Author: Isaac Disraeli
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 342
Book Description
Curiosities of Literature
Bibliographical Notes on One Hundred Books Famous in English Literature
Author: Grolier Club
Publisher:
ISBN:
Category : Best books
Languages : en
Pages : 254
Book Description
Publisher:
ISBN:
Category : Best books
Languages : en
Pages : 254
Book Description
The Perfectibility of Man
Author: John Arthur Passmore
Publisher:
ISBN:
Category : Human beings
Languages : en
Pages : 408
Book Description
A careful examination and critique of various forms of the search for perfection in Western history from a liberal humanistic point of view which values diversity and caring.
Publisher:
ISBN:
Category : Human beings
Languages : en
Pages : 408
Book Description
A careful examination and critique of various forms of the search for perfection in Western history from a liberal humanistic point of view which values diversity and caring.
The Calamities and Quarrels of Authors
Author: Isaac Disraeli
Publisher:
ISBN:
Category : Authors
Languages : en
Pages : 364
Book Description
Publisher:
ISBN:
Category : Authors
Languages : en
Pages : 364
Book Description
A Collection of Familiar Quotations
Author: John Bartlett
Publisher:
ISBN:
Category : Quotations
Languages : en
Pages : 660
Book Description
Publisher:
ISBN:
Category : Quotations
Languages : en
Pages : 660
Book Description
Authority and Female Authorship in Colonial America
Author: William J. Scheick
Publisher: University Press of Kentucky
ISBN: 0813158591
Category : Literary Criticism
Languages : en
Pages : 164
Book Description
Should women concern themselves with reading other than the Bible? Should women attempt to write at all? Did these activities violate the hierarchy of the universe and men's and women's places in it? Colonial American women relied on the same authorities and traditions as did colonial men, but they encountered special difficulties validating themselves in writing. William Scheick explores logonomic conflict in the works of northeastern colonial women, whose writings often register anxiety not typical of their male contemporaries. This study features the poetry of Mary English and Anne Bradstreet, the letter-journals of Esther Edwards Burr and Sarah Prince, the autobiographical prose of Elizabeth Hanson and Elizabeth Ashbridge, and the political verse of Phyllis Wheatley. These works, along with the writings of other colonial women, provide especially noteworthy instances of bifurcations emanating from American colonial women's conflicted confiscation of male authority. Scheick reveals subtle authorial uneasiness and subtextual tensions caused by the attempt to draw legitimacy from male authorities and traditions.
Publisher: University Press of Kentucky
ISBN: 0813158591
Category : Literary Criticism
Languages : en
Pages : 164
Book Description
Should women concern themselves with reading other than the Bible? Should women attempt to write at all? Did these activities violate the hierarchy of the universe and men's and women's places in it? Colonial American women relied on the same authorities and traditions as did colonial men, but they encountered special difficulties validating themselves in writing. William Scheick explores logonomic conflict in the works of northeastern colonial women, whose writings often register anxiety not typical of their male contemporaries. This study features the poetry of Mary English and Anne Bradstreet, the letter-journals of Esther Edwards Burr and Sarah Prince, the autobiographical prose of Elizabeth Hanson and Elizabeth Ashbridge, and the political verse of Phyllis Wheatley. These works, along with the writings of other colonial women, provide especially noteworthy instances of bifurcations emanating from American colonial women's conflicted confiscation of male authority. Scheick reveals subtle authorial uneasiness and subtextual tensions caused by the attempt to draw legitimacy from male authorities and traditions.
Narratives of Low Countries History and Culture
Author: Jane Fenoulhet
Publisher: UCL Press
ISBN: 1910634972
Category : History
Languages : en
Pages : 252
Book Description
This edited collection explores the ways in which our understanding of the past in Dutch history and culture can be rethought to consider not only how it forms part of the present but how it can relate also to the future. Divided into three parts – The Uses of Myth and History, The Past as Illumination of Cultural Context, and Historiography in Focus – this book seeks to demonstrate the importance of the past by investigating the transmission of culture and its transformations. It reflects on the history of historiography and looks critically at the products of the historiographic process, such as Dutch and Afrikaans literary history. The chapters cover a range of disciplines and approaches: some authors offer a broad view of a particular period, such as Jonathan Israel's contribution on myth and history in the ideological politics of the Dutch Golden Age, while others zoom in on specific genres, texts or historical moments, such as Benjamin Schmidt’s study of the doolhof, a word that today means ‘labyrinth’ but once described a 17th-century educational amusement park. This volume, enlightening and home to multiple paths of enquiry leading in different directions, is an excellent example of what a past-present doolhof might look like.
Publisher: UCL Press
ISBN: 1910634972
Category : History
Languages : en
Pages : 252
Book Description
This edited collection explores the ways in which our understanding of the past in Dutch history and culture can be rethought to consider not only how it forms part of the present but how it can relate also to the future. Divided into three parts – The Uses of Myth and History, The Past as Illumination of Cultural Context, and Historiography in Focus – this book seeks to demonstrate the importance of the past by investigating the transmission of culture and its transformations. It reflects on the history of historiography and looks critically at the products of the historiographic process, such as Dutch and Afrikaans literary history. The chapters cover a range of disciplines and approaches: some authors offer a broad view of a particular period, such as Jonathan Israel's contribution on myth and history in the ideological politics of the Dutch Golden Age, while others zoom in on specific genres, texts or historical moments, such as Benjamin Schmidt’s study of the doolhof, a word that today means ‘labyrinth’ but once described a 17th-century educational amusement park. This volume, enlightening and home to multiple paths of enquiry leading in different directions, is an excellent example of what a past-present doolhof might look like.
The Old Printer and the Modern Press
Author: Charles Knight
Publisher: London : J. Murray
ISBN:
Category : Book industries and trade Great Britain History
Languages : en
Pages : 350
Book Description
Part I, "The old printer", is a revised edition of the author's "William Caxton", 1844; pt. II. "The modern press" is "a view of the progress of the press to our own day, especially in relation to ... cheap popular literature".
Publisher: London : J. Murray
ISBN:
Category : Book industries and trade Great Britain History
Languages : en
Pages : 350
Book Description
Part I, "The old printer", is a revised edition of the author's "William Caxton", 1844; pt. II. "The modern press" is "a view of the progress of the press to our own day, especially in relation to ... cheap popular literature".
Anna Seward and the End of the Eighteenth Century
Author: Claudia T. Kairoff
Publisher: JHU Press
ISBN: 1421406632
Category : Literary Criticism
Languages : en
Pages : 502
Book Description
A critical study of the prominent British poet’s work. Anna Seward and her career defy easy placement into the traditional periods of British literature. Raised to emulate the great poets John Milton and Alexander Pope, maturing in the Age of Sensibility, and publishing during the early Romantic era, Seward exemplifies the eighteenth-century transition from classical to Romantic. Claudia Thomas Kairoff’s excellent critical study offers fresh readings of Anna Seward's most important writings and firmly establishes the poet as a pivotal figure among late-century British writers. Reading Seward’s writing alongside recent scholarship on gendered conceptions of the poetic career, patriotism, provincial culture, sensibility, and the sonnet revival, Kairoff carefully reconsiders Seward's poetry and critical prose. Written as it was in the last decades of the eighteenth century, Seward’s work does not comfortably fit into the dominant models of Enlightenment-era verse or the tropes that characterize Romantic poetry. Rather than seeing this as an obstacle for understanding Seward’s writing within a particular literary style, Kairoff argues that this allows readers to see in Seward's works the eighteenth-century roots of Romantic-era poetry. Arguably the most prominent woman poet of her lifetime, Seward’s writings disappeared from popular and scholarly view shortly after her death. After nearly two hundred years of critical neglect, Seward is attracting renewed attention, and with this book Kairoff makes a strong and convincing case for including Anna Seward’s remarkable literary achievements among the most important of the late eighteenth century. “Professor Kairoff achieves her goal of providing “fresh readings, in a richer context,” which will go a long way toward reestablishing Seward’s importance. The book is a significant contribution to literary scholarship and will be widely read, cited, and admired.” —Paula R. Feldman “This lucid, stimulating study will challenge traditional notions not only of Seward but also of the interstice of Romanticism and late-century women authors.” —Choice “Kairoff effectively demonstrates the quality of Seward’s work, and articulates some of the ways in which a reappraisal of Seward might enrich our understanding of both eighteenth-century and Romantic-era literary cultures, and our conception of the writing practices of both male and female authors.” —Years Work in English Studies
Publisher: JHU Press
ISBN: 1421406632
Category : Literary Criticism
Languages : en
Pages : 502
Book Description
A critical study of the prominent British poet’s work. Anna Seward and her career defy easy placement into the traditional periods of British literature. Raised to emulate the great poets John Milton and Alexander Pope, maturing in the Age of Sensibility, and publishing during the early Romantic era, Seward exemplifies the eighteenth-century transition from classical to Romantic. Claudia Thomas Kairoff’s excellent critical study offers fresh readings of Anna Seward's most important writings and firmly establishes the poet as a pivotal figure among late-century British writers. Reading Seward’s writing alongside recent scholarship on gendered conceptions of the poetic career, patriotism, provincial culture, sensibility, and the sonnet revival, Kairoff carefully reconsiders Seward's poetry and critical prose. Written as it was in the last decades of the eighteenth century, Seward’s work does not comfortably fit into the dominant models of Enlightenment-era verse or the tropes that characterize Romantic poetry. Rather than seeing this as an obstacle for understanding Seward’s writing within a particular literary style, Kairoff argues that this allows readers to see in Seward's works the eighteenth-century roots of Romantic-era poetry. Arguably the most prominent woman poet of her lifetime, Seward’s writings disappeared from popular and scholarly view shortly after her death. After nearly two hundred years of critical neglect, Seward is attracting renewed attention, and with this book Kairoff makes a strong and convincing case for including Anna Seward’s remarkable literary achievements among the most important of the late eighteenth century. “Professor Kairoff achieves her goal of providing “fresh readings, in a richer context,” which will go a long way toward reestablishing Seward’s importance. The book is a significant contribution to literary scholarship and will be widely read, cited, and admired.” —Paula R. Feldman “This lucid, stimulating study will challenge traditional notions not only of Seward but also of the interstice of Romanticism and late-century women authors.” —Choice “Kairoff effectively demonstrates the quality of Seward’s work, and articulates some of the ways in which a reappraisal of Seward might enrich our understanding of both eighteenth-century and Romantic-era literary cultures, and our conception of the writing practices of both male and female authors.” —Years Work in English Studies
A Dictionary of Borges
Author: Evelyn Fishburn
Publisher: Bloomsbury Academic
ISBN:
Category : Literary Criticism
Languages : en
Pages : 294
Book Description
Opslagsværk, der omfatter den argentinske forfatter Jorge Luis Borges' (1899-1986) værker
Publisher: Bloomsbury Academic
ISBN:
Category : Literary Criticism
Languages : en
Pages : 294
Book Description
Opslagsværk, der omfatter den argentinske forfatter Jorge Luis Borges' (1899-1986) værker