Author: Ovid
Publisher:
ISBN:
Category :
Languages : en
Pages : 98
Book Description
Ovid's Tristia, book iii, literally tr. by J.A. Prout
Author: Ovid
Publisher:
ISBN:
Category :
Languages : en
Pages : 98
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 98
Book Description
Cicero: the fourteenth Philippic oration, tr. by J.A. Prout
Author: Marcus Tullius Cicero
Publisher:
ISBN:
Category :
Languages : en
Pages : 34
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 34
Book Description
The Baptized Muse
Author: Karla Pollmann
Publisher: Oxford University Press
ISBN: 0192517228
Category : Religion
Languages : en
Pages : 251
Book Description
This is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence. It is free to read at Oxford Scholarship Online and offered as a free PDF download from OUP and selected open access locations. With the rise of Christianity in the Roman Empire increasing numbers of educated people converted to this new belief. As Christianity did not have its own educational institutions the issue of how to harmonize pagan education and Christian convictions became increasingly pressing. Especially classical poetry, the staple diet of pagan education, was considered to be morally corrupting (due to its deceitful mythological content) and damaging for the salvation of the soul (because of the false gods it advocated). But Christianity recoiled from an unqualified anti-intellectual attitude, while at the same time the experiment of creating an idiosyncratic form of genuinely Christian poetry failed (the sole exception being the poet Commodianus). In The Baptized Muse: Early Christian Poetry as Cultural Authority, Karla Pollmann argues that, instead, Christian poets made creative use of the classical literary tradition, and--in addition to blending it with Judaeo-Christian biblical exegesis--exploited poetry's special ability of enhancing communicative effectiveness and impact through aesthetic means. Pollman explores these strategies through a close analysis of a wide range of Christian, and for comparison partly also pagan, writers mainly from the fourth to sixth centuries. She reveals that early Christianity was not a hermetically sealed uniform body, but displays a rich spectrum of possibilities in dealing with the past and a willingness to engage with and adapt the surrounding culture(s), thereby developing diverse and changing responses to historical challenges. By demonstrating throughout that authority is a key in understanding the long denigrated and misunderstood early Christian poets, this book reaches the ground-breaking conclusion that early Christian poetry is an art form that gains its justification by adding cultural authority to Christianity. Thus, in a wider sense it engages with the recently developed interdisciplinary scholarly interest in aspects of religion as cultural phenomena.
Publisher: Oxford University Press
ISBN: 0192517228
Category : Religion
Languages : en
Pages : 251
Book Description
This is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence. It is free to read at Oxford Scholarship Online and offered as a free PDF download from OUP and selected open access locations. With the rise of Christianity in the Roman Empire increasing numbers of educated people converted to this new belief. As Christianity did not have its own educational institutions the issue of how to harmonize pagan education and Christian convictions became increasingly pressing. Especially classical poetry, the staple diet of pagan education, was considered to be morally corrupting (due to its deceitful mythological content) and damaging for the salvation of the soul (because of the false gods it advocated). But Christianity recoiled from an unqualified anti-intellectual attitude, while at the same time the experiment of creating an idiosyncratic form of genuinely Christian poetry failed (the sole exception being the poet Commodianus). In The Baptized Muse: Early Christian Poetry as Cultural Authority, Karla Pollmann argues that, instead, Christian poets made creative use of the classical literary tradition, and--in addition to blending it with Judaeo-Christian biblical exegesis--exploited poetry's special ability of enhancing communicative effectiveness and impact through aesthetic means. Pollman explores these strategies through a close analysis of a wide range of Christian, and for comparison partly also pagan, writers mainly from the fourth to sixth centuries. She reveals that early Christianity was not a hermetically sealed uniform body, but displays a rich spectrum of possibilities in dealing with the past and a willingness to engage with and adapt the surrounding culture(s), thereby developing diverse and changing responses to historical challenges. By demonstrating throughout that authority is a key in understanding the long denigrated and misunderstood early Christian poets, this book reaches the ground-breaking conclusion that early Christian poetry is an art form that gains its justification by adding cultural authority to Christianity. Thus, in a wider sense it engages with the recently developed interdisciplinary scholarly interest in aspects of religion as cultural phenomena.
Old English Libraries
Author: Ernest Albert Savage
Publisher: DigiCat
ISBN:
Category : History
Languages : en
Pages : 279
Book Description
DigiCat Publishing presents to you this special edition of "Old English Libraries" (The Making, Collection, and Use of Books During the Middle Ages) by Ernest Albert Savage. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Publisher: DigiCat
ISBN:
Category : History
Languages : en
Pages : 279
Book Description
DigiCat Publishing presents to you this special edition of "Old English Libraries" (The Making, Collection, and Use of Books During the Middle Ages) by Ernest Albert Savage. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Early Christian Poetry
Author: J. den Boeft
Publisher: BRILL
ISBN: 9004312897
Category : Religion
Languages : en
Pages : 332
Book Description
This collection of essays deals with the rise and development of early Christian poetry, discussing its techniques and its theoretical foundation. The individual papers concern specimina of Hebrew, Syriac, Greek and Latin poetry and study the various and partly conflicting traditions from which it originated. The biblical examples, e.g. of the Psalms, held great authority, but on the other hand it was impossible to break away from the models of classical Greco-Roman poetry, although these were deemed dangerous because of the pagan content and excessive cult of literary art. The book shows how the problems involved were solved in different ways, which justified the use of pagan literary accomplishments for singing the praises of the Lord.
Publisher: BRILL
ISBN: 9004312897
Category : Religion
Languages : en
Pages : 332
Book Description
This collection of essays deals with the rise and development of early Christian poetry, discussing its techniques and its theoretical foundation. The individual papers concern specimina of Hebrew, Syriac, Greek and Latin poetry and study the various and partly conflicting traditions from which it originated. The biblical examples, e.g. of the Psalms, held great authority, but on the other hand it was impossible to break away from the models of classical Greco-Roman poetry, although these were deemed dangerous because of the pagan content and excessive cult of literary art. The book shows how the problems involved were solved in different ways, which justified the use of pagan literary accomplishments for singing the praises of the Lord.
Descartes’s Mathematical Thought
Author: C. Sasaki
Publisher: Springer Science & Business Media
ISBN: 9401712255
Category : Mathematics
Languages : en
Pages : 502
Book Description
Covering both the history of mathematics and of philosophy, Descartes's Mathematical Thought reconstructs the intellectual career of Descartes most comprehensively and originally in a global perspective including the history of early modern China and Japan. Especially, it shows what the concept of "mathesis universalis" meant before and during the period of Descartes and how it influenced the young Descartes. In fact, it was the most fundamental mathematical discipline during the seventeenth century, and for Descartes a key notion which may have led to his novel mathematics of algebraic analysis.
Publisher: Springer Science & Business Media
ISBN: 9401712255
Category : Mathematics
Languages : en
Pages : 502
Book Description
Covering both the history of mathematics and of philosophy, Descartes's Mathematical Thought reconstructs the intellectual career of Descartes most comprehensively and originally in a global perspective including the history of early modern China and Japan. Especially, it shows what the concept of "mathesis universalis" meant before and during the period of Descartes and how it influenced the young Descartes. In fact, it was the most fundamental mathematical discipline during the seventeenth century, and for Descartes a key notion which may have led to his novel mathematics of algebraic analysis.
Programme Music in the Last Four Centuries
Author: Frederick Niecks
Publisher: Ardent Media
ISBN:
Category : Music
Languages : en
Pages : 562
Book Description
This historic book may have numerous typos, missing text or index. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. 1907. Not illustrated. Excerpt: ... CHAPTER IV. IN GERMANY. The writing of the present chapter cannot be called an inspiring task. Without Wagner's sovereign contempt for the music of his time, and Tchaikovsky's belief in Germany's complete exhaustion, one may yet be unable to grow enthusiastic over the theme. The productivity during the period with which we are concerned has been enormous. But how about the really valuable outcome of it? In the latter part of the 19th century the question was often asked: What remains if you remove from the living German composers Wagner and Brahms? And then there were ever so many people who, while heartily admitting the greatness of one of the two, were not so sure of the other--not to mention those who were all for the one and would have none whatever of the other. Now, ' this exclusive way of looking at men and things is not only unfair, it is absolutely foolish. The men of genius leave room for the men of talent; and the masters en grand for the masters en miniature. To be sure for some time past Germany has not been abounding in musical genius of the first or even second order. But if there has been a dearth of powerful original creativeness and of strikingly outstanding individuality, there has been also a goodly provision of artistic ability well deserving our respect and gratitude, ability displaying itself not merely in technical skill, but often also in imaginativeness, sensibility, and poetic charm. The great bulk of crudities, futilities, and vacuities need not trouble us: they are not peculiar to any one period. One could classify composers into (1) such as write only absolute music, and are uninfluenced by and even averse to the programmatic tendency; (2) such as write programme music, but only in the classical manner and forms; (3) such as go only ...
Publisher: Ardent Media
ISBN:
Category : Music
Languages : en
Pages : 562
Book Description
This historic book may have numerous typos, missing text or index. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. 1907. Not illustrated. Excerpt: ... CHAPTER IV. IN GERMANY. The writing of the present chapter cannot be called an inspiring task. Without Wagner's sovereign contempt for the music of his time, and Tchaikovsky's belief in Germany's complete exhaustion, one may yet be unable to grow enthusiastic over the theme. The productivity during the period with which we are concerned has been enormous. But how about the really valuable outcome of it? In the latter part of the 19th century the question was often asked: What remains if you remove from the living German composers Wagner and Brahms? And then there were ever so many people who, while heartily admitting the greatness of one of the two, were not so sure of the other--not to mention those who were all for the one and would have none whatever of the other. Now, ' this exclusive way of looking at men and things is not only unfair, it is absolutely foolish. The men of genius leave room for the men of talent; and the masters en grand for the masters en miniature. To be sure for some time past Germany has not been abounding in musical genius of the first or even second order. But if there has been a dearth of powerful original creativeness and of strikingly outstanding individuality, there has been also a goodly provision of artistic ability well deserving our respect and gratitude, ability displaying itself not merely in technical skill, but often also in imaginativeness, sensibility, and poetic charm. The great bulk of crudities, futilities, and vacuities need not trouble us: they are not peculiar to any one period. One could classify composers into (1) such as write only absolute music, and are uninfluenced by and even averse to the programmatic tendency; (2) such as write programme music, but only in the classical manner and forms; (3) such as go only ...
Quintiliani institutionis oratoriae liber X
Author: Quintilian
Publisher:
ISBN:
Category :
Languages : la
Pages : 356
Book Description
Publisher:
ISBN:
Category :
Languages : la
Pages : 356
Book Description
The Divine Comedy
Author: Dante Alighieri
Publisher: Princeton University Press
ISBN: 9780691018959
Category : English fiction
Languages : en
Pages : 724
Book Description
Dante's classic is presented in the original Italian as well as in a new prose translation, and is accompanied by commentary on the poem's background and allegory.
Publisher: Princeton University Press
ISBN: 9780691018959
Category : English fiction
Languages : en
Pages : 724
Book Description
Dante's classic is presented in the original Italian as well as in a new prose translation, and is accompanied by commentary on the poem's background and allegory.
A Copious and Critical English-Latin Lexicon: Founded On the German-Latin Dictionary of Dr. Charles Ernest Georges
Author: Joseph Esmond Riddle
Publisher: Legare Street Press
ISBN: 9781015805170
Category : Foreign Language Study
Languages : en
Pages : 0
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Publisher: Legare Street Press
ISBN: 9781015805170
Category : Foreign Language Study
Languages : en
Pages : 0
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.