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Author: Carl Purcell
Publisher: Penguin
ISBN: 1440310114
Category : Art
Languages : en
Pages : 377
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Book Description
Overcome the obstacles to your artistic expression Improving your artwork can be as simple as learning how to trust your eyes. Your Artist's Brain shows you how to portray even the most complex subjects by focusing on what you really see - not what you think you see. Expert art instructor Carl Purcell shows you how to overcome dependency on the "intellectual brain" and listen carefully to the more observant "artist's brain." With Your Artist's Brain, you'll learn visual skills and artistic techniques that will instantly make you a better artist, no matter what your medium. • 22 step-by-step demonstrations on key relationships between shapes, spaces, subjects, backgrounds, angles, sizes, values and more • Easy examples and fun exercises teaching you how to "see" and design great compositions • "Points to Remember" sidebars that allow you to quickly grasp each concept Maximize the power of your artist's brain today and embark on the path to creating better art.
Author: Rudy De Reyna
Publisher: Watson-Guptill
ISBN: 0307786358
Category : Art
Languages : en
Pages : 178
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Book Description
The 35th anniversary edition of the classic how-to book that has helped millions of artists learn to draw. When it was originally published in 1970, How to Draw What You See zoomed to the top of Watson-Guptill’s best-seller list—and it has remained there ever since. “I believe that you must be able to draw things as you see them—realistically,” wrote Rudy de Reyna in his introduction. Today, generations of artists have learned to draw what they see, to truly capture the world around them, using de Reyna’s methods. How to Draw What You See shows artists how to recognize the basic shape of an object—cube, cylinder, cone, or sphere—and use that shape to draw the object, no matter how much detail it contains.
Author: Carl Purcell
Publisher: North Light Books
ISBN: 9781581808117
Category : Art
Languages : en
Pages : 0
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Book Description
SEE like an artist, and draw like a pro! If you think you can't draw, it's all in your head. Every time you pick up a pencil, a battle rages between the two sides of your brain: Your analytical brain, which wants to generalize and take shortcuts; and your visual brain, which sees it like it is. This innovative guide helps the "good guy" always win! Following the success of his first book, Painting with Your Artist's Brain (North Light Books), Carl Purcell shows that the secret to creating true-to-life renderings—and overcoming the most common drawing problems—is silencing your bossy logical nature and letting your artistic side do what it does best. Thirteen interactive exercises and 10 step-by-step demonstrations lead you on an in-depth exploration of essential drawing skills: seeing values correctly searching for relationships of angle, size and position defining form with line and edge exploring the relationship between objects and space tying everything together with value patterns making the most of your sketchbook You'll take the same observation-based approach whether you're drawing a pear, a portrait or a landscape. No subject will be beyond your reach, and you'll be amazed at your sudden mastery of drawing!
Author: Betty Edwards
Publisher: Souvenir Press
ISBN: 1782838481
Category : Self-Help
Languages : en
Pages :
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Book Description
THE SEQUEL TO THE MULTI-MILLION BESTSELLER DRAWING ON THE RIGHT SIDE OF THE BRAIN From the author of the world's most popular drawing instruction manual Drawing on the Right Side of the Brain, this new book helps you discover a new way of drawing and problem solving. Betty Edwards reveals the role our dominant eye plays in how we perceive, create, and are seen by those around us. Research shows that much like being right-handed or left-handed, each of us has a dominant eye, corresponding to the dominant side of our brain - either verbal or perceptual. Once you learn the difference and try your hand at the simple drawing exercises, you'll gain fresh insights into how you perceive, think, and create. You'll learn how to not just look but truly see. Generously illustrated throughout, Drawing on the Dominant Eye offers a remarkable guided tour through art history, psychology, and the creative process; a must-read for anyone looking for a richer understanding of our art, our minds, and ourselves. Praise for Betty Edwards' Drawing on the Right Side of the Brain: 'Hands down the best and most life-enhancing thing I've done in lockdown' India Knight 'A guide to enhancing creativity and artistic confidence' Independent
Author: Carl Purcell
Publisher: Penguin
ISBN: 1440310114
Category : Art
Languages : en
Pages : 377
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Book Description
Overcome the obstacles to your artistic expression Improving your artwork can be as simple as learning how to trust your eyes. Your Artist's Brain shows you how to portray even the most complex subjects by focusing on what you really see - not what you think you see. Expert art instructor Carl Purcell shows you how to overcome dependency on the "intellectual brain" and listen carefully to the more observant "artist's brain." With Your Artist's Brain, you'll learn visual skills and artistic techniques that will instantly make you a better artist, no matter what your medium. • 22 step-by-step demonstrations on key relationships between shapes, spaces, subjects, backgrounds, angles, sizes, values and more • Easy examples and fun exercises teaching you how to "see" and design great compositions • "Points to Remember" sidebars that allow you to quickly grasp each concept Maximize the power of your artist's brain today and embark on the path to creating better art.
Author: Carl Purcell
Publisher: North Light Books
ISBN: 9781581809930
Category : Art
Languages : en
Pages : 128
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Book Description
Overcome the Obstacles to your Artistic Expression Improving your artwork can be as simple as learning how to trust your eyes. Painting With Your Artist's Brain shows you how to portray even the most complex subject by focusing on what you really see - not what you think you see. Expert art instructor Carl Purcell shows you how to overcome dependency on the "intellectual brain" and listen carefully to the more observant "artist's brain." For example, if you want to paint a tree, your intellectual brain has on file how a tree should look. To create an attractive painting, you must use your artist's brain to paint the unique characteristics of the actual tree in front of you and ignore the generic image of a tree stored in your intellectual brain. With Painting With Your Artist's Brain, you'll learn visual skills and artistic techniques that will instantly make you a better painter, no matter what your skill level or medium. Inside you'll find: Basic watercolor techniques Nine watercolor demonstrations Examples and fun exercises teaching you how to "see" and design great compositions "Points to Remember" sidebars that allow you to quickly grasp each concept Maximize the power of your artist's brain today and embark on the path to creating better art!
Author: Carl Lee Purcell
Publisher: Northlight
ISBN: 9781581803976
Category : Art
Languages : en
Pages : 0
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Book Description
The biggest roadblock to any artist's success is the intellectual brain. in this easy-to-follow guide, readers will learn to silence their enemy within so they can listen more clearly to their visual brain. It's the visual brain that allows an artist's spirit to shine through--the key to paintings that grab both the eye and the heart. with a variety of step-by-step demonstrations and thoughtful sidebars, readers will learn how to truly see as artists. They'll find sections on: -Negative space -Developing good technique -Center of interest -Value patterns These in-depth lessons will help artists of all levels improve their work and add more joy to the painting process.
Author: Kate Kretz
Publisher: Intellect Books
ISBN: 1789386632
Category : Art
Languages : en
Pages : 357
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Book Description
This book guides artists through the discovery and development of the art that they alone were born to create. Through real-life examples and exercises, we tear down the cultural, educational, and psychological obstacles to finding authentic visual voice, stripping away years of assumptions, external and self-imposed limiting parameters. We learn how to listen to the Universe and get out of the way when work wants to come through us. We construct a core foundation, unique to each artist, one that will grow along with them in their artistic practice. Artists will discover their own singular visual vocabulary by mining their personal history, psyche, and world view to reveal new creative directions, and learn how to intensify and develop their core ideas to make them more resonant and complex. We explore methodologies to tap into the subconscious, cultivate breakthroughs, create environments to maximize the gestation of ideas, instill bravery, and do meaningful research to produce deeply layered works of art. While designed for college students, professional artists will also find it allows them to get to that illusive “next level” in their work; the one that calls to them, haunts them in their dreams, yet remains unarticulated in their practice. In addition to helping undergraduate and graduate students who are looking to identify, articulate, and hone their vocabulary, it can serve as a tool for more established artists to step up or refresh their practice. It is the kind of book that artists will keep on the studio shelf, to pick up time and time again, as their responses to the exercises will change throughout the course of their career. There are extensive lists, exercises, and questionnaires, anecdotes of art-historically significant artists and detailed descriptions of the methodologies they employ to tap into the subconscious, various types of research on creative breakthroughs (and how to apply it to your own process), helpful suggestions to create an environment / lifestyle to maximize the gestation of ideas, and how to do meaningful research to produce deeply layered works of art. While the tone of the book is often earnest and spiritual (in an “art is religion” kind of way), Kretz is aiming for a straightforward, accessible, kind-but-no-nonsense tenor, with some humor, and nurturing “tough love” when needed, to say some of the things that artists need to hear, but few people have the guts to tell them.
Author: Joseph Goguen
Publisher: Imprint Academic
ISBN: 9780907845126
Category : Art
Languages : en
Pages : 166
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Book Description
Science of art - commentary on Ramachandran and Hirstein - Art and the Brain - The Emergence of Art and Language in the Human Brain - Cave Art, autism, and the evolution of the human mind - On aesthetic perception
Author: Carol J. Heischober
Publisher: Balboa Press
ISBN: 1504388046
Category : Self-Help
Languages : en
Pages : 193
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Book Description
Art and the Healthy Brain is a comprehensive guide for teaching basic acrylic painting that focuses on increasing the longevity of brain health. The guide includes the study of color theory, the principles of design, painting techniques, vocabulary, and art history. Anyone who desires to assist others in their creative endeavor toward a healthy brain can help fill the large gap in the mental health field by providing brain-stimulating, quality-of-life enhancing art activities from this learning guide. This multipurpose instructional handbook can also be adapted as a self-paced tutorial for individuals.
Author: Anton Nijholt
Publisher: Springer
ISBN: 3030143236
Category : Computers
Languages : en
Pages : 472
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Book Description
This is the first book on brain-computer interfaces (BCI) that aims to explain how these BCI interfaces can be used for artistic goals. Devices that measure changes in brain activity in various regions of our brain are available and they make it possible to investigate how brain activity is related to experiencing and creating art. Brain activity can also be monitored in order to find out about the affective state of a performer or bystander and use this knowledge to create or adapt an interactive multi-sensorial (audio, visual, tactile) piece of art. Making use of the measured affective state is just one of the possible ways to use BCI for artistic expression. We can also stimulate brain activity. It can be evoked externally by exposing our brain to external events, whether they are visual, auditory, or tactile. Knowing about the stimuli and the effect on the brain makes it possible to translate such external stimuli to decisions and commands that help to design, implement, or adapt an artistic performance, or interactive installation. Stimulating brain activity can also be done internally. Brain activity can be voluntarily manipulated and changes can be translated into computer commands to realize an artistic vision. The chapters in this book have been written by researchers in human-computer interaction, brain-computer interaction, neuroscience, psychology and social sciences, often in cooperation with artists using BCI in their work. It is the perfect book for those seeking to learn about brain-computer interfaces used for artistic applications.
