Out of the Blues PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Out of the Blues PDF full book. Access full book title Out of the Blues by Wayne A. Mack. Download full books in PDF and EPUB format.
Author: Wayne A. Mack
Publisher: Focus Publishing (MN)
ISBN: 9781885904591
Category : Self-Help
Languages : en
Pages : 144
Get Book Here
Book Description
This book addresses a problem that nearly everyone faces at some time in their lives. If you are not facing it now, you know someone who is. Since it is so common, it is important to know how to deal with it as God intended. Seeking God's wisdom for life's problems means searching for it in scripture.
Author: Wayne A. Mack
Publisher: Focus Publishing (MN)
ISBN: 9781885904591
Category : Self-Help
Languages : en
Pages : 144
Get Book Here
Book Description
This book addresses a problem that nearly everyone faces at some time in their lives. If you are not facing it now, you know someone who is. Since it is so common, it is important to know how to deal with it as God intended. Seeking God's wisdom for life's problems means searching for it in scripture.
Author: Jack Kerouac
Publisher: Penguin
ISBN: 1101548800
Category : Poetry
Languages : en
Pages : 208
Get Book Here
Book Description
Best known for his "Legend of Duluoz" novels, including On the Road and The Dharma Bums, Jack Kerouac is also an important poet. In these eight extended poems, Kerouac writes from the heart of experience in the music of language, employing the same instrumental blues form that he used to fullest effect in Mexico City Blues, his largely unheralded classic of postmodern literature. Edited by Kerouac himself, Book of Blues is an exuberant foray into language and consciousness, rich with imagery, propelled by rythm, and based in a reverent attentiveness to the moment. "In my system, the form of blues choruses is limited by the small page of the breastpocket notebook in which they are written, like the form of a set number of bars in a jazz blues chorus, and so sometimes the word-meaning can carry from one chorus into another, or not, just like the phrase-meaning can carry harmonically from one chorus to the other, or not, in jazz, so that, in these blues as in jazz, the form is determined by time, and by the musicians spontaneous phrasing & harmonizing with the beat of time as it waves & waves on by in measured choruses." —Jack Kerouac
Author: Albert Murray
Publisher: U of Minnesota Press
ISBN: 1452956154
Category : Music
Languages : en
Pages : 341
Get Book Here
Book Description
In this classic work of American music writing, renowned critic Albert Murray argues beautifully and authoritatively that “the blues as such are synonymous with low spirits. Not only is its express purpose to make people feel good, which is to say in high spirits, but in the process of doing so it is actually expected to generate a disposition that is both elegantly playful and heroic in its nonchalance.” In Stomping the Blues Murray explores its history, influences, development, and meaning as only he can. More than two hundred vintage photographs capture the ambiance Murray evokes in lyrical prose. Only the sounds are missing from this lyrical, sensual tribute to the blues.
Author: Phil Pastras
Publisher: Univ of California Press
ISBN: 0520236874
Category : Biography & Autobiography
Languages : en
Pages : 276
Get Book Here
Book Description
"It is hard to say which makes for the more compelling narrative: the life of jazz great Jelly Roll Morton or the detective work that Phil Pastras undertook in putting together this engaging book. Dead Man Blues tells both these tales admirably, drawing on a treasure-trove of previously unknown material. It is both an important contribution to jazz scholarship and a fascinating piece of storytelling."—Ted Gioia, author of The History of Jazz and West Coast Jazz "Meticulously researched, including primary source material recently uncovered by the author, Dead Man Blues is not only a masterfully written, definitive account of Jelly Roll Morton's west coast years, but also a penetrating psychological and social study of the man and the forces that drove and shaped him."—Steve Isoardi, co-author of Central Avenue Sounds "A must-read for all jazz aficionados."—Gerald Wilson "One of the best books ever written about Jelly Roll Morton."—Gerald Wiggins, jazz pianist
Author: Mezz Mezzrow
Publisher: New York Review of Books
ISBN: 1590179455
Category : Biography & Autobiography
Languages : en
Pages : 465
Get Book Here
Book Description
Hailed as an “American counter-culture classic,” this “funny” and candid musical memoir offers a delicious glimpse into the 1930s jazz scene (The Wall Street Journal) Mezz Mezzrow was a boy from Chicago who learned to play the sax in reform school and pursued a life in music and a life of crime. He moved from Chicago to New Orleans to New York, working in brothels and bars, bootlegging, dealing drugs, getting hooked, doing time, producing records, and playing with the greats, among them Louis Armstrong, Bix Beiderbecke, and Fats Waller. Really the Blues—the jive-talking memoir that Mezzrow wrote at the insistence of, and with the help of, the novelist Bernard Wolfe—is the story of an unusual and unusually American life, and a portrait of a man who moved freely across racial boundaries when few could or did, “the odyssey of an individualist . . . the saga of a guy who wanted to make friends in a jungle where everyone was too busy making money.”
Author: Happy Traum
Publisher: Oak Publications
ISBN: 1783234539
Category : Music
Languages : en
Pages : 95
Get Book Here
Book Description
The Blues Bag is both a songbook and an instruction book. It is, first of all, an anthology of blues songs, some of which are very well known; others have (as far as I know) never been in print before. As such, it can be used simply as a vehicle for learning new songs, and providing the words and guitar chords for songs you already know. In addition, it provides for the learning guitarist fills, introductions, and turnarounds for the songs, as well as complete instrumental breaks for the majority of the blues presented in this collection. These breaks are written out both in standard music notation and guitar tablature.
Author: G. J. Meyer
Publisher: Dell
ISBN: 9780440507659
Category : Biography & Autobiography
Languages : en
Pages : 260
Get Book Here
Book Description
Jerry Meyer was a certified success story--the youngest-ever vice-president of McDonnell Douglas at the age of 40. At the age of 50, he was unemployed and on the flip side of that dream, a victim of corporate downsizing. His bewildering journey from corporate success to white-collar joblessness is a memoir that Fortune magazine called "brilliant, original, and raging".
Author: Kay Shirley
Publisher: Hal Leonard Publishing Corporation
ISBN: 9780793534616
Category : Music
Languages : en
Pages : 0
Get Book Here
Book Description
Author: Leslie Staub
Publisher: Houghton Mifflin Harcourt
ISBN: 0152063005
Category : Juvenile Nonfiction
Languages : en
Pages : 37
Get Book Here
Book Description
Simple, rhyming text reveals that "Blues Guy" visits everyone now and then, from rodeo clowns to scary bullies. Full color.
Author: Lynn Abbott
Publisher: Univ. Press of Mississippi
ISBN: 1496810031
Category : Music
Languages : en
Pages : 866
Get Book Here
Book Description
Blues Book of the Year —Living Blues Association of Recorded Sound Collections Awards for Excellence Best Historical Research in Recorded Blues, Gospel, Soul, or R&B–Certificate of Merit (2018) 2023 Blues Hall of Fame Inductee - Classic of Blues Literature category With this volume, Lynn Abbott and Doug Seroff complete their groundbreaking trilogy on the development of African American popular music. Fortified by decades of research, the authors bring to life the performers, entrepreneurs, critics, venues, and institutions that were most crucial to the emergence of the blues in black southern vaudeville theaters; the shadowy prehistory and early development of the blues is illuminated, detailed, and given substance. At the end of the nineteenth century, vaudeville began to replace minstrelsy as America’s favorite form of stage entertainment. Segregation necessitated the creation of discrete African American vaudeville theaters. When these venues first gained popularity, ragtime coon songs were the standard fare. Insular black southern theaters provided a safe haven, where coon songs underwent rehabilitation and blues songs suitable for the professional stage were formulated. The process was energized by dynamic interaction between the performers and their racially-exclusive audience. The first blues star of black vaudeville was Butler “String Beans” May, a blackface comedian from Montgomery, Alabama. Before his bizarre, senseless death in 1917, String Beans was recognized as the “blues master piano player of the world.” His musical legacy, elusive and previously unacknowledged, is preserved in the repertoire of country blues singer-guitarists and pianists of the race recording era. While male blues singers remained tethered to the role of blackface comedian, female “coon shouters” acquired a more dignified aura in the emergent persona of the “blues queen.” Ma Rainey, Bessie Smith, and most of their contemporaries came through this portal; while others, such as forgotten blues heroine Ora Criswell and her protégé Trixie Smith, ingeniously reconfigured the blackface mask for their own subversive purposes. In 1921 black vaudeville activity was effectively nationalized by the Theater Owners Booking Association (T.O.B.A.). In collaboration with the emergent race record industry, T.O.B.A. theaters featured touring companies headed by blues queens with records to sell. By this time the blues had moved beyond the confines of entertainment for an exclusively black audience. Small-time black vaudeville became something it had never been before—a gateway to big-time white vaudeville circuits, burlesque wheels, and fancy metropolitan cabarets. While the 1920s was the most glamorous and remunerative period of vaudeville blues, the prior decade was arguably even more creative, having witnessed the emergence, popularization, and early development of the original blues on the African American vaudeville stage.
