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Author: Mahmud ul-Hassan
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 318
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Book Description
Author: Mahmud ul-Hassan
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 318
Get Book Here
Book Description
Author: Diana I. Ríos
Publisher: Rowman & Littlefield
ISBN: 1793613532
Category : Performing Arts
Languages : en
Pages : 331
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Book Description
This book discusses the role of television drama series on a global scale, analyzing these dramas across the Americas, Europe, Asia, Australia, and Africa. Contributors consider the role of television dramas as economically valuable cultural products and with their depictions of gender roles, sexualities, race, cultural values, political systems, and religious beliefs as they analyze how these programs allow us to indulge our innate desire to share human narratives in a way that binds us together and encourages audiences to persevere as a community on a global scale. Contributors also go on to explore the role of television dramas as a medium that indulges fantasies and escapism and reckons with reality as it allows audiences to experience emotions of happiness, sorrow, fear, and outrage in both realistic and fantastical scenarios.
Author: Jennifer Dubrow
Publisher: University of Hawaii Press
ISBN: 0824876695
Category : History
Languages : en
Pages : 194
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Book Description
In late nineteenth-century South Asia, the arrival of print fostered a dynamic and interactive literary culture. There, within the pages of Urdu-language periodicals and newspapers, readers found a public sphere that not only catered to their interests but encouraged their reactions to featured content. Cosmopolitan Dreams brings this culture to light, showing how literature became a site in which modern daily life could be portrayed and satirized, the protocols of modernity challenged, and new futures imagined. Drawing on never-before-translated Urdu fiction and prose and focusing on the novel and satire, Jennifer Dubrow shows that modern Urdu literature was defined by its practice of self-critique and parody. Urdu writers resisted the cultural models offered by colonialism, creating instead a global community of imagination in which literary models could freely circulate and be readapted, mixed, and drawn upon to develop alternative lines of thinking. Highlighting the participation of readers and writers from diverse social and religious backgrounds, the book reveals an Urdu cosmopolis where lively debates thrived in newspapers, literary journals, and letters to the editor, shedding fresh light on the role of readers in shaping vernacular literary culture. Arguing against current understandings of Urdu as an exclusively Muslim language, Dubrow demonstrates that in the late nineteenth century, Urdu was a cosmopolitan language spoken by a transregional, transnational community that eschewed identities of religion, caste, and class. The Urdu cosmopolis pictured here was soon fractured by the forces of nationalism and communalism. Even so, Dubrow is able to establish the persistence of Urdu cosmopolitanism into the present and shows that Urdu’s strong tradition as a language of secular, critical modernity did not end in the late nineteenth century but continues to flourish in film, television, and on line. In lucid prose, Dubrow makes the dynamic world of colonial Urdu print culture come to life in a way that will interest scholars of modern Asian literatures, South Asian literature and history, cosmopolitanism, and the history of print culture.
Author: Mark Liechty
Publisher: Princeton University Press
ISBN: 9780691095936
Category : Business & Economics
Languages : en
Pages : 314
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Book Description
Suitably Modern traces the growth of a new middle class in Kathmandu as urban Nepalis harness the modern cultural resources of mass media and consumer goods to build modern identities and pioneer a new sociocultural space in one of the world's "least developed countries." Since Nepal's "opening" in the 1950s, a new urban population of bureaucrats, service personnel, small business owners, and others have worked to make a space between Kathmandu's old (and still privileged) elites and its large (and growing) urban poor. Mark Liechty looks at the cultural practices of this new middle class, examining such phenomena as cinema and video viewing, popular music, film magazines, local fashion systems, and advertising. He explores three interactive and mutually constitutive ethnographic terrains: a burgeoning local consumer culture, a growing mass-mediated popular imagination, and a recently emerging youth culture. He shows how an array of local cultural narratives--stories of honor, value, prestige, and piety--flow in and around global narratives of "progress," modernity, and consumer fulfillment. Urban Nepalis simultaneously adopt and critique these narrative strands, braiding them into local middle-class cultural life. Building on both Marxian and Weberian understandings of class, this study moves beyond them to describe the lived experience of "middle classness"--how class is actually produced and reproduced in everyday practice. It considers how people speak and act themselves into cultural existence, carving out real and conceptual spaces in which to produce class culture.
Author: Pippa Virdee
Publisher: Oxford University Press
ISBN: 0198847076
Category : History
Languages : en
Pages : 169
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Book Description
The history of Pakistan, created as a new nation state in 1947, placing it in the context of the region's four-thousand-year-old pre-colonial heritage. Also focus on Pakistan's religion and society, the state and the military, popular culture, language and literature, as well as its relationship with the rest of the world
Author: Raminder Kaur
Publisher: SAGE
ISBN: 9780761933212
Category : Business & Economics
Languages : en
Pages : 348
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Book Description
Providing a critique of a common scholarly tendency in the field of popular Indian cinema, this text argues that Indian cinema cannot be understood in terms of a national paradigm, but must instead be considered as a field of visual and cultural production that interlinks diverse sites, in India and beyond.
Author: Ziauddin Sardar
Publisher: Hurst & Company
ISBN: 1849049874
Category : Biography & Autobiography
Languages : en
Pages : 241
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Book Description
A delightful memoir of a life lived in Pakistan, Saudi Arabia and Britain, brimming with poignancy, poetry and absurdity.
Author: Rishikesh Joshi
Publisher: Notion Press
ISBN: 1946822744
Category : Performing Arts
Languages : en
Pages : 324
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Book Description
“Picture abhi baaki hai mere dost”; “Don ko pakadna mushkil hi nahi namumkin hai”; “Jo main bolta hun, Woh main karta hun. Jo main nahi bolta woh main definitely karta hun” Lines from well-remembered films (or ‘dialogues’ as we call them), are part of the currency of our everyday speech. Climactic scenes are unforgettably etched in our minds. Yes, we don’t just watch movies, we internalize them. How many times, have you selected a movie shuffling through multiple reviews and ratings only to find that what you see on screen is very different from what you were led to believe? You wonder if they were written more objectively and someone like you could tell what to expect? Here is an attempt to do just that. First Day, Last Show takes you through an engrossing journey of movies seen through the eyes of a common cinemagoer. The book is a bouquet of impressions about films gathered over a period of four years. You will relate to these views easily, even if you have not seen or heard about the movie earlier. All you need is to be a fairly regular cinema goer. If you love movies, you will love reading First Day, Last Show.
Author: Indian Believer
Publisher: Xlibris Corporation
ISBN: 1465319921
Category : Religion
Languages : en
Pages : 232
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Book Description
Satan-Allah (95% of Allah) is total lies, total deceit, and total betrayal. Any truth of any kind from any source anywhere in this world is not acceptable to Allah. All truth of all truthful people will not convince one Muslim to say sorry. A slave has no right to say sorry as long as he follows his masters orders. Allah has systematically annihilated, eliminated, killed, converted, kicked out, and simply wiped out about 300 million human beings in the last 1,400 years. That is why we have slaves (Muslims) everywhere.
Author: Dina Khdair
Publisher: Taylor & Francis
ISBN: 1000069605
Category : Art
Languages : en
Pages : 237
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Book Description
This book explores the cultural politics of Pakistani crossover stardom in the Hindi film industry as a process of both assimilation and “Otherness”. Analysing the career profiles of three crossover performers – Ali Zafar, Fawad Khan, and Mahira Khan – as a relevant case study, it unites critical globalization studies with soft power theory in exploring the potential of popular culture in conflict resolution. The book studies the representation and reception of these celebrities, while discussing themes such as the meaning of being a Pakistani star in India, and the consequent identity politics that come into play. As the first comprehensive study of Pakistani crossover stardom, it captures intersections between political economy, cultural representation, and nationalist discourse, at the same time reflecting on larger questions of identity and belonging in an age of globalization. Crossover Stars in the Hindi Film Industry will be indispensable to researchers of film studies, media and cultural studies, popular culture and performance, peace and area studies, and South Asian studies. It will also be of interest to enthusiasts of Indian cinematic history.
