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Author: Emanuel Levy
Publisher: NYU Press
ISBN: 0814752896
Category : Social Science
Languages : en
Pages : 648
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Book Description
A deep dive into the emergence and success of independent filmmaking in America A Los Angeles Times Bestseller The most important development in American culture of the last two decades is the emergence of independent cinema as a viable alternative to Hollywood. Indeed, while Hollywood's studios devote much of their time and energy to churning out big-budget, star-studded event movies, a renegade independent cinema that challenges mainstream fare continues to flourish with strong critical support and loyal audiences. Cinema of Outsiders is the first and only comprehensive chronicle of contemporary independent movies from the late 1970s up to the present. From the hip, audacious early works of maverick David Lynch, Jim Jarmusch, and Spike Lee, to the contemporary Oscar-winning success of indie dynamos, such as the Coen brothers (Fargo), Quentin Tarentino (Pulp Fiction), and Billy Bob Thornton (Sling Blade), Levy describes in a lucid and accessible manner the innovation and diversity of American indies in theme, sensibility, and style. Documenting the socio-economic, political and artistic forces that led to the rise of American independent film, Cinema of Outsiders depicts the pivotal role of indie guru Robert Redford and his Sundance Film Festival in creating a showcase for indies, the function of film schools in supplying talent, and the continuous tension between indies and Hollywood as two distinct industries with their own structure, finance, talent and audience. Levy describes the major cycles in the indie film movement: regional cinema, the New York school of film, African-American, Asian American, gay and lesbian, and movies made by women. Based on exhaustive research of over 1,000 movies made between 1977 and 1999, Levy evaluates some 200 quintessential indies, including Choose Me, Stranger Than Paradise, Blood Simple, Blue Velvet, Desperately Seeking Susan, Slacker, Poison, Reservoir Dogs, Gas Food Lodging, Menace II Society, Clerks, In the Company of Men, Chasing Amy, The Apostle, The Opposite of Sex, and Happiness. Cinema of Outsiders reveals the artistic and political impact of bold and provocative independent movies in displaying the cinema of "outsiders"-the cinema of the "other America."
Author: Emanuel Levy
Publisher: NYU Press
ISBN: 0814752896
Category : Social Science
Languages : en
Pages : 648
Get Book Here
Book Description
A deep dive into the emergence and success of independent filmmaking in America A Los Angeles Times Bestseller The most important development in American culture of the last two decades is the emergence of independent cinema as a viable alternative to Hollywood. Indeed, while Hollywood's studios devote much of their time and energy to churning out big-budget, star-studded event movies, a renegade independent cinema that challenges mainstream fare continues to flourish with strong critical support and loyal audiences. Cinema of Outsiders is the first and only comprehensive chronicle of contemporary independent movies from the late 1970s up to the present. From the hip, audacious early works of maverick David Lynch, Jim Jarmusch, and Spike Lee, to the contemporary Oscar-winning success of indie dynamos, such as the Coen brothers (Fargo), Quentin Tarentino (Pulp Fiction), and Billy Bob Thornton (Sling Blade), Levy describes in a lucid and accessible manner the innovation and diversity of American indies in theme, sensibility, and style. Documenting the socio-economic, political and artistic forces that led to the rise of American independent film, Cinema of Outsiders depicts the pivotal role of indie guru Robert Redford and his Sundance Film Festival in creating a showcase for indies, the function of film schools in supplying talent, and the continuous tension between indies and Hollywood as two distinct industries with their own structure, finance, talent and audience. Levy describes the major cycles in the indie film movement: regional cinema, the New York school of film, African-American, Asian American, gay and lesbian, and movies made by women. Based on exhaustive research of over 1,000 movies made between 1977 and 1999, Levy evaluates some 200 quintessential indies, including Choose Me, Stranger Than Paradise, Blood Simple, Blue Velvet, Desperately Seeking Susan, Slacker, Poison, Reservoir Dogs, Gas Food Lodging, Menace II Society, Clerks, In the Company of Men, Chasing Amy, The Apostle, The Opposite of Sex, and Happiness. Cinema of Outsiders reveals the artistic and political impact of bold and provocative independent movies in displaying the cinema of "outsiders"-the cinema of the "other America."
Author: Leslie C. Gates
Publisher: University of Pittsburgh Press
ISBN: 0822989697
Category : History
Languages : en
Pages : 206
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Book Description
Social polarization has roiled neoliberal political establishments but has rarely culminated in electoral victories for anticapitalist outsiders. Instead, outsiders who accommodate capitalists often prevail. Capitalist Outsiders revisits celebrated exemplars of Latin American populism in Mexico and Venezuela to shed light on this phenomenon. It reveals how anticorruption campaigns boosted Mexico’s neoliberal-era capitalist outsider by drowning out salacious corporate scandals; how Venezuela’s apparently enlightened capitalist outsiders of the 1940s relied on segregationist, punitive labor relations; and how corporate insiders of Venezuela’s neoliberal political establishment unwittingly validated the anticapitalist Hugo Chávez as the true outsider. It weaves together these case studies to reveal an unlikely common origin for capitalist outsiders in both countries: their sequential insertion into global oil production and Mexico’s early twentieth-century radical oil workers. Capitalist Outsiders moves beyond cataloging “populist” traits and tactics or devising the institutions that might avert their rise. Instead, it specifies the distinct social bases of capitalist vs. anticapitalist outsiders. It exposes how a nation’s earlier incorporation into the capitalist world economy casts a long shadow over neoliberal-era outsider politics.
Author: Paul Raymond Trebilco
Publisher: Cambridge University Press
ISBN: 1108311326
Category : Religion
Languages : en
Pages : 371
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Book Description
What terms did early Christians use for outsiders? How did they refer to non-members? In this book-length investigation of these questions, Paul Trebilco explores the outsider designations that the early Christians used in the New Testament. He examines a range of terms, including unbelievers, 'outsiders', sinners, Gentiles, Jews, among others. Drawing on insights from social identity theory, sociolinguistics, and the sociology of deviance, he investigates the usage and development of these terms across the New Testament, and also examines how these outsider designations function in boundary construction across several texts. Trebilco's analysis leads to new conclusions about the identity and character of the early Christian movement, the range of relations between early Christians and outsiders, and the theology of particular New Testament authors.
Author: Deborah L. Rhode
Publisher: Oxford University Press, USA
ISBN: 0195165543
Category : Language Arts & Disciplines
Languages : en
Pages : 283
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Book Description
A past president of the Association of American Law Schools and senior counsel for the House Judiciary Committee during Clinton's impeachment proceedings, Rhode brings an insider's knowledge to the labyrinthine complexities of how the law works, or fails to work, for most Americans and often for lawyers themselves. She sheds much light on problems with the adversary system, the commercialization of practice, bar disciplinary processes, race and gender bias, and legal education.
Author:
Publisher:
ISBN:
Category : Trademarks
Languages : en
Pages : 1348
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Book Description
Author: Gina Robertiello
Publisher: Bloomsbury Publishing USA
ISBN: 1440843732
Category : Political Science
Languages : en
Pages : 385
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Book Description
Providing a timely and much-needed investigation of how U.S. law enforcement carries out its public safety and crime fighting mandates, this book is an invaluable resource for students, educators, and concerned citizens. Does America face an epidemic of police officers abusing their powers and disregarding constitutional rights, especially in communities of color? Or are such accusations unfair, especially given the enormous challenges of enforcing the law in 21st-century America? This book provides a unique frame of reference for understanding how some of the issues between the police and the public emerged, identifying events that have shaped current relationships between the police and the public, as well as the public's expectations and perceptions of the police. An authoritative resource for understanding modern law enforcement and its relationship with American communities, this volume addresses subjects including the legal underpinnings of various law enforcement actions and practices; the so-called militarization of police departments; the increased use of force and surveillance to combat crime and terrorism, and to generally "keep the peace"; and the perspectives of Black Lives Matter activists and other critics of American law enforcement. The entries provide readers with expert analysis of current topics related to the intensifying debate about the American police state; examine the scope of law enforcement issues that have existed for centuries, and explain why they continue to exist; and cover new mandates for exercising police power, enabling readers to critically analyze what is presented to them in the media. Included throughout the book are excerpts from important laws, speeches, reports, and studies pertaining to the subject of the use and abuse of police power in the United States
Author: Andrew Feffer
Publisher: Fordham Univ Press
ISBN: 0823281183
Category : Education
Languages : en
Pages : 320
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Book Description
In late summer 1940, as war spread across Europe and as the nation pulled itself out of the Great Depression, an anticommunist hysteria convulsed New York City. Targeting the city’s municipal colleges and public schools, the New York state legislature’s Rapp-Coudert investigation dragged hundreds of suspects before public and private tribunals to root out a perceived communist conspiracy to hijack the city’s teachers unions, subvert public education, and indoctrinate the nation’s youth. Drawing on the vast archive of Rapp-Coudert records, Bad Faith provides the first full history of this witch-hunt, which lasted from August 1940 to March 1942. Anticipating McCarthyism and making it possible, the episode would have repercussions for decades to come. In recapturing this moment in the history of prewar anticommunism, Bad Faith challenges assumptions about the origins of McCarthyism, the liberal political tradition, and the role of anticommunism in modern American life. With roots in the city’s political culture, Rapp-Coudert enjoyed the support of not only conservatives but also key liberal reformers and intellectuals who, well before the Cold War raised threats to national security, joined in accusing communists of “bad faith” and branded them enemies of American democracy. Exploring fundamental schisms between liberals and communists, Bad Faith uncovers a dark, “countersubversive” side of liberalism, which involved charges of misrepresentation, lying, and deception, and led many liberals to argue that the communist left should be excluded from American educational institutions and political life. This study of the Rapp-Coudert inquisition raises difficult questions about the good faith of the many liberals willing to aid and endorse the emerging Red scare, as they sacrificed principles of open debate and academic freedom in the interest of achieving what they believed would be effective modern government based on bipartisanship and a new and seemingly permanent economic prosperity.
Author:
Publisher: Government Printing Office
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 814
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Book Description
Black Americans in Congress, 1870-2007 provides a comprehensive history of the more than 120 African Americans who have served in the United States Congress from 1870 through 2007. Individual profiles are introduced by contextual essays that explain major events in congressional and U.S. history. Illustrated with many portraits, photographs, and charts. House Document 108-224. 3d edition. Edited by Matthew Wasniewski. Paperback edition. Questions that are answered include: How many African Americans have served in the U.S. Congress? How did Reconstruction, the Great Migration, and the post-World War II civil rights movement affect black Members of Congress? Who was the first African American to chair a congressional committee? Read about: Pioneers who overcame racial barriers, such as Oscar De Priest of Illinois, the first African American elected to Congress in the 20th century, and Shirley Chisholm of New York, the first black CongresswomanMasters of institutional politics, such as Augustus "Gus" Hawkins of California, Louis Stokes of Ohio, and Julian Dixon of CaliforniaNotables such as Civil War hero Robert Smalls of South Carolina, civil rights champion Adam Clayton Powell, Jr., of New York, and constitutional scholar Barbara Jordan of TexasAnd many more. Black Americans in Congress also includes: Pictures-including rarely seen historical images-of each African American who has served in CongressBibliographies and references to manuscript collections for each MemberStatistical graphs and chartsA comprehensive index Other related products: African Americans resources collection can be found here: https://bookstore.gpo.gov/catalog/african-americans Biographical Directory of the United States Congress, 1774-2005 can be found here: https://bookstore.gpo.gov/products/sku/052-071-01418-7 Women in Congress, 1917-2006 --Hardcover format can be found here: https://bookstore.gpo.gov/products/sku/052-070-07480-9 United States Congressional Serial Set, Serial No. 14903, House Document No. 223, Women in Congress, 1917-2006 is available here: https://bookstore.gpo.gov/products/sku/552-108-00040-0 Hispanic Americans in Congress, 1822-2012 --Print Hardcover format can be found here: https://bookstore.gpo.gov/products/sku/052-071-01563-9 --Print Paperback format can be found here: https://bookstore.gpo.gov/products/sku/052-071-01567-1 --ePub format available for Free download is available here: https://bookstore.gpo.gov/products/sku/052-300-00008-8 --MOBI format is available for Free download here: https://bookstore.gpo.gov/products/sku/052-300-00010-0
Author: David Stoll
Publisher: Routledge
ISBN: 042996613X
Category : Political Science
Languages : en
Pages : 385
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Book Description
Rigoberta Menchú is a living legend, a young woman who said that her odyssey from a Mayan Indian village to revolutionary exile was "the story of all poor Guatemalans." By turning herself into an everywoman, she became a powerful symbol for 500 years of indigenous resistance to colonialism. Her testimony, I, Rigoberta Menchú, denounced atrocities by the Guatemalan army and propelled her to the 1992 Nobel Peace Prize. But her story was not the eyewitness account that she claimed. In this hotly debated book, key points of which have been corroborated by the New York Times, David Stoll compares a cult text with local testimony from Rigoberta Menchú's hometown. His reconstruction of her story goes to the heart of debates over political correctness and identity politics and provides a dramatic illustration of the rebirth of the sacred in the postmodern academy. This expanded edition includes a new foreword from Elizabeth Burgos, the editor of I, Rigoberta Menchú, as well as a new afterword from Stoll, who discusses Rigoberta Menchú's recent bid for the Guatemalan presidency and addresses the many controversies and debates that have arisen since the book was first published.
Author: Colin Rhodes
Publisher: Thames & Hudson
ISBN: 050077756X
Category : Art
Languages : en
Pages : 416
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Book Description
The updated edition of this comprehensive overview of outsider art, distinguished by its wider international scope and inclusion of global developments since 2000. Outsider art is the work produced outside the mainstream of modern art by self-taught, untrained visionaries, spiritualists, recluses, folk artists, psychiatric patients, prisoners, and others beyond the imposed margins of society and the art market. Coined by Roger Cardinal in 1972, the term was intended as an English equivalent to Jean Dubuffet’s “art brut”—literally “raw art,” “uncooked” by culture, unaffected by fashion, unmoved by artistic standards. In this comprehensive and indispensable guide, Colin Rhodes surveys the history and reception of outsider art—first championed by Dubuffet and the Surrealists, now appreciated by a wider public. This volume provides fresh insights into the achievements of both major figures and newly discovered artists, as well as the emergence of specialized studios, as the relationship between outsider art and the contemporary mainstream art world has developed and become more intertwined. From spirit-guided Madge Gill and schizophrenic Adolf Wölfli, to Rosemarie Koczy’s expressions of trauma and Nek Chand’s outdoor creations, these individuals passionately pursue the pictorial expression of their vision. Now illustrated in full color, with the exception of some archival photographs, this new edition has been substantially revised with a greater focus on global outsider art, as well as including more recent talents to the field.
