Paolo Bozzi’s Experimental Phenomenology PDF Download
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Author: Ivana Bianchi
Publisher: Routledge
ISBN: 1351232290
Category : Psychology
Languages : en
Pages : 561
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Book Description
This anthology translates eighteen papers by Italian philosopher and experimental psychologist Paolo Bozzi (1930-2003), bringing his distinctive and influential ideas to an English-speaking audience for the first time. The papers cover a range of methodological and experimental questions concerning the phenomenology of perception and their theoretical implications, with each one followed by commentary from leading international experts. In his laboratory work, Bozzi investigated visual and auditory perception, such as our responses to pendular motion and bodies in freefall, afterimages, transparency effects, and grouping effects in dot lattices and among sounds (musical notes). Reflecting on the results of his enquiries against the background of traditional approaches to experimentation in these fields, Bozzi took a unique realist stance that challenges accepted approaches to perception, arguing that experimental phenomenology is neither a science of the perceptual process nor a science of the appearances; it is a science of how things are. The writings collected here offer an important resource for psychologists of perception and philosophers, as well as for researchers in cognitive science.
Author: Ivana Bianchi
Publisher: Routledge
ISBN: 1351232290
Category : Psychology
Languages : en
Pages : 561
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Book Description
This anthology translates eighteen papers by Italian philosopher and experimental psychologist Paolo Bozzi (1930-2003), bringing his distinctive and influential ideas to an English-speaking audience for the first time. The papers cover a range of methodological and experimental questions concerning the phenomenology of perception and their theoretical implications, with each one followed by commentary from leading international experts. In his laboratory work, Bozzi investigated visual and auditory perception, such as our responses to pendular motion and bodies in freefall, afterimages, transparency effects, and grouping effects in dot lattices and among sounds (musical notes). Reflecting on the results of his enquiries against the background of traditional approaches to experimentation in these fields, Bozzi took a unique realist stance that challenges accepted approaches to perception, arguing that experimental phenomenology is neither a science of the perceptual process nor a science of the appearances; it is a science of how things are. The writings collected here offer an important resource for psychologists of perception and philosophers, as well as for researchers in cognitive science.
Author: Liliana Albertazzi
Publisher: John Wiley & Sons
ISBN: 1118329074
Category : Psychology
Languages : en
Pages : 736
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Book Description
While the scientific study of vision is well-advanced, a universal theory of qualitative visual appearances (texture, shape, colour and so on) is still lacking. This interdisciplinary handbook presents the work of leading researchers around the world who have taken up the challenge of defining and formalizing the field of ‘experimental phenomenology'. Presents and discusses a new perspective in vision science, and formalizes a field of study that will become increasingly significant to researchers in visual science and beyond The contributors are outstanding scholars in their fields with impeccable academic credentials, including Jan J. Koenderink, Irving Biederman, Donald Hoffmann, Steven Zucker and Nikos Logothetis Divided into five parts: Linking Psychophysics and Qualities; Qualities in Space, Time and Motion; Appearances; Measurement and Qualities; Science and Aesthetics of Appearances Each chapter will have the same structure consisting of: topic overview; historical roots; debate; new perspective; methods; results and recent developments
Author: Laura Messina-Argenton
Publisher: Springer Nature
ISBN: 3031136624
Category : Psychology
Languages : en
Pages : 413
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Book Description
How does a visual artist manage to narrate a story, which has a sequential and therefore temporal progression, using a static medium consisting solely of spatial sign elements and, what is more, in a single image? This is the question on which this work is based, posed by its designer, Alberto Argenton, to whose memory it is dedicated. The first explanation usually given by scholars in the field is that the artist solves the problem by depicting the same character in a number of scenes, thus giving indirect evidence of events taking place at different times. This book shows that artists, in addition to the repetition of characters, devise other spatial perceptual-representational strategies for organising the episodes that constitute a story and, therefore, showing time. Resorting to the psychology of art of a Gestalt matrix, the book offers researchers, graduates, advanced undergraduates, and professionals a description of a large continuous pictorial narrative repertoire (1000 works) and an in-depth analysis of the perceptual-representational strategies employed by artists from the 6th to the 17th century in a group of 100 works narrating the story of Adam and Eve.
Author: Federica Buongiorno
Publisher: Springer Nature
ISBN: 303025397X
Category : Philosophy
Languages : en
Pages : 186
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Book Description
This book features a theoretical depiction of the Italian phenomenological tradition. It brings together the main Italian phenomenologists of the present to discuss the positions and theories of the most important Italian phenomenologists of the past. Those profiled include Antonio Banfi, Sofia Vanni Rovighi, Enzo Paci, Dino Formaggio, Giuseppe Semerari, Enzo Melandri, Paolo Bozzi, Carlo Sini, Giovanni Piana and Paolo Parrini. This collection shows not only the variety of perspectives but also the inner consistency, peculiarity and originality of the tradition. Moreover, the contributors connect continental and analytical traditions, the scientific approach and existentialism. Italian phenomenology, the rise of which dates back to Antonio Banfi’s writings on Husserl in 1923, proves to be from its very beginning, a relational philosophy. It is a philosophy that is capable, precisely by means of its method, of developing actual forms of communication and exchange among the different sciences. This book will provide graduate students and researchers with unique insights into the Italian school of phenomenological thought.
Author: Federico Vercellone
Publisher: Springer Nature
ISBN: 3030513246
Category : Philosophy
Languages : en
Pages : 482
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Book Description
This book is a significant novelty in the scientific and editorial landscape. Morphology is both an ancient and a new discipline that rests on Goethe's heritage and re-forms it in the present through the concepts of form and image. The latter are to be understood as structural elements of a new cultural grammar able to make the late modern world intelligible. In particular, compared to the original Goethean project, but also to C.P. Snow's idea of unifying the “two cultures”, the fields of morphological culture that are the object of this glossary have profoundly changed. The ever-increasing importance of the image as a polysemic form has made the two concepts absolutely transitive, so to speak. This is concomitant with the emergence of a culture that revolves around the image, attracting the verbal logos into its orbit. Incidentally, even the hermeneutic relationship between past and present relies more and more on the image, causing deep changes in cultural environments. Form and image are not just bridging concepts, as in the field of ancient morphology, but real transitive concepts that define the state of a culture. From the Internet to smartphones, television, advertising, etc., we are witnessing – as Horst Bredekamp observes – an immense mass of images that fill our time and affect the most diverse areas of our culture. The ancient connection between science and art recalled by Goethe emerges with unusual evidence thanks to intersecting patterns and expressive forms that are sometimes shared by different forms of knowledge. Creating a glossary and a culture of these intersections is the task of morphology, which thus enters into the boundaries between aesthetics, art, design, advertising, and sciences (from mathematics to computer science, to physics, and to biology), in order to provide the founding elements of a grammar and a syntax of the image. The latter, in its formal quality, both expressive and symbolic, is a fundamental element in the unification of the various kinds of knowledge, which in turn come to be configured, in this regard, also as styles of vision. The glossary is subdivided into contiguous sections, within a complex framework of cross-references. In addition to the two curators, the book features the collaboration of a team of scholars from the individual disciplines appearing in the glossary.
Author: Anna Anzani
Publisher: Springer Nature
ISBN: 3030455661
Category : Political Science
Languages : en
Pages : 281
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Book Description
This book explores the contributions of psychological, neuroscientific and philosophical perspectives to the design of contemporary cities. Pursuing an innovative and multidisciplinary approach, it addresses the need to re-launch knowledge and creativity as major cultural and institutional bases of human communities. Dwelling is a form of knowledge and re-invention of reality that involves both the tangible dimension of physical places and their mental representation. Findings in the neuroscientific field are increasingly opening stimulating perspectives on the design of spaces, and highlight how our ability to understand other people is strongly related to our corporeity. The first part of the book focuses on the contributions of various disciplines that deal with the spatial dimension, and explores the dovetailing roles that science and art can play from a multidisciplinary perspective. In turn, the second part formulates proposals on how to promote greater integration between the aesthetic and cultural dimension in spatial design. Given its scope, the book will benefit all scholars, academics and practitioners who are involved in the process of planning, designing and building places, and will foster an international exchange of research, case studies, and theoretical reflections to confront the challenges of designing conscious places and enable the development of communities.
Author: Georges Thinés
Publisher: Routledge
ISBN: 1134506961
Category : Philosophy
Languages : en
Pages : 404
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Book Description
This volume of collected papers, with the accompanying essays by the editors, is the definitive source book for the work of this important experimental psychologist. Originally published in 1991, it offered previously inaccessible essays by Albert Michotte on phenomenal causality, phenomenal permanence, phenomenal reality, and perception and cognition. Within these four sections are the most significant and representative of the Belgian psychologist's research in the area of experimental phenomenology. Extremely insightful introductions by the editors are included that place the essays in context. Michotte's ideas have played an important role in much research on the development of perception, and his work on social perception continues to be influential in social psychology. The book also includes some lesser-known aspects of his work that are equally important; for example, a remarkable set of articles on pictorial analysis.
Author: Massimiliano Tarozzi
Publisher: Zeta Books
ISBN: 9731997458
Category : Phenomenology
Languages : en
Pages : 330
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Book Description
Author: L. Albertazzi
Publisher: Springer Science & Business Media
ISBN: 9401729905
Category : Science
Languages : en
Pages : 392
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Book Description
impossible triangle, after apprehension of the perceptively given mode of being of that 'object', the visual system assumes that all three sides touch on all three sides, whereas this happens on only one side. In fact, the sides touch only optically, because they are separate in depth. In Meinong's words, Penrose's triangle has been inserted in an 'objective', or in what we would today call a "cognitive schema". Re-examination of the Graz school's theory, as said, sheds light on several problems concerning the theory of perception, and, as Luccio points out in his contribution to this book, it helps to eliminate a number of over-simplistic commonplaces, such as the identification of the cognitivist notion of 'top down' with Wertheimer's 'von oben unten', and of 'bottom up' with his 'von unten nach oben'. In fact, neither Hochberg's and Gregory's 'concept-driven' perception nor Gibson's 'data-driven' perception coincide with the original conception of the Gestalt.
Author: Michael J. Serra
Publisher: Frontiers Media SA
ISBN: 2832556965
Category : Science
Languages : en
Pages : 172
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Book Description
People and animals – broadly, “animates” – are important, dynamic forces in the natural world. They represent social targets such as friends and enemies, economic and romantic partners, predators and prey, and companions. Most importantly, unlike inanimate objects, animate agents have internal goals and drives that cause them to act on the world, rather than simply be acted on. In short, animates fill our world with novel causes, and have been a consistent selection pressure over the course of evolution – human and nonhuman. Cognitive scientists have long acknowledged the importance of animacy, investigating it as a perceptual phenomenon, as a component of language, a natural category, a demand on attention, a dimension of neurological organization, and more recently as an important factor in memory. Although animacy has been a dimension of interest in cognitive science for quite some time, cognitive scientists from different subdisciplines interested in animacy (e.g., perception, attention, language, and memory) rarely talk with one another to synthesize findings across subfields. A major goal of this research topic is to solicit articles from across cognitive science (in a broad sense) that investigate the role that animacy plays in cognition, in the hopes that authors and readers may begin to see the “bigger picture” regarding how animacy influences the mind. We hope that by bringing together researchers from across cognitive science we will hear from a diverse set of perspectives regarding animacy, representing a variety of research questions and methodologies within this larger topic. Likewise, we hope that the finished research topic will lead to an increased and more varied exploration of the role of animacy in our thoughts and actions and will appeal to readers across fields.
