Paolo Veronese and the Practice of Painting in Late Renaissance Venice PDF Download
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Author: Diana Gisolfi
Publisher:
ISBN: 9780300225822
Category : Art and society
Languages : en
Pages : 0
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Book Description
'Paulino's' Verona -- Paolo's training, first works, early collaboration -- Titian's dominance challenged: 1546/51-1562/63 -- Paolo and Jacopo dominate, 1555/60-1588/94 -- Patterns in shop practice and Venetian painters' shops near the end of the Cinquecento.
Author: Diana Gisolfi
Publisher:
ISBN: 9780300225822
Category : Art and society
Languages : en
Pages : 0
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Book Description
'Paulino's' Verona -- Paolo's training, first works, early collaboration -- Titian's dominance challenged: 1546/51-1562/63 -- Paolo and Jacopo dominate, 1555/60-1588/94 -- Patterns in shop practice and Venetian painters' shops near the end of the Cinquecento.
Author: Xavier F. Salomon
Publisher: National Gallery London
ISBN: 9781857095531
Category : Painting
Languages : en
Pages : 0
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Book Description
Catalog of the exhibition "Veronese: magnificence in Renaissance Venice" held March 19-June 15, 2014 at the National Gallery, London.
Author: Marina Belozerskaya
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
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Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Author: Xavier F. Salomon
Publisher:
ISBN: 9781857095548
Category : Painting, Italian
Languages : en
Pages : 272
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Book Description
"Paolo Veronese (1528-1588) was one of the great Venetian artists of the Renaissance, whose works were admired for their rich colours and mastery of theatrical narrative. His paintings ranged from decorative fresco schemes and portraits to allegorical, biblical and historical subjects, produced for an aristocratic international audience. This definitive reappraisal of the artist also provides a fascinating account of painting and patronage in 16th-century Venice. Xavier F. Salomon traces Veronese's career from its beginnings in Verona, where he developed an art shaped by the rediscovery of antiquity, to Venice, where he established a successful workshop. Salomon's discussion of Veronese's entire output, including his monumental banquet scenes, illuminates the original function of every work, many of them designed for specific locations. Generous illustrations, including numerous details, reveal the distinctive tactile qualities of Veronese's technique and the beauty of his palette, whether rendering rich textiles, precious metals or female complexions. This splendid book makes a significant contribution to scholarship in the field of 16th-century Venetian painting"--Book jacket.
Author: Marco Faini
Publisher: BRILL
ISBN: 9004465197
Category : Literary Criticism
Languages : en
Pages : 622
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Book Description
An interdisciplinary exploration of one of the most prolific and controversial figures of early modern Europe. This volume is comprised of seven sections, each devoted to a specific aspect Aretino’s life and works.
Author: Robert Echols
Publisher:
ISBN: 9780300230406
Category : Art
Languages : en
Pages : 0
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Book Description
Considered one of the three greatest painters of sixteenth-century Venice, along with Titian and Veronese, Tintoretto was a bold innovator. His free, expressive brushwork made his work look unfinished to contemporaries but is now recognized as a key step in the development of oil-on-canvas painting. Even today's audiences are astonished by the superhuman scale, painterly dynamism, and visionary qualities of his work. On the 500th anniversary of Tintoretto's birth, this volume provides a comprehensive overview of his career and achievement, with fifteen essays and reproductions of more than 140 paintings--many newly conserved--as well as a selection of his finest drawings. One special contribution is a focus on the artist's portraiture.--Provided by publisher.
Author: Maria H. Loh
Publisher: Getty Publications
ISBN: 089236873X
Category : Imitation in art
Languages : en
Pages : 218
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Book Description
This insightful volumes the use of imitation and the modern cult of originality through a consideration of the disparate fates of two Venetian painters - the canonised master Titian and his artistic heir, the little-known Padovanino.
Author: Evelyn March Phillipps
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 408
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Book Description
Author: Cynthia Saltzman
Publisher: Farrar, Straus and Giroux
ISBN: 0374710392
Category : History
Languages : en
Pages : 221
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Book Description
One of The Christian Science Monitor's Ten Best Books of May "A highly original work of history . . . [Saltzman] has written a distinctive study that transcends both art and history and forces us to explore the connections between the two.” —Roger Lowenstein, The Wall Street Journal A captivatingstudy of Napoleon’s plundering of Europe’s art for the Louvre, told through the story of a Renaissance masterpiece seized from Venice Cynthia Saltzman’s Plunder recounts the fate of Paolo Veronese’s Wedding Feast at Cana, a vast, sublime canvas that the French, under the command of the young Napoleon Bonaparte, tore from a wall of the monastery of San Giorgio Maggiore, on an island in Venice, in 1797. Painted in 1563 during the Renaissance, the picture was immediately hailed as a masterpiece. Veronese had filled the scene with some 130 figures, lavishing color on the canvas to build the illusion that the viewers’ space opened onto a biblical banquet taking place on a terrace in sixteenth-century Venice. Once pulled from the wall, the Venetian canvas crossed the Mediterranean rolled on a cylinder; soon after, artworks commandeered from Venice and Rome were triumphantly brought into Paris. In 1801, the Veronese went on exhibition at the Louvre, the new public art museum founded during the Revolution in the former palace of the French kings. As Saltzman tells the larger story of Napoleon’s looting of Italian art and its role in the creation of the Louvre, she reveals the contradictions of his character: his thirst for greatness—to carry forward the finest aspects of civilization—and his ruthlessness in getting whatever he sought. After Napoleon’s 1815 defeat at Waterloo, the Duke of Wellington and the Allies forced the French to return many of the Louvre’s plundered paintings and sculptures. Nevertheless, The Wedding Feast at Cana remains in Paris to this day, hanging directly across from the Mona Lisa. Expertly researched and deftly told, Plunder chronicles one of the most spectacular art appropriation campaigns in history, one that sheds light on a seminal historical figure and the complex origins of one of the great museums of the world.
Author: William R. Rearick
Publisher:
ISBN:
Category : Art
Languages : cy
Pages : 240
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Book Description
