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Author: Zoë Landale
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228015456
Category : Poetry
Languages : en
Pages : 81
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Book Description
Here we stand between one breath / and death asking to be light. What happens when someone we love dies? Orchid Heart Elegies explores the fragmentation of loss. In luminous poems that echo the Duino Elegies, Zoë Landale – like an edgy, modern-day Rilke – takes the reader to a place of amazement. Enquiring into loneliness and the transformative power of a particular bioregion, Landale’s poems use language infused with the consolations of music to enact transformation. Following in the tradition of thousands of years of lyrical poetry, they gently suggest that we can bear our lives, no matter the pain, by means of a sole moment’s solace. Capturing the torn, jagged moments of grief and transforming them into poems of deep consolation and healing, Orchid Heart Elegies will appeal to any reader who has lost someone dear to them.
Author: Zoë Landale
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228015456
Category : Poetry
Languages : en
Pages : 81
Get Book Here
Book Description
Here we stand between one breath / and death asking to be light. What happens when someone we love dies? Orchid Heart Elegies explores the fragmentation of loss. In luminous poems that echo the Duino Elegies, Zoë Landale – like an edgy, modern-day Rilke – takes the reader to a place of amazement. Enquiring into loneliness and the transformative power of a particular bioregion, Landale’s poems use language infused with the consolations of music to enact transformation. Following in the tradition of thousands of years of lyrical poetry, they gently suggest that we can bear our lives, no matter the pain, by means of a sole moment’s solace. Capturing the torn, jagged moments of grief and transforming them into poems of deep consolation and healing, Orchid Heart Elegies will appeal to any reader who has lost someone dear to them.
Author: Edward Carson
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228020115
Category : Poetry
Languages : en
Pages : 100
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Book Description
The poet Charles Simic wrote, “Short poems: be brief and tell us everything.” Edward Carson’s extraordinary new work gathers concise diptych – or twofold – poems exploring themes of love, relationships, myth, art, language, math, physics, geometry, and artificial intelligence. Within the two sections of twofold, “dialogues” and “binaries,” the form of the diptych shapes language and meaning as paired poems engage each other across the margins of facing pages. Caroline Bem, author of A Moveable Form, writes: “The diptych, you see, is beautiful. It is symmetry and difference, doubling and mirroring, binarism and seriality. It is the form of paradox, both open and closed, free and contained.” Negotiating surprising twinning combinations, comparisons, and outcomes, the poems in twofold are lively, thought-provoking, and playful interchanges that are also mischievously literate, questioning, and intuitive.
Author: Patrick James Errington
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228017882
Category : Poetry
Languages : en
Pages : 107
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Book Description
Here the long edge / of town Low / winter fog / ... My breath / my offering We are / our bodies burning Firmly rooted in fire-haunted landscapes that are at once psychological, emotional, and fiercely real, Patrick Errington’s first collection traces the brittle boundaries between presence and absence, keeping and killing, cruelty and tenderness. In these poems human voices whisper through the natural world – a hand turns on a lamp to extinguish the stars; stones outline a sleeping form; a black eye is a storm cloud. Errington stokes vivid images, formal grace, and subtle humour into the flickers of life that hold fast against unforgiving terrain. Here language functions like a controlled burn, one that could at any moment preserve, perfect, or reduce to ash. Urgent, resonant to the bone, the swailing burns to the ember-edge of grief, memory, and control to find the wildness, wilderness, and wonder that remain.
Author: John Baglow
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228018501
Category : Poetry
Languages : en
Pages : 131
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Book Description
and it was in these bare sands / that you fell, / beloved. When John Baglow's partner Marianne MacKinnon died in 2006, he decided to assemble a new collection of poems in her memory. No one else knew of what proved to be a slow-moving ambition, but a member of the family mentioned one evening that Marianne had appeared in a dream, saying, “Tell John to finish my book.” After that, what choice did he have? In a famous photograph by James Crombie, a murmuration of starlings takes, for a magical moment, the shape of a giant bird. This is the metaphor that best describes the collection: individual poems moving together in liquid formation, arcing and swooping as they will, and for perhaps just a singular moment assuming the outline of the author, helplessly ever-changing. Some of these poems, inspired by love, grief, and wonder, have been tucked away for years; others are freshly written. All here find their place. There is no narrative in Murmuration, no chronology. Nor are the many personal remembrances and representations in the book confined to one person. Nevertheless, together they are one way of seeing, one way of being. Marianne would approve.
Author: nancy viva davis halifax
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228019486
Category : Poetry
Languages : en
Pages : 106
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Book Description
i might never be no-one that shiny / the beauty of a sequin’d self / what was stitched into heaven’s drop The poems in act normal use illegibility and wilful uncertainty to evade the grasp of the normative, as endured by those institutionalized by, and through, the concept of normalcy. act normal starts in an institution where children categorized and constructed as intellectually inferior are placed into custodial care. These poems are inquisitive, articulating the entanglements of lives across categories of difference – particularly the lives of those who as children were considered to be other or less than human. Drawing upon conversations, archival materials, court cases, legislation, transcripts, and case histories, among other sources, nancy davis halifax’s poems destabilize categories of meaning – understanding disability and difference as “undecidability.” act normal is a movement of “feelingthought,” unsettling normative expectations and inviting readers to re-orient from the normative task of assuming the safety of consensual interpretation, while risking, cherishing, and performing non-indifference.
Author: Tanya Standish McIntyre
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228015790
Category : Poetry
Languages : en
Pages : 180
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Book Description
a keeper of things forgotten, a vase / for pictures made by words, a riverbed / for the stories you tell, an earthen silhouette / of a child With vivid imagery and endless compassion for her subjects, Tanya Standish McIntyre’s words breathe life. Her richly lyrical phrases capture both the fear and the beauty of growing up in a rural working-class community, anchored by the magical bond between a young girl and her grandfather. Way’s Mills, Quebec, is the setting for these poems, although as with Mark Twain’s Mississippi, physical place becomes a place in the heart in this elegy for lost ancestral farms. Standish McIntyre gives voice to the unspoken, shining a light into the dark corners of our collective memory to reveal an indelible past that gleams with clarity, empathy, and humanity. Taking seed in the dilapidated barns and warm sunlit rooms of Standish McIntyre’s personal history, these poems weave a filigree of well-worn remembrances and time-honoured treaties of the self, half forgotten yet ever lingering. Lucid, sharp, and crisp as spring water, this collection holds a sweeping narrative power that will stay with you long after the last line.
Author: John Reibetanz
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228017416
Category : Poetry
Languages : en
Pages : 134
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Book Description
For a change Orpheus / listens to the other / musicians once the hum / of his lyre no longer / hangs like moss from branches / in the forest air In New Songs for OrpheusJohn Reibetanz updates Ovid’s poetry. Ovid’s words showed him to be a person of deep empathy for natural, animal, and human worlds, and so Reibetanz posits that the Roman writer would likely be eager to take account of all that we have learned about them in the past two thousand years. Ovid would be familiar with recent discoveries about the complex inner lives and societies of non-human animals, and about the intricate interrelationships sustained in forests. The poems in New Songs for Orpheus look at and listen to the real creatures into which Ovid’s characters were transformed, acts viewed not as punishment or deprivation, but as a release into other intriguing forms of life. In the human realm, he might find a suitably cataclysmic counterpart to the Trojan War in the barbarities and sacrifices of World War II, or perhaps see an analogue to the Fall of Troy in the fall of the Two Towers in September 2001. The songs Orpheus sings then transform into more contemporary shapes, as characters and incidents from the Canadian musical Come from Away – like those in Ovid’s “restored” world after the flood – are celebrated in a reaffirmation of community after the divisive horrors of 9/11. In all these times and places, metamorphosis brings new meaning into a life, be it human, plant, or animal.
Author: John Emil Vincent
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228017394
Category : Poetry
Languages : en
Pages : 82
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Book Description
Injury the guide explained / is what / guides explain Chatty Cathy, while not the first talking doll, was certainly the most widely known, and the only one elevated to idiom. This unauthorized chronicle of her later career luridly illustrates the perils of reaching such linguistic heights with so very little to say. In The Decline and Fall of the Chatty Empire Jojo, Gypsy May, Marge, Tootles, and Cathy’s entire gang undertake an abject odyssey to celebrity. On their adventure, they have many picnics, listen to NPR inattentively, play charades, and discover sharp things hidden in love’s thick folds. They end where they began, unutterably broken and luminous. Returning to the snarfs and loving exasperation of his first book, Excitement Tax, John Emil Vincent swipes left and right like no one else writing today. Because why would they?
Author: Maureen Hynes
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228019621
Category : Poetry
Languages : en
Pages : 108
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Book Description
take the harp, take / the Fitbit and the Band-Aid box. Fold the whole / grey sheet of sky, lumpy and unalluring / into your rucksack. A strong theme of journeys is threaded through Take the Compass. In a sense, every poem is itself a journey – into the past or the present, or toward what we hope and fear for the future. Poems can be journeys of repair and recovery, adventure and discovery. However, even in pandemic times when our journeying is curtailed, or at least confined, when we are abiding in one physical location with chafing and restiveness, we are still travelling. One of those journeys is discovering where language can take us. Maureen Hynes’s poems travel through cities and their outskirts to rivers, forests, and graveyards. They travel in time into the troubled present, across decades into early childhood, and into our perilous collective futures, seeking guides for these explorations. The title poem addresses the search for tools and instruments that will “ward off adversity” – tools to help us move forward to our chosen destinations. Take the Compass calls on art and nature as invisible helpers, and on uncountable things – personal values and traits such as courage – to “break the bad news into nine living petals.” As with all her collections, Hynes shows a commitment to social justice, to acknowledging historical and contemporary inequities, to the search for sources of remedy, repair, and renewal, and to the sustaining power of love. The variety of poetic forms she has chosen lets this search carry the complexity and seriousness of its themes.
Author: Edward Carson
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228017505
Category : Poetry
Languages : en
Pages : 87
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Book Description
the body / knows what / it truly / wants yet / the mind / wavers all In Edward Carson’s provocative new work, the poetic moving parts of movingparts confront and breathe new life into what’s true and what’s not in Aesop’s fable "The Fox and the Crow," as well as the shifting, often fragmentary ground between what’s said and what’s not about identity and intimacy in Sappho’s lyrics. Reflecting the moment-to-moment ways our minds think, these poems take us from a creative process of disconnection and reassembly to a sonic pacing of words arising out of their stillness on the page. A flair for syntactical compression is found throughout, balanced by a capricious yet transforming diction, what John Ashbery described as seeking to stretch “the bond between language and communication.” Calling witness to the narratives of history while pivoting their reach forward to the present, the rhythms, allusions, and resulting outcomes of Carson’s use of language expand both narrative and discovery. movingparts is brought full circle when an unexpected historical connection between Sappho and Aesop is revealed, hinting that what is true or false in the past or present of our lives can arrive at an intimacy with and illumination of more than we imagine.
