Oriental Ceramics, the World's Great Collections: Iran Bastan Museum, Teheran PDF Download
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Author: Firouz Bagherzadeh
Publisher: Kodansha
ISBN:
Category : Art museums
Languages : en
Pages : 176
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Book Description
Author: Firouz Bagherzadeh
Publisher: Kodansha
ISBN:
Category : Art museums
Languages : en
Pages : 176
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Book Description
Author: Oliver Watson
Publisher: Yale University Press
ISBN: 0300254288
Category : Art
Languages : en
Pages : 529
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Book Description
A beautifully illustrated showcase of the rich and varied ceramic tradition of Iran Featuring a broad selection of objects from one of the most distinguished collections of Iranian art, this volume brings together over 1,000 years of Persian Islamic pottery. With more than 500 illustrations, authoritative technical treatises, and insightful commentary, Ceramics of Iran assembles a collection of rarely seen treasures from the Persian world and presents a collective history of its renowned ceramic tradition. Included among its comprehensive catalogue entries are numerous translations of the object’s inscriptions, providing readers with a richer and more detailed understanding of the cultural heritage from which these items are derived. In addition, the book contains new research and material from previously unknown sites. Featuring all new photography of nearly 250 objects, Ceramics of Iran brings the extraordinary contributions of Persian art into a wider historical context, along with a wealth of images to demonstrate the full scope of its intricate beauty.
Author: Robert Hillenbrand
Publisher: Pindar Press
ISBN: 1915837154
Category : Art
Languages : en
Pages : 531
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Book Description
Islamic artists channelled their energies not into easel painting and large-scale sculpture, but rather into what Western scholars, obeying a very different hierarchy of art forms, rather disparagingly term the decorative arts or even the minor arts. In point of fact, some of the greatest masterpieces of Islamic art are in the media of ceramics, metalwork, textiles, ivory and glass. Often the images they bear express a complex set of meanings, for Islam inherited much material from the iconographic systems of earlier civilizations, notably those of the ancient Near East and of the classical world. Islam also developed its own distinctive vocabulary of signs and symbols. Accordingly, questions of iconography and meaning bulk large among the studies gathered together in the present volume. These studies, written over a period of almost thirty years, and taken from a wide variety of published sources, deal with aspects of the decorative arts from Spain to India and from the 7th to the 17th century. They focus in turn upon ceramics and metalwork; on coins, carpets and calligraphy; and on carving in wood and ivory. They are arranged under three headings. The first comprises general surveys of the field covering the content of these arts and confronting the challenges they present, such as the Islamic approach to three-dimensional sculpture. The second deals with questions of iconography and meaning, while the third comprises a series of studies devoted to specific media such as ivory, woodwork and numismatics. This volume therefore offers not only a general introduction to some of the problems posed by Islamic art, but also readings of key objects in an attempt to explore their meaning; and finally, an in-depth focus on individual objects representing specific genres and media.
Author: C. J. A. Jörg
Publisher: Philip Wilson Publishers, Limited
ISBN:
Category : Ceramics
Languages : en
Pages : 360
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Book Description
The Chinese ceramics in the Rijksmusuem comprise one of the finest but least known collections of Chinese porcelain in the world. This book is the first scholarly publication of the Ming and Qing export wares in the collection. The 400 pieces included, many published here for the first time, are described and illustrated in full color. These include Kraak and Transitional porcelains, a wide selection of Kangxi underglaze blue and polychrome ware, famille rose and other eighteenth-century enamelled wares. Also represented are Chine de commande, blanc de Chine and Yixing wares. In addition there is an important section of imperial wares and pieces made for the Chinese market which includes rare and unusual pieces.
Author: Sotheby's (Firm)
Publisher:
ISBN:
Category : Art, Chinese
Languages : en
Pages : 664
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Book Description
Author: Robert Hillenbrand
Publisher: Pindar Press
ISBN: 1915837146
Category : Art
Languages : en
Pages : 567
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Book Description
The studies collected in this volume, some of them rather difficult of access, date mostly from the last fifteen years and focus primarily on Persian book painting of the 14th to the early 16th centuries. In this period Iran dominated the art of book painting in the Islamic world. The articles reprinted here examine various aspects of this, the golden age of Persian painting. They range from the period of Mongol rule, when the impact of Far Eastern themes and modes radically transformed the heritage bequeathed to Iran by Arab painting - a textbook case of the clash of civilisations - to the dawn of the modern era and the swansong of the classical style of Persian painting under the early Safavids. Yet other articles focus on the roots of book painting in the themes and styles developed in painted ceramics, on medieval Qur'anic calligraphy, on bookbinding and on the remarkably original variations played on the hitherto hackneyed theme of the figural frontispiece by Arab painters. Two major leitmotifs are explored in this selection of essays. One is provided by the constantly varying interpretations of the Shahnama (The Book of Kings), the Persian national epic, and especially the tendency of painters to interpret this familiar text in terms of contemporary politics. The other is the interplay of text and image, which highlights the tendency of painters to strike out on their own and to leave the literal text progressively further behind while they develop plots and sub-plots of their own. These enquiries are set within the context of a concerted effort to explore in detail how Persian painters achieved their most spectacular visual effects. In its combination of general surveys and closely focused analyses of individual manuscripts, this collection of articles will be of interest to specialists in book painting and in Islamic art as a whole.
Author: Sotheby Parke Bernet (Hong Kong) Ltd
Publisher:
ISBN:
Category : Art, Chinese
Languages : en
Pages : 1004
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Book Description
Author: J. May Lee
Publisher:
ISBN:
Category : Ceramics, Chinese
Languages : en
Pages : 152
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Book Description
Author: Cyrus Ghani
Publisher: Routledge
ISBN: 1136144668
Category : Social Science
Languages : en
Pages : 762
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Book Description
First Published in 1987, this volume offers a bibliography of biographies, autobiographies and books on contemporary politics by prominent 20th century figures on the topic of Iran.
Author: Lloyd Ridgeon
Publisher: Gingko Library
ISBN: 1909942316
Category : Social Science
Languages : en
Pages : 617
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Book Description
Javanmardi is one of those Persian terms that is frequently mentions in discussions of Persian identity, and yet its precise meaning is difficult to comprehend. A number of equivalents have been offered, including chivalry and manliness, and while these terms are not incorrect, javanmardi transcends them. The concept encompasses character traits of generosity, selflessness, hospitality, bravery, courage, honesty, truthfulness and justice--and yet there are occasions when the exact opposite of these is required for one to be a javanmard. At times it would seem that being a javanmard is about knowing and doing the right thing, although this definition, too, falls short of the term's full meaning. The present collection is the product of a three-year project financed by the British Institute of Persian Studies on the theme of "Javanmardi in the Persianate world." The articles in this volume represent the sheer range, influence, and importance that the concept has had in creating and contributing to Persianate identities over the past one hundred and fifty years. The contributions are intentionally broad in scope. Rather than focus, for example, on medieval Sufi manifestations of javanmardi, both medieval and modern studies were encouraged, as were literary, artistic, archaeological, and sociological studies among others. The opening essays examine the concept’s origin in medieval history and legends throughout a geographical background that spans from modern Iran to Turkey, Armenia, and Bosnia, among both Muslim and Christian communities. Subsequent articles explore modern implications of javanmardi within such contexts as sportsmanship, political heroism, gender fluidity, cinematic representations, and the advent of digitalization.
