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Author: Edward W. Said
Publisher: Vintage
ISBN: 0804153868
Category : Social Science
Languages : en
Pages : 434
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Book Description
A groundbreaking critique of the West's historical, cultural, and political perceptions of the East that is—three decades after its first publication—one of the most important books written about our divided world. "Intellectual history on a high order ... and very exciting." —The New York Times In this wide-ranging, intellectually vigorous study, Said traces the origins of "orientalism" to the centuries-long period during which Europe dominated the Middle and Near East and, from its position of power, defined "the orient" simply as "other than" the occident. This entrenched view continues to dominate western ideas and, because it does not allow the East to represent itself, prevents true understanding.
Author: Edward W. Said
Publisher: Vintage
ISBN: 0804153868
Category : Social Science
Languages : en
Pages : 434
Get Book Here
Book Description
A groundbreaking critique of the West's historical, cultural, and political perceptions of the East that is—three decades after its first publication—one of the most important books written about our divided world. "Intellectual history on a high order ... and very exciting." —The New York Times In this wide-ranging, intellectually vigorous study, Said traces the origins of "orientalism" to the centuries-long period during which Europe dominated the Middle and Near East and, from its position of power, defined "the orient" simply as "other than" the occident. This entrenched view continues to dominate western ideas and, because it does not allow the East to represent itself, prevents true understanding.
Author: Christine Peltre
Publisher:
ISBN: 9780789204592
Category : Art, European
Languages : en
Pages : 0
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Book Description
The romance and exoticism of the Orient, as captured by 19th-century European and American painters, are brought to life in this important volume. Nineteenth-century Europe was fascinated by the Orient. Napoleon's Egyptian campaign of 1798 initiated this phenomenon, and its history-the most notable episodes of which include the Greek uprising against the Turks in 1821 and the French taking of Algiers in 1830-was closely linked to changing attitudes toward the "Eastern question." Artists of the period, too, were captivated by these events, and the rich body of imagery they produced is the subject of this volume. Incorporating much recent research, author Christine Peltre's elegant text retraces Orientalism's artistic history, in which the French and British schools predominated. The "high poetry" of the Romantics' Orient, often inspired by Byron or Hugo, strove for dramatic effect, as the works of David Roberts, Alexandre-Gabriel Decamps, and Eugène Delacroix attest. A different brand of imagery was produced by the "ethnographic gaze" of the century's middle years, practiced by artists who visited the sites they represented, such as John Frederick Lewis, Eugène Fromentin, and Jean-Léon Gérôme, as well as by others who remained studio-bound, including J.-A.-D. Ingres and Adolphe Monticelli. Work of this kind was eventually superseded by a "third style,"a fusion of European and Eastern elements, as seen in the work of August Macke, Wassily Kandinsky, Paul Klee, and Henri Matisse. Witnesses to a history that they influenced in subtle ways through their imagery, the Orientalist painters also produced a history of their own, that of a spiritual and formal quest to find in the "East" the ideal of "primitive" purity. Illustrated with more than two hundred expertly selected Orientalist paintings and drawings, Orientalism in Art is an indispensable volume for art historians and anyone lured by the romance and exoticism of Orientalist art. AUTHOR Christine Peltre is professor of the history of contemporary art at the Université des Sciences Humaines in Strasbourg. The author of a book on the encounter of nineteenth-century European artists with Greece (Retour en Arcadie, 1997), she is also a specialist in Orientalism and has published widely on the subject (L'Atelier du voyage, 1995). ILLUSTRATIONS 220 illustrations
Author: John M. MacKenzie
Publisher: Manchester University Press
ISBN: 9780719045783
Category : Art
Languages : en
Pages : 266
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Book Description
The Orientalism debate, inspired by the work of Edward Said, has been a major source of cross-disciplinary controversy. This work offers a re-evaluation of this vast literature of Orientalism by a historian of imperalism, giving it a historical perspective
Author: Sara Raza
Publisher:
ISBN: 9781912165391
Category : Art
Languages : en
Pages : 176
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Book Description
Punk Orientalism explores the spaces and places associated with the former Soviet Union, focusing on the artists and ideas hailing from Central Asia and the Caucasus, which were long perceived as an extension, or "client" states, of the USSR. The theme of non-conformity and the punk rejection of state authority is a continuous thread throughout the book.
Author: Gerald M. Ackerman
Publisher: M Shafik Gabr
ISBN: 9782867701924
Category : Orientalism in art
Languages : en
Pages : 0
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Book Description
Shafik Gabr started his collection of Orientalist art in 1993. His collection comprises some of the finest examples of the greatest masters of Orientalism.
Author: Ian Richard Netton
Publisher: Routledge
ISBN: 0415538548
Category : History
Languages : en
Pages : 322
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Book Description
The publication of Edward Said’s Orientalism in 1978 marks the inception of orientalism as a discourse. Since then, Orientalism has remained highly polemical and has become a widely employed epistemological tool. Three decades on, this volume sets out to survey, analyse and revisit the state of the Orientalist debate, both past and present. The leitmotiv of this book is its emphasis on an intimate connection between art, land and voyage. Orientalist art of all kinds frequently derives from a consideration of the land which is encountered on a voyage or pilgrimage, a relationship which, until now, has received little attention. Through adopting a thematic and prosopographical approach, and attempting to locate the fundamentals of the debate in the historical and cultural contexts in which they arose, this book brings together a diversity of opinions, analyses and arguments.
Author: Kristian Davies
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 312
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Book Description
The Orientalists pursues the mid to late 19th century, when American and European artists traveled and painted throughout the Holy Land and India. The highly cinematic images they created suggest a great influence on modern visual culture.
Author: Ali Behdad
Publisher: Getty Publications
ISBN: 1606062670
Category : Photography
Languages : en
Pages : 226
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Book Description
The Middle East played a critical role in the development of photography as a new technology and an art form. Likewise, photography was instrumental in cultivating and maintaining Europe’s distinctively Orientalist vision of the Middle East. As new advances enhanced the versatility of the medium, nineteenth-century photographers were able to mass-produce images to incite and satisfy the demands of the region’s burgeoning tourist industry and the appetites of armchair travelers in Europe. In this way, the evolution of modern photography fueled an interest in visual contact with the rest of the world. Photography’s Orientalism offers the first in-depth cultural study of the works of European and non- European photographers active in the Middle East and India, focusing on the relationship between photographic, literary, and historical representations of this region and beyond. The essays explore the relationship between art and politics by considering the connection between the European presence there and aesthetic representations produced by traveling and resident photographers, thereby contributing to how the history of photography is understood.
Author: Jill Beaulieu
Publisher: Duke University Press
ISBN: 9780822328742
Category : Art
Languages : en
Pages : 248
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Book Description
DIVA collection of essays that develop ways of doing postcolonial studies in art history./div
Author: Aliya Abykayeva-Tiesenhausen
Publisher: Bloomsbury Publishing
ISBN: 1838608133
Category : Art
Languages : en
Pages : 306
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Book Description
In the midst of the space race and nuclear age, Soviet Realist artists were producing figurative oil paintings. Why? How was art produced to control and co-opt the peripheries of the Soviet Union, particularly Central Asia? Presenting the 'untold story' of Soviet Orientalism, Aliya Abykayeva-Tiesenhausen re-evaluates the imperial project of the Soviet state, placing the Orientalist undercurrent found within art and propaganda production in the USSR alongside the creation of new art forms in Kazakhstan, Kyrgyzstan and Uzbekistan. From the turmoil of the 1930s through to the post-Stalinist era, the author draws on meticulous new research and rich illustrations to examine the political and social structures in the Soviet Union - and particularly Soviet Central Asia - to establish vital connections between Socialist Realist visual art, the creation of Soviet identity and later nationalist sentiments.
