Pahāṛi Styles of Indian Murals PDF Download
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Author: Sukh Dev Singh Charak
Publisher: Abhinav Publications
ISBN: 9788170173564
Category : Art
Languages : en
Pages : 310
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Book Description
The Present Monograph Seeks To Record The Place And Development Of Elephant Symbol In The Mythology And The Art Of India Over A Period Of 5000 Years. It Is Amazing As To How Strikingly A Unity In Diversity In Most Indian Religions Is Displayed Through This Symbol. Elephant Form Has Been Used As A Common Denominator In The Folk As Well As The Religious Cults But Having Different Impacts. The Wide Spectrum Of Indian Culture Contains Various Colours Of Different Intensity. Different Kinds Of People, Races, Languages, Religions And Traditions Made Indian Culture Vital And Colourful. The Elephant Rotates With Every Colour Of The Spectrum. How The Animal Impressed The People Through The Ages Is Sought To Be Explained By The Author Along With All The Myths And Stories Associated With It. As A Divine Member Elephant Was Supposed To Have Come Into Existence Out Of The Sea On The Occasion Of Churning Of The Ocean (Samudramanthana) As Airavata The Milk White Elephant. On The Folk Level A Cult Developed Around It. Jataka Stories Refer To Elephant Pillars And Statues And Tradition Of Performing Hastisutra And Hastimangala-Elephant 1Estival. Besides As A Folk Divinity It Also Penetrated In Buddhist And Jain Mythologies. It Is The Inner Vitality Of Indian Culture Which Has Been The Result Of Intimate Connection Between Nature And Human Inspiration. That Is Why, Indian Religion, Art And Literature Are Rooted In The Natural Environment. Ganesa The Elephant God Is The Best Example Of The Oneness Of Nature And Human Factor As Reflected In The Realm Of Art And Literature. Ganesa Is Only One Of The Aspects Of The Multidimensional Personality Of The Elephant Which Embodies The Various Hues And Colours Of The Indian Cultural Tradition. Thus, Dr. Gupta Herein Offers A Detailed Statement Regarding The Historical Development Of Elephant Symbol In Indian Myths And Art. This Must Be Counted As A Unique Effort In Understanding The Symbolism Of Indian Culture Through Elephant Symbol.
Author: Sukh Dev Singh Charak
Publisher: Abhinav Publications
ISBN: 9788170173564
Category : Art
Languages : en
Pages : 310
Get Book Here
Book Description
The Present Monograph Seeks To Record The Place And Development Of Elephant Symbol In The Mythology And The Art Of India Over A Period Of 5000 Years. It Is Amazing As To How Strikingly A Unity In Diversity In Most Indian Religions Is Displayed Through This Symbol. Elephant Form Has Been Used As A Common Denominator In The Folk As Well As The Religious Cults But Having Different Impacts. The Wide Spectrum Of Indian Culture Contains Various Colours Of Different Intensity. Different Kinds Of People, Races, Languages, Religions And Traditions Made Indian Culture Vital And Colourful. The Elephant Rotates With Every Colour Of The Spectrum. How The Animal Impressed The People Through The Ages Is Sought To Be Explained By The Author Along With All The Myths And Stories Associated With It. As A Divine Member Elephant Was Supposed To Have Come Into Existence Out Of The Sea On The Occasion Of Churning Of The Ocean (Samudramanthana) As Airavata The Milk White Elephant. On The Folk Level A Cult Developed Around It. Jataka Stories Refer To Elephant Pillars And Statues And Tradition Of Performing Hastisutra And Hastimangala-Elephant 1Estival. Besides As A Folk Divinity It Also Penetrated In Buddhist And Jain Mythologies. It Is The Inner Vitality Of Indian Culture Which Has Been The Result Of Intimate Connection Between Nature And Human Inspiration. That Is Why, Indian Religion, Art And Literature Are Rooted In The Natural Environment. Ganesa The Elephant God Is The Best Example Of The Oneness Of Nature And Human Factor As Reflected In The Realm Of Art And Literature. Ganesa Is Only One Of The Aspects Of The Multidimensional Personality Of The Elephant Which Embodies The Various Hues And Colours Of The Indian Cultural Tradition. Thus, Dr. Gupta Herein Offers A Detailed Statement Regarding The Historical Development Of Elephant Symbol In Indian Myths And Art. This Must Be Counted As A Unique Effort In Understanding The Symbolism Of Indian Culture Through Elephant Symbol.
Author: John William Seyller
Publisher:
ISBN: 9788190487238
Category : Miniature painting
Languages : en
Pages : 347
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Book Description
This beautifully written and profusely illustrated catalogue of Pahari paintings in the Jagdish and Kamla Mittal Museum of Indian art in Hyderabad is a major contribution to the study of miniature painting in the Punjab Hills. It Presents in detail many exquisite but hitherto unknown examples of the key centres of painting from the mid 17th to the mid 19th century, and provides sensitive analyses of a number of works of crucial art historical importance. Incorporating the latest research into their discussions of the themes and formal aspects of the 128 works reproduced here, the authors pay special attention to the movement of artists from one state to another within the Pahari region, and formulate ground-breaking accounts of the early phases of painting at courts such as Chamba, Mandi, and Kullu. Particularly noteworthy are their strikingly original insights into the family workshop of Pandit Seu and his highly talented sons, Manaku and Nainsukh, whose paintings and legacy into the next two generations are exceptionally well represented in the collection. They devote unprecedented attention processes, and frequently arrive at fresh and convincing distinction among the paintings produced by various members of a given family workshop. The superb quality of the illustrations, the selection of choice details, and the inclusion of revealing comparative material make this book essential to anyone who studies or enjoys Pahari painting.
Author:
Publisher: Chillibreeze
ISBN: 8190405519
Category :
Languages : en
Pages : 106
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Book Description
Author: F. S. Aijazuddin
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 272
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Book Description
Author: Vishwa Chander Ohri
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 230
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Book Description
Author: Krishna Chaitanya
Publisher: Abhinav Publications
ISBN: 8170171547
Category :
Languages : en
Pages : 224
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Book Description
Author: Mira Seth
Publisher: Harry N. Abrams
ISBN: 9780810955363
Category : Art
Languages : en
Pages : 0
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Book Description
Publisher description
Author: Steven Kossak
Publisher: Metropolitan Museum of Art
ISBN: 0870997823
Category : Miniature painting, Indic
Languages : en
Pages : 154
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Book Description
A catalogue to accompany an exhibit held at the museum from March to July 1997. Color reproductions of 83 paintings are presented chronologically rather than in the usual separate sections on Mughal, Deccani, Rijput, and Pahari traditions. Kossak, associate curator of Asian art at the museum, offers an introductory essay. Distributed in the US by Harry N. Abrams. Annotation copyrighted by Book News, Inc., Portland, OR
Author: B. N. Goswamy
Publisher:
ISBN: 9788189738761
Category : Guler painting
Languages : en
Pages : 0
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Book Description
About the book To trace the life and career of a painter (of the past) in India isA, as the author says, somewhat akin to following the course of an earthen lamp on swift waters.A' The glow is bright and warm, and one can keep it within sight for a while, but things can quickly turn and uncharted vastness takes over. To trace the life and career of a painter (of the past) in India isA', as the author says, somewhat akin to following the course of an earthen lamp on swift waters.A' The glow is bright and warm, and one can keep it within sight for a while, but things can quickly'
Author: B. N. Goswamy
Publisher: Scheidegger and Spiess
ISBN: 9783858817501
Category : Painting
Languages : en
Pages : 0
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Book Description
Danielle Porret’s passion for Asian art and for Indian painting in particular was inflamed when she attended classes on Asian mythology during her studies at Geneva University. It intensified further when in 1966 she visited an exhibition in London of Indian paintings collected by Mildred and William Archer, curators of Indian art at the British India office and the Victoria & Albert Museum respectively. A conference interpreter by profession, Porret began to study the collections of Asian art at London’s great museums and the technique of paper restoration. And she started to buy Indian paintings herself. Danielle Porret’s collection comprises outstanding works spanning seven centuries from the time of the Sultans (1206–1526) through to the nineteenth century. While many museums house representative art-historical inventories, Porret describes her collection as a “secret garden” compiled on the basis of her own personal taste. The new book A Secret Garden features 105 paintings from Porret’s collection. The essays are contributed by leading experts in the area of Indian painting: B.N. Goswamy (Pahari painting), Jeremiah P. Losty (the painting of Rajasthan and central India), and John Seyller (Mogul- und Dekkan painting, as well as the painting from the time of the Sultans). The book is published to coincide with an exhibition at the Museum Rietberg in Zürich in spring 2014.
