Author: Kevin Miller
Publisher: Mel Bay Publications
ISBN: 151347300X
Category : Music
Languages : en
Pages : 37
Book Description
Since the arrival on the jazz scene of the mercurial John Coltrane, more and more jazz guitarists are looking to saxophonists for inspiration in terms of linear soloing concepts. As improvisers, saxophonists and all woodwind players have a certain advantage in that the keys on their instruments are arranged linearly with one or two chromatic pitches associated with each finger. Compared to the sax, the note locations on the guitar fretboard are much less intuitive. It seems a natural process then, for guitarists to gain fluency in improvisation by studying saxophone lines and articulation techniques. Kevin Miller has studied with several stellar teachers including Vic Juris and Rodney Jones. His knowledge of jazz history and the linear and harmonic techniques of non-guitarist giants of jazz like McCoy Tyner and John Coltrane is truly impressive. He is also very adept at transcribing and analyzing the chords and modal scales used in saxophone solos and making them palatable to guitarists in notation and tablature. Miller brings it all to bear in this book, focusing on scales and patterns that venture “outside” of a tune’s harmonic structure for at least part of the time, but usually settle back into the harmonic and rhythmic groove. Not only is the information made accessible through numerous transcriptions of saxophone lines and techniques, Miller provides ways to internalize this material so it can be used “without having to think about it or force it” in spontaneous improvisation.
Outside Sounds and Substitutions for Modern Jazz Guitar
Author: Kevin Miller
Publisher: Mel Bay Publications
ISBN: 151347300X
Category : Music
Languages : en
Pages : 37
Book Description
Since the arrival on the jazz scene of the mercurial John Coltrane, more and more jazz guitarists are looking to saxophonists for inspiration in terms of linear soloing concepts. As improvisers, saxophonists and all woodwind players have a certain advantage in that the keys on their instruments are arranged linearly with one or two chromatic pitches associated with each finger. Compared to the sax, the note locations on the guitar fretboard are much less intuitive. It seems a natural process then, for guitarists to gain fluency in improvisation by studying saxophone lines and articulation techniques. Kevin Miller has studied with several stellar teachers including Vic Juris and Rodney Jones. His knowledge of jazz history and the linear and harmonic techniques of non-guitarist giants of jazz like McCoy Tyner and John Coltrane is truly impressive. He is also very adept at transcribing and analyzing the chords and modal scales used in saxophone solos and making them palatable to guitarists in notation and tablature. Miller brings it all to bear in this book, focusing on scales and patterns that venture “outside” of a tune’s harmonic structure for at least part of the time, but usually settle back into the harmonic and rhythmic groove. Not only is the information made accessible through numerous transcriptions of saxophone lines and techniques, Miller provides ways to internalize this material so it can be used “without having to think about it or force it” in spontaneous improvisation.
Publisher: Mel Bay Publications
ISBN: 151347300X
Category : Music
Languages : en
Pages : 37
Book Description
Since the arrival on the jazz scene of the mercurial John Coltrane, more and more jazz guitarists are looking to saxophonists for inspiration in terms of linear soloing concepts. As improvisers, saxophonists and all woodwind players have a certain advantage in that the keys on their instruments are arranged linearly with one or two chromatic pitches associated with each finger. Compared to the sax, the note locations on the guitar fretboard are much less intuitive. It seems a natural process then, for guitarists to gain fluency in improvisation by studying saxophone lines and articulation techniques. Kevin Miller has studied with several stellar teachers including Vic Juris and Rodney Jones. His knowledge of jazz history and the linear and harmonic techniques of non-guitarist giants of jazz like McCoy Tyner and John Coltrane is truly impressive. He is also very adept at transcribing and analyzing the chords and modal scales used in saxophone solos and making them palatable to guitarists in notation and tablature. Miller brings it all to bear in this book, focusing on scales and patterns that venture “outside” of a tune’s harmonic structure for at least part of the time, but usually settle back into the harmonic and rhythmic groove. Not only is the information made accessible through numerous transcriptions of saxophone lines and techniques, Miller provides ways to internalize this material so it can be used “without having to think about it or force it” in spontaneous improvisation.
Improvising Without Scales
Author: Carl Verheyen
Publisher: Mel Bay Publications
ISBN: 1610652339
Category : Music
Languages : en
Pages : 33
Book Description
In this remarkable book, Carl Verheyen teaches his philosophy and techniques for improvising. Rather than hashing out scales, Carl teaches how to play lines with strong melodic content. By approaching melodies through intervals and chord qualities, infinite lines can be generated. Carl stresses the importance of collecting lines that can be used in improvised settings. These lines and examples will provide outstanding material for any guitarist yearning for melodic ideas and inspiration. Presented in standard notation and tab.
Publisher: Mel Bay Publications
ISBN: 1610652339
Category : Music
Languages : en
Pages : 33
Book Description
In this remarkable book, Carl Verheyen teaches his philosophy and techniques for improvising. Rather than hashing out scales, Carl teaches how to play lines with strong melodic content. By approaching melodies through intervals and chord qualities, infinite lines can be generated. Carl stresses the importance of collecting lines that can be used in improvised settings. These lines and examples will provide outstanding material for any guitarist yearning for melodic ideas and inspiration. Presented in standard notation and tab.
Advanced Jazz Guitar Concepts
Author: Jens Larsen
Publisher: WWW.Fundamental-Changes.com
ISBN: 9781789330861
Category : Music
Languages : en
Pages : 76
Book Description
In Advanced Jazz Guitar Techniques jazz guitar virtuoso Jens Larsen provides more deep insights into the techniques and theory of contemporary jazz guitar. You'll discover a practical, no-nonsense guide to jazz guitar topics that have mystified even experienced jazz musicians - such as effective soloing with triad pairs, applying quartal harmony, how and when to use altered scales, and much more! Master the advanced guitar techniques and melodic concepts you've heard in the music of everyone from Charlie Parker and Wes Montgomery, to Kurt Rosenwinkel, Michael Brecker and Mike Moreno. Jens Larsen gets to the heart of modern jazz guitar playing to focus on the techniques and theory that will set your playing apart from the crowd. His new jazz guitar book teaches how to create quartal arpeggio licks that combine the old-school cool jazz vocabulary of McCoy Tyner and John Coltrane with the modern sounds of Gilad Hekselman, Jonathan Kriesberg and Mike Moreno.
Publisher: WWW.Fundamental-Changes.com
ISBN: 9781789330861
Category : Music
Languages : en
Pages : 76
Book Description
In Advanced Jazz Guitar Techniques jazz guitar virtuoso Jens Larsen provides more deep insights into the techniques and theory of contemporary jazz guitar. You'll discover a practical, no-nonsense guide to jazz guitar topics that have mystified even experienced jazz musicians - such as effective soloing with triad pairs, applying quartal harmony, how and when to use altered scales, and much more! Master the advanced guitar techniques and melodic concepts you've heard in the music of everyone from Charlie Parker and Wes Montgomery, to Kurt Rosenwinkel, Michael Brecker and Mike Moreno. Jens Larsen gets to the heart of modern jazz guitar playing to focus on the techniques and theory that will set your playing apart from the crowd. His new jazz guitar book teaches how to create quartal arpeggio licks that combine the old-school cool jazz vocabulary of McCoy Tyner and John Coltrane with the modern sounds of Gilad Hekselman, Jonathan Kriesberg and Mike Moreno.
Extended Scale Playing for Guitar
Author: Joe Puma
Publisher: Hal Leonard Publishing Corporation
ISBN: 9780793516865
Category : Guitar music
Languages : en
Pages : 0
Book Description
(Guitar). The sliding first finger technique presented in this book will give players a new and broader outlook on the guitar. This book explores a variety of scales - major, minor, half-tone/whole-tone - and includes an introduction.
Publisher: Hal Leonard Publishing Corporation
ISBN: 9780793516865
Category : Guitar music
Languages : en
Pages : 0
Book Description
(Guitar). The sliding first finger technique presented in this book will give players a new and broader outlook on the guitar. This book explores a variety of scales - major, minor, half-tone/whole-tone - and includes an introduction.
Voicing Modes
Author: Noel Johnston
Publisher:
ISBN: 9781535303217
Category :
Languages : en
Pages : 182
Book Description
Introduction.Modes are often at first understood in relation to a parent scale. While this can be helpful as a starting point and for developing muscle memory, in practice it doesn't always point the player to the right chord tones in relation to the sound. In other words, it doesn't help make the changes.To use modes to make the changes, one must be able to relate the scale shape to a chord voicing - a chord voicing that outlines the essential few tones in a sea of seven notes. These voicings can vary depending on the amount of color desired. The color desired is dependent on musical style/genre, and whether or not the chord is functional in a progression or static in its modality.These essential tones are not always 1,3,5,7 (tertian harmony - stacked in 3rds).While most chords in jazz and improv-based music are expressed in one of four tertian-voicing archetypes (Major, Minor, Dominant, or Diminished) - this is a false tetrachotomy. There are more than four.To capture some other sounds that many composers intend, especially in compositions written in the last 50 years (and in Classical music, 150 years) one must add a few other archetypes. While those indicated in this book are not exhaustive, they will open your ears to other ways of expressing harmony while still staying true to the key center.While exploring other ways to voice the modes, keep in mind that these are not just for comping and soloing. Feel free to use them as a starting point for composition and reharmonization. The use of "pivot voicings" instead of just pivot chords can open up your understanding of harmonic relationships in multiple ways. Enjoy exploring.-NoelP. S. This book is way more fun if you use a looper pedal.Second edition notes: Typo corrections, clarifications, TAB added to all edudesThird edition notes: Additional etudes, expanded modal subs section, added blues chapterMore more info, charts, videos, and free web app: http: //noeljohnston.com/voicingmodes.ph
Publisher:
ISBN: 9781535303217
Category :
Languages : en
Pages : 182
Book Description
Introduction.Modes are often at first understood in relation to a parent scale. While this can be helpful as a starting point and for developing muscle memory, in practice it doesn't always point the player to the right chord tones in relation to the sound. In other words, it doesn't help make the changes.To use modes to make the changes, one must be able to relate the scale shape to a chord voicing - a chord voicing that outlines the essential few tones in a sea of seven notes. These voicings can vary depending on the amount of color desired. The color desired is dependent on musical style/genre, and whether or not the chord is functional in a progression or static in its modality.These essential tones are not always 1,3,5,7 (tertian harmony - stacked in 3rds).While most chords in jazz and improv-based music are expressed in one of four tertian-voicing archetypes (Major, Minor, Dominant, or Diminished) - this is a false tetrachotomy. There are more than four.To capture some other sounds that many composers intend, especially in compositions written in the last 50 years (and in Classical music, 150 years) one must add a few other archetypes. While those indicated in this book are not exhaustive, they will open your ears to other ways of expressing harmony while still staying true to the key center.While exploring other ways to voice the modes, keep in mind that these are not just for comping and soloing. Feel free to use them as a starting point for composition and reharmonization. The use of "pivot voicings" instead of just pivot chords can open up your understanding of harmonic relationships in multiple ways. Enjoy exploring.-NoelP. S. This book is way more fun if you use a looper pedal.Second edition notes: Typo corrections, clarifications, TAB added to all edudesThird edition notes: Additional etudes, expanded modal subs section, added blues chapterMore more info, charts, videos, and free web app: http: //noeljohnston.com/voicingmodes.ph
Martin Taylor Beyond Chord Melody
Author: Martin Taylor
Publisher: Fundamental Changes Limited
ISBN: 9781911267829
Category : Music
Languages : en
Pages : 98
Book Description
Beyond Chord Melody with Martin Taylor MBE condenses over 40 years of playing expertise and insight into this beautiful jazz guitar book. Learn from the internationally acclaimed master of jazz chord melody guitar as he guides you through his 7-step method to creating your own guitar arrangements. Includes free audio and bonus video lessons
Publisher: Fundamental Changes Limited
ISBN: 9781911267829
Category : Music
Languages : en
Pages : 98
Book Description
Beyond Chord Melody with Martin Taylor MBE condenses over 40 years of playing expertise and insight into this beautiful jazz guitar book. Learn from the internationally acclaimed master of jazz chord melody guitar as he guides you through his 7-step method to creating your own guitar arrangements. Includes free audio and bonus video lessons
Jazz Guitar Voicings -
Author: Randy Vincent
Publisher: "O'Reilly Media, Inc."
ISBN: 1457101378
Category : Music
Languages : en
Pages : 135
Book Description
Have you ever wondered how guitarists like Joe Pass, Jim Hall and Wes Montgomery find such full, luscious voicings for their chord melody playing? Well, much of that sound is based on the "Drop 2" principle of chord voicings. In this book, veteran guitarist Randy Vincent explains exactly how you can get that same sound too. Endorsed by Julian Lage, John Stowell, Larry Koonse, etc.
Publisher: "O'Reilly Media, Inc."
ISBN: 1457101378
Category : Music
Languages : en
Pages : 135
Book Description
Have you ever wondered how guitarists like Joe Pass, Jim Hall and Wes Montgomery find such full, luscious voicings for their chord melody playing? Well, much of that sound is based on the "Drop 2" principle of chord voicings. In this book, veteran guitarist Randy Vincent explains exactly how you can get that same sound too. Endorsed by Julian Lage, John Stowell, Larry Koonse, etc.
Introduction to Jazz Guitar Soloing
Author: Joe Elliott
Publisher: Hal Leonard Corporation
ISBN: 9780634009709
Category : Music
Languages : en
Pages : 108
Book Description
(Musicians Institute Press). Perfect for seasoned rockers seeking new challenges and jazz newcomers looking for a good start, this book/CD pack covers scales, chords, licks, techniques and other vital jazz improv concepts step by step. The accompanying CD features 65 full-band demo and play-along tracks.
Publisher: Hal Leonard Corporation
ISBN: 9780634009709
Category : Music
Languages : en
Pages : 108
Book Description
(Musicians Institute Press). Perfect for seasoned rockers seeking new challenges and jazz newcomers looking for a good start, this book/CD pack covers scales, chords, licks, techniques and other vital jazz improv concepts step by step. The accompanying CD features 65 full-band demo and play-along tracks.
Joe Pass Guitar Style
Author: Joe Pass
Publisher: Mel Bay Publications
ISBN: 1609749081
Category : Music
Languages : en
Pages : 61
Book Description
This is the internationally acclaimed Joe Pass guitar method in which Joe displays his mastery of the jazz guitar. Part One/Harmony, is divided into five sections on chord construction, embellishment, substitution, connection, and symmetric chords. Part Two/Melody, is divided into twelve sections, including chord scales, altered scales, ear training, whole tone scales, chord resolutions, improvising, blues, minor blues, modern blues, rhythm changes, 3/4 blues, and includes a transcribed solo recorded by Joe on his album for Django.
Publisher: Mel Bay Publications
ISBN: 1609749081
Category : Music
Languages : en
Pages : 61
Book Description
This is the internationally acclaimed Joe Pass guitar method in which Joe displays his mastery of the jazz guitar. Part One/Harmony, is divided into five sections on chord construction, embellishment, substitution, connection, and symmetric chords. Part Two/Melody, is divided into twelve sections, including chord scales, altered scales, ear training, whole tone scales, chord resolutions, improvising, blues, minor blues, modern blues, rhythm changes, 3/4 blues, and includes a transcribed solo recorded by Joe on his album for Django.
Modern Jazz Guitar Concepts
Author: JENS. LARSEN
Publisher: WWW.Fundamental-Changes.com
ISBN: 9781789330243
Category :
Languages : en
Pages : 70
Book Description
Learn modern jazz guitar and theory with virtuoso Jens Larsen
Publisher: WWW.Fundamental-Changes.com
ISBN: 9781789330243
Category :
Languages : en
Pages : 70
Book Description
Learn modern jazz guitar and theory with virtuoso Jens Larsen