: 0199641358
Category : Drama
Languages : en
Pages : 637
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Book Description
Early Modern Theatricality brings together some of the most innovative critics in the field to examine the many conventions that characterized early modern theatricality. It generates fresh possibilities for criticism, combining historical, formal, and philosophical questions, in order to provoke our rediscovery of early modern drama.
Author: Emma Depledge
Publisher: Oxford University Press, USA
ISBN: 0198821891
Category :
Languages : en
Pages : 265
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Book Description
A collection of essays exploring John Milton's rise to popularity and his status as a canonical author. The volume considers Milton's 'authorial persona' in the context of his relationships with his contemporary writers, stationers, and readers.
Author: Philip Major
Publisher: Routledge
ISBN: 1317054660
Category : Literary Criticism
Languages : en
Pages : 273
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Book Description
Sir John Denham (1614/15–1669) Reassessed shines new light on a singular, colourful yet elusive figure of seventeenth-century English letters. Despite his influence as a poet, wit, courtier, exile, politician and surveyor of the king's works, Denham, remains a neglected figure. The original essays in this interdisciplinary collection provide the sustained modern critical attention his life and work merit. The book both examines for the first time and reassesses important features of Denham's life and reputations: his friendship circles, his role as a political satirist, his religious inclinations, his playwriting years, and the personal, political and literary repercussions of his long exile; and offers fresh interpretations of his poetic magnum opus, Coopers Hill. Building on the recent resurgence of scholarly interest in royalists and royalism, as well as on Restoration literature and drama, this lively account of Denham's influence questions assumptions about neatly demarcated seventeenth-century chronological, geographic and literary boundaries. What emerges is a complex man who subverts as well as reinforces conventional characterisations of court wit, gambler and dilettante.
Author: David Farr
Publisher: Routledge
ISBN: 1317102665
Category : History
Languages : en
Pages : 332
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Book Description
Thomas Harrison is today perhaps best remembered for the manner of his death. As a leading member of the republican regime and signatory to Charles I’s death warrant, he was hanged, drawn and quartered by the Restoration government in 1660; a spectacle witnessed by Samuel Pepys who recorded him ’looking as cheerful as any man could do in that condition’. Beginning with this grisly event, this book employs a thematic, rather than chronological approach, to illustrate the role of millenarianism and providence in the English Revolution, religion within the new model army, literature, image and reputation, and Harrison’s relationship with key individuals like Ireton and Cromwell as well as groups, most notably the Fifth Monarchists. Divided in three parts, the study starts with an analysis of Harrison’s last year of life, the nature of his response to the political collapse of the Interregnum regimes, and his apparent acceptance of the Restoration without overt resistance. Part two considers Harrison’s years of ’power’, analysing his political activities and influence in the New Model, especially with regard to the regicide. The final part ties Harrison’s political retreat to his initial emergence from obscurity; arguing that Harrison’s relative political quietism during the later 1650s was a reflection of the development of his millenarianism. Unlike the only two previous full length studies of Harrison the present work makes use of a full range of manuscript, primary and secondary sources, including the huge range of new material that has fundamentally changed how the early modern period is now understood. Fully footnoted and referenced, this study provides the first modern academic study of Harrison, and through him illuminates the key themes of this contested period.
Author: Laura Estill
Publisher: Rutgers University Press
ISBN: 1644530473
Category : Literary Criticism
Languages : en
Pages : 268
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Book Description
Throughout the seventeenth century, early modern play readers and playgoers copied dramatic extracts (selections from plays and masques) into their commonplace books, verse miscellanies, diaries, and songbooks. Dramatic Extracts in Seventeenth-Century English Manuscripts: Watching, Reading, Changing Plays is the first to examine these often overlooked texts, which reveal what early modern audiences and readers took, literally and figuratively, from plays. As this under-examined archival evidence shows, play readers and playgoers viewed plays as malleable and modular texts to be altered, appropriated, and, most importantly, used. These records provide information that is not available in other forms about the popularity and importance of early modern plays, the reasons plays appealed to their audiences, and the ideas in plays that most interested audiences. Tracing the course of dramatic extracting from the earliest stages in the 1590s, through the prolific manuscript circulation at the universities, to the closure and reopening of the theatres, Estill gathers these microhistories to create a comprehensive overview of seventeenth-century dramatic extracts and the culture of extracting from plays. Dramatic Extracts in Seventeenth-Century English Manuscripts: Watching, Reading, Changing Plays explores new archival evidence (from John Milton’s signature to unpublished university plays) while also analyzing the popularity of perennial favorites such as Shakespeare’s The Tempest. The study of dramatic extracts is the study of particulars: particular readers, particular manuscripts, particular plays or masques, particular historic moments. As D. F. McKenzie puts it, “different readers [bring] the text to life in different ways.” By providing careful analyses of these rich source texts, this book shows how active play-viewing and play-reading (that is, extracting) ultimately led to changing the plays themselves, both through selecting and manipulating the extracts and positioning the plays in new contexts. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
