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Author: Dorie Reents-Budet
Publisher: Duke University Museum of Art
ISBN: 9780822314387
Category : Antiques & Collectibles
Languages : en
Pages : 381
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Book Description
Lavishly illustrated with nearly 400 color images, Painting the Maya Universe is the most thorough study and brilliant display of Classic Maya ceramic painting yet published. Building on twenty years of research and debate, Dorie Reents-Budet and her collaborators Joseph W. Ball, Ronald L. Bishop, Virginia M. Fields, and Barbara MacLeod bring together many perspectives, including the art historical, archaeological, epigraphical, and ethnohistorical, to examine one of the world's great but overlooked painting traditions. With an emphasis on sixth- to eighth-century pottery featuring both pictorial and hieroglyphic imagery, Painting the Maya Universe presents an extraordinary exploration of the cultural roles and meanings of these Guatemalan, Belizean, and Mexican elite painted ceramics. Maya pottery is discussed both in aesthetic terms and for the important information it reveals about Maya society, artistry, politics, history, religion, and ritual. The range of ceramic painting styles developed during this period is also presented and defined in detail. Painting the Maya Universe is the first publication to present a definitive translation of the hieroglyphic texts painted on these objects. With many glyphs deciphered here for the first time, this analysis reveals much about how these vessels were perceived and used by the Maya, their owners' names, and, in several cases, the names of the artists who created them. This information is combined with archaeological and other data, including nuclear chemical analyses, to correlate painting styles with specific Maya sites. Published in conjunction with Duke University Museum of Art and an exhibition touring the United States, Painting the Maya Universe presents an astonishing visual record as well as a monumental scholarly achievement. With photographs by Justin Kerr, the foremost photographer of pre-Columbian art, it includes over 90 unique full-color rollout photographs, each showing the entire surface of an object in a single frame. The book also addresses the questions and controversy regarding the loss of information that occurs when objects are removed from their archaeological context to become part of public and private collections. Painting the Maya Universe will energize discussion of Maya pottery, hieroglyphic texts, and iconography. Its photographs, a lasting resource on this great painting tradition, will stimulate and delight the eye. It is a breakthrough in art history and Latin American scholarship that will enrich general readers and scholars alike.
Author: Dorie Reents-Budet
Publisher: Duke University Museum of Art
ISBN: 9780822314387
Category : Antiques & Collectibles
Languages : en
Pages : 381
Get Book Here
Book Description
Lavishly illustrated with nearly 400 color images, Painting the Maya Universe is the most thorough study and brilliant display of Classic Maya ceramic painting yet published. Building on twenty years of research and debate, Dorie Reents-Budet and her collaborators Joseph W. Ball, Ronald L. Bishop, Virginia M. Fields, and Barbara MacLeod bring together many perspectives, including the art historical, archaeological, epigraphical, and ethnohistorical, to examine one of the world's great but overlooked painting traditions. With an emphasis on sixth- to eighth-century pottery featuring both pictorial and hieroglyphic imagery, Painting the Maya Universe presents an extraordinary exploration of the cultural roles and meanings of these Guatemalan, Belizean, and Mexican elite painted ceramics. Maya pottery is discussed both in aesthetic terms and for the important information it reveals about Maya society, artistry, politics, history, religion, and ritual. The range of ceramic painting styles developed during this period is also presented and defined in detail. Painting the Maya Universe is the first publication to present a definitive translation of the hieroglyphic texts painted on these objects. With many glyphs deciphered here for the first time, this analysis reveals much about how these vessels were perceived and used by the Maya, their owners' names, and, in several cases, the names of the artists who created them. This information is combined with archaeological and other data, including nuclear chemical analyses, to correlate painting styles with specific Maya sites. Published in conjunction with Duke University Museum of Art and an exhibition touring the United States, Painting the Maya Universe presents an astonishing visual record as well as a monumental scholarly achievement. With photographs by Justin Kerr, the foremost photographer of pre-Columbian art, it includes over 90 unique full-color rollout photographs, each showing the entire surface of an object in a single frame. The book also addresses the questions and controversy regarding the loss of information that occurs when objects are removed from their archaeological context to become part of public and private collections. Painting the Maya Universe will energize discussion of Maya pottery, hieroglyphic texts, and iconography. Its photographs, a lasting resource on this great painting tradition, will stimulate and delight the eye. It is a breakthrough in art history and Latin American scholarship that will enrich general readers and scholars alike.
Author: Dorie Reents-Budet
Publisher:
ISBN:
Category :
Languages : en
Pages : 377
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Book Description
Author:
Publisher:
ISBN: 9780822314349
Category :
Languages : en
Pages : 381
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Book Description
Author: Bryan R. Just
Publisher:
ISBN: 9780300174380
Category : Art
Languages : en
Pages : 0
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Book Description
Dancing into Dreams explores 8th-century Maya vase painting of the Ik' kingdom, located in the tropical lowlands of present day Guatemala. Ik' vases are acclaimed for their naturalistic color, veristic portraiture, and calligraphic line. Their painted surfaces depict historical subject matter and often include the names of the artists and patrons, as well as hieroglyphic explanations of the portrayed events and vessel production. Collectively, such self-consciously historical works offer a precision and nuance, unparalleled in the ancient Americas, to the study of the role of art in elite society. Authoritative and accessible, this handsomely illustrated volume presents a history of Ik' vase painting and describes the dramatic scenes represented on the vases with compelling and historically accurate vignettes.
Author: Élodie Dupey García
Publisher: University of Arizona Press
ISBN: 0816538441
Category : Social Science
Languages : en
Pages : 329
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Book Description
Mesoamerican communities past and present are characterized by their strong inclination toward color and their expert use of the natural environment to create dyes and paints. In pre-Hispanic times, skin was among the preferred surfaces on which to apply coloring materials. Archaeological research and historical and iconographic evidence show that, in Mesoamerica, the human body—alive or dead—received various treatments and procedures for coloring it. Painting the Skin brings together exciting research on painted skins in Mesoamerica. Chapters explore the materiality, uses, and cultural meanings of the colors applied to a multitude of skins, including bodies, codices made of hide and vegetal paper, and even building “skins.” Contributors offer physicochemical analysis and compare compositions, manufactures, and attached meanings of pigments and colorants across various social and symbolic contexts and registers. They also compare these Mesoamerican colors with those used in other ancient cultures from both the Old and New Worlds. This cross-cultural perspective reveals crucial similarities and differences in the way cultures have painted on skins of all types. Examining color in Mesoamerica broadens understandings of Native religious systems and world views. Tracing the path of color use and meaning from pre-Columbian times to the present allows for the study of the preparation, meanings, social uses, and thousand-year origins of the coloring materials used by today’s Indigenous peoples. Contributors: María Isabel Álvarez Icaza Longoria Christine Andraud Bruno Giovanni Brunetti David Buti Davide Domenici Élodie Dupey García Tatiana Falcón Álvarez Anne Genachte-Le Bail Fabrice Goubard Aymeric Histace Patricia Horcajada Campos Stephen Houston Olivia Kindl Bertrand Lavédrine Linda R. Manzanilla Naim Anne Michelin Costanza Miliani Virgina E. Miller Sélim Natahi Fabien Pottier Patricia Quintana Owen Franco D. Rossi Antonio Sgamellotti Vera Tiesler Aurélie Tournié María Luisa Vázquez de Ágredos Pascual Cristina Vidal Lorenzo
Author: Jorge Gutierrez
Publisher: Dark Horse Comics
ISBN: 1506725953
Category : Art
Languages : en
Pages : 216
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Book Description
A vibrant, oversized hardcover showcasing the concept and production art from the beautiful Netflix series by visionary animator and filmmaker, Jorge R. Gutierrez. Meet Maya, the eagle-warrior princess and all the dazzling characters that breathe life into lush and detailed landscapes magically inspired by Mesoamerican, Incan, and Caribbean cultures. Behold the original vision for the series taken from early sketches to final animated wonders, with detailed storyboards, color scripts, and in-depth, bilingual (English and Spanish) commentary. Welcome to the vivid world of Maya and the Three! Bilingual Captions in English and Spanish.
Author: Mary Ellen Miller
Publisher: Thames & Hudson
ISBN: 0500775036
Category : Art
Languages : en
Pages : 299
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Book Description
Mary Ellen Miller’s rich visual and scholarly survey of pre-Hispanic art and architecture, including the most recent archaeological finds. Expanded and revised in its sixth edition, The Art of Mesoamerica surveys the artistic achievements of the high pre-Hispanic civilizations of Central America—Olmec, Maya, Teotihuacan, Toltec, and Aztec—as well as those of their lesser-known contemporaries. Providing an in-depth examination of central works, this book guides readers through the most iconic palaces, pyramids, sculptures, and paintings. From the Olmec colossal head 5 recovered from San Lorenzo to the Aztec calendar stone found in Mexico City’s Zocalo in 1790, this book reveals the complexity and innovation behind the art and architecture produced in pre-Hispanic civilizations. This new edition incorporates fifty new lavish color images and extensive updates based on the latest research and dozens of recent discoveries, particularly in Maya art, where excavations at Teotihuacan, the largest city of Mesoamerica, and Tenochtitlan, the capital of the Aztecs, have yielded new sculptures.
Author: Prudence M. Rice
Publisher: University Press of Colorado
ISBN: 160732668X
Category : Social Science
Languages : en
Pages : 505
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Book Description
Historical and Archaeological Perspectives on the Itzas of Petén, Guatemala is the first exhaustively detailed and thorough account of the Itzas—a Maya group that dominated much of the western lowland area of tropical forest, swamps, and grasslands in Petén, Guatemala. Examining archaeological and historical evidence, Prudence Rice and Don Rice present a theoretical perspective on the Itzas’ origins and an overview of the social, political, linguistic, and environmental history of the area; explain the Spanish view of the Itzas during the Conquest; and explore the material culture of the Itzas as it has been revealed in recent surveys and excavations. The long but fragmented history of the Petén Itzas requires investigation across multiple periods and regions. Chapters in this six-part overview interweave varying data pertaining to this group—archaeological, artifactual, indigenous textual, Spanish historical—from multiple languages and academic fields, such as anthropology, archaeology, linguistics, ecology, and history. Part I introduces the lowland Itzas, northern and southern, with an emphasis on those of the central Petén lakes area. Part II discusses general Itza origins and identities in the Epiclassic period, while part III reviews Spanish perceptions and misconceptions of the Petén Itzas in their Contact-period writings. With these temporal anchors, parts IV and V present the archaeology and artifacts of the Petén Itzas, including pottery, architecture, and arrow points, from varied sites and excavations but primarily focusing on the island capital of Tayza/Nojpetén. Part VI summarizes key data and themes of the preceding chapters for a new understanding of the Petén Itzas. A companion volume to The Kowoj—a similar treatment of the Petén Itzas’ regional neighbors—Historical and Archaeological Perspectives on the Itzas of Petén, Guatemala demonstrates the unique physical, cultural, and social framework that was home to the Petén Itza, along with their backstory in northern Yucatán. Archaeologists, historians, art historians, and geographers who specialize in the Maya and the Postclassic, Contact, and Colonial periods will find this book of particular interest. Contributors: Mark Brenner, Leslie G. Cecil, Charles Andrew Hofling, Nathan J. Meissner, Timothy W. Pugh, Yuko Shiratori
Author: Yumi Park Huntington
Publisher: University Press of Florida
ISBN: 0813052416
Category : Social Science
Languages : en
Pages : 385
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Book Description
This is the first volume to bring together archaeology, anthropology, and art history in the analysis of pre-Columbian pottery. While previous research on ceramic artifacts has been divided by these three disciplines, this volume shows how integrating these approaches provides new understandings of many different aspects of Ancient American societies. Contributors from a variety of backgrounds in these fields explore what ceramics can reveal about ancient social dynamics, trade, ritual, politics, innovation, iconography, and regional styles. Essays identify supernatural and humanistic beliefs through formal analysis of Lower Mississippi Valley "Great Serpent" effigy vessels and Ecuadorian depictions of the human figure. They discuss the cultural identity conveyed by imagery such as Andean head motifs, and they analyze symmetry in designs from locations including the American Southwest. Chapters also take diachronic approaches—methods that track change over time—to ceramics from Mexico’s Tarascan State and the Valley of Oaxaca, as well as from Maya and Toltec societies. This volume provides a much-needed multidisciplinary synthesis of current scholarship on Ancient American ceramics. It is a model of how different research perspectives can together illuminate the relationship between these material artifacts and their broader human culture. Contributors: | Dean Arnold | George J. Bey III | Michael Carrasco | David Dye | James Farmer | Gary Feinman | Amy Hirshman | Yumi Park Huntington | Johanna Minich | Shelia Pozorski and Thomas Pozorski | Jeff Price | Sarahh Scher | Dorothy Washburn | Robert F. Wald
Author: Dennis Tedlock
Publisher: Oxford University Press
ISBN: 0190286164
Category : Literary Collections
Languages : en
Pages : 372
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Book Description
Here is one of the most important surviving works of pre-Columbian civilization, Rabinal Achi, a Mayan drama set a century before the arrival of the Spanish, produced by the translator of the best selling Popol Vuh. The first direct translation into English from Quiché Maya, based on the original text, Rabinal Achi is the story of city-states, war, and nobility, of diplomacy, mysticism, and psychic journeys. Cawek of the Forest People has been captured by Man of Rabinal, who serves a ruler named Lord Five Thunder. Cawek is a renegade, a warrior who has inflicted much suffering on Rabinal. Yet he is also the son of the lord of the allied city of Quiché--a noble who once fought alongside Man of Rabinal. The drama presents the confrontation between the two during the trial of Cawek, who defies his captors and proudly accepts death by beheading. Dennis Tedlock's translation is clear and vivid; more than that, it is rooted in an understanding of how the play is actually performed. Despite being banned for centuries by Spanish authorities, it survived in actual practice, and is still performed in the town of Rabinal today. Tedlock's photographs and diagrams accompany the text, capturing nuances not apparent in the dialogue alone. He also provides an introduction and commentary that explain the historical events compressed into the play, the Spanish influence on the Mayan dramatic tradition, and the cultural and religious world preserved in this remarkable play. Rabinal Achi ranks as a classic of Mayan literature--and a rare window on a world that had yet to be invaded by Europeans. Dennis Tedlock brings this drama to life in all its richness.
