Paper and Light PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Paper and Light PDF full book. Access full book title Paper and Light by Julian Brooks. Download full books in PDF and EPUB format.
Author: Julian Brooks
Publisher: Getty Publications
ISBN: 1606069306
Category : Art
Languages : en
Pages : 118
Get Book Here
Book Description
This volume looks at the techniques and materials that artists have utilized since the Renaissance to create spectacular light effects in drawings. The treatment of light and shadow is one of the building blocks of drawing. From techniques such as highlights and reserves, to material selection and the creation of translucent tracing paper, to the use of light as a medium for viewing artworks, artists for hundreds of years have found innovative and dazzling ways to create light on a sheet of paper. This publication examines the central relationship between paper and light in the world of drawings in western European art from the Renaissance to the twentieth century. Focusing on drawings from the collection of the J. Paul Getty Museum, as well as works from the British Museum, Musée du Louvre, and others, and featuring masterful works by such artists as Parmigianino, Leonardo da Vinci, Nicolas Poussin, Odilon Redon, Edgar Degas, and Georges Seurat, Paper and Light will entice readers to look longer and more closely at drawings, deriving an even deeper appreciation for the skill and labor that went into them.
Author: Virginia Heckert
Publisher: Getty Publications
ISBN: 1606064371
Category : Photography
Languages : en
Pages : 184
Get Book Here
Book Description
From its beginnings, photography has been shaped by the desire to understand and explore the essence of the medium. Light, Paper, Process features the work of seven artists—Alison Rossiter, Marco Breuer, James Welling, Lisa Oppenheim, Chris McCaw, John Chiara, and Matthew Brandt—who investigate the possibilities of analog photography by finding innovative, surprising, and sometimes controversial ways to push light-sensitive photographic papers and chemical processing beyond their limits. A panoply of practices emerges in the work of these artists. Some customize cameras with special lenses or produce images on paper without a camera or film. Others load paper, rather than film, in the camera or create contact-printing with sources of light other than the enlarger, while still others use expired photographic papers and extraneous materials, such as dust and sweat, selected to match the particular subject of the photograph. All of the artists share a willingness to embrace accident and chance. Trial and error contribute to an understanding of the materials and their potential, as do the attitudes of underlying curiosity and inventive interrogation. The act of making each image is like a performance, with only the photographer present. The results are stunning. This lavish publication accompanies an eponymous exhibition on view at the J. Paul Getty Museum from April 14 to September 6, 2015.
Author: Julian Brooks
Publisher: Getty Publications
ISBN: 1606069306
Category : Art
Languages : en
Pages : 118
Get Book Here
Book Description
This volume looks at the techniques and materials that artists have utilized since the Renaissance to create spectacular light effects in drawings. The treatment of light and shadow is one of the building blocks of drawing. From techniques such as highlights and reserves, to material selection and the creation of translucent tracing paper, to the use of light as a medium for viewing artworks, artists for hundreds of years have found innovative and dazzling ways to create light on a sheet of paper. This publication examines the central relationship between paper and light in the world of drawings in western European art from the Renaissance to the twentieth century. Focusing on drawings from the collection of the J. Paul Getty Museum, as well as works from the British Museum, Musée du Louvre, and others, and featuring masterful works by such artists as Parmigianino, Leonardo da Vinci, Nicolas Poussin, Odilon Redon, Edgar Degas, and Georges Seurat, Paper and Light will entice readers to look longer and more closely at drawings, deriving an even deeper appreciation for the skill and labor that went into them.
Author: Roger Taylor
Publisher: Metropolitan Museum of Art
ISBN: 1588392252
Category : Calotype
Languages : en
Pages : 456
Get Book Here
Book Description
Photography emerged in 1839 in two forms simultaneously. In France, Louis Daguerre produced photographs on silvered sheets of copper, while in Great Britain, William Henry Fox Talbot put forward a method of capturing an image on ordinary writing paper treated with chemicals. Talbot’s invention, a paper negative from which any number of positive prints could be made, became the progenitor of virtually all photography carried out before the digital age. Talbot named his perfected invention "calotype," a term based on the Greek word for beauty. Calotypes were characterized by a capacity for subtle tonal distinctions, massing of light and shadow, and softness of detail. In the 1840s, amateur photographers in Britain responded with enthusiasm to the challenges posed by the new medium. Their subjects were wide-ranging, including landscapes and nature studies, architecture, and portraits. Glass-negative photography, which appeared in 1851, was based on the same principles as the paper negative but yielded a sharper picture, and quickly gained popularity. Despite the rise of glass negatives in commercial photography, many gentlemen of leisure and learning continued to use paper negatives into the 1850s and 1860s. These amateurs did not seek the widespread distribution and international reputation pursued by their commercial counterparts, nearly all of whom favored glass negatives. As a result, many of these calotype works were produced in a small number of prints for friends and fellow photographers or for a family album. This richly illustrated, landmark publication tells the first full history of the calotype, embedding it in the context of Britain’s changing fortunes, intricate class structure, ever-growing industrialization, and the new spirit under Queen Victoria. Of the 118 early photographs presented here in meticulously printed plates, many have never before been published or exhibited.
Author: Eddie Ephraums
Publisher: Watson-Guptill Publications
ISBN: 9780817439255
Category : Landscape photography
Languages : en
Pages : 0
Get Book Here
Book Description
Using illustrated examples of monochrome printing, Gradient Light expands the horizons of what can be achieved with today's variable contrast papers. Master printer Eddie Ephraums reveals the creative potential of these highly flexible papers by demonstrating how a subject, first seen in color, can be translated into a highly individual black-and-white print through a combination of camera and variable-contrast printing techniques.
Author: Carl-Evert Jonsson
Publisher: AuthorHouse
ISBN: 1665588829
Category : Photography
Languages : en
Pages : 72
Get Book Here
Book Description
Using Japanese paper on digitally printing photos can yield tremendous results for photographers who are interested in experimenting with new methods. But beware: The common concept of how photographs should look will be challenged if you decide to use this technique. Carl-Evert Jonsson shares his experiences using the experimental technique in this book. After using Japanese papers (washi) for paintings and collages, he started to use the papers for his photos. This technique is not an alternative to classic film-based photography. Ink is injected from a cartridge in a printer connected to a computer then the image is reproduced on printable washi paper. Darkroom facilities are not needed. All you need is a computer, printer, washi, and photos. The liveliness of washi fibres gives a softer result, and washi is more absorbent than Western papers, with the ink appearing integrated rather than sitting on the printed surface. Find out how to use a method that will give new life to photos with the insights in this unique photography book.
Author: Elio Passaglia
Publisher:
ISBN:
Category : Textile industry
Languages : en
Pages : 26
Get Book Here
Book Description
Author: E. Barents
Publisher:
ISBN: 9789090336398
Category :
Languages : en
Pages : 150
Get Book Here
Book Description
Popel Coumou's art is inspired by this naturally occurring play of lines. She tries to simulate these lifeless but highly evocative areas by shaping her own slices of constructed space. She uses a great variety of techniques to construct the illusion of a place. She then carefully lights this architectural collage to add the suggestion of a third dimension to the photographs she takes of these scenes. By accentuating the effects of light outside and shadows inside these spaces, she furthers both the sense of a flattened representation and the illusion of depth. The end result is an image that seems to hold the mid ground between painterly abstraction and geometric photography.00Exhibition: Torch Gallery, Amsterdam, The Netherlands (21.11.2020 - 09.01.2021) / Fotomuseum, The Hague, The Netherlands (07.11..2020 - 18.04.2021).
Author:
Publisher:
ISBN:
Category : Colorfastness (Textiles)
Languages : en
Pages : 10
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category : Business
Languages : en
Pages : 698
Get Book Here
Book Description
Author: Lawrence Arnell Wood
Publisher:
ISBN:
Category : Colorfastness (Textiles).
Languages : en
Pages : 26
Get Book Here
Book Description
