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Author: Orlando Gibbons
Publisher:
ISBN:
Category : Anthems
Languages : en
Pages : 408
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Book Description
Author: Orlando Gibbons
Publisher:
ISBN:
Category : Anthems
Languages : en
Pages : 408
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Book Description
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 396
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Book Description
Author: John Alexander Fuller-Maitland
Publisher: Courier Corporation
ISBN: 9780486210698
Category : Music
Languages : en
Pages : 570
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Book Description
"The most remarkable, and in many respects the most valuable collection of Elizabethan keyboard music." — Grove's Dictionary of Music and Musicians. Volume Two of the famous early 17th century collection of keyboard music features 300 airs, variations, fantasies, toccatas, pavanes, and more by Morley, Byrd, Bull, Gibbons, and others. Modern notation.
Author: Philip Brett
Publisher: Univ of California Press
ISBN: 0520247582
Category : Biography & Autobiography
Languages : en
Pages : 267
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Book Description
Publisher description
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 464
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Book Description
Author: Edmund H. Fellowes
Publisher: London : Oxford University Press
ISBN:
Category : Composers
Languages : en
Pages : 120
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Book Description
Author: Billy F Gibbons
Publisher: Motorbooks
ISBN: 0760367973
Category : Music
Languages : en
Pages : 227
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Book Description
Expanded on the occasion of ZZ Top’s 50th anniversary year, Billy F Gibbons: Rock + Roll Gearhead (first published in 2005) throws wide Gibbons’ garage and studio doors for an exclusive look at the exquisite vintage and way-out custom guitars and the influential hot rods and custom cars of the Grade-A Texas gearhead. From the near-mythical ’59 Les Paul sunburst known as “Pearly Gates” and the “Furry One” of MTV renown to cars like the Eliminator, CadZZilla, and Kopperhed, they’re all here—more than four dozen guitars and a dozen astounding vehicles, all expounded upon by BFG himself and shown in commissioned color photography. Cars and guitars that have made their way to light since first publication are included: Cars: Mexican Blackbird 1958 Thunderbird Custom Scions Quintana ’50 Ford Custom El Camino custom Whiskey Runner Ford Coupe ’51 Jeep Wagon Guitars: Party Peelers John Bolin Customs 1929 National Resonator 1929 Dixie Ukelele 1939 Rickenbacker Frying Pan …and more! While BFG’s cars ’n’ guitars are the stuff of legend, no less intriguing are the tales behind his incredible music career. From teenage Houston garage rocker to the Rock and Roll Hall of Fame, the whole story is between these covers, told in the Good Reverend Willie G’s own words and illustrated with photos and memorabilia from his personal archive. As with many rockers, Billy F Gibbons' jones for hot rods and customs is the stuff of legend. But beyond this bona fide bluesman's mastery of the six-string and unrepentant love for internal combustion is a noted collector whose own designs have manifested themselves in hundreds of mind-bending cars and guitars. This is the definitive and official record of that genius.
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 562
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Book Description
Author: Michael Stockwin Howard
Publisher: Gracewing Publishing
ISBN: 9780852445303
Category : Musicians
Languages : en
Pages : 164
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Book Description
Author: Nathaniel G. Lew
Publisher: Routledge
ISBN: 1317009878
Category : Music
Languages : en
Pages : 260
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Book Description
Long remembered chiefly for its modernist exhibitions on the South Bank in London, the 1951 Festival of Britain also showcased British artistic creativity in all its forms. In Tonic to the Nation, Nathaniel G. Lew tells the story of the English classical music and opera composed and revived for the Festival, and explores how these long-overlooked components of the Festival helped define English music in the post-war period. Drawing on a wealth of archival material, Lew looks closely at the work of the newly chartered Arts Council of Great Britain, for whom the Festival of Britain provided the first chance to assert its authority over British culture. The Arts Council devised many musical programs for the Festival, including commissions of new concert works, a vast London Season of almost 200 concerts highlighting seven centuries of English musical creativity, and several schemes to commission and perform new operas. These projects were not merely directed at bringing audiences to hear new and old national music, but to share broader goals of framing the national repertory, negotiating between the conflicting demands of conservative and progressive tastes, and using music to forge new national definitions in a changed post-war world.
