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Author: American Girl
Publisher: American Girl Publishing Incorporated
ISBN: 9781562472313
Category :
Languages : en
Pages : 0
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Book Description
rivate place for girls to doodle and draw, record their daydreams, and store their treasures. There are five envelopes for momentos, and writing prompts to get budding journalists started.
Author: American Girl
Publisher: American Girl Publishing Incorporated
ISBN: 9781562472313
Category :
Languages : en
Pages : 0
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Book Description
rivate place for girls to doodle and draw, record their daydreams, and store their treasures. There are five envelopes for momentos, and writing prompts to get budding journalists started.
Author: Chris Do
Publisher:
ISBN: 9780578657165
Category :
Languages : en
Pages : 175
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Book Description
Author: Adriana Gorea
Publisher: Bloomsbury Publishing
ISBN: 1350228524
Category : Design
Languages : en
Pages : 209
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Book Description
Whether fashionable or functional-or both-pockets are an important design detail that can enhance the aesthetic of your collection and improve the experience of the wearer. Whether it's for fashion design, construction, patternmaking or costume design, if you're looking to get the full picture on patch pockets, better command of the cargo, or more know-how on welts, this is your go-to resource. The Book of Pockets includes: - inspirational imagery, overlaid with fl at patterns or zoom-ins of the pocket detail - comprehensive information on all things pocket, beginning with their long history and going all the way from workwear to activewear and couture - practical advice through interviews with fashion designers, curators, and technology developers a Pocket Flat Sketch Library appendix for quick reference, and - step-by-step construction tutorials, illustrated with flats throughout, showing you how to create nested pockets with gussets, invisible zipper patch pockets, cascading pockets, and more. With consumers crying out for stylish, functional pockets, The Book of Pockets is the ultimate guide to help you successfully incorporate them into your designs.
Author: Dorothy Levenson
Publisher:
ISBN:
Category :
Languages : en
Pages : 64
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Book Description
Author: Jennifer Armstrong
Publisher: Knopf Books for Young Readers
ISBN: 9780517709269
Category : Juvenile Fiction
Languages : en
Pages : 0
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Book Description
A stranger arrives at a remote village and becomes the tailor, sewing magical embroidered scenes into the pockets of their plain clothes, which transforms their humdrum lives forever.
Author: Marc Harshman
Publisher:
ISBN: 9781891852237
Category : Juvenile Fiction
Languages : en
Pages : 36
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Book Description
The rocks around their mountain farm serve all of the Woods family in many ways, both utilitarian and recreational, until the day two ladies from the city come to visit.
Author: Quentin Blake
Publisher: Random House
ISBN: 1446495922
Category : Juvenile Fiction
Languages : en
Pages : 32
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Book Description
Angelica Sprocket lives next door. Her overcoat has pockets galore! And you'll never guess what's in them... Prepare to be surprised, thrilled and tickled pink by Angelica Sprocket's never-ending pockets, and the marvellous things she keeps in them!
Author: Peter K. B. St. Jean
Publisher: University of Chicago Press
ISBN: 0226775003
Category : Social Science
Languages : en
Pages : 298
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Book Description
Why, even in the same high-crime neighborhoods, do robbery, drug dealing, and assault occur much more frequently on some blocks than on others? One popular theory is that a weak sense of community among neighbors can create conditions more hospitable for criminals, and another proposes that neighborhood disorder—such as broken windows and boarded-up buildings—makes crime more likely. But in his innovative new study, Peter K. B. St. Jean argues that we cannot fully understand the impact of these factors without considering that, because urban space is unevenly developed, different kinds of crimes occur most often in locations that offer their perpetrators specific advantages. Drawing on Chicago Police Department statistics and extensive interviews with both law-abiding citizens and criminals in one of the city’s highest-crime areas, St. Jean demonstrates that drug dealers and robbers, for example, are primarily attracted to locations with businesses like liquor stores, fast food restaurants, and check-cashing outlets. By accounting for these important factors of spatial positioning, he expands upon previous research to provide the most comprehensive explanation available of why crime occurs where it does.
Author: Laurie Anderson
Publisher:
ISBN: 9782914563437
Category : Musique concrète
Languages : en
Pages : 0
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Book Description
Author: Hedi Kyle
Publisher: Laurence King Publishing
ISBN: 9781786272935
Category : Design
Languages : en
Pages : 0
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Book Description
"The influential artist Hedi Kyle and renowned architecture graduate Ulla Warchol shows you how to create their unique designs using folding techniques. From creating flag books and fishbones, to blizzards and nesting boxes, you'll gain an invaluable insight into the work of two skilled artists with this fun read! With the help of their thorough instructions and simple illustrations, you'll be on your way to becoming a pro paper crafter in no time at all" – Sew magazine "A wonderful insight into the work of a truly skilled artist" – PaperCrafter The renowned and influential book artist Hedi Kyle shows you step–by–step how to create her unique designs using folding techniques in The Art of the Fold. Bookbinding and paper craft projects include flag books, blizzard books, the fishbone fold, and nesting boxes. Written by the doyenne of artists' books, Hedi Kyle, The Art of the Fold is a wonderful insight into the work of a truly skilled artist. Hedi will show you how to bind a book and fold paper to create over 35 of her cut–fold book designs. The book is beautifully illustrated with Hedi's finished works of art. An excerpt from the book: 'I can still remember the thrill I experienced when my first folded book structure emerged from my fingers – how eager I was to explore its possibilities and to share it with whoever was interested. The Flag Book, as I now call it, is a simple accordion and has interlocking pages oriented in opposite directions. Little did I know that this simple structure would have legs and be the catalyst for the next forty–plus years of thinking about and making books. The common perception of the book today is fairly straightforward: a series of pages organized around a spine and protected on either side by two covers. This format allows for easy access, storage and retrieval of information. Yet what happens when the book is stripped away of centuries of preconceptions and is allowed to reveal something else: playfulness, utility, invention? Expanding the notion of the book is what the structures in the following chapters of The Art of the Fold attempt to do. Exploring its tactile, sculptural form, primarily through folding methods, the book as a structural object is celebrated while content is considered in a new and unconventional way. My range in this medium has always been broad. In part this is due to my introduction to the world of bookbinding and some chance encounters. In the 1970s in New York City, the art and craft of hand bookbinding and papermaking were experiencing an unprecedented revival. I was fortunate to arrive in the city at just this moment. With an art–school background and an impulse to make things, I was naturally drawn to pursue this new opportunity. The Center for Book Arts, the famous forerunner of so many centers yet to come, was located in a small storefront just down the street from where I lived on the Lower East Side of Manhattan. Under the direction of founder Richard Minsky, it had a radical mission: to push concept, materials, printing and making of artist books in a new direction. When Richard dared me to teach at the Center one evening a week, I was hooked. My career as a book conservator and a book artist has now spanned over 45 years. As head conservator at the American Philosophical Society in Philadelphia, I've had the opportunity to handle some of the rarest volumes and manuscripts in the world. I have also dealt with decrepit books, torn maps and countless curiosities discovered in stacks and archives. All were endless sources for ideas and provided a springboard for a departure from tradition. Leading book–arts workshops around the world and a 25 year tenure teaching in the graduate program for Book Arts and Printmaking at the University of the Arts in Philadelphia have shown me, in retrospect, that the more I taught, t
