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Author: Bram Kempers
Publisher: Penguin Group USA
ISBN: 9780140124880
Category : Art
Languages : en
Pages : 401
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Book Description
The art of Renaissance Italy remains arguably the touchstone of Western art. It has produced many of the icons by which we define European culture, and our subsequent view of the role of art and of the artist in society has been profoundly influenced and shaped by the ideas of the period. In this stimulating and controversial book, a bestseller in the author's native Holland, Bram Kempers shows the period as a process of the developing 'professionalization' of the artist. Tracing the history of patronage - successively of the mendicant orders and city-states, the merchant families, the princely and ducal rulers and, finally, the great papal patrons, Julius II, Pius II and Sixtus IV - Kempers follows the story from Sienna to Florence, then to the court of Federico da Montefeltro in Urbino and, ultimately, to the heyday of the papal courts in Rome and the ducal court of Cosimo de Medici in Florence, which witnessed the supremacy of Michelangelo and the birth of the great Florentine Academy. A painter and sociologist at the University of Amsterdam, Dr Kempers shows how the unprecedented - and perhaps unsurpassed - creativity of Renaissance art was born of the dynamics of patronage and professional competition. This bred a fruitful balance between individual originality and social control, and out of a creative alliance of art and power a crowning period in the history of art flourished. With over seventy illustrations, including works from Duccio, Lorenzetti and Simone Martini through to Fra Angelico and Masaccio, Piero della Francesca and Raphael, the book is a major contribution to our understanding of the relationship between art and society. It demonstrates, to scholars and laymenalike, the profound influence of the Renaissance on Western ideas of art over five hundred years.
Author: Bram Kempers
Publisher: Penguin Group USA
ISBN: 9780140124880
Category : Art
Languages : en
Pages : 401
Get Book Here
Book Description
The art of Renaissance Italy remains arguably the touchstone of Western art. It has produced many of the icons by which we define European culture, and our subsequent view of the role of art and of the artist in society has been profoundly influenced and shaped by the ideas of the period. In this stimulating and controversial book, a bestseller in the author's native Holland, Bram Kempers shows the period as a process of the developing 'professionalization' of the artist. Tracing the history of patronage - successively of the mendicant orders and city-states, the merchant families, the princely and ducal rulers and, finally, the great papal patrons, Julius II, Pius II and Sixtus IV - Kempers follows the story from Sienna to Florence, then to the court of Federico da Montefeltro in Urbino and, ultimately, to the heyday of the papal courts in Rome and the ducal court of Cosimo de Medici in Florence, which witnessed the supremacy of Michelangelo and the birth of the great Florentine Academy. A painter and sociologist at the University of Amsterdam, Dr Kempers shows how the unprecedented - and perhaps unsurpassed - creativity of Renaissance art was born of the dynamics of patronage and professional competition. This bred a fruitful balance between individual originality and social control, and out of a creative alliance of art and power a crowning period in the history of art flourished. With over seventy illustrations, including works from Duccio, Lorenzetti and Simone Martini through to Fra Angelico and Masaccio, Piero della Francesca and Raphael, the book is a major contribution to our understanding of the relationship between art and society. It demonstrates, to scholars and laymenalike, the profound influence of the Renaissance on Western ideas of art over five hundred years.
Author: Finbarr Barry Flood
Publisher: John Wiley & Sons
ISBN: 1119068576
Category : Art
Languages : en
Pages : 1442
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Book Description
The two-volume Companion to Islamic Art and Architecture bridges the gap between monograph and survey text by providing a new level of access and interpretation to Islamic art. The more than 50 newly commissioned essays revisit canonical topics, and include original approaches and scholarship on neglected aspects of the field. This two-volume Companion showcases more than 50 specially commissioned essays and an introduction that survey Islamic art and architecture in all its traditional grandeur Essays are organized according to a new chronological-geographical paradigm that remaps the unprecedented expansion of the field and reflects the nuances of major artistic and political developments during the 1400-year span The Companion represents recent developments in the field, and encourages future horizons by commissioning innovative essays that provide fresh perspectives on canonical subjects, such as early Islamic art, sacred spaces, palaces, urbanism, ornament, arts of the book, and the portable arts while introducing others that have been previously neglected, including unexplored geographies and periods, transregional connectivities, talismans and magic, consumption and networks of portability, museums and collecting, and contemporary art worlds; the essays entail strong comparative and historiographic dimensions The volumes are accompanied by a map, and each subsection is preceded by a brief outline of the main cultural and historical developments during the period in question The volumes include periods and regions typically excluded from survey books including modern and contemporary art-architecture; China, Indonesia, Sub-Saharan Africa, Sicily, the New World (Americas)
Author: Barbara Furlotti
Publisher: Getty Publications
ISBN: 9780892368402
Category : Art
Languages : en
Pages : 288
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Book Description
"Although most of Mantua's artistic treasures were sold or claimed as war spoils upon the decline of the Gonzaga family, the rich cultural legacy of this fascinating city lives on in the city's many surviving frescoes and in the collections of some of the world's premier museums These priceless works of art are reunited in the pages of this beautifully illustrated volume."--BOOK JACKET.
Author: J. Pauline Croft
Publisher: Paul Mellon Ctr for Studies
ISBN: 9780300091366
Category : Art
Languages : en
Pages : 308
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Book Description
The Cecils were the dominant noble family in Elizabethan and Jacobean England. William, Lord Burghley rose to power and great wealth under Elizabeth I, then used his extensive patronage and exceptional breadth of interests to advance the Cecils' remarkable political and cultural pre-eminence. This wide-ranging collection of essays draws on architectural and art history, court studies, English literature, garden history, musicology, economic history, and women's studies. The extensive building programme of William, Lord Burghley and his son Robert, Earl of Salisbury was the most spectacular of the 16th and early 17th centuries, and much of it, particularly Burghley House and Hatfield House, still survives. Their encouragement of new processes of manufacturing was, like their splendid houses, innovative, forward-looking and highly influential. The Cecils were also innovative patrons of the arts. They were pioneers in the vogue for collecting paintings; patrons of musicians such as John Dowland and writers such as Ben Jonson; and introduced new styles of Renaissance design into gardens and interiors. The Cecil women, too, were influential in both political and cultural spheres. The no
Author:
Publisher: Penn State Press
ISBN: 9780271048147
Category : Art
Languages : en
Pages : 304
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Book Description
To whom should we ascribe the great flowering of the arts in Renaissance Italy? Artists like Botticelli and Michelangelo? Or wealthy, discerning patrons like Cosimo de' Medici? In recent years, scholars have attributed great importance to the role played by patrons, arguing that some should even be regarded as artists in their own right. This approach receives sharp challenge in Jill Burke's Changing Patrons, a book that draws heavily upon the author's discoveries in Florentine archives, tracing the many profound transformations in patrons' relations to the visual world of fifteenth-century Florence. Looking closely at two of the city's upwardly mobile families, Burke demonstrates that they approached the visual arts from within a grid of social, political, and religious concerns. Art for them often served as a mediator of social difference and a potent means of signifying status and identity. Changing Patrons combines visual analysis with history and anthropology to propose new interpretations of the art created by, among others, Botticelli, Filippino Lippi, and Raphael. Genuinely interdisciplinary, the book also casts light on broad issues of identity, power relations, and the visual arts in Florence, the cradle of the Renaissance.
Author: Guy Fitch Lytle
Publisher: Princeton University Press
ISBN: 1400855918
Category : Art
Languages : en
Pages : 406
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Book Description
The fourteen essays in this collection explore the dominance of patronage in Renaissance politics, religion, theatre, and artistic life. Originally published in 1982. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Stefanie Solum
Publisher: Routledge
ISBN: 1351536508
Category : Art
Languages : en
Pages : 311
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Book Description
Long obfuscated by modern definitions of historical evidence and art patronage, Lucrezia Tornabuoni de? Medici?s impact on the visual world of her time comes to light in this book, the first full-length scholarly argument for a lay woman?s contributions to the visual arts of fifteenth-century Florence. This focused investigation of the Medici family?s domestic altarpiece, Filippo Lippi?s Adoration of the Christ Child, is broad in its ramifications. Mapping out the cultural network of gender, piety, and power in which Lippi?s painting was originally embedded, author Stefanie Solum challenges the received wisdom that women played little part in actively shaping visual culture during the Florentine Quattrocento. She uses visual evidence never before brought to bear on the topic to reveal that Lucrezia Tornabuoni - shrewd power-broker, pious poetess, and mother of the 'Magnificent' Lorenzo de? Medici - also had a profound impact on the visual arts. Lucrezia emerges as a fascinating key to understanding the ways in which female lay religiosity created the visual world of Renaissance Florence. The Medici case study establishes, at long last, a robust historical basis for the assertion of women?s agency and patronage in the deeply patriarchal and artistically dynamic society of Quattrocento Florence. As such, it offers a new paradigm for the understanding, and future study, of female patronage during this period.
Author: Mary Hollingsworth
Publisher: Independently Published
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
'In a subject of this magnitude, the author's coverage is impeccable ... Patronage in Renaissance Italy is an absolute must.' - The Art Book A perfect read for art historians and their students and for lovers of Renaissance art and civilization. In this first comprehensive study of patrons in the Italian quattrocento, Mary Hollingsworth shows how the patron - rather than the artist - carefully controlled both subject and medium in artistic creation. In a competitive and violent age, she explains, image and ostentation were essential statements of the patron's power. As a result, perceived cost became more important than artistic quality (and buildings, bronze, or tapestry were considered more eloquent statements than cheaper marble or fresco). Since Christian teaching frowned on wealth and power, money also had to be spent on religious endowments made in expiation. But here too the patron was in control, and used the arts and other means to express religious belief, not aesthetic sensibility. Artists in the early Renaissance were employed as craftsmen, Hollingsworth concludes, and only late in the century did their relations with patrons start to adopt a pattern we might recognize today. Praise for Mary Hollingsworth: 'Many readers, specialists and non-specialists alike, will welcome this book as a reliable and straightforward introduction to an important and interesting subject' - Literary Review 'She writes authoritatively, drawing on a vast store of knowledge' - Frances Spalding, The Sunday Times 'A thorough, readable and skilfully crafted survey' - Burlington Magazine 'This book will be of interest to anyone who looks at art in fifteenth-century Italy [and] will be particularly salutary for anyone who teaches or studies art history.' - Apollo Mary Hollingsworth is an academic and an expert in Renaissance art and architecture. Her published works include The Medici, The Borgias, and The Cardinal's Hat.
Author: John T. Paoletti
Publisher: Perigee Trade
ISBN:
Category : Art
Languages : en
Pages : 580
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Book Description
"Art, Power, and Patronage in Renaissance Italy has a freshness and breadth of approach that sets the art in its context, exploring why it was created and who commissioned the palaces, cathedrals, paintings, and sculptures. For, as the authors claim, Italian Renaissance artists were no more solitary geniuses than are most architects and commercial artists today." "This book covers not only the foremost artistic centers of Rome and Florence. Here too are Venice and the Veneto, Assisi, Siena, Milan, Pavia, Genoa, Padua, Mantua, Verona, Ferrara, Urbino, and Naples - each city revealing unique political and social structures that influenced its artistic styles." "The book includes genealogies of influential families, listings of popes and doges, plans of cities, a time chart, a bibliography, a glossary, and an index."--BOOK JACKET.
Author: Jonathan K. Nelson
Publisher: Princeton University Press
ISBN: 0691161941
Category : Architecture
Languages : en
Pages : 255
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Book Description
An analysis of Italian Renaissance art from the perspective of the patrons who made 'conspicuous commissions', this text builds on three concepts from the economics of information - signaling, signposting, and stretching - to develop a systematic methodology for assessing the meaning of patronage.
