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Author: Deborah Paris
Publisher: Texas A&M University Press
ISBN: 1623499194
Category : Art
Languages : en
Pages : 203
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Book Description
When first-time author and artist Deborah Paris stepped into Lennox Woods, an old-growth southern hardwood forest in northeast Texas, she felt a disruption that was both spatial and temporal. Walking the remnants of an old wagon trail past ancient stands of pine, white oak, elm, hickory, sweetgum, maple, hornbeam, and red oak, she felt drawn into a reverie that took her back to “the beginning, both physically and metaphorically.” Painting the Woods: Nature, Memory and Metaphor explores the experience of landscape through the lens of art and art-making. It is a place-based meditation on nature, art, memory, and time, grounded in Paris’s experiences over the course of a year in Lennox Woods. Her account unfolds through the twin arcs of the changing seasons and her creative process as a landscape painter. In the tradition of Annie Dillard’s Pilgrim at Tinker Creek, narrative passages interweave with observations about the natural history of Lennox Woods, its flora and fauna, art history, the science of memory, Transcendentalist philosophy, the role of metaphor in creative work, and even loop quantum gravity theory. Each chapter explores a different aspect of the forest and a different step in the art-making process, illuminating our connection to the natural world through language, comprehension of time, and visual depictions of the landscape. The complex layers of the forest and Paris’s journey through it emerge as metaphors for the larger themes of the book, just as the natural world underpins the art-making drawn from it. Like the trail that winds through Lennox Woods, memory and time intertwine to provide a path for understanding nature, art, and our relationship to both.
Author: Deborah Paris
Publisher: Texas A&M University Press
ISBN: 1623499194
Category : Art
Languages : en
Pages : 203
Get Book Here
Book Description
When first-time author and artist Deborah Paris stepped into Lennox Woods, an old-growth southern hardwood forest in northeast Texas, she felt a disruption that was both spatial and temporal. Walking the remnants of an old wagon trail past ancient stands of pine, white oak, elm, hickory, sweetgum, maple, hornbeam, and red oak, she felt drawn into a reverie that took her back to “the beginning, both physically and metaphorically.” Painting the Woods: Nature, Memory and Metaphor explores the experience of landscape through the lens of art and art-making. It is a place-based meditation on nature, art, memory, and time, grounded in Paris’s experiences over the course of a year in Lennox Woods. Her account unfolds through the twin arcs of the changing seasons and her creative process as a landscape painter. In the tradition of Annie Dillard’s Pilgrim at Tinker Creek, narrative passages interweave with observations about the natural history of Lennox Woods, its flora and fauna, art history, the science of memory, Transcendentalist philosophy, the role of metaphor in creative work, and even loop quantum gravity theory. Each chapter explores a different aspect of the forest and a different step in the art-making process, illuminating our connection to the natural world through language, comprehension of time, and visual depictions of the landscape. The complex layers of the forest and Paris’s journey through it emerge as metaphors for the larger themes of the book, just as the natural world underpins the art-making drawn from it. Like the trail that winds through Lennox Woods, memory and time intertwine to provide a path for understanding nature, art, and our relationship to both.
Author: Bridget Woods
Publisher: Crowood
ISBN: 1847977510
Category : Art
Languages : en
Pages : 457
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Book Description
Watercolour offers great potential for expression. Its fluidity, full colour range, generous spread and variety of marks can portray a likeness, a response, a feeling - even the notions of time and speed. This book is a practical guide to watercolour painting and more. It explains the importance of colour, tone, shape, texture and scale through exercises and shared techniques, but it also encourages the artist to express sensations and ideas in watercolour - and by exploring the joy of the medium, to develop handling skills, confidence and a unique painting 'voice'. Includes: getting started; materials, fundamentals and mark-making; ideas to trigger the imagination for developing personal style; a variety of images to inspire and encourage; and help and advice throughout to practice new skills and gain confidence with a medium that has the potential magnificence of a 'full orchestra', yet can be slipped into the pocket. Lavishly illustrated with 259 colour photographs.
Author: Lea Rosson DeLong
Publisher: Brunnier Art Museum University Art Museums Iowa State Univer
ISBN:
Category : Art and literature
Languages : en
Pages : 280
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Book Description
Author: Kim Woods
Publisher: Yale University Press
ISBN: 9780300121896
Category : Art
Languages : en
Pages : 326
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Book Description
This book explores key themes in the making of Renaissance painting, sculpture, architecture, and prints: the use of specific techniques and materials, theory and practice, change and continuity in artistic procedures, conventions and values. It also reconsiders the importance of mathematical perspective, the assimilation of the antique revival, and the illusion of life. Embracing the full significance of Renaissance art requires understanding how it was made. As manifestations of technical expertise and tradition as much as innovation, artworks of this period reveal highly complex creative processes--allowing us an inside view on the vexed issue of the notion of a renaissance.
Author: Sebastian Faulks
Publisher: Vintage
ISBN: 0307523608
Category : Biography & Autobiography
Languages : en
Pages : 336
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Book Description
In The Fatal Englishman, his first work of nonfiction, Sebastian Faulks explores the lives of three remarkable men. Each had the seeds of greatness; each was a beacon to his generation and left something of value behind; yet each one died tragically young. Christopher Wood, only twenty-nine when he killed himself, was a painter who lived most of his short life in the beau monde of 1920s Paris, where his charm, good looks, and the dissolute life that followed them sometimes frustrated his ambition and achievement as an artist. Richard Hillary was a WWII fighter pilot who wrote a classic account of his experiences, The Last Enemy, but died in a mysterious training accident while defying doctor’s orders to stay grounded after horrific burn injuries; he was twenty-three. Jeremy Wolfenden, hailed by his contemporaries as the brightest Englishman of his generation, rejected the call of academia to become a hack journalist in Cold War Moscow. A spy, alcoholic, and open homosexual at a time when such activity was still illegal, he died at the age of thirty-one, a victim of his own recklessness and of the peculiar pressures of his time. Through the lives of these doomed young men, Faulks paints an oblique portrait of English society as it changed in the twentieth century, from the Victorian era to the modern world.
Author: Geoff Kersey
Publisher: National Geographic Books
ISBN: 1782212973
Category : Art
Languages : en
Pages : 0
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Book Description
Geoff Kersey shows people who have never picked up a paintbrush how to paint convincing watercolour landscapes using just 3 colours, 3 brushes, a plastic palette and a watercolour pad. Only 3 affordable Students range watercolour paints are used: light red, cadmium yellow pale and ultramarine blue; yet from these, Geoff shows how 9 realistic watercolour scenes can be painted. There is no colour theory or long-winded mixing information to put off the first-time painter, but a practical absolute beginner's course that shows the three colours in action. Only 3 affordable brushes are needed: no. 10, no. 4 and no. 2 rounds in a synthetic range, to achieve all of the paintings shown. Starting from the simplest of scenes, Geoff Kersey builds skills through 9 easy exercises, resulting in landscapes to be proud of. Start with a simple sky and progress through a basic scene with a reflected sunset, to landscapes that include simple buildings and even a figure. Clear advice and step-by-step photographs show how to add a simple figure to a scene and how to trace and transfer the basic drawings from the finished paintings, which are shown full size in the book for this purpose. Readers have everything they need to get painting.
Author: Liz Chaderton
Publisher: The Crowood Press
ISBN: 1785009923
Category : Crafts & Hobbies
Languages : en
Pages : 292
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Book Description
Line and wash is an exciting combination. This practical book shows you how to exploit the strength of ink with the transparency of watercolour to produce powerful and dynamic paintings. With over 170 illustrations, it covers a wide range of styles and subjects, before exploring mixed media, new surfaces and other ways to take your line and wash work to another level. Includes advice on choosing materials; exercises to hone your drawing and painting skills; gives inspiration for new approaches to line and wash and, finally, step-by-step demonstrations of ideas and projects. This book is a visual treat and an essential guide for all artists who want to try this exciting technique.
Author: Barbara Haskell
Publisher: Yale University Press
ISBN: 0300232845
Category : Art
Languages : en
Pages : 272
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Book Description
The social and political climate in which Wood's art flourished bears certain striking similarities to America today, as national identity and the tension between urban and rural areas reemerge as polarizing issues in a country facing the consequences of globalization and the technological revolution. Wood portrayed the tension and alienation of contemporary experience. By fusing meticulously observed reality with fables of childhood, he crafted unsettling images of estrangement and apprehension that pictorially manifest the anxiety of modern life.
Author: Elizabeth T. Gilbert
Publisher: Walter Foster Publishing
ISBN: 1633226085
Category : Art
Languages : en
Pages : 115
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Book Description
Artist Toolbox: Surfaces & Supports explores a wide range of drawing and painting surfaces and the unique effects they have on a variety of media. The surface you draw or paint on impacts everything in your artwork, from its texture and brightness to color and durability. Artist Toolbox: Surfaces & Supports covers the drawing and painting surfaces and supports that all artists should know. With this art book, you'll learn the basics and finer points of working on: Canvas Paper Panels Textiles Metal Glass Stone You'll also learn useful tips and techniques for preparing supports to receive media, see how to work with different media on each support, and discover the most effective way to protect your finished artwork. Artist Toolbox: Surfaces & Supports is packed with visual examples, step-by-step tutorials, and demonstrations on the practical aspects of working with graphite and colored pencils;charcoal and pastel;and watercolor, acrylic, and oilpaints. With this reference guide that no artist's library should be without, you can also learn how each support will take a medium. The Artist Toolbox series presents practical reference guides designed for beginning artists interested in fully understanding the focus and function of essential art tools of the trade.
Author: Clare Woods
Publisher: Art / Books
ISBN: 9781908970268
Category : Art
Languages : en
Pages : 0
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Book Description
British artist Clare Woods is internationally regarded as one of the most significant painters working today. Her paintings and works on paper are found in important public and private collections around the world, and she has produced many highprofile public commissions in the UK and Europe. Her highly colouristic paintings in oil or gloss paint on aluminium of strange, dark landscapes and anthropomorphic forms hover somewhere between abstraction and representation, expressing both a poetic romanticism and an unnerving psychic charge. This beautifully designed and illustrated volume is the first monograph on Woods' art. It presents all the major works from her career to date, from small-scale intimate paintings and prints to ambitious large-scale architectural projects. The dynamic layout of the book, with a varied mix of close-up detail and installation shots, gives the reader a strong sense of the diverse scale and immersive, push-pull nature of the paintings. Five prominent writers consider various aspects of her practice, including her use of photographic source material; her engagement with the traditions of landscape and figurative art; her relationship with artistic forebears, such as Francis Bacon, Paul Nash and Graham Sutherland; the context of painting practice today and twenty-firstcentury culture; and the connections between her life and work.
