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Author: Margaretta M. Lovell
Publisher: Penn State Press
ISBN: 0271093226
Category : Art
Languages : en
Pages : 599
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Book Description
The impulse in much nineteenth-century American painting and culture was to describe nature as a wilderness on which the young nation might freely inscribe its future: the United States as a virgin land, that is, unploughed, unfenced, and unpainted. Insofar as it exhibited evidence of a past, its traces pointed to a geologic or cosmic past, not a human one. The work of the New England artist Fitz H. Lane, however, was decidedly different. In this important study, Margaretta Markle Lovell singles out the more modestly scaled, explicitly inhabited landscapes of Fitz H. Lane and investigates the patrons who supported his career, with an eye to understanding how New Englanders thought about their land, their economy, their history, and their links with widely disparate global communities. Lane’s works depict nature as productive and allied in partnership with humans to create a sustainable, balanced political economy. What emerges from this close look at Lane’s New England is a picture not of a “virgin wilderness” but of a land deeply resonant with its former uses—and a human history that incorporates, rather than excludes, Native Americans as shapers of land and as agents in that history. Calling attention to unexplored dimensions of nineteenth-century painting, Painting the Inhabited Landscape is a major intervention in the scholarship on American art of the period, examining how that body of work commented on American culture and informs our understanding of canon formation.
Author: Margaretta M. Lovell
Publisher: Penn State Press
ISBN: 0271093226
Category : Art
Languages : en
Pages : 599
Get Book Here
Book Description
The impulse in much nineteenth-century American painting and culture was to describe nature as a wilderness on which the young nation might freely inscribe its future: the United States as a virgin land, that is, unploughed, unfenced, and unpainted. Insofar as it exhibited evidence of a past, its traces pointed to a geologic or cosmic past, not a human one. The work of the New England artist Fitz H. Lane, however, was decidedly different. In this important study, Margaretta Markle Lovell singles out the more modestly scaled, explicitly inhabited landscapes of Fitz H. Lane and investigates the patrons who supported his career, with an eye to understanding how New Englanders thought about their land, their economy, their history, and their links with widely disparate global communities. Lane’s works depict nature as productive and allied in partnership with humans to create a sustainable, balanced political economy. What emerges from this close look at Lane’s New England is a picture not of a “virgin wilderness” but of a land deeply resonant with its former uses—and a human history that incorporates, rather than excludes, Native Americans as shapers of land and as agents in that history. Calling attention to unexplored dimensions of nineteenth-century painting, Painting the Inhabited Landscape is a major intervention in the scholarship on American art of the period, examining how that body of work commented on American culture and informs our understanding of canon formation.
Author: Rudolf Leopold
Publisher: Prestel Publishing
ISBN:
Category : Art
Languages : en
Pages : 210
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Book Description
Best known for his depictions of the human form, Schiele was also interested in portraying the beauty and structure of the world he inhabited. This volumes proves that Schiele's mastery extends beyond his radical renditions of the human figure and reveals themes that appear throughout his work.
Author: Caroline Sloat
Publisher:
ISBN: 9780938791133
Category :
Languages : en
Pages :
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Book Description
Lithography of Fitz Henry Lane
Author: Edward S. Casey
Publisher: U of Minnesota Press
ISBN: 9780816637157
Category : Art
Languages : en
Pages : 414
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Book Description
"You are here, a map declares, but of course you are not, any more than you truly occupy the vantage point into which a landscape painting puts you. How maps and paintings figure and reconfigure space--as well as our place in it--is the subject of Edward S. Casey's study, an exploration of how we portray the world and its many places. Casey's discussion ranges widely from Northern Sung landscape painting to nineteenth-century American and British landscape painting and photography, from prehistoric petroglyphs and medieval portolan charts to seventeenth-century Dutch cartography and land survey maps of the American frontier. From these culturally and historically diverse forays a theory of representation emerges. Casey proposes that the representation of place in visual works be judged in terms not of resemblance, but of reconnecting with an earth and world that are not the mere content of mind or language--a reconnection that calls for the embodiment and implacement of the human subject." -- Book jacket.
Author: Larry Silver
Publisher: University of Pennsylvania Press
ISBN: 0812222113
Category : Art
Languages : en
Pages : 393
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Book Description
Larry Silver investigates the origins of new pictorial types and their media as a phenomenon of sixteenth-century Antwerp and interprets several pictorial genres as he charts their evolution and their role in the development and marketing of individual artistic styles.
Author: Ashley Jackson
Publisher:
ISBN: 9781473898035
Category : Watercolorists
Languages : en
Pages :
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Book Description
Author: Paul Graham
Publisher: "O'Reilly Media, Inc."
ISBN: 0596006624
Category : Computers
Languages : en
Pages : 272
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Book Description
The author examines issues such as the rightness of web-based applications, the programming language renaissance, spam filtering, the Open Source Movement, Internet startups and more. He also tells important stories about the kinds of people behind technical innovations, revealing their character and their craft.
Author: Margaretta M. Lovell
Publisher: University of Pennsylvania Press
ISBN: 0812219910
Category : Art
Languages : en
Pages : 351
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Book Description
"Lovell delights, astonishes, and challenges us with her insightful new readings of early American paintings and material culture objects."--"Journal of the Early Republic"
Author: Gregory Manchess
Publisher: Simon and Schuster
ISBN: 1481459252
Category : Fiction
Languages : en
Pages : 244
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Book Description
From renowned artist Gregory Manchess comes a lavishly painted novel about the son of a famed polar explorer searching for his stranded father, and a lost city buried under snow in an alternate future. When it started to snow, it didn’t stop for 1,500 years. The Pole Shift that ancient climatologists talked about finally came, the topography was ripped apart and the weather of the world was changed—forever. Now the Earth is covered in snow, and to unknown depths in some places. In this world, Wes Singleton leaves the academy in search of his father, the famed explorer Galen Singleton, who was searching for a lost city until Galen’s expedition was cut short after being sabotaged. But Wes believes his father is still alive somewhere above the timberline. Fully illustrated with over 120 pieces of full-page artwork throughout, Above the Timberline is a stunning and cinematic combination of art and novel.
Author: Carolyn Kastner
Publisher: UNM Press
ISBN: 0826353908
Category : Art
Languages : en
Pages : 130
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Book Description
The first full-length critical analysis of the paintings of Jaune Quick-to-See Smith, this book focuses on Smith’s role as a modernist in addition to her status as a wellknown Native American artist. With close readings of Smith’s work, Carolyn Kastner shows how Smith simultaneously contributes to and critiques American art and its history. Smith has distinguished herself as a modernist both in her pursuit of abstraction and her expressive technique, but too often her identity as a Native American artist has overshadowed these aspects of her work. Addressing specific themes in Smith’s career, Kastner situates Smith within specific historical and cultural moments of American art, comparing her work to the abstractions of Kandinsky and Miró, as well as to the pop art of Rauschenberg and Johns. She discusses Smith’s appropriation of pop culture icons like the Barbie doll, reimagined by the artist as Barbie Plenty Horses. As Kastner considers how Smith constructs each new series of artworks within the artistic, social, and political discourse of its time, she defines her contribution to American modernism and its history. Discussing the ways in which Smith draws upon her cultural heritage—both Native and non-Native—Kastner demonstrates how Smith has expanded the definitions of “American” and “modernist” art.
