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Author: Gabriel Varghese
Publisher: Springer Nature
ISBN: 3030302474
Category : Performing Arts
Languages : en
Pages : 172
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Book Description
Since the 1990s, Palestinian theatrical activities in the West Bank have expanded exponentially. As well as local productions, Palestinian theatre-makers have presented their work to international audiences on a scale unprecedented in Palestinian history. This book explores the histories of the five major theatre companies currently working in the West Bank: Al-Kasaba Theatre, Ashtar Theatre, Al-Harah Theatre, The Freedom Theatre and Al-Rowwad. Taking the first intifada (1987-93) as his point of departure, and drawing on original fieldwork and interviews with Palestinian practitioners, Gabriel Varghese introduces the term ‘abject counterpublics’ to explore how theatre-makers contest Zionist discourse and Israeli state practices. By foregrounding Palestinian voices, and placing theories of abjection and counterpublic formation in conversation with each other, Varghese argues that theatre in the West Bank has been regulated by processes of colonial abjection and, yet, it is an important site for resisting Zionism's discourse of erasure and Israeli settler-colonialism and apartheid. Palestinian Theatre in the West Bank: Our Human Faces is the first major account of Palestinian theatre covering the last three decades.
Author: Gabriel Varghese
Publisher: Springer Nature
ISBN: 3030302474
Category : Performing Arts
Languages : en
Pages : 172
Get Book Here
Book Description
Since the 1990s, Palestinian theatrical activities in the West Bank have expanded exponentially. As well as local productions, Palestinian theatre-makers have presented their work to international audiences on a scale unprecedented in Palestinian history. This book explores the histories of the five major theatre companies currently working in the West Bank: Al-Kasaba Theatre, Ashtar Theatre, Al-Harah Theatre, The Freedom Theatre and Al-Rowwad. Taking the first intifada (1987-93) as his point of departure, and drawing on original fieldwork and interviews with Palestinian practitioners, Gabriel Varghese introduces the term ‘abject counterpublics’ to explore how theatre-makers contest Zionist discourse and Israeli state practices. By foregrounding Palestinian voices, and placing theories of abjection and counterpublic formation in conversation with each other, Varghese argues that theatre in the West Bank has been regulated by processes of colonial abjection and, yet, it is an important site for resisting Zionism's discourse of erasure and Israeli settler-colonialism and apartheid. Palestinian Theatre in the West Bank: Our Human Faces is the first major account of Palestinian theatre covering the last three decades.
Author: Reuven Snir
Publisher: Dr Ludwig Reichert
ISBN:
Category : Literary Criticism
Languages : en
Pages : 264
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Book Description
This is the first book in non-Arabic language on Palestinian drama and theatre. The book outlines the historical development of Palestinian dramatic activities from their hesitant rise before 1948 and the first theatrical attempts to the heavy blow which these attempts suffered as a result of the establishment of the State of Israel, to the regeneration of professional theatre out of the ashes of the 1967 defeat, through to the activities of the 1970s and the role they played in Palestinian nation-building. It provides a glimpse into the nature of the current Palestinian theatrical movement, the artistic framework within which it developed, its main themes and poetic traits as well as its major sources of influence. The study is essentially an historical one, but the methodology is combined with literary and dramatic perspectives and insights. Emphasis is placed on the historical development of practical theatrical activities and the rise of dramatic literature, with special attention given to the institutions in which those activities took place. An attempt has been made to present in some detail several of the most important dramatic works in the various historical phases. In addition to an analysis of the written texts, the discussion of the plays also refers to the relevant details of their practical staging. The study includes in-depth investigation of the activities of two major professional Palestinian troupes: the al-Balalin and al-Hakawati, due to the vital effect these troupes have had on the professionaliztion of Palestinian theatre. The primary audience of the book are scholars and students of Arabic culture and literature, as well as scholars and students of theatre and Palestinian nationalism. The book will also be of interest to intellectuals interested in Israeli-Palestinian conflict.
Author: Samer Al-Saber
Publisher:
ISBN: 9780857427472
Category : Arabic drama
Languages : en
Pages : 0
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Book Description
Introduction: Anthologizing contemporary Palestinian theater / Samer Al-Saber -- Palestine: resistance and identity through drama / Gary M. English -- Stories under occupation / Al-Kasaba Ensemble -- We are the children of the camp / Abdelfattah Abusrour -- The Gaza mono-logues / Orginal cast from Gaza -- Shakespeare's sisters / Pietro Floridia -- 3 in 1 / Ihab Zahdeh -- The siege / Nabil AlRaee -- Taha / Amer Hlehel.
Author: Ola Johansson
Publisher: Leftword Books
ISBN: 9789380118673
Category : Fiction
Languages : en
Pages : 420
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Book Description
The Freedom Theatre is one of the most remarkable institutions in occupied Palestine, and indeed the world. Nestled in Jenin refugee camp in the West Bank, the theatre has faced attacks, threats, imprisonment of many functionaries, and the assassination of its co-founder. And yet the theatre has not only endured, it has grown, from a provisional hall with rented plastic chairs to one of Palestine's most prominent cultural centres. Today, it educates actors, technicians, cultural workers, photographers, filmmakers and teachers, tours in the West Bank and internationally with its characteristically strong and moving art, and has created a network of partners across the globe. This book depicts the theatre's history, work, and vision through some of its key people. It gives room to thorough analyses of the context in which it operates and of the concept of Cultural Resistance, which is central to its work. Palestinian and international artists, academics and activists associated with the theatre, contribute personal and professional perspectives on the phenomenon that is The Freedom Theatre. This is as much a documentation of the work of The Freedom Theatre in its first ten years as it is a testament to its growing significance as a source of inspiration in Palestine and around the world.
Author: Stephen Orlov
Publisher:
ISBN: 9781770918436
Category :
Languages : en
Pages :
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Book Description
The first of its kind, Double Exposure: Plays of the Jewish and Palestinian Diasporas is a groundbreaking anthology about the Israeli-Palestinian conflict penned by Diaspora playwrights of Jewish and Palestinian descent. Featuring compelling interviews with each playwright and introductions by acclaimed dramatists Karen Hartman and Betty Shamieh, this volume of seven plays--three by Jewish playwrights, three by Palestinian playwrights, and a collaboration by both--tackles one of the remaining thematic taboos for many theatres in the Western world. Varying in genre between drama and comedy, in aesthetic between realism and surrealism, in setting between the Diasporas and Israel/Palestine, and in the political opinions of characters, Double Exposure offers distinct Diaspora perspectives that turn the political into the personal. This collection includes The Peace Maker by Natasha Greenblatt; Sabra Falling by Ismail Khalidi; Bitterenders by Hannah Khalil; Facts by Arthur Milner; Sperm Count by Stephen Orlov; Tales of a City by the Sea by Samah Sabawi; and Twenty-One Positions: A Cartographic Dream of the Middle East by Abdelfattah AbuSrour, Lisa Schlesinger, and Naomi Wallace.
Author: Nurith Gertz
Publisher: Edinburgh University Press
ISBN: 0748634096
Category : Performing Arts
Languages : en
Pages : 256
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Book Description
Although in recent years, the entire world has been increasingly concerned with the Middle East and Israeli-Palestinian relationship, there are few truly reliable sources of information regarding Palestinian society and culture, either concerning its relationship with Israeli society, its position between east and west or its stances in times of war and peace. One of the best sources for understanding Palestinian culture is its cinema which has devoted itself to serving the national struggle. In this book, two scholars--an Israeli and a Palestinian--in a rare and welcome collaboration, follow the development of Palestinian cinema, commenting on its response to political and social transformations. They discover that the more the social, political and economic conditions worsen and chaos and pain prevail, the more Palestinian cinema becomes involved with the national struggle. As expected, Palestinian cinema has unfolded its national narrative against the Israeli narrative, which tried to silence it.
Author: Seth Anziska
Publisher: Princeton University Press
ISBN: 0691202451
Category : History
Languages : en
Pages : 457
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Book Description
For seventy years Israel has existed as a state, and for forty years it has honored a peace treaty with Egypt that is widely viewed as a triumph of U.S. diplomacy in the Middle East. Yet the Palestinians - the would-be beneficiaries of a vision for a comprehensive regional settlement that led to the Camp David Accords in 1978 - remain stateless to this day. How and why Palestinian statelessness persists are the central questions of Seth Anziska's groundbreaking book, which explores the complex legacy of the agreement brokered by President Jimmy Carter. Based on newly declassified international sources, Preventing Palestine charts the emergence of the Middle East peace process, including the establishment of a separate track to deal with the issue of Palestine. At the very start of this process, Anziska argues, Egyptian-Israeli peace came at the expense of the sovereignty of the Palestinians, whose aspirations for a homeland alongside Israel faced crippling challenges. With the introduction of the idea of restrictive autonomy, Israeli settlement expansion, and Israel's 1982 invasion of Lebanon, the chances for Palestinian statehood narrowed even further. The first Intifada in 1987 and the end of the Cold War brought new opportunities for a Palestinian state, but many players, refusing to see Palestinians as a nation or a people, continued to steer international diplomacy away from their cause.
Author: Dalia Taha
Publisher: Bloomsbury Publishing
ISBN: 1474244521
Category : Performing Arts
Languages : en
Pages : 99
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Book Description
There's no-one in the streets but us. You run that way and I'll run this way. Whoever gets back to the front door first without getting shot, wins. In a Palestinian town eleven-year-old Lubna and twelve-year-old Khalil are playing on the empty stairwell in their apartment block. As the siege intensifies outside, fear for their safety becomes as crippling as the conflict itself. Dalia Taha's play offers a new way of seeing how war fractures childhood. Fireworks (Al'ab Nariya) is part of International Playwrights: A Genesis Foundation Project and received its world premiere at the Royal Court Theatre, London, on 12 February 2015.
Author: Robin Soans
Publisher: Aurora Metro Books
ISBN:
Category : Drama
Languages : en
Pages : 100
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Book Description
Simple recipes offering the best of Middle Eastern food and more. Gathered in Israel and Palestine from ordinary people going about their everyday lives, the author found that each person had a story to tell and a recipe to cook.
Author: Sami Ibrahim
Publisher: NHB Modern Plays
ISBN: 9781848428850
Category : Drama
Languages : en
Pages : 0
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Book Description
Theatre Uncut Political Playwriting Award - 2019 The year is 2043, and Reem and her husband Sayeed are going to share a 'Serious Play about Palestine'. Things are tense. People are on the edge. The Fifth Intifada is right around the corner. But on a contested piece of land near their village of Beit al-Qadir, Reem and Sayeed are about to go dogging. Don't worry, you're allowed to laugh. Sami Ibrahim's play two Palestinians go dogging uses the lens of humour to explore how the everyday becomes political and the political becomes everyday in a conflict zone. The play premiered in May 2022 at the Royal Court Jerwood Theatre Upstairs, London, directed by Omar Elerian.
