Organ Institute Quarterly PDF Download
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Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 332
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Book Description
Author: Corliss Richard Arnold
Publisher: Scarecrow Press
ISBN: 1461670268
Category : Music
Languages : en
Pages : 399
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Book Description
Now in paperback! Cloth edition 0-8108-2964-9 originally published in 1995.
Author: Douglas Bush
Publisher: Routledge
ISBN: 1135947961
Category : Art
Languages : en
Pages : 694
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Book Description
The Encyclopedia of Organ includes articles on the organ family of instruments, including famous players, composers, instrument builders, the construction of the instruments, and related terminology. It is the first complete A-Z reference on this important family of keyboard instruments. The contributors include major scholars of music and musical instrument history from around the world.
Author: Douglas Earl Bush
Publisher: Psychology Press
ISBN: 0415941741
Category : Organ (Musical instrument)
Languages : en
Pages : 696
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Book Description
Organ, Volume 3 of the Encyclopedia of Keyboard Instruments, includes articles on the organ family of instruments, including famous players, composers, instrument builders, the construction of the instruments and related terminology. It is the first complete reference on this important family of keyboard instruments that predated the piano. The contributors include major scholars of music and musical instruments from around the world.
Author: Minnesota Historical Society
Publisher:
ISBN:
Category :
Languages : en
Pages : 216
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Book Description
Author: Minnesota Historical Society
Publisher:
ISBN:
Category : Minnesota
Languages : en
Pages : 498
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Book Description
Author: Christopher S. Anderson
Publisher: Routledge
ISBN: 1136497900
Category : Music
Languages : en
Pages : 369
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Book Description
This volume explores twentieth-century organ music through in-depth studies of the principal centers of composition, the most significant composers and their works, and the evolving role of the instrument and its music. The twentieth-century was a time of unprecedented change for organ music, not only in its composition and performance but also in the standards of instrument design and building. Organ music was anything but immune to the complex musical, intellectual, and socio-political climate of the time. Twentieth-Century Organ Music examines the organ's repertory from the entire period, contextualizing it against the background of important social and cultural trends. In a collection of twelve essays, experienced scholars survey the dominant geographic centers of organ music (France, the Netherlands, Scandinavia, the United States, and German-speaking countries) and investigate the composers who made important contributions to the repertory (Reger in Germany, Messiaen in France, Ligeti in Eastern and Central Europe, Howells in Great Britain). Twentieth-Century Organ Music provides a fresh vantage point from which to view one of the twentieth century's most diverse and engaging musical spheres.
Author: Siegfried Emanuel Gruenstein
Publisher:
ISBN:
Category : Organ music
Languages : en
Pages : 936
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Book Description
Includes music.
Author: The Review of reviews
Publisher:
ISBN:
Category : Indexes
Languages : en
Pages : 280
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Book Description
Author: Barbara Owen
Publisher: Indiana University Press
ISBN: 9780253210852
Category : Music
Languages : en
Pages : 300
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Book Description
Each part starts with a brief description of the political and religious climate of the period and the way such factors affected the compositions and the organ-building of the time.
Author:
Publisher: Oxford University Press
ISBN: 0190904569
Category : Music
Languages : en
Pages : 977
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Book Description
Schoenberg's Correspondence with American Composers is the first edition of all known and available letters between Arnold Schoenberg and over seventy American composers written between 1915 and 1951, in English and English translation and with commentary. In six chronologically organized chapters, the correspondence first casts new light on Schoenberg's contacts with American composers before 1933, including correspondence with students and champions of his music (Israel Amter, James Francis Cooke, Henry Cowell, Edgar Varèse, and Adolph Weiss among others). The letters after 1933 show how Schoenberg gradually built a network of composer colleagues and friends, among them Mark Brunswick, Oscar Levant, Roger Sessions, Nicolas Slonimsky, Gerald Strang, with whom he discussed compositional ideas, specific musical works and writings, performances and the publication of his compositions. These letters also provide insight into his ideas about teaching in private settings, at the Malkin Conservatory and the University of California. The correspondence of his last years illuminates how the reception of Schoenberg's music in the United States was flourishing and how he attracted a growing number of disciples exploring twelve-tone composition. The book also qualifies the concept of and Schoenberg's association with the Second Viennese School. Schoenberg's Correspondence with American Composers not only illuminates a varied and vivid epistolary style, but clearly demonstrates Schoenberg's far-reaching connections in the American music world.
