Author: Denise Gigante
Publisher: Yale University Press
ISBN: 0300155581
Category : Literary Criticism
Languages : en
Pages : 333
Book Description
Gigante offers a way to read ostensibly difficult poetry and reflects on the natural-philosophical idea of organic form and the discipline of literary studies.
Life
Cultivating a Movement
Author: Irene Reti
Publisher: University Library, Uc Santa Cruz
ISBN: 9780972334365
Category : Agricultural ecology
Languages : en
Pages : 326
Book Description
A synergistic web of visionary farmers, activists, educators, and researchers is transforming the food system in Central California and beyond. This sampling of narratives is drawn from the first extensive oral history of organic and sustainable farming. It documents a multifaceted and interdependent community of change-makers who speak for themselves, offering a window into the dynamic history of a movement.
Publisher: University Library, Uc Santa Cruz
ISBN: 9780972334365
Category : Agricultural ecology
Languages : en
Pages : 326
Book Description
A synergistic web of visionary farmers, activists, educators, and researchers is transforming the food system in Central California and beyond. This sampling of narratives is drawn from the first extensive oral history of organic and sustainable farming. It documents a multifaceted and interdependent community of change-makers who speak for themselves, offering a window into the dynamic history of a movement.
The Body and the Song
Author: Marilyn May Lombardi
Publisher: SIU Press
ISBN: 9780809318858
Category : Literary Criticism
Languages : en
Pages : 296
Book Description
In this original contribution to Elizabeth Bishop studies, Marilyn May Lombardi uses previously unpublished materials (letters, diaries, notebooks, and unfinished poems) to shed new light on the poet’s published work. She explores the ways Bishop’s lesbianism, alcoholism, allergic illnesses, and fear of mental instability affected her poetry—the ways she translated her bodily experiences into poetic form. A cornerstone of The Body and the Song is the poet’s thirty-year correspondence with her physician, Dr. Anny Baumann, who was both friend and surrogate mother to Bishop. The letters reveal Bishop’s struggles to understand the relation between her physical and creative drives. "Dr. Anny" also helped Bishop unravel the connections in her life between psychosomatic illness and early maternal deprivation—her mother was declared incurably insane and institutionalized in 1916, when Bishop was five years old. Effectively an orphan, she spent the rest of her childhood with relatives. In addition to these letters, Lombardi uses Bishop’s unpublished notebooks to demonstrate the poet’s resolve to "face the facts"—to confront her own emotional, intellectual, and physical frailties—and translate them into poetry that is clear-eyed and economical in its form. Lombardi argues that in her subtle way, Bishop explores the same issues that preoccupy the current generation of women writers. A deeply private artist, Bishop never directly refers to her homosexuality in her published work, but the metaphors she draws from her carnal desires and aversions confront stifling cultural prescriptions for personal and erotic expression. In choosing restraint over confession, Bishop parted company with her friend Robert Lowell, but Lombardi shows that her reticence becomes a powerful artistic strategy resulting in poetry remarkable for its hermeneutic potential. Informed by recent gender criticism, Lombardi’s lucid argument advances our understanding of the ways the material circumstances of life can be transformed into art.
Publisher: SIU Press
ISBN: 9780809318858
Category : Literary Criticism
Languages : en
Pages : 296
Book Description
In this original contribution to Elizabeth Bishop studies, Marilyn May Lombardi uses previously unpublished materials (letters, diaries, notebooks, and unfinished poems) to shed new light on the poet’s published work. She explores the ways Bishop’s lesbianism, alcoholism, allergic illnesses, and fear of mental instability affected her poetry—the ways she translated her bodily experiences into poetic form. A cornerstone of The Body and the Song is the poet’s thirty-year correspondence with her physician, Dr. Anny Baumann, who was both friend and surrogate mother to Bishop. The letters reveal Bishop’s struggles to understand the relation between her physical and creative drives. "Dr. Anny" also helped Bishop unravel the connections in her life between psychosomatic illness and early maternal deprivation—her mother was declared incurably insane and institutionalized in 1916, when Bishop was five years old. Effectively an orphan, she spent the rest of her childhood with relatives. In addition to these letters, Lombardi uses Bishop’s unpublished notebooks to demonstrate the poet’s resolve to "face the facts"—to confront her own emotional, intellectual, and physical frailties—and translate them into poetry that is clear-eyed and economical in its form. Lombardi argues that in her subtle way, Bishop explores the same issues that preoccupy the current generation of women writers. A deeply private artist, Bishop never directly refers to her homosexuality in her published work, but the metaphors she draws from her carnal desires and aversions confront stifling cultural prescriptions for personal and erotic expression. In choosing restraint over confession, Bishop parted company with her friend Robert Lowell, but Lombardi shows that her reticence becomes a powerful artistic strategy resulting in poetry remarkable for its hermeneutic potential. Informed by recent gender criticism, Lombardi’s lucid argument advances our understanding of the ways the material circumstances of life can be transformed into art.
The Incredible Sestina Anthology
Author: Daniel Nester
Publisher: SCB Distributors
ISBN: 1938912373
Category : Poetry
Languages : en
Pages : 338
Book Description
More than 800 years after its invention in medieval France, the sestina survives and thrives in English. A fixed 39-line poetic form with of six stanzas of six lines each, followed by a three- line stanza known as an envoi, tornada, or tercet, the sestina is the one form of poetry that poets from all camps agree can exist in a free verse world. Formalists and avant-gardes love sestinas for their ornate, maddeningly complicated rules of word repetition. For The Incredible Sestinas Anthology, editor Daniel Nester has gathered more than 100 writers—from John Ashbery to David Lehman to Matt Madden and Patricia Smith—to show the sestina in its many incarnations: prose and comic sestinas, collaborative and double sestinas, from masters of the form to brilliant one-off attempts, all to show its evolution and the possibilities of this dynamic form.
Publisher: SCB Distributors
ISBN: 1938912373
Category : Poetry
Languages : en
Pages : 338
Book Description
More than 800 years after its invention in medieval France, the sestina survives and thrives in English. A fixed 39-line poetic form with of six stanzas of six lines each, followed by a three- line stanza known as an envoi, tornada, or tercet, the sestina is the one form of poetry that poets from all camps agree can exist in a free verse world. Formalists and avant-gardes love sestinas for their ornate, maddeningly complicated rules of word repetition. For The Incredible Sestinas Anthology, editor Daniel Nester has gathered more than 100 writers—from John Ashbery to David Lehman to Matt Madden and Patricia Smith—to show the sestina in its many incarnations: prose and comic sestinas, collaborative and double sestinas, from masters of the form to brilliant one-off attempts, all to show its evolution and the possibilities of this dynamic form.
Atlantic Poets
Author: Maria Irene Ramalho Sousa Santos
Publisher: UPNE
ISBN: 9781584652205
Category : American poetry
Languages : en
Pages : 388
Book Description
An important new reading of Portugal's greatest poet.
Publisher: UPNE
ISBN: 9781584652205
Category : American poetry
Languages : en
Pages : 388
Book Description
An important new reading of Portugal's greatest poet.
An Eames Anthology
Author: Charles Eames
Publisher: Yale University Press
ISBN: 0300212836
Category : Design
Languages : en
Pages : 421
Book Description
An Eames Anthology collects for the first time the writings of the esteemed American architects and designers Charles and Ray Eames, illuminating their marriage and professional partnership of fifty years. More than 120 primary-source documents and 200 illustrations highlight iconic projects such as the Case Study Houses and the molded plywood chair, as well as their work for major corporations as both designers (Herman Miller, Vitra) and consultants (IBM, Polaroid). Previously unpublished materials appear alongside published writings by and about the Eameses and their work, lending new insight into their creative process. Correspondence with such luminaries as Richard Neutra and Eero Saarinen provides a personal glimpse into the advance of modernity in mid-century America.
Publisher: Yale University Press
ISBN: 0300212836
Category : Design
Languages : en
Pages : 421
Book Description
An Eames Anthology collects for the first time the writings of the esteemed American architects and designers Charles and Ray Eames, illuminating their marriage and professional partnership of fifty years. More than 120 primary-source documents and 200 illustrations highlight iconic projects such as the Case Study Houses and the molded plywood chair, as well as their work for major corporations as both designers (Herman Miller, Vitra) and consultants (IBM, Polaroid). Previously unpublished materials appear alongside published writings by and about the Eameses and their work, lending new insight into their creative process. Correspondence with such luminaries as Richard Neutra and Eero Saarinen provides a personal glimpse into the advance of modernity in mid-century America.
Aesthetics
Author: Steven M. Cahn
Publisher: John Wiley & Sons
ISBN: 1118948327
Category : Philosophy
Languages : en
Pages : 853
Book Description
A revised second edition of the bestselling anthology on the major figures and themes in aesthetics and philosophy of art, the ideal resource for a comprehensive introduction to the study of aesthetics Aesthetics: A Comprehensive Anthology offers a well-rounded and thorough introduction to the evolution of modern thought on aesthetics. In a collection of over 60 readings, focused primarily on the Western tradition, this text includes works from key figures such as Plato, Hume, Kant, Nietzsche, Danto, and others. Broad in scope, this volume also contains contemporary works on the value of art, frequently-discussed continental texts, modern perspectives on feminist philosophy of art, and essays by authors outside of the community of academic philosophy, thereby immersing readers in an inclusive and balanced survey of aesthetics. The new second edition has been updated with contemporary essays, expanding the volume’s coverage to include the value of art, artistic worth and personal taste, questions of aesthetic experience, and contemporary debates on and new theories of art. This edition also incorporates new and more standard translations of Kant's Critique of the Power of Judgment and Schopenhauer's The World as Will and Representation, as well as texts by Rousseau, Hegel, DuBois, Alain Locke, Budd, Robinson, Saito, Eaton and Levinson. Presents a comprehensive selection of introductory readings on aesthetics and philosophy of art Helps readers gain a deep historical understanding and clear perspective on contemporary questions in the field Offers new essays specifically selected to promote inclusivity and to highlight contemporary discussions Introduces new essays on topics such as environmental and everyday aesthetics, evolutionary aesthetics, and the connections between aesthetics and ethics Appropriate for both beginning and advanced students of philosophical aesthetics, this selection of texts initiates readers into the study of the foundations of and central developments in aesthetic thought.
Publisher: John Wiley & Sons
ISBN: 1118948327
Category : Philosophy
Languages : en
Pages : 853
Book Description
A revised second edition of the bestselling anthology on the major figures and themes in aesthetics and philosophy of art, the ideal resource for a comprehensive introduction to the study of aesthetics Aesthetics: A Comprehensive Anthology offers a well-rounded and thorough introduction to the evolution of modern thought on aesthetics. In a collection of over 60 readings, focused primarily on the Western tradition, this text includes works from key figures such as Plato, Hume, Kant, Nietzsche, Danto, and others. Broad in scope, this volume also contains contemporary works on the value of art, frequently-discussed continental texts, modern perspectives on feminist philosophy of art, and essays by authors outside of the community of academic philosophy, thereby immersing readers in an inclusive and balanced survey of aesthetics. The new second edition has been updated with contemporary essays, expanding the volume’s coverage to include the value of art, artistic worth and personal taste, questions of aesthetic experience, and contemporary debates on and new theories of art. This edition also incorporates new and more standard translations of Kant's Critique of the Power of Judgment and Schopenhauer's The World as Will and Representation, as well as texts by Rousseau, Hegel, DuBois, Alain Locke, Budd, Robinson, Saito, Eaton and Levinson. Presents a comprehensive selection of introductory readings on aesthetics and philosophy of art Helps readers gain a deep historical understanding and clear perspective on contemporary questions in the field Offers new essays specifically selected to promote inclusivity and to highlight contemporary discussions Introduces new essays on topics such as environmental and everyday aesthetics, evolutionary aesthetics, and the connections between aesthetics and ethics Appropriate for both beginning and advanced students of philosophical aesthetics, this selection of texts initiates readers into the study of the foundations of and central developments in aesthetic thought.
The WordPress Anthology
Author: Mick Olinik
Publisher: Sitepoint
ISBN: 9780987153005
Category : Blogs
Languages : en
Pages : 0
Book Description
Written for developers, The WordPress Anthology will take you beyond the basics to give you a thorough overview of the WordPress universe. With a cookbook-style approach, you can pick and choose what you need from each chapter to suit your projects. Gain a comprehensive overview of installing, customizing and getting the most out of the web's most versatile content management system Dive into the inner mechanics of WordPress and make the code work the way you want Explore the world of plugins, themes and APIs to add extra functionality Adopt Multisite capabilities to host and manage your own centralized network of WordPress websites Learn how to launch your application on a global scale with localization techniques and marketing tips
Publisher: Sitepoint
ISBN: 9780987153005
Category : Blogs
Languages : en
Pages : 0
Book Description
Written for developers, The WordPress Anthology will take you beyond the basics to give you a thorough overview of the WordPress universe. With a cookbook-style approach, you can pick and choose what you need from each chapter to suit your projects. Gain a comprehensive overview of installing, customizing and getting the most out of the web's most versatile content management system Dive into the inner mechanics of WordPress and make the code work the way you want Explore the world of plugins, themes and APIs to add extra functionality Adopt Multisite capabilities to host and manage your own centralized network of WordPress websites Learn how to launch your application on a global scale with localization techniques and marketing tips
Beautiful Enemies
Author: Andrew Epstein
Publisher: Oxford University Press
ISBN: 0190292717
Category : Literary Criticism
Languages : en
Pages : 376
Book Description
Although it has long been commonplace to imagine the archetypal American poet singing a solitary "Song of Myself," much of the most enduring American poetry has actually been preoccupied with the drama of friendship. In this lucid and absorbing study, Andrew Epstein argues that an obsession with both the pleasures and problems of friendship erupts in the "New American Poetry" that emerges after the Second World War. By focusing on some of the most significant postmodernist American poets--the "New York School" poets John Ashbery, Frank O'Hara, and their close contemporary Amiri Baraka--Beautiful Enemies reveals a fundamental paradox at the heart of postwar American poetry and culture: the avant-garde's commitment to individualism and nonconformity runs directly counter to its own valorization of community and collaboration. In fact, Epstein demonstrates that the clash between friendship and nonconformity complicates the legendary alliances forged by postwar poets, becomes a predominant theme in the poetry they created, and leaves contemporary writers with a complicated legacy to negotiate. Rather than simply celebrating friendship and poetic community as nurturing and inspiring, these poets represent friendship as a kind of exhilarating, maddening contradiction, a site of attraction and repulsion, affinity and rivalry. Challenging both the reductive critiques of American individualism and the idealized, heavily biographical celebrations of literary camaraderie one finds in much critical discussion, this book provides a new interpretation of the peculiar dynamics of American avant-garde poetic communities and the role of the individual within them. By situating his extensive and revealing readings of these highly influential poets against the backdrop of Cold War cultural politics and within the context of American pragmatist thought, Epstein uncovers the collision between radical self-reliance and the siren call of the interpersonal at the core of postwar American poetry.
Publisher: Oxford University Press
ISBN: 0190292717
Category : Literary Criticism
Languages : en
Pages : 376
Book Description
Although it has long been commonplace to imagine the archetypal American poet singing a solitary "Song of Myself," much of the most enduring American poetry has actually been preoccupied with the drama of friendship. In this lucid and absorbing study, Andrew Epstein argues that an obsession with both the pleasures and problems of friendship erupts in the "New American Poetry" that emerges after the Second World War. By focusing on some of the most significant postmodernist American poets--the "New York School" poets John Ashbery, Frank O'Hara, and their close contemporary Amiri Baraka--Beautiful Enemies reveals a fundamental paradox at the heart of postwar American poetry and culture: the avant-garde's commitment to individualism and nonconformity runs directly counter to its own valorization of community and collaboration. In fact, Epstein demonstrates that the clash between friendship and nonconformity complicates the legendary alliances forged by postwar poets, becomes a predominant theme in the poetry they created, and leaves contemporary writers with a complicated legacy to negotiate. Rather than simply celebrating friendship and poetic community as nurturing and inspiring, these poets represent friendship as a kind of exhilarating, maddening contradiction, a site of attraction and repulsion, affinity and rivalry. Challenging both the reductive critiques of American individualism and the idealized, heavily biographical celebrations of literary camaraderie one finds in much critical discussion, this book provides a new interpretation of the peculiar dynamics of American avant-garde poetic communities and the role of the individual within them. By situating his extensive and revealing readings of these highly influential poets against the backdrop of Cold War cultural politics and within the context of American pragmatist thought, Epstein uncovers the collision between radical self-reliance and the siren call of the interpersonal at the core of postwar American poetry.
Literature in the Making
Author: Nancy Glazener
Publisher:
ISBN: 0199390134
Category : Literary Criticism
Languages : en
Pages : 341
Book Description
In the eighteenth century, literature meant learned writings; by the twentieth century, literature had come to be identified with imaginative, aesthetically significant works, and academic literary studies had developed special protocols for interpreting and valuing literary texts. Literature in the Making examines what happened in between: how literature came to be more precisely specified and valued; how it was organized into genres, canons, and national traditions; and how it became the basis for departments of modern languages and literatures in research universities. Modern literature, the version of literature familiar today, was an international invention, but it was forged when literary cultures, traditions, and publishing industries were mainly organized nationally. Literature in the Making examines modern literature's coalescence and institutionalization in the United States, considered as an instructive instance of a phenomenon that was going global. Since modern literature initially offered a way to formulate the value of legacy texts by authors such as Homer, Cervantes, and Shakespeare, however, the development of literature and literary culture in the U.S. was fundamentally transnational. Literature in the Making argues that Shakespeare studies, one of the richest tracts of nineteenth-century U.S. literary culture, was a key domain in which literature came to be valued both for fuelling modern projects and for safeguarding values and practices that modernity put at risk-a foundational paradox that continues to shape literary studies and literary culture. Bringing together the histories of literature's competing conceptualizations, its print infrastructure, its changing status in higher education, and its life in public culture during the long nineteenth century, Literature in the Making offers a robust account of how and why literature mattered then and matters now. By highlighting the lively collaboration between academics and non-academics that prevailed before the ascendancy of the research university starkly divided experts from amateurs, Literature in the Making also opens new possibilities for envisioning how academics might partner with the reading public.
Publisher:
ISBN: 0199390134
Category : Literary Criticism
Languages : en
Pages : 341
Book Description
In the eighteenth century, literature meant learned writings; by the twentieth century, literature had come to be identified with imaginative, aesthetically significant works, and academic literary studies had developed special protocols for interpreting and valuing literary texts. Literature in the Making examines what happened in between: how literature came to be more precisely specified and valued; how it was organized into genres, canons, and national traditions; and how it became the basis for departments of modern languages and literatures in research universities. Modern literature, the version of literature familiar today, was an international invention, but it was forged when literary cultures, traditions, and publishing industries were mainly organized nationally. Literature in the Making examines modern literature's coalescence and institutionalization in the United States, considered as an instructive instance of a phenomenon that was going global. Since modern literature initially offered a way to formulate the value of legacy texts by authors such as Homer, Cervantes, and Shakespeare, however, the development of literature and literary culture in the U.S. was fundamentally transnational. Literature in the Making argues that Shakespeare studies, one of the richest tracts of nineteenth-century U.S. literary culture, was a key domain in which literature came to be valued both for fuelling modern projects and for safeguarding values and practices that modernity put at risk-a foundational paradox that continues to shape literary studies and literary culture. Bringing together the histories of literature's competing conceptualizations, its print infrastructure, its changing status in higher education, and its life in public culture during the long nineteenth century, Literature in the Making offers a robust account of how and why literature mattered then and matters now. By highlighting the lively collaboration between academics and non-academics that prevailed before the ascendancy of the research university starkly divided experts from amateurs, Literature in the Making also opens new possibilities for envisioning how academics might partner with the reading public.