Author: Ilʹi︠a︡ Iosifovich Kabakov
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 288
Book Description
This catalogue presents the artwork of three fictitious Russian artists, all inventions of Ilya Kabakov, and intervviews of Ilya Kabakov.
An Alternative History of Art
Author: Ilʹi︠a︡ Iosifovich Kabakov
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 288
Book Description
This catalogue presents the artwork of three fictitious Russian artists, all inventions of Ilya Kabakov, and intervviews of Ilya Kabakov.
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 288
Book Description
This catalogue presents the artwork of three fictitious Russian artists, all inventions of Ilya Kabakov, and intervviews of Ilya Kabakov.
Painting the Stage
Author: Denise Wendel-Poray
Publisher: Skira Editore
ISBN: 9788857230061
Category : Art
Languages : en
Pages : 444
Book Description
The evolution of the close bond between the visual arts and opera starting from the nineteenth century up to the early twenty-first century. The intertwining of visual and musical arts at the beginning of the 20th century led to modernism, abstraction and in music, atonality. This meeting of the arts was never so intense as on the operatic stage. In her book Painting the Stage, curator and art and music critic Denise Wendel-Poray first examines historic productions beginning with Schinkel's iconic stage design for Mozart's Magic Flute, before exploring those of the 20th century with Diaghilev and the Ballets Russes and the implication of avant-garde artists in opera up until World War II. Directly after the armistice of 1945, famous artists such as André Derain, Balthus, Dalí, André Masson, and Kokoschka reopened the theaters amidst ruins, thus ushering in a new era of optimism. The event of pop art, happenings, and experimental theatre with the collaboration of artists Robert Indiana, David Hockney, Robert Wilson brought on further developments in the realm of opera. Finally, interviews with world famous artists such as Anselm Kiefer, William Kentridge, Bill Viola, Robert Longo, Jonathan Meese, and Daniel Richter show how their contribution to the genre is making opera today more than ever a form of "total art" or "Gesamtkunstwerk" and a hotbed of contemporary creation.
Publisher: Skira Editore
ISBN: 9788857230061
Category : Art
Languages : en
Pages : 444
Book Description
The evolution of the close bond between the visual arts and opera starting from the nineteenth century up to the early twenty-first century. The intertwining of visual and musical arts at the beginning of the 20th century led to modernism, abstraction and in music, atonality. This meeting of the arts was never so intense as on the operatic stage. In her book Painting the Stage, curator and art and music critic Denise Wendel-Poray first examines historic productions beginning with Schinkel's iconic stage design for Mozart's Magic Flute, before exploring those of the 20th century with Diaghilev and the Ballets Russes and the implication of avant-garde artists in opera up until World War II. Directly after the armistice of 1945, famous artists such as André Derain, Balthus, Dalí, André Masson, and Kokoschka reopened the theaters amidst ruins, thus ushering in a new era of optimism. The event of pop art, happenings, and experimental theatre with the collaboration of artists Robert Indiana, David Hockney, Robert Wilson brought on further developments in the realm of opera. Finally, interviews with world famous artists such as Anselm Kiefer, William Kentridge, Bill Viola, Robert Longo, Jonathan Meese, and Daniel Richter show how their contribution to the genre is making opera today more than ever a form of "total art" or "Gesamtkunstwerk" and a hotbed of contemporary creation.
On Art
Author: Ilya Kabakov
Publisher: University of Chicago Press
ISBN: 022638487X
Category : Art
Languages : en
Pages : 380
Book Description
During the 1960s and 1970s, the Russian conceptual artist Ilya Kabakov was a galvanizing figure in Moscow's underground art community, ultimately gaining international prominence as the “leader” of a band of artists known as the Moscow Conceptual Circle. Throughout this time, he created texts that he would distribute among his friends, and by the late 1990s his written production amounted to hundreds of pages. Devoted to themes that range from the “cosmism” of pre-Revolutionary Russian modernism to the philosophical implications of Moscow’s garbage, Kabakov’s handmade booklets were typed out on paper, then stapled or sewn together using rough butcher paper for their covers. Among these writings are faux Socialist Realist verses, theoretical explorations, art historical analyses, accompaniments to installation projects, and transcripts of dialogues between the artist and literary theorists, critics, journalists, and other artists. This volume offers for the first time in English the most significant texts written by Kabakov. The writings have been expressly selected for this English-language volume and there exists no equivalent work in any language.
Publisher: University of Chicago Press
ISBN: 022638487X
Category : Art
Languages : en
Pages : 380
Book Description
During the 1960s and 1970s, the Russian conceptual artist Ilya Kabakov was a galvanizing figure in Moscow's underground art community, ultimately gaining international prominence as the “leader” of a band of artists known as the Moscow Conceptual Circle. Throughout this time, he created texts that he would distribute among his friends, and by the late 1990s his written production amounted to hundreds of pages. Devoted to themes that range from the “cosmism” of pre-Revolutionary Russian modernism to the philosophical implications of Moscow’s garbage, Kabakov’s handmade booklets were typed out on paper, then stapled or sewn together using rough butcher paper for their covers. Among these writings are faux Socialist Realist verses, theoretical explorations, art historical analyses, accompaniments to installation projects, and transcripts of dialogues between the artist and literary theorists, critics, journalists, and other artists. This volume offers for the first time in English the most significant texts written by Kabakov. The writings have been expressly selected for this English-language volume and there exists no equivalent work in any language.
Ilya Kabakov
Author: Ilʹi︠a︡ Iosifovich Kabakov
Publisher: ICA (London)
ISBN:
Category : Art, Modern
Languages : en
Pages : 70
Book Description
Publisher: ICA (London)
ISBN:
Category : Art, Modern
Languages : en
Pages : 70
Book Description
Artists in Love
Author: Veronica Kavass
Publisher: Rizzoli Publications
ISBN: 0789325942
Category : Art
Languages : en
Pages : 0
Book Description
IPPY 2012 Gold Award in the Fine Arts category (Independent Publisher Book Awards) ForeWord Reviews 2012 Book of the Year Award Finalist For centuries, great artists have been drawn together in friendship and in love. In Artists in Love, curator and writer Veronica Kavass delves into the passionate and creative underpinnings of the art world's most provocative romances. From Picasso and Francoise Gilot to Lee Miler and Man Ray to Saul Steinberg and Hedda Sterne, Kavass' graceful and daring text provides a generous glimpse into the inspiring and sometimes tempestuous relationships between celebrated artists throughout the 20th and 21st centuries. From poetic beginnings to shocking endings (and vice-versa), the various dimensions of the artist couple archetypes are ceaselessly explored. Some are enduring and collaborative, yielding astonishing parallel bodies of work, as with Robert and Sonia Delaunay and Christo and Jeanne-Claude. Others are adoring and explosive, such as Frida Kahlo and Diego Rivera and Robert Rauschenberg and Jasper Johns. Essays revealing what compelled these dynamic artists to partner, how their pairing influenced their work, and why their love may have faltered, are accompanied by lush illustrations of their art and documentary photographs of the couple. The first visual book to explore this subject in such epic scope, Artists in Love is a revelatory and riveting journey into the hearts and minds of artists in love. Artists featured include: Wassily Kandinsky & Gabriele Münter Robert & Sonia Delaunay Alfred Stieglitz & Georgia O’Keeffe Jean Arp & Sophie Taeuber-Arp Anni & Josef Albers Frida Kahlo & Diego Rivera Lee Miller & Man Ray Jacob Lawrence and Gwendolyn Knight Barbara Hepworth & Ben Nicholson Elaine & Willem de Kooning Pablo Picasso & Françoise Gilot Jackson Pollock & Lee Krasner Dorothea Tanning & Max Ernst Nancy Spero & Leon Golub Jasper Johns & Robert Rauschenberg Robert Motherwell & Helen Frankenthaler Christo & Jeanne-Claude Bernd & Hilla Becher Eva Hesse & Tom Doyle Charles and Ray Eames Kay Sage and Yves Tanguy Saul Steinberg and Hedda Sterne Robert Smithson & Nancy Holt Niki de Saint Phalle & Jean Tinguely Marina Abramović & Ulay Claes Oldenburg & Coosje van Bruggen Bruce Nauman & Susan Rothenberg David McDermott and Peter McGough
Publisher: Rizzoli Publications
ISBN: 0789325942
Category : Art
Languages : en
Pages : 0
Book Description
IPPY 2012 Gold Award in the Fine Arts category (Independent Publisher Book Awards) ForeWord Reviews 2012 Book of the Year Award Finalist For centuries, great artists have been drawn together in friendship and in love. In Artists in Love, curator and writer Veronica Kavass delves into the passionate and creative underpinnings of the art world's most provocative romances. From Picasso and Francoise Gilot to Lee Miler and Man Ray to Saul Steinberg and Hedda Sterne, Kavass' graceful and daring text provides a generous glimpse into the inspiring and sometimes tempestuous relationships between celebrated artists throughout the 20th and 21st centuries. From poetic beginnings to shocking endings (and vice-versa), the various dimensions of the artist couple archetypes are ceaselessly explored. Some are enduring and collaborative, yielding astonishing parallel bodies of work, as with Robert and Sonia Delaunay and Christo and Jeanne-Claude. Others are adoring and explosive, such as Frida Kahlo and Diego Rivera and Robert Rauschenberg and Jasper Johns. Essays revealing what compelled these dynamic artists to partner, how their pairing influenced their work, and why their love may have faltered, are accompanied by lush illustrations of their art and documentary photographs of the couple. The first visual book to explore this subject in such epic scope, Artists in Love is a revelatory and riveting journey into the hearts and minds of artists in love. Artists featured include: Wassily Kandinsky & Gabriele Münter Robert & Sonia Delaunay Alfred Stieglitz & Georgia O’Keeffe Jean Arp & Sophie Taeuber-Arp Anni & Josef Albers Frida Kahlo & Diego Rivera Lee Miller & Man Ray Jacob Lawrence and Gwendolyn Knight Barbara Hepworth & Ben Nicholson Elaine & Willem de Kooning Pablo Picasso & Françoise Gilot Jackson Pollock & Lee Krasner Dorothea Tanning & Max Ernst Nancy Spero & Leon Golub Jasper Johns & Robert Rauschenberg Robert Motherwell & Helen Frankenthaler Christo & Jeanne-Claude Bernd & Hilla Becher Eva Hesse & Tom Doyle Charles and Ray Eames Kay Sage and Yves Tanguy Saul Steinberg and Hedda Sterne Robert Smithson & Nancy Holt Niki de Saint Phalle & Jean Tinguely Marina Abramović & Ulay Claes Oldenburg & Coosje van Bruggen Bruce Nauman & Susan Rothenberg David McDermott and Peter McGough
Artificial Hells
Author: Claire Bishop
Publisher: Verso Books
ISBN: 1781683972
Category : Art
Languages : en
Pages : 483
Book Description
Since the 1990s, critics and curators have broadly accepted the notion that participatory art is the ultimate political art: that by encouraging an audience to take part an artist can promote new emancipatory social relations. Around the world, the champions of this form of expression are numerous, ranging from art historians such as Grant Kester, curators such as Nicolas Bourriaud and Nato Thompson, to performance theorists such as Shannon Jackson. Artificial Hells is the first historical and theoretical overview of socially engaged participatory art, known in the US as "social practice." Claire Bishop follows the trajectory of twentieth-century art and examines key moments in the development of a participatory aesthetic. This itinerary takes in Futurism and Dada; the Situationist International; Happenings in Eastern Europe, Argentina and Paris; the 1970s Community Arts Movement; and the Artists Placement Group. It concludes with a discussion of long-term educational projects by contemporary artists such as Thomas Hirschhorn, Tania Bruguera, Pawe? Althamer and Paul Chan. Since her controversial essay in Artforum in 2006, Claire Bishop has been one of the few to challenge the political and aesthetic ambitions of participatory art. In Artificial Hells, she not only scrutinizes the emancipatory claims made for these projects, but also provides an alternative to the ethical (rather than artistic) criteria invited by such artworks. Artificial Hells calls for a less prescriptive approach to art and politics, and for more compelling, troubling and bolder forms of participatory art and criticism.
Publisher: Verso Books
ISBN: 1781683972
Category : Art
Languages : en
Pages : 483
Book Description
Since the 1990s, critics and curators have broadly accepted the notion that participatory art is the ultimate political art: that by encouraging an audience to take part an artist can promote new emancipatory social relations. Around the world, the champions of this form of expression are numerous, ranging from art historians such as Grant Kester, curators such as Nicolas Bourriaud and Nato Thompson, to performance theorists such as Shannon Jackson. Artificial Hells is the first historical and theoretical overview of socially engaged participatory art, known in the US as "social practice." Claire Bishop follows the trajectory of twentieth-century art and examines key moments in the development of a participatory aesthetic. This itinerary takes in Futurism and Dada; the Situationist International; Happenings in Eastern Europe, Argentina and Paris; the 1970s Community Arts Movement; and the Artists Placement Group. It concludes with a discussion of long-term educational projects by contemporary artists such as Thomas Hirschhorn, Tania Bruguera, Pawe? Althamer and Paul Chan. Since her controversial essay in Artforum in 2006, Claire Bishop has been one of the few to challenge the political and aesthetic ambitions of participatory art. In Artificial Hells, she not only scrutinizes the emancipatory claims made for these projects, but also provides an alternative to the ethical (rather than artistic) criteria invited by such artworks. Artificial Hells calls for a less prescriptive approach to art and politics, and for more compelling, troubling and bolder forms of participatory art and criticism.
Ilya Kabakov: Paintings
Author: Renate Petzinger
Publisher:
ISBN:
Category : Painting, Russian
Languages : en
Pages : 410
Book Description
Publisher:
ISBN:
Category : Painting, Russian
Languages : en
Pages : 410
Book Description
Ilya and Emilia Kabakov: the Utopian Projects
Author: Ilya Kabakov
Publisher:
ISBN: 9783735604620
Category : Artists' preparatory studies
Languages : en
Pages : 124
Book Description
Acclaimed Russian-born American artists Ilya and Emilia Kabakov have been working collaboratively for nearly 30 years.Although built with unbridled imagination and optimism, their installation-based works are directly inspired by the life of a regular citizen under the totalitarian government, the dangers and illusions of utopia, the desire to escape from oppression of Soviet state, limitations of everyday life into dreams and fantasies.Spanning the years between 1985 and the present day, the exhibition The Utopian Projects in the Hirshhorn Museum features more than 20 of the Kabakovs' maquettes and whimsical models. This new publication gives insight into the ideas and realization of the Utopian Projects.Published on the occasion of the exhibition at The Hirshhorn Museum, Washington, D.C. (7 September 2017 - 29 April 2018).
Publisher:
ISBN: 9783735604620
Category : Artists' preparatory studies
Languages : en
Pages : 124
Book Description
Acclaimed Russian-born American artists Ilya and Emilia Kabakov have been working collaboratively for nearly 30 years.Although built with unbridled imagination and optimism, their installation-based works are directly inspired by the life of a regular citizen under the totalitarian government, the dangers and illusions of utopia, the desire to escape from oppression of Soviet state, limitations of everyday life into dreams and fantasies.Spanning the years between 1985 and the present day, the exhibition The Utopian Projects in the Hirshhorn Museum features more than 20 of the Kabakovs' maquettes and whimsical models. This new publication gives insight into the ideas and realization of the Utopian Projects.Published on the occasion of the exhibition at The Hirshhorn Museum, Washington, D.C. (7 September 2017 - 29 April 2018).
Painting the Stage: Ilya and Emilia Kabakov
Author: Denise Wendel-Poray
Publisher: Skira Editore
ISBN: 9788857240206
Category :
Languages : en
Pages : 444
Book Description
The book as theater: four astounding luxury editions of Painting the Stage, each housed in a wooden sculpture by archistar Mario Botta, with prints by William Kentridge, Ilya and Emilia Kabakov, and Jan Fabre For this extraordinary tour de force of bookmaking, the acclaimed Swiss architect Mario Botta has designed a wooden sculpture that houses a luxurious clothbound edition of Denise Wendel-Poray's Painting the Stage--a pioneering history of the relationship between opera and art--with a signed, numbered print by an artist featured in the book: Jan Fabre, Ilya and Emilia Kabakov, and William Kentridge. The publication comes in four versions, each made in an edition of 60 copies. The print by Belgian artist Jan Fabre reproduces a prepatory drawing for his 2004 staging of Wagner's Tannhäuser in watercolor and pencil; the Kabakovs' print is from The Flies: A Musical Phantasmagoria; William Kentridge's edition is divided into two editions of 30 each, both featuring sugarlift aquatint portraits inspired by Alban Berg's Lulu. Each edition features a different wood: durmast (Fabre), walnut (Kabakovs) and ash (Kentridge).
Publisher: Skira Editore
ISBN: 9788857240206
Category :
Languages : en
Pages : 444
Book Description
The book as theater: four astounding luxury editions of Painting the Stage, each housed in a wooden sculpture by archistar Mario Botta, with prints by William Kentridge, Ilya and Emilia Kabakov, and Jan Fabre For this extraordinary tour de force of bookmaking, the acclaimed Swiss architect Mario Botta has designed a wooden sculpture that houses a luxurious clothbound edition of Denise Wendel-Poray's Painting the Stage--a pioneering history of the relationship between opera and art--with a signed, numbered print by an artist featured in the book: Jan Fabre, Ilya and Emilia Kabakov, and William Kentridge. The publication comes in four versions, each made in an edition of 60 copies. The print by Belgian artist Jan Fabre reproduces a prepatory drawing for his 2004 staging of Wagner's Tannhäuser in watercolor and pencil; the Kabakovs' print is from The Flies: A Musical Phantasmagoria; William Kentridge's edition is divided into two editions of 30 each, both featuring sugarlift aquatint portraits inspired by Alban Berg's Lulu. Each edition features a different wood: durmast (Fabre), walnut (Kabakovs) and ash (Kentridge).
Canon, Ilya & Emilia Kabakov
Author: Ilʹi︠a︡ Iosifovich Kabakov
Publisher: Galerie Thaddaeus Ropac
ISBN:
Category : Art
Languages : en
Pages : 64
Book Description
Text by Norman Rosenthal, Maria Baibakova.
Publisher: Galerie Thaddaeus Ropac
ISBN:
Category : Art
Languages : en
Pages : 64
Book Description
Text by Norman Rosenthal, Maria Baibakova.