Author: Eva Karcher
Publisher:
ISBN: 9783822819876
Category : Artists
Languages : en
Pages : 216

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Book Description
Om den tyske maler Otto Dix (1891-1969)

Author: Eva Karcher
Publisher: Crown
ISBN:
Category : Architecture
Languages : en
Pages : 108

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Book Description

Author: Otto Dix
Publisher:
ISBN: 9783775734912
Category : Art
Languages : en
Pages : 0

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Book Description
This is the first publication to illuminate Neue Sachlichkeit against the backdrop of the Weimar Republic and National Socialism. Dix's works--including the key Metropolis triptych (1928-29), the great psychological portraits, and, last but not least, the landscapes with their hidden symbolism, painted during the years he spent at Lake Constance--form the starting point for this exploration of his oeuvre. They are placed in a context with works of art by George Grosz, Rudolf Schlichter, and Christian Schad, creating a new perspective on this crucial chapter in German art history.

Author: Jill Lloyd
Publisher:
ISBN: 9780300043730
Category : Art
Languages : en
Pages : 267

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Book Description
Primitivism versus modernity: the expressionist dilemma - Politics of primitivism - Brucke bathers: back to nature - Max Pechstein's visionary ideas - Emil Nolded.

Author: Otto Dix
Publisher: Tate Publishing(UK)
ISBN:
Category : Art
Languages : en
Pages : 244

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Book Description
Accompanied exhibition held at the Tate Gallery, 11/3 - 17/5 1992.

Author: Michael Mackenzie
Publisher: German Visual Culture
ISBN: 9783034317238
Category : Art and society
Languages : en
Pages : 0

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Book Description
Otto Dix fought in the First World War for four years before becoming one of the most important artists of the Weimar era. This book takes Dix's very public, monumental works out of the isolation of the artist's studio and returns them to a context of public memorials, mass media depictions, and the communal search for meaning in the war.

Author: Stephanie Barron
Publisher: Prestel
ISBN: 9783791354316
Category : Art and society
Languages : en
Pages : 0

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Book Description
Between the end of World War I and the Nazi assumption of power, Germany's Weimar Republic (1919-1933) functioned as a thriving laboratory of art and culture. As the country experienced unprecedented and often tumultuous social, economic and political upheaval, many artists rejected Expressionism in favour of a new realism to capture this emerging society. Dubbed Neue Sachlichkeit - New Objectivity - its adherents turned a cold eye on the new Germany: its desperate prostitutes and crippled war veterans, its alienated urban landscapes, its decadent underworld where anything was available for a price. Showcasing 150 works by more than 50 artists, this book reflects the full diversity and strategies of this art form. Organised around five thematic sections, it mixes photography, works on paper and painting to bring them into a visual dialogue. Artists such as Otto Dix, George Grosz and Max Beckmann are included alongside figures such as Christian Schad, Alexander Kanoldt, Georg Schrimpf, August Sander, Lotte Jacobi and Aenne Biermann. Also included are numerous essays that examine the politics of New Objectivity and its legacy, the relation of this new realism to international art movements of the time; the context of gender roles and sexuality; and the influence of new technology and consumer goods. Published in association with the Los Angeles County Museum of Art. AUTHOR: Stephanie Barron is a Senior Curator and heads the Modern Art department at the Los Angeles Contemporary Museum of Art. Sabine Eckmann is the William T. Kemper Director and Chief Curator of the Mildred Lane Kemper Art Museum in St. Louis, Missouri. 300 colour illustrations

Author: Jörg Maaß, Kunsthandel (Berlin)
Publisher:
ISBN:
Category :
Languages : de
Pages : 72

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Book Description

Author: Maria Tatar
Publisher: Princeton University Press
ISBN: 0691216215
Category : Literary Criticism
Languages : en
Pages : 227

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Book Description
In a book that confronts our society's obsession with sexual violence, Maria Tatar seeks the meaning behind one of the most disturbing images of twentieth-century Western culture: the violated female corpse. This image is so prevalent in painting, literature, film, and, most recently, in mass media, that we rarely question what is at stake in its representation. Tatar, however, challenges us to consider what is taking place--both artistically and socially--in the construction and circulation of scenes depicting sexual murder. In examining images of sexual murder (Lustmord), she produces a riveting study of how art and murder have intersected in the sexual politics of culture from Weimar Germany to the present. Tatar focuses attention on the politically turbulent Weimar Republic, often viewed as the birthplace of a transgressive avant-garde modernism, where representations of female sexual mutilation abound. Here a revealing episode in the gender politics of cultural production unfolds as male artists and writers, working in a society consumed by fear of outside threats, envision women as enemies that can be contained and mastered through transcendent artistic expression. Not only does Tatar show that male artists openly identified with real-life sexual murderers--George Grosz posed as Jack the Ripper in a photograph where his model and future wife was the target of his knife--but she also reveals the ways in which victims were disavowed and erased. Tatar first analyzes actual cases of sexual murder that aroused wide public interest in Weimar Germany. She then considers how the representation of murdered women in visual and literary works functions as a strategy for managing social and sexual anxieties, and shows how violence against women can be linked to the war trauma, to urban pathologies, and to the politics of cultural production and biological reproduction. In exploring the complex relationship between victim and agent in cases of sexual murder, Tatar explains how the roles came to be destabilized and reversed, turning the perpetrator of criminal deeds into a defenseless victim of seductive evil. Throughout the West today, the creation of similar ideological constructions still occurs in societies that have only recently begun to validate the voices of its victims. Maria Tatar's book opens up an important discussion for readers seeking to understand the forces behind sexual violence and its portrayal in the cultural media throughout this century.

Author: Matthew Gale
Publisher: Tate
ISBN: 9781849765886
Category : Art
Languages : en
Pages : 0

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Book Description
Draws upon the German and Austrian paintings of the George Economou Collection to explore the vibrant art of magic realism, first coined by the German artist and critic Franz Roh in 1926, to describe a shift from the spiritual and anxious art of the Expressionist era, towards something more directly located in actuality