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Author: Sean O'Skea
Publisher: Taylor & Francis
ISBN: 1317360958
Category : Performing Arts
Languages : en
Pages : 260
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Book Description
Painting for Performance removes the mystery from painting and gives beginners the terms, tools, and techniques to approach their unpainted set with confidence. Covering the mechanics of paint and its many implementations in set design, this book provides simple and effective step-by-step instructions for painting a variety of surfaces to look great on stage.
Author: Sean O'Skea
Publisher: Taylor & Francis
ISBN: 1317360958
Category : Performing Arts
Languages : en
Pages : 260
Get Book Here
Book Description
Painting for Performance removes the mystery from painting and gives beginners the terms, tools, and techniques to approach their unpainted set with confidence. Covering the mechanics of paint and its many implementations in set design, this book provides simple and effective step-by-step instructions for painting a variety of surfaces to look great on stage.
Author: Sean O'Skea
Publisher: Focal Press
ISBN: 9781138951174
Category : Art
Languages : en
Pages : 0
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Book Description
Painting for Performance removes the mystery from painting and gives beginners the terms, tools, and techniques to approach their unpainted set with confidence. Covering the mechanics of paint and its many implementations in set design, this book provides simple and effective step-by-step instructions for painting a variety of surfaces to look great on stage.
Author: Sean O'Skea
Publisher: CRC Press
ISBN: 131736094X
Category : Performing Arts
Languages : en
Pages : 721
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Book Description
Painting for Performance removes the mystery from painting and gives beginners the terms, tools, and techniques to approach their unpainted set with confidence. Covering the mechanics of paint and its many implementations in set design, this book provides simple and effective step-by-step instructions for painting a variety of surfaces to look great on stage.
Author: Victor H. Mair
Publisher: University of Hawaii Press
ISBN: 0824881141
Category : Literary Collections
Languages : en
Pages : 420
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Book Description
In this extraordinary work of scholarship, Victor Mair traces the global development over a thousand years of a genre of popular Buddhist folk literature from China known as pien-wen, pointing out its origins in India as a form of oral storytelling using painting as an aid, and showing how that form has influenced performance and literary traditions in India, Indonesia, Japan, Central Asia, the near East, Italy, France, and Germany. Professor Mair's research has important implications for students and scholars of literature, folklore, painting, religion, history, art, and theater and the performing arts, not to mention Chinese popular culture and Indian civilization.
Author: John M. Black
Publisher:
ISBN:
Category : Erosion
Languages : en
Pages : 14
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Book Description
Author: Victor H. Mair
Publisher:
ISBN:
Category : Buddhist literature
Languages : en
Pages : 0
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Book Description
Author: RoseLee Goldberg
Publisher: ABRAMS
ISBN:
Category : Art
Languages : en
Pages : 224
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Book Description
First published in 1979 and now extensively updated, this pioneering book has been expanded with a definitive account of the technological, political and aesthetic shifts in performance art that mark its transition to the twenty-first century. An astonishing increase in the number of works and venues around the world testifies to this art form as the chosen medium for articulating "difference," whether dealing with issues of identity, multiculturalism or globalism. The desire for direct engagement with today's most prominent artists explains the wide appeal of performance art to the ever broadening audience for new art. Mariko Mori, Paul McCarthy, and Matthew Barney, as well as the groups Forced Entertainment and Desperate Optimists, among many others, can now be seen in the historical context of other innovators in the field from the Dadaists to Laurie Anderson. Book jacket.
Author: Carl E. Loeffler
Publisher: Last Gasp
ISBN: 9780867193664
Category : Art
Languages : en
Pages : 556
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Book Description
Performance art is a major contemporary art form and California is recognized internationally as a pivotal area for innovative performance art activity. This updated edition of Performance Anthology offers an extraordinary documentation of California performance art from 1970 through 1989. The anthology provides a chronicle of the literature of artists' publications, art journals, major books, and catalogues; introductions and original essays by artists and leading historians and critics of performance art in California; and photographs illustrating major works by California artists. Through the documentation of the literature, a framework is established of the artists, events, organizations and spaces that have been instrumental in launching and sustaining the performance art scene in California.
Author: Meiling Cheng
Publisher: Univ of California Press
ISBN: 9780520229532
Category : Art
Languages : en
Pages : 454
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Book Description
"Will be a 'must read' for anyone studying performance art or the art and culture of Southern California. Cheng is a brilliant and original thinker and writes with a lively, engaged and engaging poetic style through which she attempts to enact the very passion and performativity that she explores in her objects of study."—Amelia Jones, author of Body Art/Performing the Subject "Dazzling on many levels, a major contribution not only to performance art scholarship but more generally to contemporary American art, feminist, and cultural studies. In Other Los Angeleses is going to transform performance studies because of the richness of Cheng's facts and scholarship and the equal richness of her theoretical frameworks and references."—Moira Roth, author of Difference Indifference
Author: Claire Moran
Publisher: Routledge
ISBN: 1351547879
Category : Art
Languages : en
Pages : 204
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Book Description
Restoring the role of theatrical performance as both subject and trope in the aesthetics of self-representation, Staging the Artist questions how nineteenth-century French and Belgian artists self-consciously fashioned their identities through their art and writings. This emphasis on performance allows for a new understanding of the processes of self-fashioning which underlie self-representation in word and image. Claire Moran offers new interpretations of works by major nineteenth-century figures such as Paul Gauguin and Edgar Degas, and addresses the neglected topic of the function of theatre in the development of modern visual art. Incarnating Baudelaire's metaphor of the artist as an actor ever-conscious of his role, the artists discussed "Courbet, Ensor and Van Gogh, among others" employed theatre as both a thematic source and formal inspiration in their painting, writings and social behaviour. Moran argues that what renders this visual, literary and social performance modern is its self-consciousness, which in turn serves as a model with which to challenge pictorial convention. This book suggests that tracing modern performance and artistic identity to the nineteenth century provides a greater understanding not only of the significance of theatre in the development of modern art, but also highlights the self-conscious staging inherent to modern artistic identity.
