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Author: Zdzislaw Zygulski
Publisher: New York University Press
ISBN:
Category : Art
Languages : en
Pages : 224
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Book Description
This book provides a rare and authoritative glimpse at the splendid decorative military art of the Ottomans, and art that is both insufficiently known and insufficiently appreciated. Professor Zygulski describes in detail masterpieces from collections around the world, including the Topkapi Saray Museum in Istanbul, the National Museum In Cracow, the Freer Gallery of Art in Washington D.C., the Nationalbibliothek in Vienna, and elsewhere.
Author: Zdzislaw Zygulski
Publisher: New York University Press
ISBN:
Category : Art
Languages : en
Pages : 224
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Book Description
This book provides a rare and authoritative glimpse at the splendid decorative military art of the Ottomans, and art that is both insufficiently known and insufficiently appreciated. Professor Zygulski describes in detail masterpieces from collections around the world, including the Topkapi Saray Museum in Istanbul, the National Museum In Cracow, the Freer Gallery of Art in Washington D.C., the Nationalbibliothek in Vienna, and elsewhere.
Author: Zdzisław Żygulski
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Gönül Öney
Publisher: Museum With No Frontiers, MWNF (Museum Ohne Grenzen)
ISBN: 3902782218
Category : Travel
Languages : en
Pages : 374
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Book Description
Author: Aysegul Komsuoglu
Publisher:
ISBN: 9786050707878
Category :
Languages : en
Pages : 0
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Book Description
In the 19th century, the Ottoman Empire's social, economic, military, and political structures changed. Military officers began to study the Western nations' technical and institutional structures to understand and resolve the causes of recent defeats and subsequent loss of land. Modernization efforts that began in the military field evolved into a movement to modernize all institutional structures. The Empire's intention to adapt to a rapidly changing world was evident in the widespread modernization of all fields, from art and agriculture to education and transportation. The reforms had some peculiar features. One such feature is continuity between old and new structures. During this time, modernization caused an abrupt change in art. The most significant change was the institutionalization of plastic, visual, and performing arts. Many art institutions were founded between the second half of the 19th century and the first half of the 20th century. New regulations were drafted to modernize art foundations. Musical ensembles were converted into formal establishments. However, these new establishments did not replace either old structures and educational systems or their traditional elements. This coexistence of old and new allowed for continuity between the two, enabling different "worlds" to exist simultaneously. It also allowed different forms and mentalities across the Ottoman world to merge. Artists and administrators familiar with old and new systems played an important role in the construction of continuity in the Empire. Another change was the politicization of art; for example, music was used to construct power symbols. Given its political use in the process of modernization of the Ottoman Empire, art can be seen as a significant component of the new Ottoman identity. "The Relationship between Art and Politics in the 19th Century Ottoman Empire: institutionalization, Change and Continuity" is an interdisciplinary reading of change and continuity in the Empire's period of modernization within the context of art and politics. We discuss how changes in the political, economic, and social spheres and the intervention of important figures and events affected various forms of art through different dynamics of change and continuity. The authors of this book are scholars working in different fields of the social sciences, bringing an interdisciplinary approach to the subject matter.
Author: Aysegul Komsuoglu
Publisher:
ISBN: 9786050707854
Category :
Languages : en
Pages : 0
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Book Description
In the 19th century, the Ottoman Empire's social, economic, military, and political structures changed. Military officers began to study the Western nations' technical and institutional structures to understand and resolve the causes of recent defeats and subsequent loss of land. Modernization efforts that began in the military field evolved into a movement to modernize all institutional structures. The Empire's intention to adapt to a rapidly changing world was evident in the widespread modernization of all fields, from art and agriculture to education and transportation. The reforms had some peculiar features. One such feature is continuity between old and new structures. During this time, modernization caused an abrupt change in art. The most significant change was the institutionalization of plastic, visual, and performing arts. Many art institutions were founded between the second half of the 19th century and the first half of the 20th century. New regulations were drafted to modernize art foundations. Musical ensembles were converted into formal establishments. However, these new establishments did not replace either old structures and educational systems or their traditional elements. This coexistence of old and new allowed for continuity between the two, enabling different "worlds" to exist simultaneously. It also allowed different forms and mentalities across the Ottoman world to merge. Artists and administrators familiar with old and new systems played an important role in the construction of continuity in the Empire. Another change was the politicization of art; for example, music was used to construct power symbols. Given its political use in the process of modernization of the Ottoman Empire, art can be seen as a significant component of the new Ottoman identity. "The Relationship between Art and Politics in the 19th Century Ottoman Empire: institutionalization, Change and Continuity" is an interdisciplinary reading of change and continuity in the Empire's period of modernization within the context of art and politics. We discuss how changes in the political, economic, and social spheres and the intervention of important figures and events affected various forms of art through different dynamics of change and continuity. The authors of this book are scholars working in different fields of the social sciences, bringing an interdisciplinary approach to the subject matter.
Author: Peter H. Christensen
Publisher: Yale University Press
ISBN: 0300228473
Category : Transportation
Languages : en
Pages : 205
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Book Description
The complex political and cultural relationship between the German state and the Ottoman Empire is explored through the lens of the Ottoman Railway network, its architecture, and material culture With lines extending from Bosnia to Baghdad to Medina, the Ottoman Railway Network (1868–1919) was the pride of the empire and its ultimate emblem of modernization—yet it was largely designed and bankrolled by German corporations. This exemplifies a uniquely ambiguous colonial condition in which the interests of Germany and the Ottoman Empire were in constant flux. German capitalists and cultural figures sought influence in the Near East, including access to archaeological sites such as Tell Halaf and Mshatta. At the same time, Ottoman leaders and laborers urgently pursued imperial consolidation. Germany and the Ottoman Railways explores the impact of these political agendas as well as the railways’ impact on the built environment. Relying on a trove of previously unpublished archival materials, including maps, plans, watercolors, and photographs, author Peter H. Christensen also reveals the significance of this major infrastructure project for the budding disciplines of geography, topography, art history, and archaeology.
Author: Charles Newton
Publisher: Victoria & Albert Museum
ISBN:
Category : Architecture
Languages : en
Pages : 136
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Book Description
In the sixteenth and seventeenth centuries, the Ottoman Empire was one of the world's great powers. Generations of travelers, explorers, traders, tourists, scientists and artists were drawn to these magical lands. Whether depictions of contemporary life in the bustling street, the court, the harem, or elegiac evocations of the ruins of antiquity, the hundred images selected here by artists from David Roberts and Edward Lear to John Frederick Lewis bring a largely vanished world vividly to life.
Author: Mary Roberts
Publisher: Univ of California Press
ISBN: 0520280539
Category : Art
Languages : en
Pages : 278
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Book Description
"A vibrant artistic milieu emerged in the late-nineteenth century Istanbul that was extremely heterogeneous, including Ottoman, Ottoman-Armenian, French, Italian, British, Polish and Ottoman-Greek artists. Roberts analyzes the ways artistic output intersected with the broader political agenda of a modernizing Ottoman state. She draws on extensive original research, bringing together sources in Turkey, England, France, Italy, Armenia, Poland and Denmark. Five chapters each address a particular issue related to transcultural exchange across the east-west divide that is focused on a particular case study of art, artistic patronage, and art exhibitions in nineteenth-century Istanbul"--Provided by publisher.
Author: Wendy M. K. Shaw
Publisher:
ISBN: 9780755610792
Category : Painting, Modern
Languages : en
Pages : 224
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Book Description
Author: Elisabeth Ann Fraser
Publisher: Penn State University Press
ISBN: 9780271073200
Category : Artists
Languages : en
Pages : 0
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Book Description
Focusing on travel images and cross-cultural exchange, examines interactions between the Ottoman Empire and Europeans from 1774 to 1839, highlighting mutual dependence and reciprocity.
