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Author: Roger Neich
Publisher: University of Hawaii Press
ISBN: 9780824829292
Category : Art
Languages : en
Pages : 170
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Book Description
Auckland Museum's collection of tapa cloth from around the Pacific is one of the most extensive in the world and it forms the basis of this comprehensive survey.
Author: Roger Neich
Publisher: University of Hawaii Press
ISBN: 9780824829292
Category : Art
Languages : en
Pages : 170
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Book Description
Auckland Museum's collection of tapa cloth from around the Pacific is one of the most extensive in the world and it forms the basis of this comprehensive survey.
Author: Roger Neich
Publisher: Thames & Hudson
ISBN: 9780500279892
Category : Design
Languages : en
Pages : 160
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Book Description
The manufacture of tapa cloth, made from the inner bark of certain trees, is one of the most intriguing products of the cultures of the Pacific islands. This book presents a complete range of the ancient art of tapa, from cloth brought back from the first European voyages to the Pacific to contemporary examples. The origins, materials, manufacturing techniques, and common uses of tapa are described and illustrated with 263 illustrations, 208 in color.
Author: Roger Neich
Publisher: Spotlight Poets
ISBN:
Category : Fiberwork
Languages : en
Pages : 40
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Book Description
The manufacture of tapa, barkcloth, is an ancient art which has been practised for thousands of years. Auckland Museum's collection of tapa cloth from around the Pacific is one of the most extensive in the world and forms the basis of this comprehensive survey. Pacific Tapa presents a complete range of the art, from cloth brought back from the first voyages by Europeans to the Pacific to contemporary examples.
Author: Wendy Arbeit
Publisher: University of Hawaii Press
ISBN: 9780824817275
Category : Crafts & Hobbies
Languages : en
Pages : 36
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Book Description
The author describes Tongan barkcloth or tapa, its decorative patterns, techniques of manufacture and decoration, and methods of use.
Author: Frances Lennard
Publisher:
ISBN: 9789088909719
Category :
Languages : en
Pages : 330
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Book Description
Barkcloth or tapa, a cloth made from the inner bark of trees, was widely used in place of woven cloth in the Pacific islands until the 19th century. A ubiquitous material, it was integral to the lives of islanders and used for clothing, furnishings and ritual artefacts. Material Approaches to Polynesian Barkcloth takes a new approach to the study of the history of this region through its barkcloth heritage, focusing on the plants themselves and surviving objects in historic collections. This object-focused approach has filled gaps in our understanding of the production and use of this material through an investigation of this unique fabric's physical properties, transformation during manufacture and the regional history of its development in the 18th and 19th centuries.The book is the outcome of a research project which focused on three important collections of barkcloth at The Hunterian, University of Glasgow; Royal Botanic Gardens, Kew and the National Museum of Natural History, Smithsonian Institution. It also looks more widely at the value of barkcloth artefacts in museum collections for enhancing both contemporary practice and a wider appreciation of this remarkable fabric. The contributors include academics, curators, conservators and makers of barkcloth from Oceania and beyond, in an interdisciplinary study which draws together insights from object-based and textual reseach, fieldwork and tapa making, and information on the plants used to make fibres and colourants.This book will be of interest to tapa makers, museum professionals including curators and conservators; academics and students in the fields of anthropology, museum studies and conservation; museum visitors and anyone interested in finding out more about barkcloth.
Author: Jennifer Harris
Publisher: John Wiley & Sons
ISBN: 1118768906
Category : Design
Languages : en
Pages : 528
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Book Description
A lively and innovative collection of new and recent writings on the cultural contexts of textiles The study of textile culture is a dynamic field of scholarship which spans disciplines and crosses traditional academic boundaries. A Companion to Textile Culture is an expertly curated compendium of new scholarship on both the historical and contemporary cultural dimensions of textiles, bringing together the work of an interdisciplinary team of recognized experts in the field. The Companion provides an expansive examination of textiles within the broader area of visual and material culture, and addresses key issues central to the contemporary study of the subject. A wide range of methodological and theoretical approaches to the subject are explored—technological, anthropological, philosophical, and psychoanalytical, amongst others—and developments that have influenced academic writing about textiles over the past decade are discussed in detail. Uniquely, the text embraces archaeological textiles from the first millennium AD as well as contemporary art and performance work that is still ongoing. This authoritative volume: Offers a balanced presentation of writings from academics, artists, and curators Presents writings from disciplines including histories of art and design, world history, anthropology, archaeology, and literary studies Covers an exceptionally broad chronological and geographical range Provides diverse global, transnational, and narrative perspectives Included numerous images throughout the text to illustrate key concepts A Companion to Textile Culture is an essential resource for undergraduate and postgraduate students, instructors, and researchers of textile history, contemporary textiles, art and design, visual and material culture, textile crafts, and museology.
Author: Anne Perez Hattori
Publisher: Cambridge University Press
ISBN: 1108245536
Category : History
Languages : en
Pages : 1049
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Book Description
Volume II of The Cambridge History of the Pacific Ocean focuses on the latest era of Pacific history, examining the period from 1800 to the present day. This volume discusses advances and emerging trends in the historiography of the colonial era, before outlining the main themes of the twentieth century when the idea of a Pacific-centred century emerged. It concludes by exploring how history and the past inform preparations for the emerging challenges of the future. These essays emphasise the importance of understanding how the postcolonial period shaped the modern Pacific and its historians.
Author: San Francisco (Calif.). Golden gate international exposition, 1939. Department of Fine Arts
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 170
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Book Description
Author: Jeannette Mageo
Publisher: Berghahn Books
ISBN: 1800730551
Category : Social Science
Languages : en
Pages : 246
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Book Description
The insular Pacific is a region saturated with great cultural diversity and poignant memories of colonial and Christian intrusion. Considering authenticity and authorship in the area, this book looks at how these ideas have manifested themselves in Pacific peoples and cultures. Through six rich complementary case studies, a theoretical introduction, and a critical afterword, this volume explores authenticity and authorship as “traveling concepts.” The book reveals diverse and surprising outcomes which shed light on how Pacific identity has changed from the past to the present.
Author: Chris Healy
Publisher: Monash University ePress
ISBN: 0975747592
Category : History
Languages : en
Pages : 233
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Book Description
South Pacific Museums: Experiments in Culture is a collection of outstanding analyses of museums in the South Pacific, written by cultural, museum and architectural critics, and historians. A series of snapshots introduce the reader to key museums in the region and longer essays explore these museums in broad terms.Over the last 50 years, museums have been regarded by many scholars and cultural critics as archaic institutions far from the cutting edge of cultural innovation. This judgement is being proved wrong across the globe, with innovative museums staking out new territory. Nowhere is this more striking than in the South Pacific where new and redeveloped institutions have included the Museum of New Zealand Te Papa Tongarewa, the National Museum of Australia, the Melbourne Museum, the Australian Centre for the Moving Image, the Museum of Sydney, the Gab Titui Cultural Centre in the Torres Strait, the Auckland Museum, the Centre Culturel Tjibaou and the Vanuatu Cultural Centre.South Pacific Museums make sense of these museums as part of the complex field of heritage, where national economies meet global tourism, cities brand themselves, and indigeneity articulates with colonialism. The effect is one of cultural experimentation. Part One, 'New Museums', introduces three different museums in distinctive national contexts - Te Papa, the Centre Culturel Tjibaou and the National Museum of Australia. Essays in this part grapple with the role of these museums in the nation at particular historical moments under specific political pressures. Part Two, 'New Knowledges', documents practices and exhibitions at the point of tension between indigenous and non-indigenous interests in the museum. Part three, 'New Experiences', explores the ways in which museums in the South Pacific are producing that ineffable cultural phenomenon - experience.
