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Author: Neville Jason
Publisher: British Sculptors & Sculpture
ISBN:
Category : Art
Languages : en
Pages : 174
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Book Description
This volume presents for the first time a comprehensive overview of the life and work of the British sculptor Frank Dobson. It contains details and illustrations of over 300 works together with sixteen colour plates. A detailed biography sets Dobson's career in the context of the development of the Modern Movement in Britain.
Author: Neville Jason
Publisher: British Sculptors & Sculpture
ISBN:
Category : Art
Languages : en
Pages : 174
Get Book Here
Book Description
This volume presents for the first time a comprehensive overview of the life and work of the British sculptor Frank Dobson. It contains details and illustrations of over 300 works together with sixteen colour plates. A detailed biography sets Dobson's career in the context of the development of the Modern Movement in Britain.
Author: Robert Storr
Publisher:
ISBN: 9780870700316
Category : Art
Languages : en
Pages : 247
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Book Description
Essay by Robert Storr. Foreword by Glenn D. Lowry.
Author: Hendrik Kolenberg
Publisher: Conran Octopus
ISBN:
Category : Art
Languages : en
Pages : 116
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Book Description
Author: Arie Wallert
Publisher: Getty Publications
ISBN: 0892363223
Category : Art
Languages : en
Pages : 241
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Book Description
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 274
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Book Description
Author: Susan Stairs
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 316
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Book Description
Author: Peter T. Nesbett
Publisher:
ISBN:
Category : African American painters
Languages : en
Pages : 354
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Book Description
Author: Howard Saul Becker
Publisher: Univ of California Press
ISBN: 9780520043862
Category : Art
Languages : en
Pages : 414
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Book Description
Author: Christopher Wood
Publisher: Antique Collectors Club Dist
ISBN:
Category : Art
Languages : en
Pages : 604
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Book Description
Contains 11,000 entries
Author: Anthony J. Cascardi
Publisher: Princeton University Press
ISBN: 1942130708
Category : Art
Languages : en
Pages : 290
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Book Description
An innovative study of Goya's unprecedented elaboration of the critical function of the work of art Francisco de Goya and the Art of Critique probes the relationship between the enormous, extraordinary, and sometimes baffling body of Goya’s work and the interconnected issues of modernity, Enlightenment, and critique. Taking exception to conventional views that rely mainly on Goya’s darkest images to establish his relevance for modernity, Cascardi argues that the entirety of Goya’s work is engaged in a thoroughgoing critique of the modern social and historical worlds, of which it nonetheless remains an integral part. The book reckons with the apparent gulf assumed to divide the Disasters of War and the so-called Black Paintings from Goya’s scenes of bourgeois life or from the well-mannered portraits of aristocrats, military men, and intellectuals. It shows how these apparent contradictions offer us a gateway into Goya’s critical practice vis-à-vis a European modernity typically associated with the Enlightenment values dominant in France, England, and Germany. In demonstrating Goya’s commitment to the project of critique, Cascardi provides an alternative to established readings of Goya’s work, which generally acknowledge the explicit social criticism evident in works such as the Caprichos but which have little to say about those works that do not openly take up social or political themes. In Francisco de Goya and the Art of Critique, Cascardi shows how Goya was consistently engaged in a critical response to—and not just a representation of—the many different factors that are often invoked to explain his work, including history, politics, popular culture, religion, and the history of art itself.
